JBL 1000 ARRAY User manual

®
PROJECT K2 S9800SE · S5800 · S4800 PROJECT ARRAY 1500 · 1400 · 1000 · 880 · 800
PROJECT K2®
PROJECT ARRAY™

2
INTRODUCING PROJECT
Our K2 was the creation of a loudspeaker
that would bring the unique JBL Profes-
sional listening experience to the home in
an uncompromising form.
And with the innovative Project K2 S9800,
JBL engineers created a reference loud-
speaker system for the 21st century. Now
the all-new K2 S9800 Special Edition scales
even greater heights. Effortlessly delivering
the full bandwidth and dynamics of even
the most demanding sources – without
suppression at any listening level –
Project K2 loudspeakers offer a sense of
realism and sonic accuracy that will trans-
port you to the concert hall.
It’s every music lover’s dream.
And now it’s come true.
FULL BANDWIDTH AND DYNAMICS,
AND EVERY EMOTION
THE MUSIC POSSESSES
In every field of human endeavor, there
is an ultimate objective – one of such
immense difficulty that many believe it
to be beyond the realm of the possible.
In mountaineering, scaling the Himalayan
peak K2 in the Karakoram of Pakistan is
such an objective. At 8610 meters, it is the
second highest mountain on Earth, and is
generally acknowledged to be the most
difficult and dangerous ascent of all.
Still, many are irresistibly drawn to the
challenge.
After successfully scaling our equivalent of
that formidable mountain, we understand a
little more about the complex matrix of
motivations and emotions that drives the
adventurer.
PROJECT K2 S9800SE K2 S5800 S4800
K2

4
1500AL Low-frequency driver
JBL K2 DEVELOPMENT TEAM
CUTTING-EDGE
TECHNOLOGIES
Put simply, Project K2 is what happens when
JBL’s expert team of engineers is given
a free hand, no budgetary constraints and
unlimited access to the world’s finest research
and development facilities.
Taking full advantage of proprietary JBL
technologies and six decades of experience in
professional and consumer audio, Project K2
embodies all the pride and passion for
engineering excellence passed down from
JBL’s founder and namesake, James B. Lansing.
The prize-winning K2 loudspeakers draw
heavily on JBL’s unrivalled experience with
high-sensitivity, high-performance horn sys-
tems and professional subwoofer systems.
The result is an engineering tour de force with
state-of-the-art sound.
Employing newly developed, cutting-edge tech-
nologies, including a next-generation Alnico
woofer and a unique dual-compression-driver
Concert hall
realism and
sonic accuracy
Die-cast-aluminum-
motor unit cover
with heatsinks for
cooling
25mm (1") Beryllium
compression driver
super tweeter
75mm (3") Beryllium
compression driver
Rapid-flare phase
plug for minimal
secondary distortion
high-frequency system, Project K2 consists of
three reference speaker systems capable of
delivering the extended musical bandwidth
and exceptional dynamic performance
demanded by today’s advanced digital media.
Grace and ease
at any listening level
Superbly detailed, outstandingly dynamic
and capable of breathtaking power, the
Project K2 Series will reveal crucial sub-
tleties and emotional elements in your
favorite music that you’ve never experi-
enced before.
And it does so with grace and ease, even at
larger-than-life listening levels.
In celebration of the success of the JBL K2
S9800, we raise the bar even higher with the
K2 S9800 Special Edition by employing key
sonic upgrades (aluminum-metalized
polypropylene film capacitors) and an even
more luxurious finish. The critically acclaimed
K2 S5800 uses the advanced components
and technologies expressly designed for the
K2 Series in the service of your listening
pleasure. And by popular demand, the S4800
brings revolutionary K2 sound and styling to
small- to medium-sized rooms for superlative
fidelity and musical realism.
PROJECT K2 S9800SE K2 S5800 S4800
TIMOTHY
PRENTA
Director,
JBL Consumer
Engineering
JBL Consumer
Products
DANIEL
ASHCRAFT
President &
Creative
Director
Ashcraft Design
DOUGLAS
BUTTON
Vice
President,
Research &
Development
JBL Professional
JERRY
MORRO
Senior
Transducer
Engineer
JBL Consumer
Products
GREG
TIMBERS
Chief Systems
Engineer
JBL Consumer
Products

SPEC
K2
PROJECT K2 S9800SE K2 S5800 S4800

7
Do you crave the performance of a full-blooded professional loud-
speaker, but refuse to allow “professional” aesthetics to upset your
domestic harmony?
The solution is simple: JBL Project K2.
Music lovers can now savor the magnificent authority of an orchestra
in full flight or experience a rock concert recording at realistic levels
through a loudspeaker designed for the home environment.
JBL K2 – The best of both worlds.
IFICATIONS
K2 S9800SE K2 S5800 S4800
Description 3-Way Floorstanding Speaker 3-Way Floorstanding Speaker 3-Way Floorstanding Speaker
Frequency 45Hz – 50kHz (–6dB) 50Hz – 40kHz (–6dB) 55Hz – 40kHz (–6dB)
Response
Power Handling 400 Watts RMS 300 Watts RMS 300 Watts RMS
Bass Extension 35Hz (–10dB) 28Hz (–10dB) 55Hz (–6dB)
Crossover 800Hz, 10kHz 800Hz, 10kHz 900Hz, 8kHz
Frequencies
Sensitivity 92dB 95dB 93dB
(2.83V/1m)
Nominal 8 Ohms 8 Ohms 8 Ohms
Impedance
Dimensions 1295mm x 508mm x 375mm 1245mm x 432mm x 413mm 1067mm x 501mm x 372mm
(H x W x D) (51" x 20" x 14-3/4") (49" x 17" x 16-1/4") (42" x 19-3/4" x 14-5/8")
(height with spike feet –
1086mm/42-3/4")
Weight 90kg/198 lb 84kg/185 lb 65kg/143 lb
K2 S9800SE BG K2 S9800SE WG K2 S5800 S4800
High-gloss-black zebrawood High-gloss mahogany High-gloss cherry Cherry

Aluminum-
Alloy Cover
Stainless-Steel
Mounting
Bracket
1-Inch (25mm)
Pure-Beryllium
Diaphragm
Gold-Plated
Input Terminal
Edge-Wound
Voice Coil
Phase Plug
Neodymium
Magnet
Aluminum-
Alloy Cover
3-Inch (75mm)
Pure-Beryllium
Diaphragm
Binding-
Post Input
Terminal
Neodymium
Magnet
Phase Plug
Aluminum
Edge-Wound
Voice Coil
Aluminum-
Alloy Frame
Dual, Inverted,
Nomex®
Spiders
Flux-Stabilization
Ring
Alnico 5DG
Magnet
Steel- and
Copper-
Laminated
Outer-Gap
Sleeve
Assembly
Aluminum-
Alloy Cover
Foam Rubber
Surround
Paper-Pulp-
Composite Cone
Polepiece
4-Inch (100mm)
Voice Coil With
Aluminum Edge-
Wound Wire
Motor Pot
Terminal
5-Way Binding
Posts
045Be Compression Driver
435Be Compression Driver
1500AL Low-Frequency Driver

9
30
50
60
70
80
90
100
100
HF LF UHF
1k 10k 20k 50k
Hz
COMPONENTS
COME TOGETHER
PROJECT K2 S9800SE K2 S5800 S4800
In the right hands, a loud-
speaker can become so
much more than the mere
sum of its parts
Light yet rigid materials such as titanium,
beryllium and aluminum have been carefully
selected for the K2 compression drivers for
their speed and responsiveness.
The horns are cast in proprietary JBL
SonoGlass™
, an extremely dense and mechani-
cally inert substance that is easily molded into
the unusual shapes required for superior
acoustic performance.
The specially developed JBL bass drivers
employ a symmetrical double-damping structure
of Nomex®to cancel asymmetrical, nonlinear
motion, which reduces harmonic distortion.
A newly developed lightweight, low-loss,
EPDM foam-rubber surround ensures durabili-
ty. Cone curvature is computer-modeled for
maximum precision of movement.
The resonance-free K2 enclosures are crafted
of highly rigid, heavily braced MDF. The flared
reflex ports are optimized to eliminate reso-
nances. Two sets of large, gold-plated binding
posts allow for bi-wiring or bi-amplification.
JBL horns deliver uniform
sound pressure to the
listening area
JBL’s Charge-Coupled Linear Definition™sys-
tem applies DC bias to the capacitor, eliminat-
eliminate distortion at high power levels.
A Symmetrical Field Geometry™(SFG™) circuit
creates vertical symmetry and generates a
constant magnetic-flux density across the
width and length of the voice-coil gap.
The 75mm (3") beryllium (435Be) high-
frequency compression driver features an
Aquaplas-coated diaphragm and 25mm-throat
Bi-Radial®horn. The 25mm (1") beryllium
(045Be) super-tweeter compression driver is
mounted in a 12.8mm (0.5"), throat Bi-Radial
horn.
The K2 S9800SE crossover can be bypassed
for active bi-amplification via an external
crossover.
Horns are cast in JBL’s pro-
prietary SonoGlass™material
K2 S5800 and 4800
Both speakers are fitted with a 75mm (3")
aluminum-diaphragm compression driver
(435Al) and a 25mm (1") titanium-diaphragm
compression driver (045Ti). Both drivers
employ aluminum ribbon voice coils and
neodymium magnets for high output, high
sensitivity and high durability.
The K2 S5800 380mm (15") (1500FE) and
S4800 300mm (12") (1200FE) bass drivers are
designed for large excursion and power
linearity with ferrite magnets and JBL’s new
SFG magnetic circuit.
ing crossover distortion at zero electric
potential in the K2 S9800SE and K2 S5800.
By precisely matching the roll-off of each
transducer to ensure smooth, flat frequency
response in the crossover range, and by
achieving a swift transition between fre-
quency ranges, the K2 Series offers an
exceptionally wide vertical listening angle.
A high-frequency trim switch lets the user
fine-tune performance to suit personal pre-
ferences and room acoustics.
K2 S9800SE
Successor to the revered K2 S9800, the K2
S9800 Special Edition represents a signifi-
cant leap forward in sound and design.
Incorporating aluminum-metalized
polypropylene film capacitors for enhanced
clarity and detail, the K2 S9800SE is an ultra-
high-end statement of striking sculptural
elegance, available in luxurious wood-gloss
and black-gloss finishes.
The K2 S9800SE employs a 380mm (15")
(1500AL) woofer with ribbed Aquaplas-coat-
ed pulp cone, Alnico magnet and 100mm (4")
edge-wound voice coil. Aquaplas applied to
the rear periphery of the cone helps to

10
THE MUSIC, REVEALED
NYLON STOCK-
INGS, FILM NOIR,
THE DAWN OF
AUDIO. James B.
Lansing leaves Western
Electric (where he led the
team that brought sound
to the movies) to start
JBL. First products: the
D130, an innovative high-
power, low-frequency
transducer, and a high-
frequency transducer
that’s still used by audio
professionals more than
50 years later.
BLUE SUEDE
SHOES,
MCCARTHY,
THE ELECTRIC
GUITAR. As rock ‘n’
roll is born, JBL becomes
the clear leader in studio
and theater sound. Leo
Fender chooses the D130
to amplify his electric
guitars. And
LIFE magazine
calls the JBL Hartsfield
the “dream speaker” for
the amazing new world
of hi-fi.
1940’s 1950’s

11
®
VIETNAM,
WOODSTOCK,
SPACE. JBL introduces
the legendary 4320. With a
high-frequency compression
driver and acoustic lens
in a four-way configuration,
it becomes the definitive
studio monitor of the Space
Age. And JBL becomes
standard equipment at
major rock concerts.
Remember that little gath-
ering at Woodstock?
(We’re with the band,
man.)
POLYESTER,
WATERGATE,
SATURDAY
NIGHT FEVER.
By 1976, a Billboard
survey ranks JBL studio
monitors number one.
And JBL Pro technology
comes home with the
L-100, a consumer version
of the 4300 Series, one of
the best-selling speakers
of the decade (and vastly
better looking than the
clothes of the era).
MIAMI VICE,
MASTERS OF
THE UNIVERSE,
MTV. The Academy
of Motion Picture Arts
and Sciences chooses
JBL components to
introduce 70mm Dolby®
stereo in showcase
theaters. JBL introduces
titanium diaphragms
and Bi-Radial®horns
in professional studio
monitors.
GEN X, DOT-
COMS, DVD.
JBL’s professional
innovations come thick
and fast: Vented Gap
Cooling,
™Optimized
Aperture™horns, rapid-
flare low-distortion
compression drivers.
JBL corners the THX®
cinema market. And JBL
near-field studio monitors
lead in 5.1 and 7.1 sound
mixing and mastering.
WITH PROJECT
ARRAY, JBL introduces
the first of an innovative new
generation of high-performance
loudspeakers that combine
advanced compression drivers
and direct radiation technology.
Derived directly from JBL
Professional systems at use in
movie theaters and concert
venues worldwide, Project
Array speakers are built for the
ultrahigh-frequency sampling
rates of the newest digital
sources, including SACD.
™And
the unconventional design
ensures that you’ll actually hear
all the nuances of the original
performance.
1960’s 1970’s 1980’s 1990’s TODAY

PROJECT

13
ARRAY
PROJECT ARRAY 1500 · 1400 · 1000 · 880 · 800
You may never have seen anything like them.
But you’ve been hearing something very
much like them for years – behind the
screen of your favorite movie theater and
overhead in the rigging at major concert
events. Now JBL Project Array brings pro-
fessional venue-style speakers home for the
first time.
Project Array loudspeakers are professional
designs optimized to create a home theater
to please the most demanding Hollywood
director or composer. If movies are an
important part of your life, you’ll appreciate
the difference. More important, you’ll enjoy
the professionally inspired, audiophile-grade
sound on a daily basis.
JBL Pro Cinema Comes Home™
INTRODUCING
1400 Array 1000 Array 800 Array 880 Array 1500 Array

ARR

15
AY A new level of dimensional
accuracy and tonal and
dynamic realism
JBL Project
Array floor-
standing loud-
speakers employ
advanced
Aquaplas-treated
high-frequency
transducers and
titanium-
diaphragm ultra-
high-frequency
drivers in an extremely dense and rigid free-
standing horn. The unconventional look of the
horn assembly produces an equally unconven-
tional sound: brilliantly clean highs, into the
ethereal realm of 40kHz, delivered directly to
the listener’s ears.
The straighter the path from the high-frequency
transducers to your ears, the better and more
lifelike the sound.
Constant-directivity horns
deliver massive yet highly
accurate sound
Combining our proprietary horn systems with
a fast bass driver in the time-honored JBL
Professional tradition, Project Array brings a
new level of dimensional accuracy to the tonal
and dynamic realism JBL is justly famous for.
Project Array is the latest innovation from
Greg Timbers, JBL’s chief systems engineer,
who has been behind many acclaimed and
award-winning loudspeakers over the years,
including the 43 Series monitors and Project K2.
PRO SOUND
JBL leads the world in the design and manu-
facture of professional audio equipment. JBL
is how movie soundtracks and music record-
ings are created, mixed and mastered. JBL
is how audio professionals work with sound,
and how the rest of the world hears it. Live
or recorded, indoors or out, JBL has set the
standard of realism for 60 years.
Classic JBL high- and ultra-
high-frequency sound and
pulse-pounding bass
Now Project Array brings the JBL Pro Sound
home. With the technologies professionals
are accustomed to and the uncompromised
quality they insist upon, Project Array is home
entertainment to delight the most critical lis-
teners, including those who listen for a living.
One (often-overlooked) key to realistic, full-
spectrum dynamics and 360-degree imaging
is constant directivity from high-frequency
drivers. While bass and midrange frequencies
can survive some interaction with walls and
furniture, high and ultrahigh frequencies are
greatly diminished by it, especially at high
listening levels.
PROJECT ARRAY 1500 · 1400 · 1000 · 880 · 800

N

17
30
50
60
70
80
90
100
100
HF LF UHF
1k 10k 20k 50k
Hz
Project Array draws on more
than half a century of
innovative JBL engineering
Aluminum compression driver
The neodymium motor and edge-wound voice
coil of Kapton®-encapsulated aluminum wire
drive a 75mm (3") Aquaplas-treated aluminum
dome mounted in a rigid, constant-directivity
horn. This is the secret behind the three-
dimensional imaging of JBL Project Array.
Titanium super tweeter
The edge-wound voice coil attached directly
to a 25mm (1") titanium diaphragm and driven
by a 50mm (2") neodymium motor assembly
delivers uniform response out to 40kHz. The
vertical SonoGlass constant directivity horn
maintains an optimum dispersion pattern of
60 degrees x 30 degrees.
Classic JBL bass drivers
The Project Array woofers are all based on
acclaimed JBL Professional bass drivers.
They employ massive ferrite motor assem-
blies, edge-wound copper voice coils and
durable rubber surrounds to drive an essen-
tially inert Aquaplas-coated pulp-cone assem-
bly. Built to play loud and long, they proudly
reflect their professional heritage.
Unique enclosure
The trapezoidal low-frequency internal enclo-
sure is constructed of heavily braced 1-1/2"
MDF. A raised-top cavity minimizes diffraction
from the exposed high-frequency horn. Brass
spikes couple the external enclosure to the
floor. Project Array lives up to JBL’s long-
standing reputation for rugged construction.
All Array loudspeakers are available in the
same rich, luxurious black zebrawood finish
as the K2 S9800 Special Edition.
Seamless system integration
Project Array crossovers use 4th-order
acoustic transitions, ultralow-loss inductors
and polypropylene capacitors. The high and
ultrahigh crossover sections are isolated on
a separate board in a different section of the
enclosure to minimize crosstalk with the
low-frequency crossover.
Flexible system building
1400 ARRAY is a three-way floor-
standing design featuring the LE14H-3
350mm (14") Aquaplas-treated pulp cone
driver with 100mm (4") copper voice coil, the
045Ti 25mm (1") pure- titanium compression
driver and the 435AL-1 75mm (3") Aquaplas-
treated aluminum-dome compression driver.
1000 ARRAY is a three-way floorstanding
design featuring the Array 10 250mm (10")
polymer-treated pulp-cone driver with 38mm
(1-1/2") copper edge-wound voice coil, the 045Ti
25mm (1") pure-titanium compression driver and
the 175Nd-3 44mm (1-3/4") Aquaplas-treated
aluminum-dome compression driver.
800 ARRAY is a three-way bookshelf
design featuring the Array 8 200mm (8")
polymer-treated pulp-cone driver with
38mm (1-1/2") copper voice coils wound on an
aluminum former, the 045Ti 25mm (1") pure-
titanium compression driver and the 175Nd-3
44mm (1-3/4") Aquaplas-treated aluminum-
dome compression driver. The dual bass drivers
are mounted on angled baffles in an independent
trapezoidal enclosure.
880 ARRAY is a three-way dedicated cen-
ter loudspeaker featuring dual Array 8C 200mm
(8") polymer-treated pulp-cone drivers with
38mm (1-1/2") copper edge-wound voice coils,
the 045Ti 25mm (1") pure-titanium compression
driver and the 435AL 75mm (3") Aquaplas-
treated aluminum-dome compression driver.
1500 ARRAY is a potent subwoofer
capable of heart-stopping deep bass. It
incorporates a powerful W1500H 380mm (15")
bass driver with 100mm (4") copper edge-
wound voice coil and a dedicated 1000-watt
Class D digital power amplifier mounted in a
trapezoidal enclosure.
PROJECT ARRAY 1500 · 1400 · 1000 · 880 · 800
NUMBER ONE
ENGINEERING
1400 Array 1000 Array 800 Array 880 Array 1500 Array

18
ARRAY
Description Frequency Power Sensitivity Nominal
Response Handling (1W @ 1m) Impedance
1400 3-Way, 350mm (14") 32Hz – 40kHz 300 Watts 89dB 8 Ohms
Array Floorstanding
Speaker
1000 3-Way, 250mm (10") 35Hz – 40kHz 200 Watts 89dB 8 Ohms
Array Floorstanding Speaker
800 3-Way, 200mm (8") 55Hz – 40kHz 200 Watts 88dB 8 Ohms
Array Bookshelf Speaker
880 3-Way, Dual 70Hz – 40kHz 200 Watts 90dB 8 Ohms
Array 200mm (8")
Center Speaker
1500 375mm (15") 25Hz – 400Hz, N/A N/A N/A
Array 1000W Front-Firing Sub variable
SPECIFICATI
PROJECT ARRAY 1500 · 1400 · 1000 · 880

19
A Message From Greg Timbers,
JBL’s Chief Systems Engineer
I’ve long been a fan of compression-driver systems. They have a speed and
effortlessness unmatched by direct-radiator systems. Current hardware is
very low in distortion, has smooth frequency response and can be designed
to have very smooth, consistent directivity patterns. However, I’ve always felt
that, as good as the three-dimensional image provided by these systems is,
it could be even better.
Since many of the best sounding direct-radiator systems have minimal baffle areas, particularly around the
mid- and high-frequency drivers, it was reasonable to conclude that minimizing baffle area and diffraction
around a horn might improve imaging and frequency response. This is the major design concept behind the
Array Series. The horn has been oriented to minimize width, and to position the diffraction slot within the horn
in the vertical plane. Next, the top of the LF enclosure has been cut away so the horn is nearly freestanding.
The horn enclosure is minimal and heavily windswept, again to minimize diffraction. The final major feature is
the capability of the horn to be moved forward or back without creating baffle discontinuities. This allows the horn
HF and LF driver to be lined up in the depth direction to achieve the best time behavior over a large frequency
range. This also allows the drivers to be “in polarity” in addition to “in phase” at the crossover point. The sum
total of these main features is a loudspeaker system with the speed and dynamics of a compression-driver
system, but with the smoothness and imaging of the best direct-radiator and panel systems.
The industrial design of the system was quite a challenge. Having established a number of important criteria
regarding the relative location and packaging of each transducer, it became necessary to consider a less
conventional design. The LF enclosure needed to be heavy, solid and vibration free. In addition, it needed to
allow the horn module to sit as low as possible to reduce the center-to-center distance between the LF
and HF drivers. The horn itself is molded from a high-density resin material using an extremely thick wall
section. This makes the horn heavy and acoustically inert. The horn is mounted directly to the top of the
LF enclosure in a rigid manner. Experiments during development revealed that decoupling the horn from
the LF enclosure adversely affected the three-dimensional image. The horn enclosure is molded in structural
foam, again with a thick wall section.
The woofer section and high-frequency horn section are acoustically joined by a sophisticated crossover
network. The low-frequency and high-frequency sections of the network are located on separate circuit
boards mounted in different places within the enclosure to minimize interference between the different filter
sections of the crossover. The acoustic-crossover slopes are all 4th order (24dB/octave), and the horn-module
location has been optimized in the depth location for minimum time error over a large frequency range.
The 880 Array (center channel) has been designed to have the same timbral and phase behavior as the tower
systems. This is essential in a multichannel setup to ensure proper decoding of the source material, which
was most probably mixed using identical speakers at all positions. Five (or seven) identical speakers are the
best way to re-create the sound space that the authors of the recording intended. Unfortunately, the size and
cost of five front speakers are often problematic. A large center speaker is also a major problem for anything
but a perforated front-projection screen. Designing a compact yet powerful dedicated center speaker is quite
a challenge, particularly when the other models in the lineup perform so well. Obviously, using identical or
similar transducers is very important. It’s also necessary to match frequency response, directivity response,
distortion characteristics and phase response. In the case of the Array Series, all four models have been
optimized to work with each other in any combination of front, center and rear.
We feel the new Array Series exemplifies the best of JBL’s tradition and heritage, while clearly taking advantage
of our ultramodern research and development facility. We hope you’ll enjoy every minute of listening.
Regards,
Greg Timbers
JBL Chief Systems Engineer
Dimensions Weight
(H x W x D)
1181mm x 394mm x 483mm 52kg/115 lb
46-1/2" x 15-1/2" x 19"
1105mm x 311mm x 432mm 32kg/70 lb
43-1/2" x 12-1/4" x 17"
743mm x 273mm x 356mm 18kg/40 lb
29-1/4" x 10-3/4" x 14"
311mm x 730mm x 279mm 21kg/46 lb
12-1/4" x 28-3/4" x 11"
584mm x 495mm x 483mm 57kg/125 lb
23" x 19-1/2" x 19"
533mm (21") Deep with grille
ONS
· 800

®
PRO SOUND
COMES HOME™
Harman Consumer Group, Inc.
2 route de Tours, 72500 Château du Loir, France
250 Crossways Park Drive, Woodbury, NY 11797, USA
8500 Balboa Boulevard, Northridge, CA 91329, USA
www.jbl.com
© 2006 Harman International Industries, Incorporated. All rights reserved.
JBL, Harman International, K2 and Bi-Radial are trademarks of Harman International Industries,
Incorporated, registered in the United States and/or other countries.
Project Array, Pro Sound Comes Home, Symmetrical Field Geometry (SFG), Charge-Coupled
Linear Definition, SonoGlass, Vented Gap Cooling, Optimized Aperture and Pro Cinema Comes
Home are trademarks of Harman International Industries, Incorporated.
THX is a registered trademark of THX Ltd. All rights reserved.
Dolby is a registered trademark of Dolby Laboratories.
Kapton and Nomex are registered trademarks of E.I. du Pont de Nemours and Company.
SACD is a registered trademark of Sony Electronics Inc.