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  9. Pioneer DC-Z93 User manual

Pioneer DC-Z93 User manual

STEREO
DOUBLE
CASSETTE
DECK
AMPLIFIER
DC-Z93
FM/AM
DIGITAL
SYNTHESIZER
TUNER
F-293/F-Z93L
STEREO
TURNTABLE
PL-Z93
Operating
Instructions
Thank
you
for
buying
this
PIONEER
product.
Please
read
through
these
operating
instructions
so
you
will
know
how
to
operate
your
model
properly.
After
you
have
finished
reading
the
instructions,
put
them
away
in
a
safe
place
for
future
reference.
In
some
countries
or
regions,
the
shape
of
the
power
plug
and
power
outlet
may
sometimes
differ
from
that
shown
in
the
explanatory
drawings.
However,
the
method
of
connecting
and
operating
the
unit
is
the
same.
LINE
VOLTAGE
SELECTOR
SWITCHES
Only
multi-voltage
models
are
provided
with
these
switches.
U.S.,_
Canadian,
European,
U.K.,
and
Australian
models
are
not
provided
with
this
switch.
Mains
voltages
in
Saudi
Arabia
are
127
V
and
220
V
only.
Never
use
this
model
with
110
V
setting
in
Saudi
Arabia.
Before
your
model
is
shipped
from
the
factory,
these
switches
are
set
to
the
power
requirements
of
the
destination;
nevertheless,
you
should
check
that
they
are
set
properly
before
plugging
the
power
cord
into
the
AC
outlet.
1.
Disconnect
the
power
cord.
2.
Use
a
medium-size
screwdriver.
3.
insert
the
screwdriver
into
the
groove
on
the
voltage
selectors
and
adjust
so
that
the
tip
of
the
arrow
points
to
the
voltage
value
of
your
area.
“This
product
complies
with
the
Radio
Interference
require-
ments
of
the
EC
(European
Community)
Directive
87/308/EEC.”
WARNING:
The
apparatus
shall
not
be
exposed
to
\two
VOLTAGE
SELECTORS
dripping
or
splashing.
IMPORTANT
1
CAUTION
RISK
OF
ELECTRIC
SHOCK
olen
[eam
el
ay)
The
lightning
flash
with
arrowhead,
within
an
equilateral
triangle,
is
intended
to
alert
the
user
of
the
presence
of
uninsulated
‘’dangerous
voltage’’
within
the
product's
enclosure
that
may
be
of
sufficient
magnitude
to
constitute
a
risk
of
electric
shock
to
persons.
CAUTION:
TO
PREVENT
THE
RISK
OF
ELECTRIC
SHOCK,
DO
NOT
REMOVE
COVER
{OR
BACK).
NO
USER-
SERVICEABLE
PARTS
INSIDE.
REFER
SERVICING
TO
QUALIFIED
SERVICE
PERSONNEL.
The
exclamation
point
within
an
equilateral
triangle
is
intended
to
alert
the
user
of
the
presence
of
important
operating
and
maintenance
(servicing)
instructions
in
the
literature
accompanying
the
appliance.
IMPORTANT
2
If
the
apparatus
is
fitted
with
AC
mains
power
outlet(s),
see
REAR
PANEL
FACILITIES
for
convenient
connection
of
additional
Hi-Fi
component{s).
Make
al!
connections
to
the
AC
outlet(s)
and
the
signal
terminals
first.
Connect
the
plug
to
the
wall
socket
last,
make
sure
that
the
power
switch
is
off.
FOR
USE
IN
THE
UNITED
KINGDOM
The
wires
in
this
mains
lead
are
coloured
in
accordance
with
the
following
code:
Blue:
Neutral
Brown:
Live
VY)
PIONEER’
The
future
of
sound
and
vision.
As
the
colours
of
the
wires
in
the
mains
lead
of
this
apparatus
may
not
correspond
with
the
coloured
marking
identifying
the
terminals
in
your
plug
proceed
as
follows:
The
wire
which
is
coloured
blue
must
be
connected
to
the
terminal
which
is
marked
with
the
letter
N
or
coloured
black.
The
wire
which
is
coloured
brown
must
be
connected
to
the
terminal
which
is
marked
with
the
letter
L
or
coloured
red.
Equipment
sold
in
the
U.K.
is
not
supplied
with
a
power
plug.
F-293/F-Z93L
¢
illustration
shows
U.K.
model.
INPUT
OUTPUT
2
<ARB1218>
CLOCK
ADU
SET
4
2
AKE
UPIWAKE-U
FRONT
1ONT
FRONT
siaiciie
Y
V7
Listening
area
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Shak
SURROUND
<ARB1218>
<ARB1218>
LOADING
BATTERIES
INTO
REMOTE
CONTROL
UNIT..........
5
PL-Z93
TURNTABLE
SET
UP.............:ccceceeeeeteeeeeeeeeeeeeeanene
5
CONNECTIONS
0...
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nec
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6
ANTENNA
CONNECTIONS
..........cccceceecece
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7
SURROUND
SYSTEM
PANEL!FAGILITIES
:ccicsccccccevsaecccitaceicstntsis
sduaasedetseeseseense
on
HOW
TO
HANDLE
CASSETTE
TAPES..........::seceeeeeeeeeseeeee
15
BASIC
OPERATIONS.
.........cccccececceeeeeeseeseseeeesseeeeeeeeeeeeees
GRAPHIC
EQUALIZER
CONTROLS
............ceceeeeeeeeneneeeeees
MICROPHONE
MIXING..........:ccccceeceeceeceesseeseeeeenees
2
CASSETTE
TAPE
RELAY
PLAYBACK
LOADING
BATTERIES
INTO
REMOTE
CONTROL
UNIT
1.
Open
the
rear
cover.
2.
Install
size
““AAA’’
(IEC
RO3/UM-4)
batteries
correctly
matching
polarity.
3.
Close
the
cover.
Incorrect
use
of
batteries
may
lead
to
leakage
or
rupture.
Always
be
sure
to
follow
these
guidelines:
A:
Always
insert
batteries
into
the
battery
compartment
correctly
matching
the
positive
+
and
negative
—
polarities,
as
indicated
inside
the
compartment.
B:
Never
mix
new
and
used
batteries.
C:
Batteries
of
the
same
size
may
have
different
voltages,
depending
on
their
type.
Do
not
mix
different
type
of
batteries.
CONTENTS
RELAY
RECORDING
........cccccccseecctsseecseceeaseneecescoseensraces
PARALLEL
RECORDING...
COPYING
TAPES
:.des:
3225224
bescastadinnggnatha
ca
deedbacaceae
teatiene
rad
TAPE
FADER
sh.
cicdacacsccevesaedieusstotctgenstanenetcnerestagees
dcesadacs
A.S.E.S.
(Auto
Synchro
Editing
System)
SLEEP
TIMER
eiiecetsuuctevectavsccceavsctacdss
races
ci
dehtesseeeseetiaaans
TIMER:
PLAYBACK.
.o33cc30c5e5
oS
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dveatoeresteeace’
TIMER
RECORDING
.............ceceeeeee
seen
neeee
ees
eeeees
MAINTENANCE
ies
ice
ses
edivcceaeccensssasecsegecsosavenees
TROUBLESHOOTING
..........ceceeceeeeeeeeeeee
nena
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SPECIFICATIONS
.........0ccccsscsccscserctcssesscnsecsececceserenerseeas
PL-Z93
TURNTABLE
SET
UP
S
E>
GD
EP
adaptor
Platter
mat
Platter
(You
will
find
this
taped
on
the
cabinet)
2.
Pinch
belt
on
inner
rim
between
thumb
and
forefinger.
3.
Slip
belt
over
finger
and
pull
out,
inserting
finger
in
hole.
4.
Insert
finger
from
top
of
platter
and
transfer
belt
to
forefinger.
5.
Lower
platter
onto
spindle.
6.
Release
belt
onto
pulley.
Pulley
Correct
®
Incorrect
oe
Ne
7.
Place
platter
mat
on
platter
(with
‘‘PIONEER”’
side
up).
8.
Remove
the
vinyl
band
holding
the
tonearm.
9.
Remove
the
tonearm
from
the
arm
rest.
a
ade
10.
Remove
the
stylus
cover.
5
<ARB1218>
CONNECTIONS
Refer
to
page
2
for
the
connections
diagram
@
Accessory
FM
antenna
@
Accessory
AM
loop
antenna
@
FM/AM
tuner
(F-Z93
or
F-Z93L)
@)
Turntable
(PL-Z93)
©)
Tuner
input/output
cord
©
Surround
speaker
system
@
CD
player
control
cord
Cassette
tape
deck
amplifier
@)
Turntable
output
cord
Speakers
cord
@)
Speaker
system
@
Power
cord
@
CD
player
(Separately
sold
PD-Z73T
or
PD-Z83M)
Digital
audio
tape
deck
(DAT)
or
video
cassette
recorder
(VCR)
@)
To
the
AC
wall
socket
Plug
the
power
cord
into
the
AC
wall
socket
only
after
all
the
connections
have
been
completed.
If
the
FM
antenna
terminal
of
the
FM/AM
tuner
is
a
PAL
connector
then
refer
to
connection
diagram
:
Proceed
as
foliows
with
the
set
up
and
connections.
1.
Place
the
cassette
tape
deck
amplifier
on
top
of
the
CD
player.
2.
Connect
the
CD
player
OUTPUT
jacks
to
the
cassette
tape
deck
amplifier
CD
INPUT
jacks
with
audio
cords.
If
using
this
unit
together
with
the
optional
CD
player
PD-Z73T
or
PD-Z83M,
connect
the
control
cord
@.
.
Place
the
tuner
on
top
of
the
cassette
tape
deck
amplifier.
.
Connect
the
tuner
input/output
cord
©
to
cassette
tape
deck
amplifier.
TUNER
CONNECTION
(Page
3,
diagram
[3
])_
Insert
the
connector
until
it
locks,
thus
ensuring
that
it
is
connected.
When
disconnecting
the
connector,
pull
it
in
the
opposite
direction
while
pressing
the
left
and
right
claws.
5.
Connect
the
FM
antenna
(1)
and
the
AM
loop
antenna
@
to
the
tuner’s
antenna
terminals.
6.
Place
the
turntable
on
top
of
the
tuner.
7.
Connect
the
turntable’s
cords
@)
to
the
cassette
tape
deck
amplifier’s
jacks.
If
using
the
turntable
PL-Z93,
connect
the
turntable’s
audio cords
"and
power
supply
cord
respectively
to
the
cassette
tape
deck
amplifier’s
PHONO
jacks
and
DC
12V
OUTPUT
jack.
If
using
a
different
turntable,
connect
its
audio
cord
and
ground
cord.
8.
Use
the
‘‘DAT/VIDEO”
jacks
for
connection
to
the
audio
input/output
jacks
of
a
DAT
or
VCR.
If
connecting
an
LD
player,
connect
the
LD
player’s
audio
output
jacks
to
the
‘‘DAT/VIDEO”
input
jacks.
NOTE:
®
Insert
the
plugs
securely
into
the
jacks.
Improper
connection
can
lead
to
sound
distortion
or
malfunction.
*
The
white
plug
is
for
the
left
channel
connection
and
the
red
plug
for
the
right
channel
connection.
Aw
9.
Connect
the
speaker
cords
(0
to
SPEAKERS
terminals.
Connect
the
’’
+’
terminals
on
the
cassette
tape
deck
amplifier
to
the
‘+’
terminals
on
the
speakers,
the
‘’—’’
terminals
on
the
cassette
tape
deck
amplifier
to
the
‘’
—
’’
terminals
on
the
speakers.
6
<ARB1218>
Connecting
the
speaker
cords.
1
.
Cutter
2
.
Speaker
cord
Twist
the
strands.
10
mm
3
=»
Push
away.
4.
Pull
back.
NOTE:
Do
not
allow
the
conductors
of
the
cords
to
project
out
of
the
terminals
or
to
come
into
contact
with
other
conductors.
A
breakdown
or
failure
may
occur
when
conductors
touch.
Speaker
impedance
Connect
speaker
systems
with
a
nominal
impedance
of
ranging
from
6
to
162.
Surround
speaker
connection
Connect
the
plugs
properly.
SURROUND.
SPEAKERS
(REAR)
1
i
¢—
Connect
a
speaker
system
having
a
nominal
impedance
of
16
2
or
R
L
more.
10.
Finally,
connect
the
power
cord
(2
to
the
AC
wall
socket
(5).
CONDENSATION
When
the
unit
is
brought
into
a
warm
room
from
previously
cold
conditions
or
when
the
room
temperature
is
suddenly
increased,
condensation
may
form
inside
and
the
unit
may
not
be
able
to
attain
its
full
performance.
In
cases
like
this,
allow
the
unit
to
stand
for
about
an
hour
or
raise
the
room
temperature
gradually.
ANTENNA
CONNECTIONS
Radio
reception
is
not
possible
unless
the
antenna
is
properly
connected.
The
strength
of
broadcast
signals
varies
from
one
area
to
another.
Signal
propagation
is
especially
poor
in
metropolitan
areas,
where
there
are
many
tall
buildings,
and
in
mountainous
areas.
Proper
antenna
installation
is
vital
to
good
reception.
FM
ANTENNA
FM
Antenna
Attachment
(Page
3,
diagram
[4]
)
Connect
the
accessory
FM
antenna
to
the
FM
terminals.
Stretch
the
antenna
out
to
its
full
‘“’T’’
shape,
and
affix
it
to
a
wall,
etc.
External
FM
antenna
installation
(Page
3,
diagram
[5]
)
Use
an
external
antenna
when
the
signals
from
the
station
are
weak
and
cannot
be
picked
up
by
the
accessory
FM
antenna,
or
when
the
sound
heard
is
accompanied
by
large
amounts
of
noise.
lf
the
FM
antenna
terminal
is
a
PAL
terminal
then
connect
as
shown
in
figure
[5
|-a.
If
the
FM
antenna
terminal
is
not
a
PAL
terminal,
then
connect
as
in
figure
[5]-b
if
using
a
75
Q
coaxial
cable.
AM
ANTENNA
The
AM
loop
antenna
supplied
with
the
tuner
should
be
connected
to
the
AM
antenna
terminals.
The
antenna
should
be
placed
at
a
distance
from
the
tuner,
and
should
not
be
allowed
to
touch
metallic
objects.
Avoid
placing
it
near
CD
players,
personal
computers,
television
sets,
and
other
devices
generating
radio
frequencies.
Setting
Up
the
AM
Antenna
(Page
3,
diagram
[6]
)
¢
Insert
the
clip
on
the
bottom
of
the
antenna
into
the
groove
on
the
leg.
©
To
permanently
fix
the
antenna,
screw
the
leg
to
a
wall
or
something
similar
before
assembling.
(fixing
the
antenna
in
the
direction
that
gives
the
best
reception).
¢
Place
the
antenna
on
a
level
surface
and
rotate
it
to
locate
the
orientation
that
yields
the
best
reception.
@
lead
wire
@
leg
SURROUND
SYSTEM
External
AM
antenna
(Page
3,
diagram
)
Indoor
AM
antenna
Provide
a
vinyl-coated
wire
(5
to
6
meters
long).
Secure
one
end
to
the
AM
terminal
and
the
other
end
to
a
wall
or
other
high
location.
Outdoor
AM
antenna
If
reception
is
still
poor
even
when
a
lead
antenna
has
been
stretched
out
indoors,
stretch
out
a
vinyl-coated
wire
and
secure
it
outdoors.
NOTE:
Do
not
detach
the
AM
loop
antenna
when
using
the
external
AM
antenna.
FM/AM
CHANNEL
STEP
SWITCH
This
switch
is
not
provided
on
models
for
Europe
or
U.K.
Adjustment
is
only
necessary
when
there
is
a
CHANNEL
STEP
switch
at
the
rear
panel.
The
CHANNEL
STEP
switch
is
located
on the
rear
panel
of
the
digital
synthesizer
tuner.
Before
the
tuner
leaves
the
factory,
this
switch
is
set
to
the
channel
step
standard
of
the
area
where
the
tuner
is
sold.
Depending
on
the
position
of
this
switch,
each
time
TUNING
switch
is
pressed,
the
frequency
display
changes
by
the
following
amount:
[100
kHz/10
kHz]
position
For
areas
with
channel
step
of
100
kHz
for
FM
and
10
kHz
for
AM.
[50
kHz/9
kHz]
position
For
areas
with
channel
step
of
50
kHz
for
FM
and
9
kHz
for
AM.
NOTE:
¢
/f
the
switch
is
set
to
the
wrong
position,
correct
tuning
may
not
be
possible.
Consult
your
dealer
if
you
are
not
sure
about
the
radio
channel
step
standard
in
your
area.
What
is
surround
sound?
With
ordinary
stereo,
sound
normally
comes
only
from
speakers
in
front
of
the
listener.
In
a
concert
hall
or
theater
though,
sound
reflected
from
the
walls
and
ceiling
reaches
the
listener
from
all
directions.
This
is
what
accounts
for
the
feeling
of
ambience
or
spaciousness
of
a
live
performance.
Surround
sound
works
to
reproduce
these
effects
to
produce
fuller,
more
“‘live’’
sound.
STEREO
WIDE
When
the
surround
speakers
are
not
connected,
the.
stereo
wide
function
may
be
activated.
This
function
enhances
the
stereo
effect.
Note
that
it
does
not
operate
in
the
case
of
a
monaural
source,
however.
Speaker
System
Placement
Examples
(Page
3,
diagram
[8])
The
sound
effects
obtained
in
a
surround
system
depend
on
speaker
placement.
Experiment
with
various
arrangements
to
find
the
one
most
suited
to
your
tastes.
Placing
the
speakers
slightly
higher
than
ear
level
contributes
to
sound
quality.
[Case
A]
Good
sound
dispersion;
recommended
for
movies,
etc.
[Case
B]
Sound
appears
to
come
from
directly
in
front
of
listener.
Good
for
listening
to
music
recordings.
[Case
C]
:
Offers
most
varied
effects;
good
for
watching
sports
programs
or
listening
to
live
recordings.
7
<ARB1218>
}
PANEL
FACILITIES
F-Z93/F-Z93L
DC-293
pararapa
@|©
O|©
VW
j
® © @
@
F-293/F-Z93L
8
<ARB1218>
PANEL
FACILITIES
®
®@
©
<ARB1218>
PANEL
FACILITIES
[
REAR
PANEL
FACILITIES
|
Tuner:
F-293/F-Z93L
|
@
FM/AM
ANTENNA
terminals
Antennas
must
be
connected
to
these
terminals:
otherwise
you
will
not
be
able
to
receive
stations.
See
page
7
for
details
on
ANTENNA
CONNECTIONS.
(@
CONTROL
OUT
jack
Connect
this
jack
to
the
CONTROL
IN
jack
of
CD
player
(PD-Z73T
or
PD-Z83M).
©
This
jack
enables
the
remote
control
unit
provided
with
the
cassette
tape
deck
amplifier
to
control
the
CD
player.
Also,
by
connecting
this
to
the
CONTROL
IN
jack
of
the
optional
CD
player,
it
is
possible
to
enjoy
synchronized
recording
of
compact
discs
on
the
cassette
deck
(Auto
Synchro
Editing
System:
A.S.E.S.).
(3)
TUNER
input/output
cord
Connect
to
the
TUNER
jack
of
the
cassette
tape
deck
amplifier.
Cassette
tape
deck
amplifier:
DC-Z293
(1)
TUNER
jacks
Connect
the
tuner
cord
here.
@
TURNTABLE
(DC
12
V
OUTPUT)
jack
This
jack
supplies
power
to
the
turntable.
(@
SURROUND
SPEAKERS
jacks
Connect
the
Surround
speaker
systems.
NOTE:
Connect
a
speaker
system
having
a
nominal
impedance
of
16
Q
or
more.
(4)
SPEAKERS
terminals
L:
Connect
the
left
speaker
system
as
seen
from
the
listening
position.
R:
Connect
the
right
speaker
system
as
seen
from
the
listening
position.
NOTE:
Connect
a
speaker
system
having
a
nominal
impedance
ranging
from
6Q
to
176Q.
©)
Ground
terminal
(GND)
Connect
this
to
the
ground
terminal
on
the
turntable
except
for
PL-Z93).
(©)
PHONO
input
jacks
Connect
the
output
cord
of
the
turntable
to
these
jacks.
@
DAT/VIDEO
jacks
IN:
Connect
to
audio
output
jacks
of
DAT,
LD
player
or
VCR,
etc.
OUT:
Connect
to
audio
input
jacks
of
DAT
or
VCR,
etc.
CD
input
jacks
Connect
to
output
jacks
of
a
CD
player.
@
AC
OUTLET
(SWITCHED
100
W
MAX)
Power
supplied
through
this
outlet
is
turned
on
and
off
by
the
cassette
tape
deck
amplifier’s
POWER
switch.
Total
electrical
power
consumption
of
connected
equipment
should
not
exceed
100
W.
10
<ARB1218>
NOTE:
Do
not
connect
appliances
with
high
power
consumption
such
as
heaters,
irons,
or
television
sets
to
the
AC
OUTLET
in
order
to
avoid
overheating
or
fire
risk.
This
can
cause
the
cassette
tape
deck
amplifier
to
malfunction.
Power
cord
Connect
this
to
the
AC
wall
socket.
|
FRONT
PANEL
FACILITIES
Tuner:
F-Z93/F-Z93L
@
CLOCK
ADJ
switch
Used
for
starting
the
clock
adjustment.
@
CHECK
switch
Used
for
confirming
timer
settings,
after
setting
for
timer
playback
or
timer
recording.
@
MEMORY
switch
Used
for
memorizing
stations.
When
the
switch
is
pressed,
the
frequency
display
will
flash.
To
memorize
the
frequency
of
any
station,
press
a
station
call
switch
while
the
frequency
display
flashes.
@
REMOTE
SENSOR
window
@
FM
MONO
switch
Turn
on
when
there
is
much
noise
during
reception
of
FM
stereo
broadcasts.
The
reproduced
sound
will
become
monaural
but
noise
will
be
reduced.
©
BAND
selector
switch
[For
model
F-293]
Each
time
this
switch
is
pressed,
FM
or
AM
reception
is
selected
alternately.
[For
model
F-Z93L]
Each
time
this
switch
is
pressed,
FM,
MW
or
LW
reception
is
selected
in
order.
@
Timer
selector
switches
[WAKE-UP
1,2]
Used
for
timer
playback
setting.
[REC]
Used
for
activating
timer
recording.
SET
switch
Used
for
current
time,
timer
playback,
and
timer
recording
setting.
@)-,
+
switches
[During
tuning]
Used
for
locating
stations.
Use
‘’—"’
switch
for
lower,
and
‘’+’’
switch
for
higher
frequencies.
[During
time
and
timer
setting]
Used
for
adjusting
the
clock,
timer
settings
and
its
related
adjustments.
PANEL
FACILITIES
Display
section
Shows
current
time,
received
frequency,
contents
of
timer
settings,
etc.
®
®
TUNED
wake
uefi][2]
TIMER
_-®
Mono
we,
DECK
||
,,
O%
SHEEP
Mt
AT
hart
WH
CET
At
Coe
@
MONO
indicator
Lights
when
the
FM
MONO
switch
is
set
to
ON.
When
this
indicator
is
lit,
FM
stereo
broadcasts
are
reproduced
monaurally.
TUNED
indicator
Lights
when
a
broadcast
is
received
and
tuned
in
well.
©
STEREO
indicator
Lights
when
an
FM
stereo
broadcast
is
received
(FM
MONO
switch
set
to
OFF).
@)
Timer
indicators
These
show
various
timer
setting.
©
SLEEP
indicator
Indicates
that
the
sleep
timer
is
activated.
©)
Remote
control
indicator
Flashes
when
a
command
is
being
received
from
the
remote
control
unit.
@®
Frequency
display
Shows
received
broadcast
frequency.
Also
gives
scrolling
display
of
main
function
status.
FM
and
MHz
light:
FM
reception.
AM
and
kHz
light:
MW
or
LW
reception
(F-Z93L)
@
Time
display
This
shows
the
present
time
and
during
recording,
it
shows
the
elapsed
recording
time.
@
Deck
REC
TIME
indicator
Lights
when
deck
is
recording.
()
STATION
CALL
switches
Used
for
memorizing
and
recalling
memorized
stations.
Cassette
tape
deck
amplifier:
DC-Z93
¢
This
unit
has
an
automatic
tape
type
selector.
©
Recording
and
playback
are
possible
on
both
deck
|
and
Il.
e
Sound
can
be
recorded
as
adjusted
by
the
graphic
equalizer.
(4
Amplifier
section
@
POWER
STANDBY/ON
switch
This
is
the
switch
for
electric
power.
ON:
When
set
to
the
ON
position,
power
is
supplied
and
the
unit
becomes
operational.
The
POWER
indicator
lights.
STANDBY:
When
set
to
the
STANDBY
position,
the
main
power
flow
is
cut
and
the
unit
is
no
longer
fully
operational.
A
minute
flow
of
power
feeds
the
unit
to
maintain
operation
readiness.
When
the
POWER
indicator
is
off,
the
unit
is
in
STANDBY.
(The
tuner
display
shows
only
the
time.)
(@
SURROUND
&
STEREO
WIDE
switch/indicator
By
turning
this
switch
ON,
you
can
enjoy
surround
reproduction
when
rear
speakers
are
used.
By
turning
this
switch
ON,
you
can
enjoy
STEREO
WIDE
reproduction
with
greater
left-right
spread
when
rear
speakers
are
not
used.
The
indicator
lights
when
the
switch
is
on.
NOTE:
¢
In
the
case
of
monaural
source,
SURROUND
&
STEREO
WIDE
effects
cannot
be
obtained.
©
SURROUND
&
STEREO
WIDE
functions
do
not
operate
if
CD
DIRECT
or
DAT
DIRECT
is
on.
@)
DAT
DIRECT
switch/indicator
Press
this
switch
to
listen
to
a
DAT
without
passing
the
signal
through
sound
quality
adjustment
circuits.
@)
CD
DIRECT
switch/indicator
Press
this
switch
to
listen
to
a
CD
without
passing
the
signal
through
sound
quality
adjustment
circuits.
©
VOLUME
control
©
BALANCE
control
Used
for
changing
the
balance
between
left
and
right
channels.
Usually
set
this
control
to
the
centre
position.
@
MIC
LEVEL
control
Used
for
adjusting
the
volume
of
microphone.
PHONES
(Headphones)
jack
For
stereo
headphones.
NOTE:
There
is
no
output
from
the
speakers
when
headphones
are
plugged
into
PHONES
jack.
@)
Input
selector
switches/indicators
[PHONO]
Press
to
play
records
on
a
turntable
connected
to
the
PHONO
jacks.
[TUNER]
Press
to
listen
to
radio
broadcast.
[TAPE]
Press
to
listen
to
cassette
tape
or
VCR
etc.
[DAT/VIDEO]
Press
to
listen
to
digital
audio
tape.
[CD]
Press
to
listen
to
a
CD
player
connected
to
the
CD
jacks.
MIC
(Microphone)
jack
This
is
a
standard
jack
for
connecting
a
microphone.
Graphic
Equalizer
section
@)
Graphic
equalizer/Spectrum
analyzer
display
Usually
this
is
the
spectrum
analyzer
display.
And
becomes
a
graphic
equalizer
display
during
operation
of
the
EQUALIZING
CONTROL
switches.
11
<ARB1218>
PANEL
FACILITIES
(2
MODE
display
60
150
900
1
x
@)
EQ
ON
indicator
Lights
when
the
EQUALIZER
switch
is
set
to
ON.
When
this
indicator
is
lit,
the
graphic
equalizer
can
be
used
to
adjust
sound
quality.
MEMORY
indicator
When
the
line
under
‘‘MEMORY’’
is
lit,
it
indicates
that
the
equalization
curves
you
input
in
the
memory
recall
switches
can
be
recalled.
©
A
—
E
indicators
Indicates
which
equalization
curve
is
currently
recalled.
A:
Curve
stored
in
A/CAR.
(Preset
CAR
or
Memory
A)
B:
Curve
stored
in
B/PHONES.
(Preset
PHONES
or
Memory
B)
C:
Curve
stored
in
C/VOCAL.
(Preset
VOCAL
or
Memory
C)
D:
Curve
stored
in
D/HEAVY.
(Preset
HEAVY
or
Memory
D)
E:
Curve
stored
in
E/CLEAR.
(Preset
CLEAR
or
Memory
E)
@)
PRESET
indicator
When
the
line
under
‘7PRESET’’
is
lit,
it
indicates
that
the
equalization
curves
factory
preset
in
the
memory
recall
switches
can
be
recalled.
©
REVERSE
indicator
Lights
when
FLAT/REVERSE
switch
is
used
to
invert
the
equalization
curve.
@3)
EQUALIZING
CONTROL
switches
These
strengthen
or
weaken
the
indicated
frequency
band. Press
the
upper
switch
to
emphasize;
press
the
lower
switch
to
attenuate.
FLAT/REVERSE
switch
Press
once
to
reset
the
equalizer
to
flat
response
(no
equalization).
Press
again
to
reverse
a
previous
curve
(boosted
frequencies
will
be
attenuated,
and
vice
versa).
(3)
Memory
recall
switches
Used
for
recalling
equalization
curves.
PRESET/MEMORY
switch
Determines
whether
the
equalizer
curves
recalled
by
the
Memory
recall
switches
are
your
memorized
curves
or
factory
preset
curves.
@)
MEMORY
switch
Used
for
storing
equalization
curves
you
input
in
the
memory
recall
switches.
(8)
EQUALIZER
ON/OFF
switch
Turns
the
equalizer
on
and
off.
The
EQ
ON
indicator
lights
when
this
switch
is
on.
The
equalizer
can
not
be
used
to
adjust
the
sound
when
CD
DIRECT
or
DAT
DIRECT
is
on.
(@
Cassette
Tape
Deck
Section
Cassette
door
12
<ARB1218>
DOLBY*
NR
switch
Set
this
switch
to
B
or
C
fore
recording
with
the
built-in
Dolby
NR
systems
and
for
playback
of
tapes
which
have
been
recorded
using
the
Dolby
NR
systems.
It
is
recommended
that
tapes
recorded
with
Dolby
NR
(Type
B
or
Type
C)
be
so
marked
on
the
label.
This
will
help
prevent
incorrect
setting
of
the
noise
reduction
switch
during
playback.
*
Dolby
noise
reduction
manufactured
under
license
from
Dolby
Laboratories
Licensing
Corporation.
“DOLBY”
and
the
double-D
symbol!
DO
are
trademarks
of
Dolby
Laboratories
Licensing
Corporation.
@i)
RELAY
RECORDING
switch
Use
for
relay
recording
from
Deck
|
to
Deck
II.
Deck
[|
starts
recording
when
Deck
|
finishes.
To
use
put
both
decks
in
stop
mode.
@)
PARALLEL
RECORDING
switch
Deck
|
and
Deck
II
record
at
the
same
time.
To
use
put
both
decks
in
stop
mode.
@)
Operation
indicators
<j
Rec
(C
~—_—e
—
<j
REC
WH
DECK
IW,
RELAY
FADE
,
DECK
A
RELAY
>
PARA
+
FREE
«aces
moor
@)
Direction
(<1,
>
):
Indicates
direction
of
tape
travel
during
recording
or
playback.
Flashes
slowly
in
pause
mode.
Flashes
rapidly
during
Music
Search
(MS).
REC:
Lights
when
recording.
©
RELAY:
Indicates
relay
recording
in
progress
using
Deck
|
and
Deck
II.
@
FADE:
Lights
when
AUTO
FADER
switch
is
on.
©,
ASES
MODE
RELAY:
relay
edit
in
progress.
PARA:
parallel
edit
in
progress.
FADE:
fade
edit
in
progress.
@
AUTO
FADER
switch
Used
for
gradually
fading
out
a
recorded
tape
in
Deck
Il.
(The
sound
will
be
completely
cut
off
after
approximately
10
seconds
and
the
tape
will
stop.)
@)
DECK
Il
COUNTER
@)
Counter
reset
switch
Press
this
switch
to
reset
the
Deck
I!
tape
counter
display
to
OOO.
@)
SYNCHRO
COPY
switches
Used
for
tape
copying.
NORMAL:
Copying
from
the
Deck
|
tape
to
the
Deck
I!
tape
at
normal
recording/playback
speed.
HIGH:
Copying
at
about
twice
normal
tape
speed.
(Copies
can
be
made
in
about
half
the
NORMAL
time.)
PANEL
FACILITIES
REV
(REVERSE)
MODE
switch
Switch
position
|
During
playback
During
recording
RELAY
REC
PLAY
2
Plays
both
tape
sides.
|
Records
on
one
side.
When
one
deck
finishes
playback,
the
other
deck
begins
playback
of
both
tape
sides
for
6
times.
If
there
is
a
tape
in
only
one
deck,
then
that
deck
continuously
plays
both
sides
of
the
tape
for
6
times.
Records
on
both
sides.
REC
PLAY
a
HD
Plays
both
tape
sides
for
6
times
maximum.
Deck
|
EJECT
switch
Deck
|
Operation
switches
t>
(PLAY:
FWD)
..
For
playing
back
a
tape
in
the
forward
mode.
<1
(PLAY:
REV)
...
For
playing
back
a
tape
in
the
reverse
mode.
CO(STOP)
..........6
For
stopping
the
tape.
pr
FAST
...........
Fast
forward
in
forward
mode,
rewind
in
reverse
mode.
Music
search
(MS)
starts
if
this
is
pressed
during
playback.
«dq
FAST...........
Rewind
in
forward
mode,
fast
forward
in
reverse
mode.
Music
search
(MS)
starts
if
this
is
pressed
during
playback.
Il
PAUSE.............
Temporarily
stops
tape
travel.
Cancels
pause
mode
when
pressed
again
or
press
the
PLAY
switch.
@
REC...
To
set
to
recording
standby
mode.
The
REC
indicator
lights
and
the
direction
indicators
(<1
and
[>
)
flash.
Recording
begins
when
you
press
the
PLAY
switch
(<J
or
>).
O
MUTE..............
Used
for
creating
a
blank
space
between
songs.
The
unrecorded
space
is
created
for
as
long
as
this
switch
is
kept
depressed.
@)
A.S.E.S.
switches
Used
for
automatically
recording
a
CD
on
cassette
tape.
RELAY:
Recording
continues
on
Deck
II
after
tape
ends
on
Deck
|.
If
using
this
unit
together
with
the
PD-Z73T
CD
player,
Deck
II
will
record
disc
!!
after
Deck
|
finishes
recording
disc
|.
PARALLEL:
Deck
|
and
Deck
II
record
at
the
same
time.
FADE:
The
sound
fades
out
at
the
end
of
the
tape.
@2
Deck
Il
Operation
switches:
Same
as
Deck
|
operation
switches
@3
Deck
Il
EJECT
switch
Turntable:
PL-Z93
@)
Platter
mat
@)
Platter
spindle
@)
EP
adaptor
Place
over
the
spindle
to
play
45-rpm
singles.
@)
Dust
cover
©
SPEED
switch
Set
this
switch
in
accordance
with
the
speed
of
the
record.
33:
For
33-1/3
rpm
records.
45:
For
45
rpm
records.
@©
ARM-ELEVATION
switch
©
To
suspend
record
play
temporarily.
¢
For
changing
the
tracks
during
actual
play.
[UP]:
The
tonearm
rises
(the
stylus
moves
away
from
the
record.)
[DOWN]:
The
tonearm
descends
(the
stylus
is
lowered
onto
the
record.)
@
STOP
(C)
switch
Press
this
switch
when
stopping
play.
Platter
@)
Cartridge
Tonearm
@)
Arm
rest
13
<ARB1218>
PANEL
FACILITIES
Remote
control
unit
@)
POWER
key
@)
Function
keys
Sets
function
to
DAT/VIDEO.
Sesivadea
Sets
function
to
PHONO.
Sets
function
to
CD
DIRECT.
@)
DECK
|
operation
keys:
Same
as
Deck
|
operation
switches
(Except
PAUSE,
REC,
MUTE).
(@
TUNER
STATION
key
*
Before
operation,
memorize
broadcast
stations
in
the
STATION
CALL
switches.
oP
shuvevhvaevssawesacts
Stations
change
in
order
in
the
upward
direction
Ps
inetivie
eines
Stations
change
in
order
in
the
downward
direction.
©
GRAPHIC
EQUALIZER
operation
keys
ON/OFF:
Turns
the
equalizer
on
and
off.
CALL:
Recalls
the
preset
equalization
curves
(PRESET)
and
memorized
equalization
curves
(MEMORY)
in
sequence.
©
VOLUME
+
(UP)/-
(DOWN)
key
When
pressed,
VOLUME
on
the
amplifier
is
actually
moved
by
a
motor.
@
SURROUND
key
Turns
SURROUND
&
STEREO
WIDE
on
and
off.
Deck
Il
operation
keys:
Same
as
Deck
|
operation
switches
(Except
MUTE).
()
CD
operation
keys
Perform
the
connections
so
that
the
CD
player
is
operated
by
the
remote
control
unit.
CO
cseeendieheansereersty
Play
DISC........sccccvoneoes
DISC
selection
ED
uastaewnendebedeevers
Stop
DO
eects
Rettitets
Pause
Ke,
Pf.
Track
search
NOTE:
Note
that
the
DISC
selector
key
on
the
remote
control
unit
may
not
operate,
depending
on
the
CD
player
used.
Timer
operation
keys
SLEEP:
Sets
the
sleep
timer.
Each
time
you
press
this
key,
the
setting
changes
as
shown
here.
The
current
setting
is
shown
on
the
tuner
display.
Power
turns
off
when
your
set
time
has
elapsed.
90
——-_—~
60
—————>
30
(Approx.
(Approx.
(Approx.
90
minutes)
60
minutes)
30
minutes)
00
(OFF)
If
you
press
the
SLEEP
key
during
SLEEP
operation,
the
display
will
show
the
time
remaining
till
power
turns
off.
14
<ARB1218>
WAKE-UP:
Timer
playback
setting/cancellation
can
be
performed
when
the
timer
playback
time
has
been
set.
This
is
shown
in
the
tuner
display
section.
SNOOZE:
Turns
off
power
if
pressed
after
timer
playback
begins.
Timer
playback
begins
again
approx.
5
minutes
later.
The
amplifier
input
selector
automatically
switches
to
the
music
source
being
operated
when
you
press
the
CD
playback
(>),
cassette
tape
deck
playback
{
<1,
>),
or
tuner
station
controls.
NOTE:
/t
is
not
possible
to
operate
the
CD
player
with
the
remote
control
unless
the
remote
control
cord
is
connected
(refer
to
page
2).
Range
of
remote
control
(See
page
8)
When
the
remote
control
unit
is
pointed
at
the
remote
sensor
window
on
the
tuner
and
any
of
its
keys
is
pressed,
the
tuner
and
other
components
can
be
operated
by
remote
control.
Distance:
Within
a
range
of
approx.
7
meters
from
the
remote
sensor
window
on
the
tuner.
Angle:
Within
approx.
30
degrees
from
the
center
of
the
remote
sensor
window
on
the
tuner.
Remote
control
will
not
be
possible
if
there
is
an
obstacle
between
the
remote
control
unit
itself
and
the
remote
sensor
window
on
the
tuner.
Performance
of
the
remote
control
unit
is
adversely
affected
in
the
presence
of
strong
fluorescent
light.
Keep
such
lights
away,
specially
from
the
sensor
window.
HOW
TO
HANDLE
CASSETTE
TAPES
Bear
in
mind
the
following
points
before
loading
cassette
tapes.
Is
the
tape
loose,
or
is
some
of
the
tape
outside
the
cassette?
If
some
of
the
tape
is
projecting
outside
the
cassette
shell
or
if it
is
loose,
it
may
not
feed
between
the
capstan
and
pinch
roller.
This
will
prevent
the
tape
from
being
transported
or
damage
the
tape
itself.
In
cases
like
these,
insert
a
pencil
into
the
reel
hole
and
take
up
the
slack.
(Fig.
A)
Some
cassette
tapes
come
with
a
plastic
or
thick
paper
stopper
which
prevents
tape
slack.
Remove
this
stopper
when
loading
the
tape
and
replace
it
after
having
used
the
cassette.
What
are
the
accidental
erasure
prevention
tabs
for?
A
cassette
is
provided
with
these
tabs
so
that
important
recordings
will
not
be
erased
accidentally.
When
the tab
(Fig.
B)
on
the
cassette
shell
is
broken
out
with
the
tip
of
a
screwdriver,
it
will
not
be
possible
to
activate
the
recording
function
even
by
pressing
the
recording
(REC)
switch,
so
valuable
recordings
will
not
be
erased
in
error.
To
re-record
on
a
cassette
whose
tabs
have
been
broken
out,
simply
stick
a
piece
of
doubled
adhesive
tape
over
the
tab
areas,
as
shown
in
Fig.
C.
NOTE:
The
accidental
erasure
prevention
tabs
are
located
at
the
top
left
on
both
sides
A
and
B
(71
and
2),
so
that
material
on
each
side
can
be
prevented
from
being
erased
in
error.
Fig.
C
NOTE
FOR
RE-RECORDING
ON
A
CASSETTE
TAPE
WHICH
HAS
A
BROKEN
TAB
Adhesive
tape
for
re-recording
¢
Apply
the
tape
taut
so
that
it
does
not
rise
up.
G4
aay
Be
careful
not
to
block
the
tape
identification
detection
hole
(metal
or
chrome
tape).
¢
Apply
two
layers
of
cellophane
tape.
5
Tips
on
using
cassette
tapes
¢
Leader
tape
(which
does
not
allow
sound
to
be
recorded
over
it)
is
provided
at
the
beginning
of
a
cassette
tape.
Start
recording
after
allowing
the
tape
to
run
for
approx.
5
seconds
so
that
the
leader
tape
clears
the
recording
head.
©
Do
not
leave
a
cassette
tape
exposed
to
the
environment.
Store
the
cassette
in
its
case
so
that
dust
and
dirt
do
not
adhere
to
the
tape
after
use,
and
so
that
the
tape
is
prevented
from
becoming
slack.
Choose
a
location
which
is
not
exposed
to
the
effects
of
magnetism,
dust,
dirt
and
oil
for
storing
the
tapes.
©
Because
C-120
tapes
are
so
thin,
they
easily
jam
in
the
pinch
roller
and
capstan,
and
they
are
susceptible
to
other
trouble
such
as
irregular
winding.
Try
not
to
use
them
with
this
unit.
Use
tapes
of
90
minutes
or
less.
Fig.A
Fig.B
How
to
prevent
already
recorded
tapes
from
being
erased
How
to
take
up
tape
slack.
For
side
B
INCORRECT
METHOD
OF
APPLYING
TAPE
THIS
MAY
RESULT
IN
AN
ACCIDENT
>
a“
Curled
tape
Protruding
tape
@)
Insertion
of
an
eraser
or
the
like.
Applying
top
portion
only.
Applying
vinyl
tape,
gum
tape,
or
other
tape
apart
from
cellophane
tape.
After
removing
the
cellophane
tape,
completely
wipe
away
all
traces
of
paste.
Use
only
alcohol.
15
<ARB1218>
BASIC
OPERATIONS
Switch
numbers
used
in
the
following
explanation
refer
to
the
numbers
appearing
in
the
PANEL
FACILITIES
section
on
pages
8
and
9.
SETTING
THE
CLOCK
(Tuner
operation)
[Example]
Setting
the
time
to
17:15.
(See
page
3,
diagram
[9]
)
.
Press
CLOCK
ADJ
switch
@.
Use
“’-"’
and
‘’+‘’
switches
©)
to
set
the
hour.
Press
SET
switch
@).
Use
*’—"’
and
‘‘+’’
switches
©)
to
set
the
minute.
.
Press
SET
switch
when
“00”
seconds
of
that
minute
are
reached
for
precise
adjustment.
GS
aRONS
¢
After
connecting
to
an
AC
outlet,
be
sure
to
set
the
present
time.
Timer
playback
and
timer
recording
are
not
possible
unless
the
time
has
been
set.
©
The
time
indication
will
appear
as
‘’
--:--’’
if
the
AC
power
cord
is
unplugged.
Be
sure
to
set
the
time
again
after
power
is
resumed.
PREPARATION
Press
POWER
switch
of
the
cassette
tape
deck
amplifier.
Select
a
input
selector
switch.
To
listen
to
a
CD
or
DAT
without
passing
through
the
various
frequency-
adjusting
circuits,
press
the
CD
DIRECT
switch
or
the
DAT
DIRECT
switch.
The
indicator
lights.
Auto
Function
When
DC-Z93,
F-Z93
(or
F-Z93L)
and
PD-Z73T
(or
PD-Z83M)
are
used
together.
This
model
is
equipped
with
‘‘auto
function’’
operation,
so
when
the
switch
for
playing
CD,
tape,
or
tuner
is
pressed,
the
amplifier’s
function
switches
automatically.
Use
the
input
selector
switches
for
PHONO
and
DAT/VIDEO
source
selection
since
Auto
Function
is
not
effective
for
these.
NOTE:
©
When
the
CD
DIRECT
or
DAT
DIRECT
switch
is
on,
you
cannot
use
the
graphic
equalizer
sound
quality
adjustment,
microphone
mixing,
or
SURROUND
&
STEREO
WIDE
functions.
¢
Input
selectors
can
not
be
switched
during
recording.
(Auto
function
does
not
operate
either.)
TUNING
INTO
STATIONS
(Tuner
operation)
1.
Select
the
desired
broadcasting
band
using
BAND
selector
switch
©.
2.
Press
‘’+°’
or
“-"’
TUNING
switch
©)
for
higher
or
lower
frequencies.
[Auto
tuning]
Press
TUNING
“‘—”
or
‘+’
switch
until
the
frequency
starts
to
change,
then
release
it.
The
tuner
will
automatically
searches
for
a
broadcasting
station,
and
stop
when
one
is
found,
and
the
TUNED
indicator
lights
up.
To
search
for
another
station,
press
again.-
*
To
interrupt
auto
tuning,
press
TUNING
switch
again.
NOTE
FOR
F-Z93L:
Auto
tuning
is
not
possible
on
the
LW
band.
NOTE:
When
auto
tuning
is
in
use,
reception
may
not
be
possible
for
distant
stations
or
when
signals
are
weak.
At
these
times
manual
tuning
is
recommended.
16
<ARB1218>
[Manual
tuning]
Press
TUNING
’’—”'
or
‘’+°’
switch
and
release
quickly.
The
tuning
frequency
will
change
by
one
step
each
time
the
switch
is
pressed.
Press
as
many
times
as
necessary
to
tune
in
the
desired
station.
The
TUNED
indicator
lights
up
when
the
station
is
tuned
in
best.
¢
If
you
keep
the
TUNING
switch
depressed
after
the
frequency
has
begun
to
change,
the
reception
frequency
changes
continuously,
and
stops
when
the
switch
is
released.
3.
Adjust
VOLUME
control
©
on
the
amplifier
and
the
tone
with
EQUALIZING
CONTROL
switches
(3).
MEMORIZING
STATIONS
(Tuner
operation)
(Page
3,
diagram
)
Presetting
Up
to
24
FM/AM
stations
can
be
memorized
at
random.
Press
a
STATION
CALL
switch
once
for
Mode
1
(
1
—
12)
and
twice
for
Mode
2
(13
—
24).
1.
Tune
in
desired
station.
(If
the
station
is
FM,
then
the
current
FM
MONO
ON/OFF
switch
©
setting
is
included
in
the
memory.)
2.
Press
MEMORY
switch
@).
¢
The
display
will
flash
(approx.
5
seconds).
3.
Press
STATION
CALL
switch
(1).
¢
While
the
display
is
flashing,
press
a
STATION
CALL
switch
in
which
you
wish
to
memorize
the
station.
When
memorizing
a
station
in
Mode
1
(e.g.
memorizing
a
station
to
No.
9):
By
pressing
the
STATION
CALL
9/21
switch
once,
the
station
will
be
preset
to
Mode
1.
When
memorizing
a
station
in
Mode
2
(e.g.
memorizing
a
station
to
No.
21):
Mode
2
stations
are
memorized
by
pressing
the
STATION
CALL
9/21
switch
twice
within
approx.
2
seconds.
NOTE:
©
Pressing
the
STATION
CALL
switch
within
approx.
2
seconds
switches
alternately
between
Mode
7
and
Mode
2.
Mode
1
-»
Mode
2
(1-12)
(13-24)
press
within
approx.
2
sec.
°
After
you
press
the
STATION
CALL
switch,
the
display
will
flash
for
approx.
2
seconds,
then
the
station
will
be
memorized.
If
you
press
another
switch
while
the
display
is
flashing,
the
station
will
not
be
memorized.
BASIC
OPERATIONS
RECEPTION
USING
PRESET
TUNING
(Tuner
operation)
Press
STATION
CALL
switch
(@)
into
which
the
desired
station
is
memorized.
Press
once
for
Mode
1
stations,
twice
for
Mode
2.
NOTE:
The
contents
of
the
STATION
CALL
switches
will
be
preserved
for
several
days,
even
if
the
cassette
tape
deck
amplifier’s
power
cord
is
unplugged.
{f
a
memorized
station
has
been
erased,
memorize
it
again.
Last
station
memory
The
last
received
AM
and
FM
stations
remain
stored
despite
input
selector
and/or
POWER
switching.
To
recall,
use
BAND
selector
switches.
TAPE
PLAY
(Cassette
tape
deck
operation)
Tapes
may
be
played
back
in
deck
|
or
deck
Il
but
not
in
both
decks
at
the
same
time.
1.
Press
EJECT
switch,
and
load
a
recorded
tape.
2.
Set
the
DOLBY
NR
switch
to
the
same
position
used
for
recording.
3.
Select
REV
MODE
switch
@).
4.
Press
PLAY
switch
(>
or
<1).
Press
PLAY
switch
of
the
loaded
deck.
5.
Adjust
VOLUME
control
©)
on
the
amplifier
and
the
tone
with
EQUALIZING
CONTROL
switches
(4.
6.
To
stop
playback,
press
STOP
switch
(().
Auto
Stop
Mechanism
The
mechanism
stops
automatically
when
the
end
of
tape
is
reached.
NOTE:
When
the
PLAY
switch
of
one
deck
is
pressed
while
the
other
deck
is
in
playback
mode,
the
former
stops
and
the
/atter
starts
playback.
MUSIC
SEARCH
You
can
perform
music
search
during
playback
by
carrying
out
the
following:
1.
To
listen
to
the
following
program,
press
FAST
switch
of
the
same
direction
as
playback.
2.
To
listen
to
the
current
program
again,
press
FAST
switch
of
the
opposite
direction
to
playback.
During
music
search
the
indicator
for
tape
travel
direction
flashes.
When
doing
music
search,
do
not
operate
the
other
deck.
Doing
so
may
affect
blank
interval
detection
function.
When
the
unrecorded
portion
between
the
two
programs
is
located
playback
resumes.
NOTE:
Performing
music
search
on
the
following
types
of
tape
may
not
be
possible.
This
is
not
a
unit
malfunction,
however.
e
A
tape
whose
unrecorded
portions
between
tracks
are
less
than
4
seconds
long.
©
A
tape
with
high
noise
level
between
tracks.
©
A
tape
with
low
level
or
silent
passages
of
several
seconds
in
the
same
tracks,
such
as
classical
music.
©
A
tape,
such
as
a
conversation
tape
where
sound
is
intermittent.
RECORDING
ONTO
A
CASSETTE
TAPE
(Cassette
tape
deck
operation)
You
can
record
on
Deck
|
and/or
Deck
II.
(See
page
20
for
details
on
relay
recording
from
Deck
|
to
Deck
II.
And
parallel
recording
on
Deck
|
and
Deck
II.)
If
you
turn
on
the
graphic
equalizer
then
you
can
record
the
equalized
sound.
Here
we
will
explain
how
to
record
on
Deck
Il.
Use
the
same
procedure
to
record
on
Deck
|.
1.
Press
EJECT
switch,
and
load
the
tape
for
recording
into
deck
II.
©
Check
to
see
that
the
accidental
erasure
prevention
tabs
are
not
broken
off.
¢
Make
sure
that
there
is
no
tape
slack.
2.
Set
DOLBY
NR
switch
@
to
the
desired
position.
e
A
tape
which
has
been
recorded
using
the
DOLBY
NR
system
must
be
played
back
with
the
same
system.
3.
Select
REV
MODE
switch
@).
4.
Use
the
input
selector
switch
©
on
the
amplifier
to
select
and
play
the
recording
source.
Operation
Program
source
|
Selected
indicator
Record
Operate
the
turntable
Radio
broadcast
Tune
into
a
broadcast
Play
a
tape
in
deck
|
Equipment
which
is
Operate
the
connected
to
equipment
connected
DAT/VIDEO
jacks
to
DAT/VIDEO
jacks
5.
Adjust
EQUALIZING
CONTROL
switches
(3
to
change
the
sound
quality
for
recording.
6.
Press
REC
switch
(
@
)
@.
¢
The
REC
indicator
lights.
©
The
direction
indicator
flashes.
7.
Press
the
appropriate
PLAY
switch
(>
or
<1)
@).
8.
To
stop
recording,
press
STOP
switch
(C1)
@.
DAT/VIDEO
17
<ARB1218>
BASIC
OPERATIONS
Auto
reverse
function
This
unit
uses
rotary
type
recording
and
playback
heads,
and
the
same
heads
are
used
in
both
forward
and
reverse
directions.
Tape-end
detection
is
employed
to
activated
auto
reverse
operation
which
takes
approx.
2
seconds
after
the
tape
is
taken
up.
NOTE:
A
leader
tape
having
a
length
equivalent
to
approx.
5
seconds
is
attached
to
an
ordinary
cassette
tape.
This
means
that
for
two-way
travel
of
the
leader
tape
there
will
be
a
break
of
approx.
12
seconds
in
the
sound.
Be
very
careful
of
this,
particularly
when
making
a
two-
way
recording.
Pausing
and
restarting
recording
1.
Press
PAUSE
(I)
switch
@.
*
Recording
will
be
suspended.
2.
To
restart
recording
again,
press
PAUSE
(II)
or
PLAY
switch
@).
Recording
muting
When
recording,
this
can
be
used
to
create
a
blank
no-signal
area
between
songs.
This
blank
area
is
needed
for
the
music
search
function.
Keep
MUTE
(
©)
switch
@
depressed
during
recording
for
the
length
of
the
blank
space
that
you
wish
to
create.
Release
to
resume
normal
recording.
NOTE:
¢
Music
search
operation
requires
unrecorded
blank
(mute)
space
of
at
least
approx.
four
seconds
between
songs.
¢
MUTE
switch
does
not
operate
in
tape
copy
mode.
°
/f
you
press
MUTE
switch
while
recording
is
taking
place,
a
non-
recorded
portion
will
be
created.
Be
careful,
therefore,
not
to
depress
the
switch
other
when
necessary.
Questions
(Q)
and
answers
(A)
on
recording
Q:
How
is
the
recording
level
adjusted?
A:
This
unit
has
a
built-in
automatic
level
control
which
dispenses
with
the
need
to
adjust
the
recording
level.
Q:
What
is
the
difference
between
the
operation
of
playing
a
tape
in
one
deck
and
recording
the
output
onto
a
tape
in
another
deck
(tape
dubbing),
and
tape
copying?
A:
‘Tape
dubbing”
means
playing
back
a
tape
in
deck
|
while
adding
“mic
mixing”
or
graphic
equalizer
processing
for
recording
on
deck
I.
“Tape
copying’’
means
using
the
SYNCHRO
COPY
switch
(NORMAL
or
HIGH)
to
make
a
duplicate
tape
in
deck
II
of
the
tape
in
deck
I.
.
Tape
that
was
|
DOLBY
NR
|
Resulting
newly
put
in
DECK
|
switch
recorded
tape
(playback)
Tape
dubbing
|
Tape
recorded
ON
Tape
recorded
with
DOLBY
NR
|
(appropriate
|
without
DOLBY
|
(type
B
or
C)
position)
NR
Tape
recorded
OFF
without
DOLBY
NR
Tape
recorded
ON
with
DOLBY
NR
|
(appropriate
(type
B
or
C)
position)
Tape
recorded
OFF
without
DOLBY
NR
Tape
recorded
without
DOLBY
NR
Tape
recorded
with
DOLBY
NR
Tape
copy
Tape
recorded
without
DOLBY
NR
18
<ARB1218>
DOLBY
NR
SYSTEMS
The
Dolby
NR
Systems
is
designed
to
reduce
high-frequency
noise
(tape
hiss)
during
playback.
The
level
of
low-volume,
high-frequency
sounds
is
increased
during
recording,
and
decreased
by
the
same
amount
during
playback
to
restore
the
original
level.
In
this
process
the
original
high-
frequency
noise
(most
easily
perceived
by
the
human
ear)
is
attenuated
notably.
Dolby
B-type
NR
reduces
high-frequency
tape
noise,
widening
the
dynamic
range.
C-type
is
even
more
powerful,
applying
the
noise
reduction
effect
to
a
wider
spectrum
of
frequencies
from
the
middle
range.
For
playback
always
use
the
same
Dolby
NR
setting
that
was
used
for
recording.
NOTE:
Avoid
playing
back
tapes
recorded
using
the
Dolby
NR
Systems
with
DOLBY
NR
OFF,
or
tapes
recorded
without
Dolby
NR
Systems
with
DOLBY
NR
ON
(B-type
or
C-type},
since
this
does
not
allow
faithful
reproduction
of
the
original
sound.
RECORD
PLAY
(Turntable
PL-Z93)
1.
Set
input
selector
switch
©)
on
the
amplifier
to
PHONO.
2.
Place
record
on
the
platter
mat.
3.
Remove
the
stylus
cover
and
release
the
tonearm
from
the
arm
rest.
.
Set
SPEED
switch
©.
.
Set
ARM-ELEVATION
switch
©
to
UP
position.
.
Move
the
tonearm
by
hand
to
the
desired
position
over
the
record.
.
Set
ARM-ELEVATION
switch
©
to
DOWN
position.
¢
The
tonearm
descends
onto
the
record
and
playback
starts.
.
Adjust
the
volume
with
VOLUME
control
©)
on
the
amplifier
and
the
tone
with
EQUALIZING
CONTROL
switches
(9.
9.
To
stop
the
player
while
a
record
is
being
played,
press
STOP
switch
(@).
NO
oh
fee)
PLAYING
THE
COMPONENTS
CONNECTED
TO
THE
CD
OR
DAT/VIDEO
JACKS
1.
Set
input
selector
switch
@)
on
the
amplifier
according
to
the
program
source
to
be
played.
When
used
in
combination
with
Pioneer
PD-Z73T
or
PD-Z83M
CD
player,
the
input
selector
automatically
switches
to
CD
when
CD
playback
starts.
2.
Play
the
component
to
be
used.
GRAPHIC
EQUALIZER
CONTROLS
1.
Turn
on
EQUALIZER
ON/OFF
switch
@).
°
Press
so
that
MODE
display
indicator
lights.
2.
Use
EQUALIZING
CONTROL
switches
@3
to
adjust
sound.
¢
Left
and
right
channels
are
adjusted
simultaneously.
How
to
recall
a
factory
preset
equalization
curve.
This
unit
has
five
factory
presets.
CAR:
a
curve
for
recordings
to
be
listened
in
a
car.
PHONES:
a
curve
for
recordings
to
be
listened
with
headphones.
VOCAL:
acurve
for
listening
to
vocals
including
operas
and
musicals.
HEAVY:
for
rock
and
other
popular
music;
emphasizes
bass
and
treble.
CLEAR:
_
for
electronic
music,
fusion,
and
other
genres
where
you
want
a
clear
sound
with
strong
midrange
and
treble
characteristics.
1.
Turn
on
EQUALIZER
ON/OFF
switch
(1).
2.
Use
PRESET/MEMORY
switch
(6
to
select
PRESET.
©
Press
so
that
the
line
under
‘‘PRESET”’
lights
in
MODE
display.
3.
Press
amemory
recall
switch
@
for
the
preset
curve
you
wish
to
recall.
How
to
store
an
equalization
curve.
After
creating
your
own
equalization
curve,
you
can
store
it
in
one
of
the
memory
recall
switches.
1.
Turn
on
EQUALIZER
ON/OFF
switch
@.
2.
Use
EQUALIZING
CONTROL
switches
(3
to
adjust
sound.
3.
Press
MEMORY
switch
(1).
¢
The
display
will
flash
(approx.
5
seconds).
4.
Press
the
memory
recall
switch
(A
—
E)
@
in
which
you
wish
to
store
the
curve.
¢
While
the
display
is
flashing,
press
a
memory
recall
switch
you
wish
to
memorize
the
equalization
curve.
How
to
recall
your
memorized
equalization
curve.
1.
Turn
on
EQUALIZER
ON/OFF
switch
(9.
2.
Use
PRESET/MEMORY
switch
(6
to
select
MEMORY.
©
Press
so
that
the
line
under
‘‘MEMORY”
lights
in
MODE
display.
3.
Press
a
memory
recall
switch
@
for
the
memory
curve
you
wish
to
recall.
FLAT/REVERSE
switch
operation
Press
once
to
obtain
flat
response
(all
equalizer
indications
at
zero);
press
again
to
reverse
the
curve
(boosted
frequencies
are
reduced
and
vice
versa).
During
playback
of
a
tape
recorded
with
equalization,
if
you
reverse
the
curve
used
for
recording,
you
will
a
tonal
balance
hear
close
to
the
original.
MICROPHONE
MIXING
MIXING
KNOW-HOW
Mixing
involves
combining
the
signals
from
two
input
sources
(a
microphone
and
a
tape,
for
example).
MIXING
PROCEDURE
1.
Plug
a
microphone
into
MIC
jack
(0.
2.
Adjust
VOLUME
(©)
to
a
suitable
level.
3.
Set
MIC
LEVEL
control
(
to
the
center
position
between
MIN
and
MAX.
°
If
howling
occurs
(a
high-pitched
sound
from
the
speakers),
take
the
following
steps.
1.
Move
the
microphone
away
from
the
speakers.
2.
Lower
the
volume.
.
Select
the
desired
program
source
using
input
selector
switches
@).
.
Start
playback
of
the
program
source.
.
Adjust
VOLUME
control
©.
.
Use
MIC
LEVEL
control
@
to
adjust
the
microphone
level
in
relation
to
the
music
source.
8.
Talk
or
sing
into
the
microphone.
NOTE:
.
Mic
mixing
is
not
possible
when
using
the
CD
DIRECT
and
DAT
DIRECT
functions.
Nook
MIXING
RECORDING
You
can
record
on
Deck
|
or
Deck
II.
Or
you
can
record
on
both
at
the
same
time.
*
To
record
on
both
Deck
|
and
Il
at
the
same
time,
see
page
20.
.
Perform
steps
1
to
7
in
the
section
‘‘MIXING
PROCEDURE.”
.
Load
a
tape
for
recording
into
deck
I
(or
Il).
.
Press
REC
(
@)
switch
on
deck
|
(or
Il).
.
Press
PLAY
(>
or
<1)
switch
on
deck
|
(or
Il).
.
Sing
along
with
the
program
source.
NOTE:
Mixed
sound
does
not
appear
at
the
DAT/VIDEO
OUT
jacks.
CASSETTE
TAPE
RELAY
PLAYBACK
ObhWN
=A
©
Relay
playback
is
repeated
as
follows:
pies
|
forward
play
{E>
)—*Deck
|
reverse
play
al
Deck
II
reverse
play
(<2)«—
Deck
H
forward
play
(>)
¢
Relay
playback
is
possible
for
a
maximum
of
6
times.
e
lf
there
is
a
tape
in
only
one
of
the
decks,
then
it
will
be
played
continuously
on
both
sides.
.
Load
the
playback
tapes
into
deck
I
and
deck
Il.
.
Set
REV
MODE
switch
@
to
RELAY
PLAY.
.
Set
DOLBY
NR
switch
@
to
the
same
position
used
for
recording.
.
Press
the
appropriate
PLAY
switch
(>
or
<1)
on
deck
I
or
deck
Il.
.
To
stop
relay
playback,
press
STOP
switch
(
(_])
of
the
operating
deck.
aghwn
=
19
<ARB1218>
RELAY
RECORDING
With
this
function,
deck
Il
starts
recording
when
deck
|
finishes
recording.
Both
decks
must
be
in
stop
mode.
NOTE:
/f
the
accidental
erasure
prevention
tabs
of
the
side
A
on
either
tape
cassette
are
broken
off,
recording
will
not
begin
when
the
RELAY
RECORDING
switch
is
pressed.
1.
Press
EJECT
switch
for
deck
|
@
and
deck
fl
@),
and
load
tapes
for
recording.
Make
sure
there
is
no
tape
slack.
.
Set
DOLBY
NR
switch
@
to
the
desired
position.
.
Set
REV
MODE
switch
@
to
the
desired
position.
.
Press
a
input
selector
switch
©)
to
select
and
then
play
the
recording
source.
©
Choose
a
source
other
than
TAPE.
5.
To
record
the
sound
passed
through
the
equalizer,
turn
on
EQUALIZER
ON/OFF
switch
(8)
and
use
EQUALIZING
CONTROL
switches
(3
to
adjust
the
sound
quality.
6.
Press
RELAY
RECORDING
switch
@).
¢
RELAY
indicator
lights.
©
Deck
|
begins
recording
in
the
forward
direction
(>
).
When
deck
|
finishes
recording,
deck
1!
will
begin
recording
in
the
forward
direction
(>).
7.
To
stop
relay
recording,
press
STOP
switch
(1)
of
the
deck
currently
recording.
BWN
PARALLEL
RECORDING
With
this
function,
both
decks
start
recording
the
same
source
at
the
same
time.
Both
decks
must
be
in
stop
mode.
After
recording
begins,
you
have
independent
control
over
pause
and
stop
operations
of
the
two
decks.
NOTE:
If
the
accidental
erasure
prevention
tabs
of
the
side
A
on
either
tape
cassette
are
broken
off,
recording
will
not
begin
when
the
PARALLEL
RECORDING
switch
is
pressed.
1.
Press
EJECT
switch
for
deck
|
@)
and
deck
II
@3,
and
load
tapes
for
recording.
¢
Make
sure
there
is
no
tape
slack.
.
Set
DOLBY
NR
switch
@
to
the
desired
position.
.
Set
REV
MODE
switch
@)
to
the
desired
position.
.
Press
a
input
selector
switch
©
to
select
and
then
play
the
recording
source.
*
Choose
a
source
other
than
TAPE.
5.
To
record
the
sound
passed
through
the
equalizer,
turn
on
EQUALIZER
ON/OFF
switch
(8)
and
use
EQUALIZING
CONTROL
switches
(3)
to
adjust
the
sound
quality.
6.
Press
PARALLEL
RECORDING
switch
@.
*
The
REC
indicators
lights
on
both
decks
and
recording
begins
in
the
forward
direction
(>
).
7.
To
stop
recording,
press
STOP
switch
((1J)
on
the
deck
you
wish
to
stop.
hWHN
20
<ARB1218>
COPYING
TAPES
Duplicating
the
recorded
contents
of
one
tape
onto
another
tape
is
known
as
tape
copying.
The
contents
of
the
tape
in
deck
|
can
be
copied
onto
the
tape
in
deck
II
(but
not
vice
versa.)
Copying
is
not
possible
while
either
deck
is
operating.
You
cannot
record
a
source
using
the
graphic
equalizer.
If
a
tape
recorded
with
the
DOLBY
NR
system
is
copied,
the
copied
tape
will
also
be
recorded
automatically
with
DOLBY
NR
system.
If
a
tape
recorded
without
the
DOLBY
NR
system
is
copied,
the
copied
tape
will
also
be
recorded
automatically
without
the
DOLBY
NR
system.
1.
Load
the
recorded
tape
into
deck
|
and
the
tape
for
recording
into
deck
ll.
©
Wind
the
tape
forward
past
the
leader
to
the
start
of
the
magnetic
coating
portion.
©
Tape
copying
begins
from
the
forward
direction
(I>).
©
Make
sure
there
is
no
tape
slack.
2.
Select
REV
MODE
switch
@).
REVERSE
MODE
switch
Operation
RELAY
REC
One
side
is
copied
from
deck
|
PLAY
<=—
to
deck
Il.
REC
PLAY
22>
Cc
Both
sides
are
copied
from
deck
|
to
deck
Il.
3.
To
perform
a
normal
copy
while
listening
to
playback,
set
input
selector
switch
@)
on
the
amplifier
to
TAPE
and
select
the
DOLBY
NR
switch
@
position.
Even
if
input
selector
switch
is
set
to
another
position,
tape
copying
will
still
proceed.
The
sound
of
the
program
source
selected
by
input
selector
switch
will
be
heard
through
the
speakers.
4.
Press
one
of
SYNCHRO
COPY
switches
@).
NORMAL:
for
tape
copying
at
normal
speed
while
listening
to
it.
HIGH:
for
tape
copying
at
about
twice
normal
speed.
5.
Press
STOP
switch
(
1)
on
either
deck
to
stop
the
copying
at
any
time.
NOTE:
¢
/f
you
are
using
a
TV
in
the
vicinity
of
the
unit,
noise
will
be
recorded.
Either
switch
off the
TV
or
move
it
away
from
the
unit.
°
There
is
variation
in
actual
tape
length
even
among
cassettes
of
the
same
length
label
(C-60,
C-90,
etc.).
Therefore,
even
if
the
recording
tape
is
labeled
as
the
same
length
as
the
playback
tape,
it
is
possible
for
the
recording
tape
to
end
first
without
recording
all
of
the
contents
of
the
playback
tape.

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