Roland V-60HD User manual

Contents
© 2019 Roland Corporation
Menu List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
1: VIDEO INPUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
2: VIDEO OUTPUT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
3: TRANSITION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
4: COMPOSITION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
5: DSK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
6: AUDIO INPUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
7: AUDIO OUTPUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
8: AUDIO FOLLOW . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
9: AUDIO EMBEDDED . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
10: AUDIO AUTO MIXING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
11: PRESET MEMORY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
12: RS-232/GPI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
13: CAMERA CONTROL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
14: LAN CONTROL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
15: USB MEMORY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
16: CAPTURE IMAGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
17: SYSTEM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Remotely Controlling a Camera. . . . . . . . . . . . . . . . . . . . . . . . . . 16
Network Settings on the Camera . . . . . . . . . . . . . . . . . . . . . . . 16
Controlling a Canon Camera . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Controlling a JVC or Panasonic Camera. . . . . . . . . . . . . . . . . . 17
Control Using the TALLY/GPI Connector . . . . . . . . . . . . . . . . . 18
Specication of the TALLY/GPI Connector . . . . . . . . . . . . . . . 18
Outputting a Tally Signal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Inputting a Control Signal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
LAN/RS-232 Command Reference . . . . . . . . . . . . . . . . . . . . . . . 19
LAN Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
RS-232 Interface. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Command Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
List of Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Reference Manual
Version 2.50 and later

2
Menu List
Pressing the [MENU] button makes the menu appear on the built-in display and on the monitor connected to the MULTI-VIEW connector.
Built-in display (Menu)
MEMO
5By turning the [VALUE] knob while pressing it, you can change
the value more greatly.
5Pressing and holding the [VALUE] knob returns the current menu
item you’re setting to its default value.
Multi-view monitor (OSD menu)
1: VIDEO INPUT
Menu item Value (bold text: default value) Explanation
SDI IN 1–4
INPUT STATUS (ENTER) This displays information about the incoming video (video format, size, etc.).
H FLIP OFF, ON Setting this to “ON” ips the output video horizontally.
BRIGHTNESS -64–0–63 This adjusts the brightness.
CONTRAST -64–0–63 This adjusts the contrast.
SATURATION -64–0–63 This adjusts the saturation.
HDMI IN 5
INPUT STATUS (ENTER) This displays information about the incoming video (video format, size, presence or
absence of an HDCP signal, etc.).
FLICKER FILTER OFF, ON Setting this to “ON” reduces icker.
ZOOM 10.0–100.0–1000.0% (*1) This adjusts the zoom ratio.
SCALING TYPE
This sets the scaling type.
FULL This always displays the picture expanded to full screen, irrespective of the aspect
ratio of the input video.
LETTERBOX This enlarges or reduces the incoming video to a full-screen view while keeping the
aspect ratio unchanged.
CROP
This enlarges or reduces the incoming video so that the output picture has no blank
margins while keeping the aspect ratio unchanged. Video extending beyond the
borders is cut o.
DOT BY DOT This performs no scaling.
MANUAL Scale according to the“MANUAL SIZE H” and“MANUAL SIZE V”settings below.
MANUAL SIZE H -2000–0–2000 (*1) (*2) This adjusts the horizontal size.
MANUAL SIZE V -2000–0–2000 (*1) (*2) This adjusts the vertical size.
POSITION H -1920–0–1920 (*1) This adjusts the display position in the horizontal direction.
POSITION V -1200–0–1200 (*1) This adjusts the display position in the vertical direction.
H FLIP OFF, ON Setting this to “ON” ips the output video horizontally.
BRIGHTNESS -64–0–63 This adjusts the brightness.
CONTRAST -64–0–63 This adjusts the contrast.
SATURATION -64–0–63 This adjusts the saturation.
RED -64–0–63 This adjusts the red level.
GREEN -64–0–63 This adjusts the green level.
BLUE -64–0–63 This adjusts the blue level.
EDID
INTERNAL, 800 x 600, 1024 x 768, 1200 x 800,
1366 x 768, 1280 x 1024, 1400 x 1050,
1600 x 1200, 1920 x 1200, 720p, 1080i, 1080p
This sets the input format (EDID) for the HDMI IN 5 connector.
(*1) The range of this value varies according to conditions such as the input/output format. The values listed above are the minimum and maximum values.
(*2) This is available when“SCALING TYPE”is set to “MANUAL.”

3
Menu List
Menu item Value (bold text: default value) Explanation
HDMI/RGB IN 6 (*3)
INPUT STATUS (ENTER) This displays information about the incoming video (video format, size, presence or
absence of an HDCP signal, etc.).
INPUT 6 ASSIGN HDMI, RGB/COMPONENT This sets the input connector assigned to channel 6.
AUTO SAMPLING (EXEC) (*4) This automatically adjusts the image quality.
* Depending on the video, adjusting the image quality might not be possible.
FLICKER FILTER OFF, ON Setting this to “ON” reduces icker.
ZOOM 10.0–100.0–1000.0% (*5) This adjusts the zoom ratio.
SCALING TYPE
This sets the scaling type.
FULL This always displays the picture expanded to full screen, irrespective of the aspect
ratio of the input video.
LETTERBOX This enlarges or reduces the incoming video to a full-screen view while keeping the
aspect ratio unchanged.
CROP
This enlarges or reduces the incoming video so that the output picture has no blank
margins while keeping the aspect ratio unchanged. Video extending beyond the
borders is cut o.
DOT BY DOT This performs no scaling.
MANUAL Scale according to the“MANUAL SIZE H” and“MANUAL SIZE V”settings below.
MANUAL SIZE H -2000–0–2000 (*5) (*6) This adjusts the horizontal size.
MANUAL SIZE V -2000–0–2000 (*5) (*6) This adjusts the vertical size.
POSITION H -1920–0–1920 (*5) This adjusts the display position in the horizontal direction.
POSITION V -1200–0–1200 (*5) This adjusts the display position in the vertical direction.
H FLIP OFF, ON Setting this to “ON” ips the output video horizontally.
BRIGHTNESS -64–0–63 This adjusts the brightness.
CONTRAST -64–0–63 This adjusts the contrast.
SATURATION -64–0–63 This adjusts the saturation.
RED -64–0–63 This adjusts the red level.
GREEN -64–0–63 This adjusts the green level.
BLUE -64–0–63 This adjusts the blue level.
FREQUENCY -128–0–127 (*4) This adjusts the input frequency.
PHASE -128–0–127 (*4) This adjusts the phase.
EDID
INTERNAL, 800 x 600, 1024 x 768,
1200 x 800, 1366 x 768, 1280 x 1024,
1400 x 1050, 1600 x 1200, 1920 x 1200,
720p (*7), 1080i (*7), 1080p (*7)
This sets the input format (EDID) of the HDMI IN 6 connector or RGB/COMPONENT IN
6 connector.
STILL/BKG IN 7/8
INPUT 7 ASSIGN
This assigns a still image or monochrome picture (background color) to channel 7.
STILL IMAGE 1 This selects the memory where a still image is saved and assigns the image. A“ ”
symbol is displayed for memory where a still image is already saved.
STILL IMAGE 2
BACKGROUND This assigns a monochrome picture (background color).
INPUT 8 ASSIGN
This assigns a still image or monochrome picture (background color) to channel 8.
STILL IMAGE 1 This selects the memory where a still image is saved and assigns the image. A“ ”
symbol is displayed for memory where a still image is already saved.
STILL IMAGE 2
BACKGROUND This assigns a monochrome picture (background color).
BACKGROUND COLOR BLACK, WHITE, GRAY, RED, GREEN, BLUE,
YELLOW
This sets the background color.
* The background-color setting is shared by channels 7 and 8.
(*3) The settings on the HDMI/RGB IN 6 menu change in tandem with the assignment made using“INPUT 6 ASSIGN.”You can make separate individual settings for the
respective menu items for the HDMI IN 6 connector and the RGB/COMPONENT IN 6 connector.
(*4) This is eective when“INPUT 6 ASSIGN” is set to “RGB/COMPONENT.”
(*5) The range of this value varies according to conditions such as the input/output format. The values listed above are the minimum and maximum values.
(*6) This is available when“SCALING TYPE”is set to “MANUAL.”
(*7) Only when “INPUT 6 ASSIGN” is set to“HDMI.”

4
Menu List
2: VIDEO OUTPUT
Menu item Value (bold text: default value) Explanation
SDI OUT 1, 2
OUTPUT STATUS —
This displays the video format.
* When “HDCP” (p. 14) is set to “ON,”“HDCP MASKED”is displayed and no video is output from
the SDI OUT connectors.
OUTPUT ASSIGN
PGM, PVW, AUX
The default values are as follows.
SDI OUT 1: PGM
SDI OUT 2: PVW
This sets the output bus assigned to the SDI OUT connectors.
3G-SDI MAPPING LEVEL-A, LEVEL-B This sets the mapping structure for 3G-SDI output.
H FLIP OFF, ON Setting this to “ON” ips the output video horizontally.
BRIGHTNESS -64–0–63 This adjusts the brightness.
CONTRAST -64–0–63 This adjusts the contrast.
SATURATION -64–0–63 This adjusts the saturation.
HDMI OUT 1, 2
OUTPUT STATUS —This displays information about the output video (video format and presence or absence of
an HDCP signal). When no connection is in eect, “NOT CONNECTED” is displayed.
OUTPUT ASSIGN
PGM, PVW, AUX
The default values are as follows.
HDMI OUT 1: PGM
HDMI OUT 2: PVW
This sets the output bus assigned to the HDMI OUT connectors.
COLOR SPACE YCC, RGB (0–255), RGB (16–235) This sets the color space.
DVI-D/HDMI SIGNAL DVI-D, HDMI This sets the output mode for HDMI output.
H FLIP OFF, ON Setting this to “ON” ips the output video horizontally.
BRIGHTNESS -64–0–63 This adjusts the brightness.
CONTRAST -64–0–63 This adjusts the contrast.
SATURATION -64–0–63 This adjusts the saturation.
RED -64–0–63 This adjusts the red level.
GREEN -64–0–63 This adjusts the green level.
BLUE -64–0–63 This adjusts the blue level.
HDMI MULTI-VIEW
OUTPUT STATUS (1080/59.94p, 1080/50p)
This displays information about the output video (video format and presence or absence of an
HDCP signal). When no connection is in eect, “NOT CONNECTED” is displayed.
* The output format at the MULTI-VIEW connector is xed at “1080p” and cannot be changed.
COLOR SPACE YCC, RGB (0–255), RGB (16–235) This sets the color space.
DVI-D/HDMI SIGNAL DVI-D, HDMI This sets the output mode for HDMI output.
BRIGHTNESS -64–0–63 This adjusts the brightness.
CONTRAST -64–0–63 This adjusts the contrast.
SATURATION -64–0–63 This adjusts the saturation.
RED -64–0–63 This adjusts the red level.
GREEN -64–0–63 This adjusts the green level.
BLUE -64–0–63 This adjusts the blue level.
3: TRANSITION
Menu item Value (bold text: default value) Explanation
TIME 0.0–1.0–4.0 sec This sets the video transition time.
MIX TYPE MIX, FAM, NAM This species the transition pattern assigned to the [MIX] button.
WIPE 1 TYPE
H-DOWN, H-UP, V-RIGHT, V-LEFT, H-IN, H-OUT, V-IN, V-OUT,
R-DOWN, L-DOWN, R-UP, L-UP, BLOCK, V-GRID, H-GRID, H-DOWN
s, H-UP s, V-RIGHT s, V-LEFT s, H-IN s, H-OUT s, V-IN s, V-OUT s,
R-DOWN s, L-DOWN s, R-UP s, L-UP s, BLOCK s, V-GRID s, H-GRID s
The default values are as follows.
WIPE 1 TYPE: V-RIGHT
WIPE 2 TYPE: H-DOWN
This species the wipe pattern assigned to the [WIPE 1] button.
* Setting values indicated with “s”are soft edge wipe patterns.
WIPE 2 TYPE This species the wipe pattern assigned to the [WIPE 2] button.
* Setting values indicated with “s”are soft edge wipe patterns.

5
Menu List
4: COMPOSITION
Menu item Value (bold text: default value) Explanation
PinP 1–2 These make settings such as the position and size of the inset screen for the individual [PinP 1] and [PinP 2] buttons.
SIZE 1/4, 1/3, 1/2 This sets the size of the inset screen. The horizontal width (and vertical height) of the inset
screen are set to 1/2, 1/3, or 1/4 the size values of the background video.
POSITION H
-45.0–45.0% (*8) (*9)
The default values are as follows.
PinP 1: –25.0
PinP 2: 25.0
This adjusts the horizontal display position of the inset screen.
POSITION V -40.0– -25.0–40.0% (*8) (*9) This adjusts the vertical display position of the inset screen.
BORDER COLOR BLACK, WHITE, GRAY, RED, GREEN, BLUE,
YELLOW, SOFT EDGE
This sets the color of the border for the inset screen. Setting this to “SOFT EDGE” blurs the
edge.
BORDER WIDTH 0–1–15 This adjusts the width of the border for the inset screen.
SHAPE SQUARE, CIRCLE, HEART, DIAMOND This species the shape of the inset screen.
ASPECT 16:9, 1:1 This sets the aspect ratio of the inset screen.
CROPPING H -128–0(*10) This adjusts the frame size in the horizontal direction.
CROPPING V -128–0(*10) This adjusts the frame size in the vertical direction.
VIEW POSITION H -50.0–0.0–50.0% (*11) This adjusts the display position of the video within the inset screen in the horizontal
direction.
VIEW POSITION V -50.0–0.0–50.0% (*11) This adjusts the display position of the video within the inset screen in the vertical
direction.
SPLIT
PATTERN
This sets the split composition pattern assigned to the [SPLIT] button.
V-CENTER H-CENTER V-STRETCH H.STRETCH
This vertically crops the
center section of the video.
This horizontally crops the
center section of the video.
This stretches the video vertically. This stretches the video horizontally.
A B
BA
BA
BA
B
A
B
A
B
A
B
A
B
A
A B
BA BA
BA
B
A
B
A
B
A
B
A
B
A
A B
BA
BA
BA
B
A
B
A
B
A
B
A
B
A
A B
BA BA
BA
B
A
B
A
B
A
B
A
B
A
PGM-CENTER -25.0–0.0–25.0% (*12)
This is applied when “PATTERN” is set to “V-CENTER” or “H-CENTER.”
5When at V-CENTER
This horizontally adjusts the display position of the video placed on the left side.
5When at H-CENTER
This vertically adjusts the display position of the video placed above.
PST-CENTER -25.0–0.0–25.0% (*12)
This is applied when “PATTERN” is set to “V-CENTER” or “H-CENTER.”
5When at V-CENTER
This horizontally adjusts the display position of the video placed on the right side.
5When at H-CENTER
This vertically adjusts the display position of the video placed below.
CENTER POSITION -50.0–0.0–50.0% (*13) You can change the size of the two videos by shifting the boundary line.
(*8) The range of this value varies according to conditions such as the input/output format. The values listed above are the minimum and maximum values.
(*9) When PinP compositing is turned on, the [H/PGM-CTR] and [V/PST-CTR] knobs respectively function as shortcuts for “POSITION H”and “POSITION V.”
Note, however, that adjusting to a decimal-fraction value is not possible when using the [H/PGM-CTR] and [V/PST-CTR] knobs.
(*10) When PinP compositing is turned on, holding down a cross-point button of the PST/B bus and turning the [H/PGM-CTR] knob acts as a shortcut
for“CROPPING H.” In the same way, holding down a cross-point button of the PST/B bus and turning the [V/PST-CTR] knob acts as a shortcut for
“CROPPING V.”
(*11) When PinP compositing is turned on, holding down a cross-point button of the PST/A bus and turning the [H/PGM-CTR] knob acts as a shortcut for
“VIEW POSITION H.”In the same way, holding down a cross-point button of the PST/A bus and turning the [V/PST-CTR] knob acts as a shortcut for
“VIEW POSITION V.”
(*12) When split compositing is turned on, the [H/PGM-CTR] and [V/PST-CTR] knobs respectively function as shortcuts for “PGM/CENTER” and“PST/CENTER.”
Note, however, that adjusting to a decimal-fraction value is not possible when using the [H/PGM-CTR] and [V/PST-CTR] knobs.
(*13) When split compositing is on, holding down a cross-point button of the PST/B bus and turning the [H/PGM-CTR] knob or [V/PST-CTR] knob
acts as a shortcut for “CENTER POSITION.”Note, however, that adjusting to a decimal-fraction value is not possible when using the [H/PGM-CTR]
and [V/PST-CTR] knobs.

6
Menu List
5: DSK
Menu item Value (bold text: default value) Explanation
DSK SOURCE CH
SDI IN 1–4, HDMI IN 5,
HDMI/RGB IN 6, STILL/BKG IN 7,
STILL/BKG IN 8
During DSK compositing, this species the channel of the overlaid logo or image.
Setting this to “STILL/BKG IN 7”or “STILL/BKG IN 8”performs DSK composition using a still image
saved in the unit.
KEY TYPE
This species the key type (extraction color) used during DSK composition.
LUMINANCE-WHITE This uses a brightness threshold to make white transparent.
LUMINANCE-BLACK This uses a brightness threshold to make black transparent.
CHROMA-GREEN This uses a color threshold to make green transparent.
CHROMA-BLUE This uses a color threshold to make blue transparent.
KEY LEVEL 0–64–255 This adjusts the degree of extraction (transparency) for the key.
KEY GAIN 0–255 This adjusts the degree of edge blur (semi-transmissive region) for the key.
MIX LEVEL 0–255 This adjusts the key’s overall density (output level).
HUE WIDTH -128–0–127 (*14) This adjusts the hue width for the key color.
HUE FINE -128–0–127 (*14) This adjusts the center position of the hue for the key color.
SATURATION WIDTH -128–0–127 (*14) This adjusts the saturation width for the key color.
SATURATION FINE 0–255 (*14) This adjusts the center position of saturation for the key color.
PGM OUT OFF, ON
This sets DSK composition on or o. When this is turned on, the results of DSK composition are
sent to nal output.
* When the menu is used to turn on DSK composition, the video is composited immediately,
regardless of the length of time set for video transitions.
PVW OUT OFF, ON Setting this to “ON” makes the DSK compositing results the preview output.
* The [PVW] button functions as a shortcut for “PVW OUT.”
(*14) This is applied when “KEY TYPE” is set to “CHROMA-GREEN” or “CHROMA-BLUE.”
6: AUDIO INPUT
Menu item Value (bold text: default value) Explanation
AUDIO IN 1–4
HEAD AMP GAIN 0–64dB This adjusts head amp gain. Head amp gain adjusts analog audio.
DIGITAL GAIN -42.0–0.0–42.0dB This adjusts digital gain. Digital gain adjusts digital audio internally converted from analog to digital
in the V-60HD.
INPUT LEVEL -INF–10.0dB This adjusts the volume level of input audio.
INPUT MUTE OFF, ON This sets the Mute feature on or o. Input audio for which this is set to “ON”is silenced.
PHANTOM +48V OFF, ON This sets phantom power on or o. When this is set to “ON,”phantom power is supplied via the
AUDIO IN jacks.
PAN LEFT–CENTER–RIGHT This adjusts the sound position (pan).
HPF 75Hz OFF, ON This sets the high-pass lter on or o.
Eect This cuts o unneeded low-band audio. The cuto frequency is 75 Hz.
DELAY 0.0–12.0frame This adjusts the delay time for input audio.
Eect This outputs audio with a delay.
GATE OFF, ON This sets gate on or o.
Eect This mutes audio that is below a specied level.
THRESHOLD -80.0– -50.0–0.0dB
This sets the level used as the threshold for removing audio. Audio below the level set here is removed.
RELEASE 30–860–5000ms This adjusts the length of time until the audio is fully attenuated after audio falls below the threshold.
COMP/LMT OFF, ON This sets the compressor on or o.
Eect This compresses audio that exceeds a specied level.
THRESHOLD -60.0– -30.0–0.0dB This sets the level used as the threshold at which the compressor is applied. Compression is applied
to audio that exceeds the threshold.
RATIO
1.00:1, 1.12:1, 1.25:1, 1.40:1,
1.60:1, 1.80:1, 2.00:1, 2.50:1,
3.20:1, 4.00:1, 5.60:1, 8.00:1,
16.0:1, INF:1
This species the degree of compression applied to the audio. The state in which no compression is
applied is dened as “1.”
ATTACK 0.2–1–100ms This sets the time until compression starts when audio exceeding the threshold is input.
RELEASE 30–380–5000ms This adjusts the length of time until compression ends after audio falls below the threshold.
AUTO GAIN OFF, ON
This switches the auto makeup gain feature on and o.
When this is set to “ON,” the nal output volume level after applying the compressor is
automatically adjusted according to the “THRESHOLD”and “RATIO” settings.
The total of the“MAKEUP GAIN” setting value described below and the value calculated by auto
makeup gain becomes the nal output volume level (up to +34 dB).
MAKEUP GAIN -40–0.0–40dB This adjusts the nal output volume level after applying the compressor.

7
Menu List
Menu item Value (bold text: default value) Explanation
EQUALIZER OFF, ON This sets the equalizer on or o.
Eect Adjusts the sound quality for each frequency band.
EQ Hi -15.0–0.0–15.0dB This boosts or attenuates the high band.
EQ Hi FREQ 1.00–10.0–20.0kHz This adjusts the center frequency when changing the tone quality in the high band.
EQ Mid -15.0–0.0–15.0dB This boosts or attenuates the middle band.
EQ Mid FREQ 20.0Hz–500Hz–20.0kHz This adjusts the center frequency when changing the tone quality in the middle band.
EQ Mid Q 0.5–1.0–16.0 This adjusts the width of the frequency band when boosting or attenuating the middle band.
EQ Lo -15.0–0.0–15.0dB This boosts or attenuates the low band.
EQ Lo FREQ 20.0–100–500Hz This adjusts the center frequency when changing the tone quality in the low band.
SOLO OFF, ON This turns the solo function on/o. Only the input audio for which this is “ON”is monitored through
the headphones.
EFFECT PRESET
This sets an eect preset (high-pass lter, gate, equalizer).
* When you change a preset, the settings of each eect are overwritten.
DEFAULT For line input (default setting)
MEETING For meetings
INTERVIEW For interviews
AMBIENT MIC For capturing ambient sound
WINDY FIELD For capturing ambient sound in a windy area
DE-ESS & POPS SOFT For reducing sibilants
DE-ESS & POPS HARD For reducing plosives
AUDIO IN 5/6
DIGITAL GAIN -42.0–0.0–42.0dB This adjusts digital gain.
INPUT LEVEL -INF–10.0dB This adjusts the volume level of input audio.
INPUT MUTE OFF, ON This sets the Mute feature on or o. Input audio for which this is set to “ON”is silenced.
HPF 75Hz OFF, ON This sets the high-pass lter on or o.
Eect This cuts o unneeded low-band audio. The cuto frequency is 75 Hz.
DELAY 0.0–12.0frame This adjusts the delay time for input audio.
Eect This outputs audio with a delay.
GATE OFF, ON This sets gate on or o.
Eect This mutes audio that is below a specied level.
THRESHOLD -80.0– -50.0–0.0dB This sets the level used as the threshold for removing audio. Audio below the level set here is
removed.
RELEASE 30–860–5000ms This adjusts the length of time until the audio is fully attenuated after audio falls below the
threshold.
COMP/LMT OFF, ON This sets the compressor on or o.
Eect This compresses audio that exceeds a specied level.
THRESHOLD -60.0– -30.0–0.0dB This sets the level used as the threshold at which the compressor is applied. Compression is applied
to audio that exceeds the threshold.
RATIO
1.00:1, 1.12:1, 1.25:1, 1.40:1,
1.60:1, 1.80:1, 2.00:1, 2.50:1,
3.20:1, 4.00:1, 5.60:1, 8.00:1,
16.0:1, INF:1
This species the degree of compression applied to the audio. The state in which no compression is
applied is dened as “1.”
ATTACK 0.2–1–100ms This sets the time until compression starts when audio exceeding the threshold is input.
RELEASE 30–380–5000ms This adjusts the length of time until compression ends after audio falls below the threshold.
AUTO GAIN OFF, ON
This switches the auto makeup gain feature on and o.
When this is set to “ON,” the nal output volume level after applying the compressor is
automatically adjusted according to the “THRESHOLD”and “RATIO” settings.
The total of the“MAKEUP GAIN” setting value described below and the value calculated by auto
makeup gain becomes the nal output volume level (up to +34 dB).
MAKEUP GAIN -40–0.0–40dB This adjusts the nal output volume level after applying the compressor.
EQUALIZER OFF, ON This sets the equalizer on or o.
Eect Adjusts the sound quality for each frequency band.
EQ Hi -15.0–0.0–15.0dB This boosts or attenuates the high band.
EQ Hi FREQ 1.00–10.0–20.0kHz This adjusts the center frequency when changing the tone quality in the high band.
EQ Mid -15.0–0.0–15.0dB This boosts or attenuates the middle band.
EQ Mid FREQ 20.0Hz–500Hz–20.0kHz This adjusts the center frequency when changing the tone quality in the middle band.
EQ Mid Q 0.5–1.0–16.0 This adjusts the width of the frequency band when boosting or attenuating the middle band.
EQ Lo -15.0–0.0–15.0dB This boosts or attenuates the low band.
EQ Lo FREQ 20.0–100–500Hz This adjusts the center frequency when changing the tone quality in the low band.

8
Menu List
Menu item Value (bold text: default value) Explanation
SOLO OFF, ON This turns the solo function on/o. Only the input audio for which this is “ON”is monitored through
the headphones.
EFFECT PRESET
This sets an eect preset (high-pass lter, gate, equalizer).
* When you change a preset, the settings of each eect are overwritten.
DEFAULT For line input (default setting)
MEETING For meetings
INTERVIEW For interviews
AMBIENT MIC For capturing ambient sound
WINDY FIELD For capturing ambient sound in a windy area
DE-ESS & POPS SOFT For reducing sibilants
DE-ESS & POPS HARD For reducing plosives
SDI IN 1–4, HDMI IN 5, HDMI IN 6
DIGITAL GAIN -42.0–0.0–42.0dB This adjusts digital gain.
INPUT LEVEL -INF–0.0–10.0dB This adjusts the volume level of SDI or HDMI audio.
INPUT MUTE OFF, ON This sets the Mute feature on or o. SDI or HDMI audio for which this is set to “ON” is silenced.
HPF 75Hz OFF, ON This sets the high-pass lter on or o.
Eect This cuts o unneeded low-band audio. The cuto frequency is 75 Hz.
DELAY 0.0–12.0frame This adjusts the delay time for SDI or HDMI audio.
Eect This outputs audio with a delay.
GATE OFF, ON This sets gate on or o.
Eect This mutes audio that is below a specied level.
THRESHOLD -80.0– -50.0–0.0dB This sets the level used as the threshold for removing audio. Audio below the level set here is
removed.
RELEASE 30–860–5000ms
This adjusts the length of time until the audio is fully attenuated after audio falls below the threshold.
COMP/LMT OFF, ON This sets the compressor on or o.
Eect This compresses audio that exceeds a specied level.
THRESHOLD -60.0– -30.0–0.0dB This sets the level used as the threshold at which the compressor is applied. Compression is applied
to audio that exceeds the threshold.
RATIO
1.00:1, 1.12:1, 1.25:1, 1.40:1,
1.60:1, 1.80:1, 2.00:1, 2.50:1,
3.20:1, 4.00:1, 5.60:1, 8.00:1,
16.0:1, INF:1
This species the degree of compression applied to the audio. The state in which no compression is
applied is dened as “1.”
ATTACK 0.2–1–100ms This sets the time until compression starts when audio exceeding the threshold is input.
RELEASE 30–380–5000ms This adjusts the length of time until compression ends after audio falls below the threshold.
AUTO GAIN OFF, ON
This switches the auto makeup gain feature on and o.
When this is set to “ON,” the nal output volume level after applying the compressor is
automatically adjusted according to the “THRESHOLD”and “RATIO” settings.
The total of the“MAKEUP GAIN” setting value described below and the value calculated by auto
makeup gain becomes the nal output volume level (up to +34 dB).
MAKEUP GAIN -40–0.0–40dB This adjusts the nal output volume level after applying the compressor.
EQUALIZER OFF, ON This sets the equalizer on or o.
Eect Adjusts the sound quality for each frequency band.
EQ Hi -15.0–0.0–15.0dB This boosts or attenuates the high band.
EQ Hi FREQ 1.00–10.0–20.0kHz This adjusts the center frequency when changing the tone quality in the high band.
EQ Mid -15.0–0.0–15.0dB This boosts or attenuates the middle band.
EQ Mid FREQ 20.0Hz–500Hz–20.0kHz This adjusts the center frequency when changing the tone quality in the middle band.
EQ Mid Q 0.5–1.0–16.0 This adjusts the width of the frequency band when boosting or attenuating the middle band.
EQ Lo -15.0–0.0–15.0dB This boosts or attenuates the low band.
EQ Lo FREQ 20.0–100–500Hz This adjusts the center frequency when changing the tone quality in the low band.
SOLO OFF, ON This turns the solo function on/o. Only the input audio for which this is “ON”is monitored through
the headphones.
EFFECT PRESET
This sets an eect preset (high-pass lter, gate, equalizer).
* When you change a preset, the settings of each eect are overwritten.
DEFAULT For line input (default setting)
MEETING For meetings
INTERVIEW For interviews
AMBIENT MIC For capturing ambient sound
WINDY FIELD For capturing ambient sound in a windy area
DE-ESS & POPS SOFT For reducing sibilants
DE-ESS & POPS HARD For reducing plosives

9
Menu List
7: AUDIO OUTPUT
Menu item Value (bold text: default value) Explanation
OUTPUT ASSIGN
AUDIO OUT (XLR)
This species the audio bus assigned to the AUDIO OUT connectors (XLR).
MASTER OUTPUT This groups together all input audio and outputs it (master out).
AUX This outputs only the audio on the AUX bus.
AUDIO OUT (RCA)
This species the audio bus assigned to the AUDIO OUT connectors (RCA).
MASTER OUTPUT This groups together all input audio and outputs it (master out).
AUX This outputs only the audio on the AUX bus.
PHONES OUT
This species the audio bus assigned to the PHONES jack.
MASTER OUTPUT This groups together all input audio and outputs it (master out).
AUX This outputs only the audio on the AUX bus.
MASTER OUTPUT
OUTPUT LEVEL -INF–10.0dB This adjusts the volume level for master out.
OUTPUT MUTE OFF, ON This sets the Mute feature on or o. Setting this to“ON”mutes master out.
EQUALIZER OFF, ON This sets the equalizer on or o.
Eect Adjusts the sound quality for each frequency band.
EQ Hi -15.0–0.0–15.0dB This boosts or attenuates the high band.
EQ Hi FREQ 1.00–10.0–20.0kHz This adjusts the center frequency when changing the tone quality in the high band.
EQ Mid -15.0–0.0–15.0dB This boosts or attenuates the middle band.
EQ Mid FREQ 20.0Hz–500Hz–20.0kHz This adjusts the center frequency when changing the tone quality in the middle band.
EQ Mid Q 0.5–1.0–16.0 This adjusts the width of the frequency band when boosting or attenuating the middle band.
EQ Lo -15.0–0.0–15.0dB This boosts or attenuates the low band.
EQ Lo FREQ 20.0–100–500Hz This adjusts the center frequency when changing the tone quality in the low band.
MULTI BAND COMP OFF, ON This switches the multi-band compressor on and o.
Eect This applies separate compressors in individual frequency bands.
Hi THRESHOLD -40.0– -20.0–0.0dB These set the individual levels that become the thresholds for the high, midrange, and low
bands at which the compressor is applied. Compression is applied to audio that exceeds the
threshold.
Mid THRESHOLD -40.0– -16.0–0.0dB
Lo THRESHOLD -40.0– -20.0–0.0dB
Hi RATIO 1.00:1, 1.12:1, 1.25:1, 1.40:1, 1.60:1,
1.80:1, 2.00:1, 2.50:1, 3.20:1, 4.00:1,
5.60:1, 8.00:1, 16.0:1, INF:1
The default values are as follows.
Hi RATIO: 3.20:1
Mid RATIO: 2.50:1
Lo RATIO: 3.20:1
These set the amount of compression applied in the high, midrange, and low bands. The state
in which no compression is applied is dened as“1.”
Mid RATIO
Lo RATIO
LIMITER OFF, ON This sets the limiter on or o.
Eect This limits the output volume so that is does not exceed the set level.
THRESHOLD -40.0– -6.0–0.0dB
This sets the level that becomes the threshold at which the limiter is applied. Compression is
applied to audio that exceeds the threshold. The volume level of audio that is output is limited
so as to stay to below the threshold.
AUX
AUX LEVEL -INF–0.0–10.0dB This adjusts the volume level of audio on the AUX bus.
AUX MUTE OFF, ON This sets the Mute feature on or o. Setting this to “ON” mutes the AUX-bus audio.
LIMITER OFF, ON This sets the limiter on or o.
Eect This limits the output volume so that is does not exceed the set level.
THRESHOLD -40.0– -6.0–0.0dB
This sets the level that becomes the threshold at which the limiter is applied. Compression is
applied to audio that exceeds the threshold. The volume level of audio that is output is limited
so as to stay to below the threshold.

10
Menu List
8: AUDIO FOLLOW
Menu item Value (bold text: default value) Explanation
SDI IN 1–4
HDMI IN 5, 6 OFF, ON
This switches the Audio Follow feature on or o.
Video channels for which this is set to “ON”are automatically muted when video on another
channel is output.
AUDIO IN 1–5/6
OFF, SDI IN 1–4, HDMI IN 5,
HDMI/RGB IN 6, STILL/BKG IN 7,
STILL/BKG IN 8
This sets the video channel to interlink with input audio using Audio Follow. Audio from AUDIO IN
1–5/6 is muted out for video channels other than what you specied.
When this is set to “OFF,” no video channels using Audio Follow are assigned.
9: AUDIO EMBEDDED
Menu item Value (bold text: default value) Explanation
AUDIO IN 1–5/6
This species the type of input audio sent to the SDI embedded-audio channels (3–8). (*15)
OFF No audio is sent.
DRY This sends the source audio with no eects applied.
WET This sends the eect-applied audio.
SDI OUT 1 AUDIO CH1–2, CH1–8 This species the embedded-audio channel that is output via the SDI OUT 1 connector.
SDI OUT 2 AUDIO CH1–2, CH1–8 This species the embedded-audio channel that is output via the SDI OUT 2 connector.
(*15) The audio shown below is assigned to the respective channels of SDI embedded audio.
SDI embedded-audio channel number Assigned audio
Channel 1 Master out (L) or AUX bus (L)
Channel 2 Master out (R) or AUX bus (R)
Channel 3 AUDIO IN 1
Channel 4 AUDIO IN 2
Channel 5 AUDIO IN 3
Channel 6 AUDIO IN 4
Channel 7 AUDIO IN 5 (L)
Channel 8 AUDIO IN 6 (R)
10: AUDIO AUTO MIXING
Menu item Value (bold text: default value) Explanation
AUTO MIXING OFF, ON This switches the Auto Mixing feature on or o.
AUDIO IN 1–5/6
SDI IN 1–4
HDMI 5, 6
OFF, ON This species whether Auto Mixing is applied (ON) or not applied (OFF).
WEIGHT 0–100% This sets the priority for volume-level distribution.