Roland Hp 1800e User manual

>Roland

Digital

Piano

ho

CAUTION

RISK

OF

ELECTRIC

SHOCK

DO

NOT

OPEN

ATTENTION.

risqUE

DE

CHOC

ELECTRIQUE

NE

PAS

OUVRIR

CAUTION:

TO

REDUCE

THE

RISK

OF

ELECTRIC

SHOCK.

DO

NOT

REMOVE

COVER

(OR

BACK).

NO

USER-SERVICEABLE

PARTS

INSIDE.

REFER

SERVICING

TO

QUALIFIED

SERVICE

PERSONNEL.

The

lightning

flash

with

arrowhead

symbol.

within

an

equilateral

triangle.

is

intended

to

alert

the

user

to

the

presence

of

uninsulated

“dangerous

voltage”

within

the

products

enclosure

that

may

be

of

sufficient

magnitude

to

constitute

a

risk

of

electric

shock

to

persons.

Aà

The

exclamation

point

within

an

equilateral

triangle

is

intended

to

alert

the

user

to

the

presence

of

important

operating

and

maintenance

(servicing)

instructions

in

the

literature

accompanying

the

product

INSTRUCTIONS

PERTAINING

TO

A

RISK

OF

FIRE,

ELECTRIC

SHOCK,

OR

INJURY

TO

PERSONS.

IMPORTANT

SAFETY

INSTRUCTIONS

SAVE

THESE

INSTRUCTIONS

WARNING

-

When

using

electric

products,

basic

precautions

should

always

be

followed,

including

the

following:

1.

Read

all

the

instructions

before

using

the

product.

2.

Do

not

use

this

product

near

water

—

for

example,

near

a

bathtub,

washbowl,

kitchen

sink,

in

a

wet

basement,

or

near

a

swimming

pool,

or

the

like.

3.

This

product

should

be

used

only

with

a

cart

or

stand

that

is

recommended

by

the

manufacturer.

4.

This

product,

either

alone

or

in

combination

with

an

amplifier

and

headphones

or

speakers,

may

be

capable

of

producing

sound

levels

that

could

cause

permanent

hearing

loss.

Do

not

operate

for

a

long

period

of

time

at

a

high

volume

level

or

at

a

level

that

is

uncomfortable.

If

you

experience

any

hearing

loss

or

ringing

in

the

ears,

you

should

consult

an

audiologist.

.

The

product

should

be

located

so

that

its

location

or

position

does

not

interfere

with

its

proper

ventilation.

6.

The

product

should

be

located

away

from

heat

sources

such

as

radiators,

heat

registers,

or

other

products

that

produce

heat.

7.

The

product

should

be

connected

to

a

power

supply

only

of

the

type

described

in

the

operating

instructions

or

as

marked

on

the

product.

dI

8.

The

power-supply

cord

of

the

produci

should

be

unplugged

from

the

outlet

when

left

unused

for

a

long

period

of

time.

9.

Care

should

be

taken

so

that

objects

do

not

fali

and

liquids

are

not

spilled

into

the

enciosure

through

openings.

10.The

product

should

be

serviced

by

qualified

service

personnel

when:

A.

The

power-supply

cord

or

the

plug

has

been

damaged:

or

B.

Objects

have

fallen,

or

liquid

has

been

spilled

onto

the

product:

or

C.

The

product

has

been

exposed

to

rain;

or

D.

The

product

does

not

appear

to

operate

normally

or

exhibits

a

marked

change

in

performance;

or

E.

The

product

has

been

dropped,

or

the

enclosure

damaged.

11.Do

not

attempt

to

service

the

product

beyond

that

described

in

the

user-maintenance

instructions.

All

other

servicing

should

be

referred

to

qualified

service

personnel.

For

the

USA

This

product

may

be

equipped

with

a

polarized

line

plug

(one

blade

wider

than

the

other)

.

This

is

a

safety

feature.

If

you

are

unable

to

insert

the

plug

into

the

outlet,

contact

an

electrician

to

replace

your

obsolete

outlet.

Do

not

defeat

the

safety

purpose

of

the

plug.

For

Polarized

Line

Plug

CAUTION:

For

Canada

TO

PREVENT

ELECTRIC

SHOCK,

MATCH

WIDE

BLADE

OF

PLUG

TO

WIDE

SLOT.

FULLY

INSERT.

ATTENTION:

pour

ÉVITER

LES

CHOCS

ÉLECTRIQUES,

INTRODUIRE

LA

LAME

LA

PLUS

LARGE

DE

LA

FICHE

DANS

LA

BORNE

CORRESPONDANTE

DE

LA

PRISE

ET

POUSSER

JUSQU'

AU

FOND.

For

the

U.K.

IMPORTANT:

THE

WIRES

IN

THIS

MAINS

LEAD

ARE

COLOURED

IN

ACCORDANCE

WITH

THE

FOLLOWING

CODE.

BLUE:

NEUTRAL

BROWN:

LIVE

As

the

colours

of

the

wires

in

the

mains

lead

of

this

apparatus

may

not

correspond

with

the

coloured

markings

identifying

the

terminals

in

your

plug.

proceed

as

follows:

The

wire

which

is

coloured

BLUE

must

be

connected

to

the

termina!

which

is

marked

with

the

letter

N

or

coloured

BLACK.

The

wire

which

is

coloured

BROWN

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

L

or

coloured

RED.

Roland

Digital

Piano

HP

1800¢

OWNER'S

MANUAL

Thank

you,

and

congratulations

on

your

choice

of

the

Roland

HP-1800e

Digital

Piano.

Thanks

to

its

use

of

Advanced

SA

Process

digital

sound

sources,

the

HP-1800e

faithfully

recreates

the

powerful

lows

and

sparkling

highs

of

a

concert

grand

piano.

Moreover,

it

comes

equipped

with

a

keyboard

that

is

a

delight

to

play

—

one

which

responds

to

every

playing

dynamic.

And

because

the

instrument's

sound

sources

are

digital,

the

piano

will

never

need

tuning

to

retain

its

sound

quality.

For

these

and

many

other

reasons,

you

will

now

be

able

to

enjoy

everything

you

would

expect

from

a

traditional

piano

—

all

within

a

user-friendly,

compact

package

that

more

readily

fits

into

a

modern

lifestyle.

In

order

to

take

full

advantage

of

the

HP-1800e's

numerous

features,

and

to

enjoy

years

of

trouble-free

service,

please

take

the

time

to

read

through

this

manual.

Features

e

Six

Different

Sounds

<Page

6>

The

selection

of

sounds,

beginning

with

a

luxurious

grand

piano,

allows

you

to

play

music

in

virtually

any

style.

e

A

Dual

Function

<Page

6>

Any

two

Voices

can

be

combined

(layered)

and

played

together.

»

Digital

Effects

<Page

7>

Your

new

piano

comes

equipped

with

two

digital

effects:

Chorus

and

Reverb.

e

A

“Recorder”

<Page

8>

An

easy-to-operate

Recorder

allows

you

to

record

and

play

back

the

music

you

create.

*

A

Key

Touch

Function

<Page

9>

Three

‘Touch’

levels

are

available,

allowing

the

player

to

adjust

the

keyboard

feel

to

suit

personal

preferences.

*

A

Damper

Pedal

<Page

9>

When

the

Damper

pedal

is

depressed,

the

HP-1800

pro-

vides

a

realistic

simulation

of

“sympathetic

resonance.”

This

effect

occurs

when

strings

(on

an

acoustic

piano)

adjacent

to

the

notes

played

also

resonate,

creating

much

richer,

expansive

sonorities.

e

Auto

Loudness

Effect

Allows

you

to

obtain

impressively

emphasized

bass

sounds

even

with

fainter

notes.

e

Tuning

Functions

Even

though

there

is

no

need

to

tune

an

electric

piano

at

regular

intervals,

or

after

it

has

been

moved,

the

instrument

allows

for

the

creative

use

of

alternate

tunings.

Master

Tuning

<Page

6>

The

overall

pitch

of

the

piano

can

be

changed

to

match

the

pitch

of

other

musical

instruments.

e

MIDI

Capability

<from

Page

10>

The

instrument

also

provides

for

use

of

MIDI,

the

interface

standard

designed

to

provide

for

the

transfer

of

perform-

ance

information

among

electronic

musical

instruments

and

computers.

About

the

Advanced

SA

Sound

Sources

The

sounds

produced

by

this

instrument

are

created

using

the

“Advanced

SA

Process,”

which

represents

a

pooling

of

the

best

leading-edge

digital

technology

by

Roland.

The

ASA

process,

developed

as

a

natural

extension

of

the

original

SA

process,

involved

a

series

of

efforts:

first,

an

analysis

of

the

essential

properties

of

sound

as

generated

by

musical

instru-

ments,

then

an

extraction,

and

finally

a

re-synthesis

designed

to

facilitate

the

expressive

needs

of

musicians.

The

result

is

a

sound

generation

method

which

provides

very

finely

textured

and

realistic

sounds.

Copyright

©

1994

by

Roland

Corporation

All

rights

reserved.

No

part

of

this

publication

may

be

reproduced

in

any

form

without

the

written

permission

of

Roland

Corporation.

Contents

Features:

iaia

iii

Contents

.............

Important

Notes

Assembling

the

KS-1800e

Stand

for

the

HP-1800€

...............................usrersrsceseieseziznere.

A

E

5

Front

Panel

Description........

CR

A

SERRA

E

O

EEO

6

Rear

Panel

Description

sei

Gülan

salak

EE

e

REY

satana

6

Turning

the

Power

Oa

A

RE

Using

HeadphonéS.......i.

li

a

aa

a

rat

Listening

to

the

Demonstration

SOngs

...........sssssssssssssssessesesssesscessssescesssssesscesseseseseensesssessuesscsesssssucscusecassces

Try

Recording

What

You

PRY

Kisacasi

en

aldik

üz

kem

sz

allak

ğe

Sli

anna

HowtoCreateRecordings......................................

eee

annene

Now

try

listening

to

what

you

just

recorded

....................

eee

Playing

with

the

Key

Transposed

..............sscssssssccesssesssserscscscsesererstessssenseeeees

calvin

Playing

a

piece

in

some

other

key

with

the

fingering

of

C

Pedal

Functions

.............

IRIS

N

PARAYİ

SCORE

SENO

PSE

COR

RAT

Key

Touch

Function

..........ccccsssssssessssscssescasscencacecsasarscescaesceseeens

Changing

the

Depth

of

the

Chorus

Effect

.............................0.0

Applying

Reverb

to

the

Sound

.........

pedaccuvouszis

aiar

For

Those

Who

Wish

To

Use

MIDI

..................vrrrrrerersiszizieneeneo:

Setting

the

MIDI

Transmit/ReceiveChannels...........................................

000

COMIN

On

Ofis

saye

ila

ai

sanan

a

es

isa

ni

Malan

peo,

TheMult-TimbralMode...........................................

i

Selecting

the

Transmission/Reception

Mode

......c.cccccscssscessscssesseceeccsecsseceacacseecescsssstsesesevevseassasseeseees

Transmission/Reception

of

Program

Change

Messages

...........................

ere

Troubleshooting........

Flare

anda

canonici

ET

FARAI

BRIAN

REFERER

Pereas

tac

olaki

Specifications

..............

MIDI

Implementation

Chart

.......................

mecocevananerecesozereceneneane

Fossis

R

A

E

......

15

Important

Notes

ZE

AT

ZIE

ESOTICI

TIN

III

IERI

In

addition

to

the

items

listed

under

Safety

Precautions

on

page

16,

please

read

and

adhere

to

the

following:

Power

Supply

*

When

making

any

connections

with

other

devices,

always

turn

off

the

power

to

all

equipment

first;

this

will

help

prevent

damage

or

malfunction.

e

Do

not

use

this

unit

on

the

same

power

circuit

with

any

device

that

will

generate

line

noise,

such

as

a

motor

or

variable

lighting

system.

Placement

*

Using

the

unit

near

power

amplifiers

(or

other

equipment

containing

large

transformers

)

may

induce

hum.

*

This

unit

may

interfere

with

radio

and

television

reception.

Do

not

use

this

unit

in

the

vicinity

of

such

receivers.

e

Make

sure

you

always

have

the

instrument

placed

so

it

is

level

and

sure

to

remain

stable.

Otherwise,

if

played

while

tilted,

you

risk

causing

damage

to

the

keyboard

as

a

result

of

the

unnatural

degree

of

force

that

might

be

applied

to

certain

parts

of

it.

Maintenance

*

For

everyday

cleaning

wipe

the

unit

with

a

soft,

dry

cloth

(or

one

that

has

been

slightly

dampened

with

water).

To

remove

stubborn

dirt,

use

a

mild

neutral

detergent.

Afterwards,

be

sure

to

wipe

the

unit

thoroughly

with

a

soft,

dry

cloth.

e

Never

use

benzene,

thinners,

alcohol

or

solvents

of

any

kind,

to

avoid

the

risk

of

discoloration

and/or

deformation.

Additional

Precautions

*

Protect

the

unit

from

strong

impact.

e

Before

using

the

unit

in

a

foreign

country,

consult

with

qualified

service

personnel.

*

Watch

your

fingers

when

opening

or

closing

the

cover.

Smaller

children

might

need

some

help.

*

Do

not

attempt

to

forcibly

the

music

stand

further

forward

than

it

is

designed

for.

(Keep

it

within

its

normal

swing

when

moved

gently.)

*

Never

place

vases,

drinks,

or

any

other

item

containing

liquid

on

top

of

the

unit.

In

the

event

of

a

spill,

be

sure

to

wipe

clean

immediately

with

a

dry

cloth.

Any

spill

that

is

not

cleaned

up

promptly

may

damage

the

finish.

If

liquid

enters

the

unit,

there

is

the

fire

or

electric

shock.

Assembling

the

KS-1800e

Stand

for

the

HP-1800e

Two

people

are

needed

to

carry

out

the

assembly.

Never

attempt

it

alone.

*

To

move

the

main

unit,

be

sure

to

keep

it

level

while

you

lift

it

straight

up.

Be

very

careful,

so

as

to

avoid

getting

fingers

pinched

or

toes

hurt

by

accidentally

dropping

the

unit.

©

Assembly

should

be

carried

out

by

two

people.

MCheck

the

parts

Before

you

begin

assembly,

check

that

you

have

all

the

following

parts.

®

Side

board

(left)

Side

board

(right)

©

Pedal

board-

(©

Rear

board

Long

screws

(M6

X

54

mm)

©

Short

screws

(M4

X

27

mm)

--

©

Pointed

screws

(4

X

25

mm)

@

Knob

bolts

Phillips

head

screwdriver

-

®

Cord

Clamps

iii

WAssembly

procedure

Attach

the

side

boards

(left

and

Bs

ie

STA

TT

EE

to

-a

a

kapli

board.

Note

Extend

the

pedal

cable

out

from

the

pedal

board.

Note

Be

sure

that

the

side

boards

(left

and

right)

are

oriented

correctly:

the

metal

fittings

are

on

the

inside.

lug

in

the

pedal

cord

and

the

power

cor

©

Plug

the

pedal

cord

into

the

jacks on

the

rear

side

of

the

piano.

@

Affix

the

cord

clamps

©

on

the

appropriate

positions

at

the

back

of

the

rear

board

(See

the

figure

below.)

then

fasten

the

pedal

cord

using

the

clamps.

@

Plug

the

power

cord

into

the

rear

side

of

the

piano.

(The

power

cord

is

supplied

with

the

piano.)

@

Use

the

long

screws

@(M6

x

54

mm)

to

fasten

the

side

boards

to

the

pedal

board.

(Use

two

screws

for

each

side.)

2

EY

«—_/{

{=

=

|

Attach

/

Attach

the

rear

board.

=

rear

board.

Note

Be

sure

that

the

rear

board

is

oriented

correctly:

the

grainy

surface

is

on

the

inside,

and

the

black

-

painted

surface

on

the

outside.

The

end

with

two

through

holes

on

the

right

and

left

(Oka

sides

should

be

facing

up.

(©

Use

the

short

screws

©

(M4

x

27

mm)

to

fasten

the

rear

board

to

the

side

boards.

(Use

two

screws

for

©

each

side.)

e

@

Use

the

pointed

screws

~“

©

(4

x

25

mm)

to

fasten

the

rear

board

to

the

pedal

board.

(Use

four

screws.)

g

Attach

the

piano

to

the

stand.

Note

When

placing

the

piano

on

the

stand.

be

careful

not

to

pinch

your

fingers.

(Avoid

holding

the

ends

of

the

piano.)

g

Rotate

the

adjusting

bolt

Note

Ifthe

piano

is

placed

on

carpeting,

rotate

the

adjusting

bolt

a

little

more

so

it

is

properly

supported

by

the

floor.

Note

When

placing

the

piano

in

its

location,

be

sure

not

to

pinch

the

power

cord

underneath

the

piano.

©

After

the

piano

has

been

assembled

and

installed

in

its

location,

rotate

the

adjusting

bolt

on

the

bottom

of

the

pedal

board

until

it

completely

touches

the

floor.

@

Align

the

screws

(one

on

each

side)

located

on

the

bottom

of

the

piano

with

the

slots

in

the

metal

fittings,

and

slide

the

piano

toward

the

front

so

the

screws

slide

into

position.

©

Alter

the

piano

is

secured

to

the

metal

fittings,

use

the

two

knob

bolts

@

to

fasten

the

piano

to

the

stand.

(one

on

each

side)

Front

Panel

Description

n

VOLUME

BRILLIANCE

M

PIANO

HARPSI-

VIBRA-

E.PIANO

PIPE

STRINGS

N

CHORD

PHONE

ORGAN

>

Kep

ji

Mei,

TEL

A

FUNCTION

#

MİN

MAX

©

MELLOW

BRIGHT

L_ia

VOLUME

Knob

Voice

Buttons

At

“MAX”

the

volume

will

be

greatest.

BRILLIANCE

Knob

The

sound

becomes

brighter

as

the

knob

is

turned

toward

BRIGHT.

FUNCTION

Button

The

FUNCTION

button,

when

used

in

combination

with

other

buttons

or

keyboard,

is

used

to

perform

the

following

proce-

dures:

Playing

the

demo

songs

(p.

8)

Transposing

to

other

keys

(p.

9)

Setting

the

MIDI

Transmit/Receive

Channels

(p.

11)

Setting

Omni

ON

or

OFF

(p.

11)

Setting

Local

ON

or

OFF

(p.

11)

Setting

the

Multi-Timbral

mode

(p.

12)

Setting

the

MIDI

mode

(p.

12)

Transmission/Reception

of

Program

Change

Messages

(p.

13)

Rear

Panel

Description

Use

these

buttons

to

select

the

sound

you

want.

PIANO

A

rich

concert

grand

piano

sound.

HARPSICHORD

A

distinctively

sensitive

and

refined

harp-

sichord

sound.

VIBRAPHONE

The

sound

of

a

large

vibraphone.

E.

PIANO

Provides

the

timbre

of

a

luminous,

trans-

parent

electric

piano.

PIPE

ORGAN

A

Cathedral

pipe

organ.

STRINGS

The

sound

of

a

delightful

string

ensemble.

Press

any

two

Voice

buttons

simultaneously

to

have

those

two

sounds

combined

and

played

together.

(This

is

known

as

the

DUAL

function.)

*

The

Chorus

setting

that

will

apply

to

the

sounds

in

a

layered

pair

will

be

the

setting

made

for

the

Voice

button

on

the

left.

0]

[2]

[4]

MIDI

PEDAL

TUNE

—

INPUT.

—

OUTPUT

OUT

IN

R

L

R

L

a

E

CI

O

CI

O

b

fF

MONO

Los

Lagd

[1]

MIDI

Connectors

[4]

INPUT

Jacks

Accept

the

MIDI

cables

used

to

connect

external

electronic

instruments.

PEDAL

Jack

This

is

where

you'll

connect

the

supplied

pedals.

TUNE

Knob

Allows

the

overall

pitch

to

be

adjusted.

With

the

knob

at

its

center

position,

the

center

A

key

(/a)

on

the

keyboard

will

have

a

frequency

of

440

Hz.

Move

the

knob

in

the

direction

of

“#”

to

raise

the

pitch,

and

toward

“b”

to

lower

it.

By

rotating

the

knob

to

either

extreme,

you

obtain

a

change

of

50

cents

(1/2

semitone).

Accept

input

of

audio

signals

from

some

other

unit

(CD

player,

cassette

deck

etc.)

that

you

wish

to

hear

through

the

HP-1800's

speakers.

OUTPUT

Jacks

Provide

output

of

sound

produced

by

the

HP-1800e.

a

E

CHORUS

REVERB

KEY

TOUCH

LIGHT

HEAVY

REC

PLAY

[ie

EE

CHORUS

Button

Press

the

CHORUS

button

(its

indicator

will

light)

to

add

minute

pulsations

to

the

sounds

you

play,

and

make

them

seem

fatter

and

more

expansive.

You

can

select

from

six

Chorus

Depth

levels.

(p.

10)

*

Chorus

On/Off

setting

can

be

set

individually

for

each

Voice.

Hold

down

a

Voice

button

while

you

press

the

CHORUS

button

to

store

the

setting

(ON

/OFF)

along

with

that

Voice.

REVERB

Button

Press

the

REVERB

button

(its

indicator

will

light)

to

add

reverberation

(spacious

ambiance)

to

the

sound.

You

can

select

from

six

Reverb

Depth

levels.

(p.

10)

*

Reverb

On/Off

cannot

be

set

individually

for

each

Voice.

Turning

the

Power

On

1.

Insert

the

plug

on

the

power

cord

into

an

outlet,

2.

Press

the

POWER

button

on

the

left

side

of

the

panel.

(Press

the

button

again

to

turn

it

OFF.)

Pressing

the

button

again

mı

MM

ON

OFF

Pressing

the

button

once

*

A

muting

feature

comes

into

effect

for

a

brief

interval

(about

2

seconds)

after

power

up.

During

this

interval,

nothing

will

be

heard

if

you

play

the

keyboard.

*

Be

sure

to

use

only

the

power

cord

supplied

with

this

unit.

*

Whenever

you

do

not

intend

to

use

the

piano

for

an

extended

period

of

time,

disconnect

the

power

cord

from

the

outlet.

DEMO

KEYTOUCH

Button

Allows

you

to

adjust

the

keyboard's

sensitivity.

(p.

9)

EE

REC

Button

Allows

you

to

record

your

performances.

(p.

8)

PLAY

Button

Pressed

to

play

back

what

you

have

recorded.

(p.

8)

Using

Headphones

To

use

headphones,

insert

the

plug

into

the

jack

located

on

the

left

side

of

the

instrument.

*

The

piano’s

speakers

will

no

longer

produce

sound

once

you

have

headphones

connected.

This

is

convenient

for

private

practice

or

late-night

playing.

©

|

*

The

VOLUME

knob

on

the

instrument

can

be

used

to

adjust

the

volume

as

necessary.

*

We

recommend

the

use

of

stereo

headphones.

Listening

to

the

Demonstration

Songs

The

HP-1800e

contains

three

demonstration

songs

in

memory

which

highlight

the

instrument's

capability.

To

hear

them,

follow

the

steps

below.

1.

While

holding

down

the

FUNCTION

button,

press

PLAY

button

(both

buttons

will

start

to

flash)

and

in

a

few

seconds

the

Demo

songs

will

start

to

play.

PLAY

©

Em

FUNCTION

2

2.

When

one

song

finishes,

the

will

start

playing

automatically.

If

you

wish

to

listen

to

only

one

song,

press

PLAY

button

while

holding

the

FUNCTION

button.

Then

within

2-3

seconds,

press

one

of

the

PIANO,

HARPSICHORD

and

VIBRAPHONE

buttons.

PIANO

gives

you

the

first

song,

HARPSICHORD

the

second

one

and

VIBRAPHONE

the

third

one.

(The

button

indicator

will

be

flashing

for

the

song

currently

playing.)

PIANO

HARPSI.

CHORD

VIBRA

PHONE

3.

To

stop

playback

of

one

song

and

have

the

another

play,

simply

press

the

another

Voice

button

(where

the

indica-

tor

is

not

flashing).

To

stop

playback

of

the

demonstration

songs

(and

return

to

the

standard

mode),

press

the

FUNCTION

or

PLAY

button.

Voice

Buttons

Composer

Song

Title

PIANO

HARPSICHORD

Chopin

VIBRAPHONE

from

Valse

No.6

"

Petit

chien"

0p.64-1

from

Nocturne

No.1

op.9-1

from

Cantata

BWV.

147

Chopin

J.S.Bach

arranged

by

Naoki

Nishi

Profile

of

the

demo

song

arranger

Naoki

Nishi

Born

in

1958

in

Hiroshima.

Began

working

professionally

at

the

age

of

21.

Has

so

far

released

8

albums

on

which

he

is

featured.

He

has

also

taken

part

in

numerous

other

albums.

His

broad

range

of

activities

have

included

appearances

at

a

number

of

jazz

festivals

in

Japan

and

other

parts

of

the

world.

In

addition

to

his

duties

as

an

instructor

at

the

Tokyo

Conservatoire

Shoubi,

he

has

provided

his

services

as

a

demonstrator

for

Roland

since

1990.

He

is

considered

to

be

one

of

Japan's

finest

jazz

pianist.

Try

Recording

What

You

Play

H

ow

to

Create

Recordings

Use

whatever

Voice

you

like

to

play

whatever

song

you

wish

to

re

1.

*

record.

When

completed,

you

will

be

able

to

listen

to

the

sults,

and

check

how

well

you

played

the

song.

Select

the

Voice

you

wish

to

use

for

the

recording,

then

make

any

other

selections

you

wish,

such

as

for

Chorus

and

Reverb.

When

ready,

press

the

REC

button

(its

indicator

will

light).

This

means

that

the

instrument

is

in

stand-by,

waiting

for

recording

to

begin.

REC

Start

playing.

(Recording

will

start

the

moment

the

first

note

is

played.)

When

finished,

press

the

REC

button

again

to

stop

recording.

The

indicator

should

go

out.

REC

T

During

recording,

you

can

change

to

any

other

Voice

you

wish

to

use.

You

can

record

up

to

approximately

2,000

notes.

When

the

unit

starts

running

low

on

memory

space,

the

indicator

on

the

REC

button

will

start

flashing.

If

you

continue

recording,

the

REC

indicator

will

begin

flashing

faster.

Once

you

reach

the

stage

where

the

unit

cannot

record

any

more,

the

indicator

on

the

REC

button

will

go

out,

and

recording

stops

automaticaliy.

Once

you

begin

a

new

recording,

all

of

the

performance

data

previously

recorded

will

be

erased.

Önce

erased,

performance

data

cannot

be

recovered.

Now

try

listening

to

what

you

just

recorded

Press

the

PLAY

button

(its

indicator

will

light).

PLAY

o

The

unit

stops

automatically

after

the

song

has

played

th

(P

*

rough.

The

indicator

will

then

go

out.

ress

the

PLAY

button

to

stop

playback

at

any

point.)

The

performance

data

that

you

record

will

disappear

about

8

hoursafter

pua

has

been

turned

off.

If

you

need

amore

permanent

form

of

storage

for

your

songs,

you

will

need

to

connect

an

external

sequencer

(p.

10)

and

record

onto

that

unit.

To

manually

erase

all

recorded

performance

data,

simul-

taneously

press

the

REC

and

PLAY

buttons.

GRAM

MN

EA

sl

nai

AN

RE

A

a

A

a

MENEMEN

Playing

with

the

Key

Transposed

If

you

wish,

you

can

play

the

instrument

with

the

key

‘transposed.’

This

conveniently

allows

you

to

play

in

a

key

that

matches

a

vocal

accompaniment,

without

changing

your

fingering

on

the

keyboard.

Transposition

is

also

useful

when

you

are

going

to

play

a

piece

in

a

key

other

than

C,

and

wish

to

play

it

as

if

it

were

in

the

key

of C.

This

makes

it

is

easier

to

play.

While

holding

down

the

FUNCTION

button,

press

either

PIANO

(

b)

or

HARPSICHORD

(#)

enough

times

to

obtain

the

amount

of

transposition

you

wish.

PIANO

—

HARPSI.

CHORD

c=

EE

FUNCTION

b

#

bei

While

holding

è

#

With

each

press,

the

sound

is

raised

by

1

semitone.

(Max.

of

5

semitones.)

b

With

each

press,

the

sound

is

lowered

by

1

semitone.

(Max.

of

6

semitones.)

Playing

a

piece

in

some

other

key

with

the

fingering

of

C

You

need

to

specify

which

note

you

wish

to

sound

when

the

C

key

(do

in

the

key

of

C)

is

pressed.

Hold

down

the

FUNCTION

button

while

you

press

the

keynote

for

the

key

you

wish

to

transpose

to

(using

the

C-B

keys

in

the

upper-

most

of

the

keyboard).

For

example,

to

play

an

E

major

piece

in

the

key

of

C

major,

you

would

hold

down

the

FUNCTION

button

while

you

press

E

(mi).

EZ

FUNCTION

While

holding

i—i

Press

the

keynote

of

the

key

to

which

you

wish

to

transpose

*

To

return

to

the

key

of

C,

press

PIANO

(

b)

and

HARPSI-

CHORD

(#)

simultaneously

while

holding

down

the

FUNC-

TION

button.

*

The

indicator

on

the

FUNCTION

button

will

remain

lit

while

transposition

is

in

effect.

*

To

cancel

transposition,

press

the

FUNCTION

button

again,

and

confirm

that

its

indicator

has

gone

out.

*

Once

you

have

set

the

transposition,

all

you

need

to

do

to

obtain

the

same

transposition

the

is

to

press

the

FUNCTION

button.

*

If

you

have

used

the

Key

Transpose

feature

to

raise

the

pitch

(by

1

to

5

semitones),

the

keyboards

5

highest

keys

(at

the

far

right)

will

sound

one

octave

lower

than

normal

when

playing

organ

or

string

sounds.

Pedal

Functions

The

specialized

stand

comes

equipped

with

3

pedals.

The

right

one

is

the

Damper

pedal,

the

middle

one

is

the

Sostenuto

pedal,

and

the

left

one

acts

as

the

Soft

pedal.

1

Damper

Pedal

While

the

Damper

Pedal

is

depressed,

notes

that

have

been

played

will

continue

to

sound

even

after

your

fingers

have

been

removed

from

those

keys.

2

Sostenuto

Pedal

This

pedal

is

used

to

sustain

only

the

sound

of

those

keys

that

are

pressed

at

the

very

moment

the

pedal

is

depressed.

Notes

played

afterwards

are

not

effected.

3

Soft

Pedal

When

depressed,

you

obtain

a

softer

sound.

Key

Touch

Function

This

instrument

allows

you

to

select

one

of

three

touch

settings.

These

settings

determine

how

the

keyboard

will

respond

to

certain

playing

dynamics.

Choose

the

setting

which

is

most

comfortable.

:

Tian

ie

Meda

Caco

This

is

the

standard

setting.

The

response

provided

by

this

setting

is

generally

perceived

as

being

the

most

natural.

Light

LIGHT

HEAVY

With

this

setting,

the

keys

will

seem

lighter

to

the

touch,

and

fortissimo

levels

can

be

achieved

with

much

less

effort.

LIGHT

HEAVY

ney

ei

With

this

setting,

the

keys

will

seem

heavierto

the

touch,

and

youwill

need

to

apply

even

more

force

than

normal

to

obtain

fortissimo

levels.

*

When

powered

up,

the

instrument

will

be

at

the

default

setting

(Medium).

10

Changing

the

Depth

of

the

Chorus

Effect

You

can

select

from

6

different

Chorus

levels.

1.

Hold

down

the

CHORUS

button

for

a

few

seconds

until

you

have

confirmed

that

its

indicator

has

started

to

flash.

2.

With

the

CHORUS

button

still

depressed,

press

the

appropriate

Voice

button

to

select

the

desired

depth

setting.

PIANO

HARPS!

VIBRA-

£.PIANO

PIPE

STRINGS

CHORUS

CHORD

PHONE

ORGAN

GS

CS)

C=

CS

ee ee

b

‘

L

Provides

Deepens

———

a

Ô

Applying

Reverb

to

the

Sound

While

holding

You

can

select

from

6

different

Reverb

levels.

1.

Hold

down

the

REVERB

button

for

a

few

seconds

and

its

indicator

will

start

to

flash.

2.

With

the

REVERB

button

stili

depressed,

press

the

appro-

priate

Voice

button

to

select

the

desired

depth

setting.

PIANO

HARPSI-

VIBRA-

CHORD

PHONE

CE

iii

EC

LI

Provides

Deepens

—

a

v

E.PIANO

REVERB

6

While

holding

PIPE

STRINGS

ORGAN

0000000000000

0 6

0

6

è 0

è 0 0

0600000000000

è

00

è

0

000000000000

6000000000000

For

Those

Who

Wish

To

Use

MIDI

Those

satisfied

with

playing

the

piano

by

itself

need

not

read

the

following.

About

MIDI...

The

MIDI

(Musical

Instrument

Digital

Interface)

standard

was

created

to

provide

for

the

exchange

of

performance

information

among

electronic

musical

instruments

and

computers.

The

MIDI

Connectors

Take

a

look

at

the

rear

panel

of

your

piano.

You

should

be

able

to

quickly

find

the

two

MIDI

sockets.

These

connectors

enable

the

piano

to

‘converse’

with

other

MIDI-equipped

units.

The

two

connectors

function

as

follows:

e

MIDI

IN

Connector

This

connector

is

where

messages

from

other

MIDI-

equipped

units

are

received,

and

can

be

likened

to

the

“ears”

which

listen

to

what

the

other

instrument

has

to

convey.

MIDI

OUT

Connector

From

this

connector,

messages

are

sent

out

to

other

MIDI-

equipped

units.

It

can

be

likened

to

the

“mouth”

in

the

ongoing

dialogue

between

the

units.

In

order

to

enable

communication

between

two

devices,

you

need

to

run

a

cable,

such

as

shown

below,

between

their

respective

MIDI

connectors.

Connecting

a

recorder

or

sequencer

such

as

the

PR-1

or

MT-200

MIDI

Sequenser

or

Recorder

Wace

suru.

T

a

T

ramen”

Setting

the

MIDI

Transmit/Receive

Channels

MIDI

provides

for

the

use

of

16

channels,

numbered

1—16.

When

the

channel

used

by

the

transmitting

unitmatches

that

of

a

remote

receiving

unit,

you

can

play

sounds

contained

in

the

remote

unit,

or

change

the

sounds

it

uses.

Hold

down

the

FUNCTION

button

while

you

press

the

VIBRAPHONE

button

to

set

the

MIDI

Transmit/Receive

Channel.

1.

2.

With

the

FUNCTION

button

still

depressed,

press

the

key

Omni

On/Off

When

set

to

“Omni

ON,”

the

HP-1800e

will

produce

sound

no

matter

which

channel

any

performance

data

is

received

on.

This

is

convenient

for

hearing

the

performance

data

on

all

channels

at

the

same

time.

To

set

the

unit

to

Omni

ON,

hold

down

the

FUNCTION

button

and

press

the

key

at

the

right

end

of

the

keyboard

(the

highest

key).

At

the

same

time,

both

the

transmission

and

reception

channels

are

automatically

set

to

channel

1.

While

holding

While

holding

While

holding

While

the

VIBRAPHONE

button's

indicator

is

dark,

the

transmission

and

reception

channels

will

be

set

to

the

same

channel.

The

Transmit

channel

alone

can

be

set

while

the

VIBRAPHONE

button's

indicator

is

blinking;

whereas

the

Receive

channel

alone

can

be

set

while

the

VIBRAPHONE

button's

indicator

is

lit.

VIBRA-

PHONE

C=")

Tx

and

Rx

channels

to

the

same

channel

ij

Setting

the

Tx

channel

FUNCTION

OC

[CS]

Setting

the

Rx

channel

O

which

corresponds

to

the

desired

MIDI

channel.

(See

illustration

below.)

Minh

|

Press

the

key

that

corresponds

to

the

MIDI

channel

you

want

[STI

FUNCTION

Ö

FUNCTION

*

Thereafter,

the

unit

will

be

placed

back

into

the

Omni

OFF

mode

when

a

specific

setting

for

the

Receive

channel

is

made.

Local

On/Off

If

you

intend

to

record

into

a

seguencer,

set

it

so

its

“Soft

Thru”

function

is

ON.

Atthe

same

time,

set

the

piano's

Local

setting

to

OFF:

1.

Press

FUNCTION

(the

STRINGS

button

indicator

should

be

dark).

(When

this

indicator

is

dark,

it

means

that

the

unit

is

set

to

Local

ON.)

STRINGS

esi.

LEI

FUNCTION

è

2.

With

the

FUNCTION

button

still

depressed,

press

the

*

STRINGS

button,

and

confirm

that

its

indicator

has

lit.

(When

this

indicator

is

lit,

the

unit

is

set

to

Local

OFF.)

STRINGS

FUNCTION

While

holding

If

the

HP-1800

is

set

to

“Local

ON”

while

connected

to

a

sequencer

set

with

its

“Soft

Thru”

function

“ON,”

the

same

notes

will

be

produced

twice.

This

is

because

the

locally

produced

keyboard

notes

first

sound

internally,

and

then

are

sounded

a

second

time

when

the

note

messages

(after

having

been

sent

out

the

HP-1800e's

MIDI

OUT,

and

been

routed

through

the

sequencer)

have

arrived

back

again

at

the

HP-1800e’s

MIDI

IN.

The

resulting

sound

might

seem

quite

unnatural.

When

the

Local

feature

is

set

at

“Off”,

the

sound

source

of

the

instrument

will

be

disengaged

from

the

keyboard.

Asa

result,

only

the

musical

information

that

has

traveled

through

the

sequencer

and

has

arrived

back

again

will

cause

the

instrument

to

sound.

Some

sequencers,

such

as

the

MT-200,

automatically

send

out

a

“Local

Off”

message

at

power

up.

There

are

also

sequencers

(such

as

the

PR-1)

which

are

ordinarily

used

while

set

to

Soft

Thru

Off,

so

the

instrument

being

used

can

be

left

set

at

Local

On.

This

piano

will

always

be

set

at

“Local

ON”

whenever

its

power

is

turned

on.

Whenever

there

are

no

cables

connected

to

this

instru-

ment’s

MIDI

connectors,

it

will

always

be

at

“Local

ON.”

11

12

The

Multi-Timbral

Mode

When

the

Multi-Timbral

mode

is

ON,

MIDI

data

arriving

on

several

channels

can

be

received.

This

allows

you

to

simul-

taneously

play

several

of

the

piano's

internal

sounds.

e

When

the

Multi-Timbral

Mode

is

OFF

Data

that

arrives

on

the

specified

Receive

channel

(see

page

11)

is

received

and

used

to

play

the

currently

selected

Voice.

When

the

Multi-Timbral

Mode

is

ON

Of

any

MIDI

data

that

arrives,

that

which

arrives

on

channels

1,

11, 12,

13,

14

and

15

is

received.

Data

on

all

other

channels

is

ignored.

The

Voice

that

is

used

to

play

the

notes

will

be

determined

by

the

Program

Change

message

that

is

received

on

the

relevant

channel.

The

correspondence

between

Program

Change

Numbers

and

Voices

is

shown

on

page

13.

While

holding

down

the

FUNCTION

button,

press

the

PIPEORGAN

button

to

turn

the

Multi-Timbral

Mode

ON

or

OFF.

With

the

indicator

lit,

it

is

ON.

While

holding

How

Various

Types

of

Messages

Function

While

the

Multi-Timbral

Mode

is

ON

*

Pedal

Messages

Damper,

sostenuto

and

soft

pedal

messages

function

inde-

pendently

for

any

of

these

channels:

1,11,12,13,140r15.

*

Volume

Messages

Volume

messages

control

the

volume,

and

function

inde-

pendently

for any

of

these

channels:

1,

11,12,

13,

14

0r15.

Such

messages,

however,

have

no

effect

on

what

is

played

on

this

instrument's

keyboard.

The

actual

volume

obtained

is

determined

by

both

the

value

of

the

Volume

message,

and

the

position

of

the

Volume

knob

on

this

instrument.

When

a

Volume

message

calls

for

the

maximum

value,

the

actual

volume

produced

will

directly

reflect

the

position

of

the

Volume

knob.

Chorus

On/Off

Messages

Chorus

On/Off

messages

affect

independently

for

each

channel

1,

11,

12,

13,

14

of

15.

Reverb

On/Off

Messages

Reverb

On/Off

messages

affect

all

Voices

equally,

regard-

less

of

whether

they

are

received

on

channel

1,

11, 12,

13,

14

0r15.

*

When

the

Multi-Timbral

Mode

is

“On,”

the

unit

will

always

be

at

“Omni

OFF.”

Selecting

the

Transmission/Reception

Mode

Three

Transmission/Reception

Modes

have

been

provided

to

allow

you

to

select

the

mode

which

best

matches

your

needs.

*

Note

and

Pedal

messages

are

received/transmitted

in

every

mode.

Hold

down

the

FUNCTION

button

while

you

press

the

E.PIANO

button

to

set

the

Transmit/Receive

mode.

When

the

E.PIANO

button's

indicator

is

dark,

you

are

in

Mode

1.

When

the

E.PIANO

button's

indicator

is

blinking,

you

are

in

Mode

2.

When

the

E.PIANO

button's

indicator

is

lit,

you

are

in

Mode

3.

E.PIANO

C=]

Mode

1

EEJ

[CEE]

Mode

2

FUNCTION

n

CO]

Mode

3

While

holding

È

*

When

power

is

turned

on,

the

unit

will

always

be

at

the

Mode

1

setting.

Mode

I

Il

II

MIDI

Messages

TX RX TX

RX

TX

RX

Note

Messages

Yes Yes Yes

Program

Change

Messages

*

Yes

No

Yes

Control

Change

Messages

Volume

(7)

No

Yes

No

Yes

No

Yes

Damper

(64)

Yes

Sostenuto

(66)

Yes Yes

Yes

Yes Yes

Soft

(67)

Chorus

On/Off

(93)

Reverb

On/Off

(91)

(RPN)

Yes

No

Yes

No

Yes

Master

Tune

No

Yes

Roland

System

Exclusive

Messages

Multi-Timbral

Mode

No

Yes

No

Yes

Yes Yes

Chorus

Depth

No

Yes

No

Yes Yes

Yes

Reverb

Depth

No

Yes

No

Yes Yes Yes

Brilliance

No

Yes

No

Yes Yes

Yes

*

Program

Changes

will

not

be

sent

out

when

you

press

a

voice

button

while

the

unit

is

in

Modes

1

and

2.

You

will

need

to

use

the

procedure

explained

on

the

if

you

wish

to

transmit

Program

Changes

while

using

Modes

1

and

2.

Note

that

while

in

Mode

3,

however,

the

Program

Change

corresponding

to

whatever

voice

button

is

pressed

will

always

be

transmitted.

Transmission/Reception

of

Program

Change

Messages

Transmitting

While

holding

down

the

FUNCTION

button,

press

the

keys

corresponding

to

the

Group,

Bank,

and

Number

which

make

up

the

Program

Change

message

you

wish

to

transmit.

(ZI

FUNCTION

À

While

holding

Group

B

BANK

1-8

Bank

0

z

fes lon

efx

oc

hh

EEE

NUMBİR

1-8

È

GROUP

A.B

Press

the

key

that

corresponds

to

the

program

change

number

you

want

*

In

the

Mode

3

Transmission/Reception

mode,

the

appropriate

Program

Change

message

will

be

transmitted

whenever

you

press

a

Voice

button.

1

PIANO

13

PIANO

+

VIBRAPHONE

32

HARPSICHORD

+

STRINGS

3

HARPSICHORD

14

PIANO

+

E.PIANO

46

VIBRAPHONE

+

E.PIANO

5

VIBRAPHONE

15

PIANO

+

PIPEORGAN

47

VIBRAPHONE

+

PIPEORGAN

6

E.PIANO

16

PIANO

+

STRINGS

48

VIBRAPHONE

+

STRINGS

7

PIPEORGAN

29

HARPSICHORD

+

VIBRAPHONE

55

E.PIANO

+

PIPEORGAN

8

STRINGS

30

HARPSICHORD

+

E.PIANO

56

E.PIANO

+

STRINGS

11

PIANO

+

HARPSICHORD

31

HARPSICHORD

+

PIPEORGAN

64

PIPEORGAN

+

STRINGS

Receiving

When

a

Program

Change

message

is

received,

a

change

is

made

to

the

correspondingly

numbered

Voice,

as

shown

below.

1

PIANO

13

PIANO

+

VIBRAPHONE

32

HARPSICHORD

+

STRINGS

3

HARPSICHORD

14

PIANO

+

E.PIANO

46

VIBRAPHONE

+

E.PIANO

5

VIBRAPHONE

15

PIANO

+

PIPEORGAN

47

VIBRAPHONE

+

PIPEORGAN

6

E.PIANO

16

PIANO

+

STRINGS

48

VIBRAPHONE

+

STRINGS

7

PIPEORGAN

29

HARPSICHORD

+

VIBRAPHONE

55

E.PIANO

+

PIPEORGAN

8

STRINGS

30

HARPSICHORD

+

E.PIANO

56

E.PIANO

+

STRINGS

11

PIANO

+

HARPSICHORD

31

HARPSICHORD

+

PIPEORGAN

64

PIPEORGAN

+

STRINGS

*

Program

Changes

except

those

mentioned

above

will

be

ignored.

13

Whenever

you

suspect

that

the

instrument

is

not

performing

as

it

should,

please

consult

the

following

information.

O.

No

sound

heard

from

speakers.

A.

Have

you

checked

to

make

sure

you

don't

have

the

volume

set

at

“MIN”?

«Do

you

possibly

have

headphones

connected?

eif

using

other

connected

MIDI

devices,

have

you

made

sure

the

power

is

ON

for

all

such

devices?

elf

in

the

Multi-Timbral

mode,

do

you

have

the

Transmit

channel

of

the

connected

MIDI

device

set

to

something

other

than

1,

11,12,

13, 14,

or

15

?

*Could

you

have

MIDI

cables

connected

to

the

unit

while

it

is

also

set

to

“Local

OFF”?

Q.

The

damper

effect

is

constantly

applied

to

notes

played

(they

continue

sounding

longer

than

normal).

Or,

the

damper

effect

cannot

be

obtained

at

all.

A.

Have

you

checked

to

make

sure

the

cable

from

the

stand

is

connected

properly

to

the

piano?

Refer

to

“Assembling

the

KS-1

800

Stand

for

the

HP-1800,”

page

5.

Q.

Notes

played

on

the

keyboard

are

too

high

(or

low)

in

pitch.

A.

*Have

you

checked

to

make

sure

that

key

transposition

is

not

in

effect?

(If

Key

Transpose

has

been

set,

the

indicator

on

the

FUNCTION

button

will

be

lit.)

To

exit

the

transposed

state,

press

the

FUNCTION

button.

(Its

indicator

should

be

out.)

*Do

you

have

the

Master

Tuning

set

appropriately?

.

Data

that

was

in

the

recorder

has

disappeared.

*The

performance

data

that

you

record

into

the

recorder

will

be

erased

approx.

8

hours

after

power

is

turned

off.

Regrettably,

there

is

no

way

to

restore

such

data

once

it

has

been

erased.

If

you

need

a

more

permanent

form

of

storage

for

your

songs,

you

will

need

to

use

a

sequencer

(eg.,

Roland

MT-200)

and

store

songs

on

floppy

disks.

eHave

you

possibly

pressed

the

PLAY

and

REC

buttons

at

the

same

time?

PO

Q.

The

pitch

of

this

unit

differs

from

that

of

some

other

unit

being

sounded

simultaneously.

A.

Check

to

make

sure

that

the

Tuning

knob

on

the

rear

of

the

unit

hasn't

been

inadvertently

moved.

Adjust

the

tuning

knob

until

the

piano's

pitch

matches

that

of

the

external

units

you

are

using.

Q.

Operations

you

perform

using

the

panel

buttons

(Chorus/Reverb/Voice

selections)

cannot

be

stored

into

a

sequencer.

A.

Have

you

made

sure

you

have

the

Transmission/Reception

Mode

set

to

Mode

3?

Note

that

each

time

power

is

turned

on,

the

unit

will

by

default

be

in

Mode

1.

In

order

to

record

operations

you

perform

using

the

panel

buttons,

the

piano

must

be

set

to

Mode

3.

Specifications

HP-1800e

Keyboard

88

keys

Pedals

Damper,

Soft,

Sostenuto

(weighted

counter-lever

action)

Speakers

16cmX2

Sound

Source

Advanced

SA

Process

Rated

Power

Output

20

W

X

2

Maximum

Polyphony

28

voices

Finish

Simulated

Rosewood

Tones

Piano

Power

Consumption

50

W

(117V),

45

W

(230,

240V)

Harpsichord

Dimensions

:Piano

1419

(W)

X

456

(D)

X

192

(H)

mm

Vibraphone

55-7/8

(W)

X

18

(D)

X

7-9/16

(H)

inches

Electric

Piano

Stand

1419

(W)

X

456

(D)

X

638

(H)

mm

Pipe

Organ

55-7/8

(W)X

18

(W)

X

25-1/8

(H)

inches

Strings

:Total

1419

(W)

X

456

(D)

X

830

(H)

mm

Effects

Chorus

(6

levels)

55-7/8

(W)

X

18

(D)

X

32-1

1/16

(H}

inches

Reverb

(6

levels)

Weight

Piano

43.5kg

Touch

Control

Light

95

Ibs.

15

oz.

Medium

Stand

14.7kg

Heavy

32

Ibs.

7

oz.

Recorder

1

track

(approx.

2000

notes)

Total

58.2kg

Controls

Volume,

Brilliance,

Master

Tune,

128

Ibs.

5

oz.

Key

Transpose

Accessories

Owner’s

Manual,

Power

Cable,

Connectors

Output

Jacks

(Stereo)

Keyboard

Stand

(KS-1800e)

Input

Jacks

(Stereo/Mono)

Pedal

Jacks

MIDI

IN

Connector

*

In

the

interest

of

product

improvement,

the

specifica-

MIDI

OUT

Connector

tions

of

this

unit

are

subject

to

change

without

prior

Headphone

Jack

notice.

DIGITAL

PIANO

g

Date:January

1994

Mode!

HP-1800e

MIDI

Implementation

Chart

Version:1.00

Funciones

Transmitted

Recognized

Remarks

Basic

Default

1

I

Channel

Changed

1-16

1-16,

*4(1,11,12,13,14,15)

Default

Mode

3

Mode

3

Mode

Messages

OMNI

OFF,

POLY

È

+2

Altered

Melekli

Note

15-113

Number

True

Voice

Makale

Velocity

Note

ON

o

Note

OFF

o

8n

v=1-127

After

Key's

x

Touch

Ch's

x

|

Pitch

Bend

x

6,38

|

9

Data

entry

7|

x

Volume

64

|

©

Hold

1

66

|

©

Sostenuto

67

|

©

Soft

91

|

xl

Reverb

Control

93

|

«#1

Chorus

Change

100,

101

o

RPN

LSB,

MSB

121

x

Reset

all

controllers

Prog

o

Change

True

#

TETTI

ti

System

Song

Pos

Common

Song

Sel

True

System

Clock

Real

Time

Commands

Local

ON/OFF

X

0

x

AUX

All

Notes

OFF

SO

Messages

Active

Sense

e

Reset

ù

ite

=

Able

to

choose

between

o

and

x.

Notes

*2

When

power

on,

OMNI

OFF

and

POLY

are

sent

through

the

basic

channel.

©

*3

When

the

Multi-Timbral

Mode

is

OFF,

recognized

as

Mode

3

even

if

receiving

in

MON

mode

(M=1).

Recognized

as

Mode

|

even

if

receiving

in

MONO

mode

(Mel).

*4

When

the

Multi-Timbral

Mode

is

ON.

*§

Set

to

"x"

when

the

Multi-Timbral

Mode

is

ON

and

set

to

"o"

when

the

Multi-

Timbral

Mode

is

OFF.

Mode

1

:

OMNI

ON,

POLY

Mode

2

:

OMNI

ON,

MONO

o:

Yes

Mode

3

:

OMNI

OFF,

POLY

Mode

4

:

OMNI

OFF,

MONO

x:

No

15

U.S.A.

Roland

Corporation

US

7200

Dominion

Circle

Los

Angeles,

CA,

90040-

3696,

LI.

S.A.

TEL:

(213)

685

5141

CANADA

Roland

Canada

Music

Ltd.

(Head

Office)

5480

Parkwood

Way

Richmond

B.

C.,

VOV

2M4

CANADA

TEL:

(604)

270

6626

Roland

Canada

Music

Ltd.

(Montreal

Office)

9425

Transcanadienne

Service

Rd.

N.,

St

Laurent,

Quebec

H45

1V3,

CANADA

TEL:

(514)

335

2009

Roland

Canada

Music

Ltd.

(Toronto

Office)

346

Watline

Avenue,

Mississauga,

Ontario

L4Z

1X2,

CANADA

TEL:

{416}

890

6488

AUSTRALIA

Roland

Corporation

Australia

Pty.

Ltd.

38

Campbell

Avenue

Dee

Why

West.

NSW

2099

AUSTRALIA

TEL:

(02)

982

8266

NEW

ZEALAND

Roland

Corporation

(NZ)

Ltd.

97

Mt.

Eden

Road,

Mt.

Eden,

Auckland

3,

NEW

ZEALAND

TEL:

(09)

3098

715

UNITED

KINGDOM

Roland

(U.K.)

Ltd.

Rye

Close

Ancells

Business

Park

Fleet,

Hampshire

GU13

8UY,

UNITED

KINGDOM

TEL:(0252)

816181

Roland

(U.K.)

Ltd.,

Swansea

Office

Atlantic

Close,

Swansea

Enterprise

Park,

Swansea,

West

Glamorgan

SA79FJ,

UNITED

KINGDOM

TEL:

(0792)

700

139

IRELAND

The

Dublin

Service

Centre

Audio

Maintenance

Limited

11

Brunswick

Place

Dublin

2

Republic

of

Ireland

TEL:

{01}

677322

ITALY

Roland

Italy

S.

p.

A.

Viale

delle

Industrie

8

20020

ARESE

MILANO

ITALY

TEL:

(02)

93581311

SPAIN

Roland

Electronics

de

Espafia,

5.

A.

Calle

Bolivia

239

Barcelona,

SPAIN

TEL:

(93)

308

1000

08020

GERMANY

Roland

Elektronische

Musikinstrumente

Handelsgesellschaft

mbH.

Oststrasse

96,

22844

Norderstedt,

GERMANY

TEL:

(040)

52

60090

FRANCE

Guillard

Musiques

Roland

ZAC

de

Rosarge

Les

Echets

01700

MIRIBEL

FRANCE

TEL:

(72)

26

5060

Guillard

Musiques

Roland

(Paris

Office)

1923

rue

Léon

Geoffroy

94400

VITRY-SUR-SEINE

FRANCE

TEL:

(1)

4680

86

62

BELGIUM/HOLLAND/

LUXEMBOURG

Roland

Benelux

N.

V.

Houtstraat

1

B-2260

Oevel-

Westerlo

BELGIUM

TEL:

(014)

575811

DENMARK

Roland

Scandinavia

A/S

Langebrogade

6

Box

1937

DK-1023

Copenhagen

K.

DENMARK

TEL:

31.95

3111

SWEDEN

Roland

Scandinavia

A/S

Danvik

Center

28

A,

2

tr.

5-131

30

Nacka

SWEDEN

TEL:

(08)

702

0020

NORWAY

Roland

Scandinavia

Avd.

Kontor

Norge

Lilleakerveien

2

Postboks

95

Lilleaker

N-0216

Oslo

2

NORWAY

TEL:

(02)

73

0074

FINLAND

Fazer

Musik

Inc.

Lansituulentie

POB

169,

SF-02101

Espoo

FINLAND

TEL:

(001

43

5011

SWITZERLAND

Roland

(Switzerland)

AG

Musitronic

AG

Gerberstrasse

5,

CH-4410

Liestal,

SWITZERLAND

TEL:(061)

921

1615

AUSTRIA

E.

Dematte

&Co.

Neu-Rum

Siemens-Strasse

4

A-6040

Innsbruck

P.O.Box

83

AUSTRIA

TEL:

(0512)

26 44

260

GREECE

V.

Dimitriadis

&

Co.

Ltd.

20,

Alexandras

Avn.,

GR

10682

Athens,

GREECE

TEL:

{01}

8232415

PORTUGAL

Caius

-

Tecnologias

Audio

e

Musica,

Lda.

Rue

de

Catarina

131

4000

Porto,

PORTUGAL

TEL:

(02)

38

4456

HUNGARY

Intermusica

Ltd.

Warehouse

Area

‘DEPO’

Torokbalint,

Budapest

HUNGARY

TEL:

(1)

1868905

ISRAEL

D.J.A.

International

Ltd.

Twin

Towers,

33

Jabntinsy

St.

Room

211,

Ramat

Gan

52511

ISRAEL

TEL:

(03)

751

8585

CYPRUS

Radex

Sound

Equipment

Ltd.

17

Diagorou

St.,

P.O.Box

2046,

Nicosia

CYPRUS

TEL:

(2)

453

426

(2)

466

423

U.A.E

Zak

Electronics

&

Musical

Instruments

Co.

P.O.

Box

8050

DUBAI

U.A.E

TEL:

360715

KUWAIT

Easa

Husain

Al-Yousifi

P.O.

Box

126

Safat

13002

KUWAIT

TEL:

5719499

LEBANON

A.

Chahine

&

Fils

P.O.

Box

16-5857

Beirut,

LEBANON

TEL:

(01)

335799

TURKEY

Barkat

Sanayi

ve

Ticaret

Siraselviler

Cad.

86/6

Taksim

Istanbul,

TURKEY

TEL:

(0212)

2499324

EGYPT

Al

Fanny

Trading

Office

9,

Ebn

Hagar

Ai

Askalany

Street,

Ard

El

Golf,

Heliopolis,

Cairo,

11341

EGYPT

TEL:

(02)

4171828

(02)

4185531

QATAR

Badie

Studio

&

Stores

P.O.Box

62,

DOHA

Qatar

TEL:

423554

SYRIA

Technical

Light

&

Sound

Center

Khaled

Ebn

Al

Walid

St.

P.O.Box

13520

Damascus

-

Syria

TEL:

11)

2235

384

BAHRAIN

Moon

Stores

Bad

Al

Bahrain

Road,

P.O.Box

20077

State

of

Bahrain

TEL:

211

005

BRAZIL

Roland

Brasil

Ltda.

R.

Coronel

Octaviano

da

Silveira

203

05522-010

Sao

Paulo

BRAZIL

TEL:

(11)

843

9377

MEXICO

Casa

Veerkamp,

s.a.

de

cv.

Mesones

No.

21

Col.

Centro

MEXICO

D.F.

06080

TEL:

(905)

709

3716

La

Casa

Wagner

de

Guadalajara

s.a.

de

c.v.

Av.

Corona

No.

202

S.J.

C.P.44100

Guadalajara,

Jalisco

MEXICO

TEL:

(36)

13

1414

VENEZUELA

Musicland

Digital

C.A.

Av.

Francisco

De

Miranda,

Centro

Parque

de

Cristal,

Nivel

C2

Local

20

Caracas

VENEZUELA

TEL:

(2)

285

9218

PANAMA

Productos

Superiores,

S.A.

Apartado

655

-

Panama

1

REP.

DE

PANAMA

TEL:

26

3322

ARGENTINA

Instrumentos

Musicales

S.A.

Florida

638

(1005)

Buenos

Aires

ARGENTINA

TEL:

(1)

394

4029

HONG

KONG

Tom

Lee

Music

Co.,

Ltd.

Service

Division

22-32

Pun

Shan

Street,

Tsuen

Wan,

New

Territories,

HONG

KONG

TEL:

415

0911

KOREA

Cosmos

Corporation

Service

Station

261

2nd

Floor

Nak-Won

Arcade

Jong-Ro

ku,

Seoul,

KOREA

TEL:

(02)

742

8844

SINGAPORE

Swee

Lee

Company

BLOCK

231,

Bain

Street

#03-23

Bras

Basah

Complex,

Singapore

0718

TEL:

3367856

PHILIPPINES

G.A.

Yupangco

&

Co.

Inc.

339

Gil

J.

Puyat

Avenue

Makati,

Metro

Manila

1200,

PHILIPPINES

TEL:

(02)

817

0013

THAILAND

Theera

Music

Co.

,

Ltd.

330

Verng

Nakorn

Kasem,

Soi

2,

Bangkok

10100,

THAILAND

TEL:

(02)

2248821

MALAYSIA

Bentley

Music

SDN

BHD

No.142,

Jalan

Bukit

Bintang

55100

Kuala

Lumpur,

MALAYSIA

TEL:

(03)

2443333

INDONESIA

PT

CITRARAMA

BELANTIKA

Kompleks

Perkantoran

Duta

Merlin

Blok

E

No.6—-7

jl.

Gajah

Mada

No.3—5,

Jakarta

10130,

INDONESIA

TEL:

(021)

3850073

TAIWAN

Siruba

Enterprise

(Taiwan)

Co.,

LTD.

Room.

5,

9fl.

No.

112

Chung

Shan

N.Road

Sec.2

Taipei,

TAIWAN,

R.O.C.

TEL:

(02)

571

5860

SOUTH

AFRICA

That

Other

Music

Shop

(PTY)

Ltd.

11

Melle

Street

(Cnr

Melle

and

Juta

Street)

Braamfontein

2001

Republic

of

South

Africa

TEL:

(011)

403

4105

Paul

Bothner

(PTY)

Ltd.

17

Werdmuller

Centre

Claremont

7700

Republic

of

South

Africa

TEL:

(021)

64

4030

For

Germany

Bescheinigung

des

Herstellers/Importeurs

Hiermit

wird

bescheinigt,

daß

der/die/das

Dem

Zentralamt

für

Zulassungen

im

Fernmeldewesen

wurde

das

Inverkehrbringen

dieses

Gerätes

angezeigt

und

Roland

Digital

Piano

HP1800e

die

Berechtigung

zur

Überprüfung

der

Serie

auf

die

(Gerät,

Typ.

Bezeichnung)

Einhaltung

der

Bestimmungen

eingeräumt.

in

Übereinstimmung

mit

den

Bestimmungen

der

BMPT-

Roland

Corporation

Amtsb!Vfg

243/1991

funk-entstört

ist.

Der

vorschriftsmâBige

n

7

1-

ita-

n

Betrieb

mancher

Geräte

(z.

B.

MeBsender)

kann

allerdings

£146

Dojimanama:

UNO

ne

Nila

Au

sere

Sou

-apan

16

Dojimahama

1-Chome

Kita-ku

Osaka

530

Japa

gewissen

Einschränkungen

unterliegen.

Beachten

Sie

(Name

und

Anschrift

des

Herstellers/Importeurs)

deshalb

die

Hinweise

in

der

Bedienungsanleitung.

For

the

USA

FEDERAL

COMMUNICATIONS

COMMISSION

RADIO

FREQUENCY

INTERFERENCE

STATEMENT

This

equipment

has

been

tested

and

found

to

comply

with

the

limits

for

a

Class

B

digital

device,

pursuant

to

Part

15

of

the

FCC

Rules.

These

limits

are

designed

to

provide

reasonable

protection

against

harmful

interference

in

a

residential

installation.

This

equipment

generates,

uses,

and

can

radiate

radio

frequency

energy

and,

if

not

installed

and

used

in

accordance

with

the

instructions,

may

cause

harmful

interference

to

radio

communications.

However,

there

is

no

guarantee

that

interference

will

not

occur

in

a

particular

installation.

If

this

equipment

does

cause

harmful

interference

to

radio

or

television

reception,

which

can

be

determined

by

turning

the

equipment

off

and

on,

the

user

is

encouraged

to

try

to

correct

the

interference

by

one

or

more

of

the

following

measures:

-

Reorient

or

relocate

the

receiving

antenna.

—

Increase

the

separation

between

the

equipment

and

receiver.

—

Connect

the

equipment

into

an

outlet

on

a

circuit

different

from

that

to

which

the

receiver

is

connected.

—

Consult

the

dealer

or

an

experienced

radio/TV

technician

for

help.

Unauthorized

changes

or

modification

to

this

system

can

void

the

users

authority

to

operate

this

equipment.

This

equipment

requires

shielded

interface

cables

in

order

to

meet

FCC

class

B

Limit.

For

Canada

CLASS

B

NOTICE

This

digital

apparatus

does

not

exceed

the

Class

B

limits

for

radio

noise

emissions

set

out

in

the

Radio

Interference

Regulations

of

the

Canadian

Department

of

Communications.

CLASS

B

AVIS

Cet

appareil

numérique

ne

dépasse

pas

les

limites

de

la

classe

B

au

niveau

des

émissions

de

bruits

radioélectriques

fixés

dans

le

Réglement

des

signaux

parasites

par

le

ministère

canadien

des

Communications.

Roland.

—

K6018155

IAN

Roland

"NOST

Roland HP 1800e User manual

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