Korg Eletribe User manual

2
Table of Contens
1. PATTERN PARAMETER.................................................. 3
2. PART PARAMETER.......................................................... 4
3. STEP EDIT .......................................................................... 5
4. PART UTILITY................................................................... 5
5. GLOBAL PARAMETER ................................................... 6
6. DATA UTILITY.................................................................. 7
7. EVENT REC/PLAY............................................................ 8
8. Appendix ............................................................................ 9
Shortcut list......................................................................... 9
OSC Type List .................................................................. 10
Modulation Type List ..................................................... 13
Filter Type List................................................................. 14
Scale List ........................................................................... 14
MFX Type List.................................................................. 15
IFX Type List .................................................................... 15
Groove Type List ............................................................. 15
Pattern List........................................................................ 16

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Parameter Guide
Thank you for purchasing the Korg electribe music production station. To ensure trouble-free enjoyment please read the included owner’s
manual carefully and use the product as directed.
This document contains information about all of the electribe’s parameters. Refer to this guide when you want to learn more about a specific
parameter.
1. PATTERN PARAMETER
These parameters are for pattern-related settings. The settings are
saved independently for each pattern.
BPM............................................................................... [20.0...300.0]
Specifies the tempo (BPM). Turn the VALUE knob to change the
tempo in steps of 1. By holding down the SHIFT button and turning
the VALUE knob you can adjust the value in steps of 0.1
TIP: By tapping the Tap button you can use the tap tempo function
to specify the BPM.
SWING .........................................................................[-50%...+50%]
Shifts the note-on timing of the even-numbered steps as a percentage
(%).
TIP: If you set Last Step to an odd number or use an MFX type (Seq
Reverse, Seq Doubler, Odd Stepper, Even Stepper) that con-
trols the sequencer, this parameter may shift the timing of
odd-numbered rather than even-numbered steps.
TIP: A setting of "+33%" results in timing that is close to a perfect
shuffle.
123456789
SWING
–50 –25 +25 +50
BEAT .................................................................... [16, 32, 8Tri, 16Tri]
Specifies the beat (time signature) of the pattern.
TIP: If this is set to 8Tri or 16Tri, trigger pads 13–16 of the Step
Jump function are assigned to steps 1–4 of the next measure.
LENGTH ..................................................................................... [1...4]
Specifies the length of the pattern.
PATTERN LEVEL.....................................................................[0...127]
Adjusts the volume of the entire pattern.
MFX TYPE...............................................................................[01...32]
Selects the type of master effect. Refer to the MFX Type List for
details of the available effect types.
TIP: Depending on the effect type, the motion sequence function
might be unavailable in some cases. Refer to the master effect list.
CLEAR MFX MOTION
Erases the master effect's motion sequence that was recorded in the
pattern.
KEY.............................................................................................[C...B]
Specifies the key (root note) that is the basis of the scale you selected
for the SCALE parameter.
SCALE ...............................................................[Chromatic...Octave]
Specifies the scale that is assigned to the touch pad and trigger pads.
Refer to the Scale List for details of the available scale types.
CHORD SET................................................................................ [1...5]
Controls the density of the chord that's produced when you strike a
trigger pad in chord scale mode.
TIP: The range depends on the scale that's selected.
GATE ARP................................................................................. [1...50]
Selects the pattern type for the gate arpeggiator.
ALTERNATE 13-14 ................................................................ [Off, On]
Enables alternate operation for triggering two parts. For example, by
assigning hi-hat close to part 13 and open to part 14, and then
turning ALTERNATE 13-14 On, you can prevent those two parts
from playing simultaneously, ensuring that your performance will
sound natural.
ALTERNATE 15-16 ................................................................ [Off, On]
→see ALTERNATE 13-14

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2. PART PARAMETER
These parameters are for part settings. The settings are saved
independently for each part.
LAST STEP................................................................................ [1...16]
Normally you'll use a setting of 16. Select a different setting if you
want to create a pattern that has an irregular time signature. For
example to create a part that has 11 beats per measure, set the last
step to 11 so that one length will be a part equivalent to 11 steps.
TIP: Last Step is a function that is specific to this unit; if you are
synchronizing the performance with an external sequencer or
with a different model of electribe, the portion of the irregular
time signature will not synchronize.
TIP: If you specify a Last Step that is shorter than the original
number of steps, any note data located in the shortened
portion is preserved but is not played.
TIP: If Beat is set to 8Tri or 16Tri, the maximum number of steps is
12. If you specify any value above this, the setting will be 12.
TIP: When you use the Step Jump function, step numbers 1 and
following of the next measure are successively assigned to the
trigger pads of numbers above the last step.
GROOVE TYPE .................................. [01 Conga1...25 Decrescendo]
Selects the type of Groove. The Groove function lets you modify
rhythmically precise sequence data by applying a sense of groove
that reproduces the feel of timing with which certain typical instru-
ments are played, or the rhythmic feel of the song. For details on the
available groove types, refer to the Grove Type List.
GROOVE DEPTH .................................................................... [0...127]
Adjusts the depth of the Groove effect.
VOICE ASSIGN ..................................[Mono1, Mono2, Poly1, Poly2]
Specifies the polyphony of the selected part.
Mono1: The part plays monophonically (single notes).
If you continue holding down the first trigger pad, the second
and subsequent notes do not retrigger the EG. Use this setting
when playing legato. However, retriggering will occur when a
one-shot sample is sounded.
Mono2: The part plays monophonically (single notes).
The EG is retriggered each time you press the trigger pad.
Poly1: The part can play chords that share a single EG, filter,
amp, and insert effect (pseudo-polyphonic). A maximum of four
voices can be sounded. The EG is not retriggered until you
release all trigger pads. However, retriggering will occur when a
one-shot sample is sounded.
Poly2: The part can play chords that share a single EG, filter,
amp, and insert effect (pseudo-polyphonic). A maximum of four
voices can be sounded. The EG is retriggered each time you
press the trigger pad to play a note.
PART PRIORITY...........................................................[Normal, High]
Specifies the order of note priority for the selected part.
If the pattern playback contains numerous overlapping notes, there
may be cases in which a currently-sounding note is stopped before a
new note is sounded. By setting the PART PRIORITY parameter to
High, you can make it less likely that notes of that part will be
turned off. However, the effectiveness of this setting is decreased if
you select the High setting for multiple parts. Use discretion when
choosing the part(s) that use the High setting.
TIP: The effectiveness of this parameter is reduced if you set
multiple parts to High, so you should be selective about the
parts for which you specify High priority.
MOTION SEQ .........................................[Off, Smooth, Trigger Hold]
Specifies how motion sequence will work for the selected part.
Off: The recorded motion sequence is disabled.
Smooth: Knob movements are fluid, creating smooth change in
the sound.
Trigger Hold: The knob values in the motion sequence are held
from the moment that the part is played.
TIP: MFX motion sequences use the Smooth setting.
TRG.PAD VELOCITY.............................................................. [Off, On]
Enables or disables trigger pad velocity sensitivity.
SCALE MODE ........................................................................ [Off, On]
Specifies whether the pitch will follow when you change the Scale
and Key.
To make the pitch follow correctly, turn this On before you record
that part's performance.

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3. STEP EDIT
To create a more elaborate pattern, you can edit individual steps of a
pattern that you’ve recorded or a pattern that’s saved in the elec-
tribe.
You can readjust the note number or modify the gate time.
A phrase pattern consists of the following four types of data.
This data can be individually edited for each step.
Trigger: Whether a note is sounded at that step
Note number: The pitch that is sounded
Gate time: How long it is sounded
Velocity: How strongly it is sounded
If you want to save a pattern that you've edited, you must
write it before selecting another pattern or turning off the
power.
STEP NUMBER .............................................................. [1.01... 4.16]
Selects the step that you'll edit. When you press a trigger pad to
specify a step directly, the trigger on/off status also changes.
This step that's selected for editing is called the "target step." Turn
the VALUE knob to select the target step.
At this time the step key corresponding to the target step will light.
If the pattern length is 2 or greater, you can also specify it by press-
ing a step button. If you press the trigger pad of an empty target
step, note number C4 is entered.
TIP: You can edit up to step 4.16. The maximum number of steps
that are actually played depends on the length, beat, and last
step settings.
TIP: To change the target step by units of a Length, hold down the
Shift key and turn the VALUE knob.
NOTE ...........................................................................[---, C-1...G 09]
Specify the note number of the target step. You can record up to four
note numbers in each target step.
You can change this in steps of an octave by holding down the
SHIFT key and turning the VALUE knob.
You can also change the target step by pressing a trigger pad.
TIP: If the display indicates "NOTE" pressing a step button does not
change the trigger on/off setting.
TIP: Even if you change the note number of a step whose trigger is
off, that step does not produce sound until you turn the trigger
on.
GATE TIME ..................................................................... [ 00...96, TIE]
This is the gate time length of each step. For example, if the gate time
is "96," the duration of the note is exactly as long as a single step.
TIP: If you specify "TIE," the oscillator, EG, and modulation are not
retriggered if the next step has the same note.
TIP: If the display indicates "GATE TIME," pressing a step key does
not change the trigger on/off setting.
TIP: Even if you change the gate time of a step whose trigger is off,
that step does not produce sound until you turn the trigger on.
VELOCITY...........................................................................[001...127]
Specifies the strength of the note.
4. PART UTILITY
COPY PART
This lets you copy the sound and sequence data (including the
motion sequence) of the currently selected part to another part.
TIP: If this copy operation would result in more than 24 motion
sequences, the motion sequence is not copied.
COPY PART SOUND
This lets you copy only the sound data of the currently selected part
to another part.
TIP: Step data and motion sequence data is not copied.
CLEAR SEQUENCE
This lets you delete the sequence data (trigger, note number, gate
time) of the selected part.
CLEAR MOTION
Deletes the motion sequence data of the selected part.

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5. GLOBAL PARAMETER
These parameters are settings for the entire electribe.
TIP: Global parameters are saved automatically when you turn off
the power. You can also save the settings by pressing the Write
button while editing global parameters.
TRIGGER MODE..................................... [Normal, Seq 1st, Seq Play]
Specifies what happens when you strike a trigger pad in Trigger
mode.
Normal: The C4 note is sounded.
Seq 1st: The first note recorded in the part is sounded. If not
even one note is recorded, the C4 note is sounded.
Seq Play: The sequence recorded in the part plays while you
hold down the trigger pad.
VELOCITY CURVE .........................[Heavy, Normal, Light, Const96]
Selects how the volume and tone respond to the trigger pad velocity
(the force of your strike).
Heavy: Heavy response. This curve lets you obtain an effect
when you play strongly.
Normal: Normal response.
Light: Light response. This curve lets you obtain an effect
without having to play strongly.
Const96: The velocity value will always be 96.
CLOCK MODE.......................................................................................
.......... [Internal, Auto, External USB, External MIDI, External Sync]
Selects the clock to which the electribe’s tempo is synchronized.
If you select an external clock, the electribe’s sequencer and other
tempo-synchronized settings (such as Delay Time) are all synchro-
nized to the external device.
Internal: The electribe’s internal clock is the basis for synchroni-
zation. Choose this setting if you’re using the electribe by itself,
or if you’re using the electribe as the master device that controls
other synchronized devices.
Auto: If MIDI clock data from an external MIDI device con-
nected to the MIDI IN connector (or USB connector) is received,
the electribe automatically operates as with the “External MIDI”
or “External USB” setting. If there is no input, the electribe
operates as with the “Internal” setting. If clock data is received
from a device connected to the Sync In jack, the electribe oper-
ates as with the “External Sync” setting.
TIP The order of priority for the selected signal is External USB,
External MIDI, and then External Sync.
External USB: The electribe synchronizes to MIDI clock data
from a PC connected to the USB connector.
External MIDI: The electribe synchronizes to MIDI clock data
from an external MIDI device connected to the MIDI IN connec-
tor.
External Sync: The electribe synchronizes to clock data from a
device connected to the Sync In jack.
TIP For details on synchronization-related settings for your
external MIDI device or for a device connected to the Sync
jack, refer to the owner’s manual of your device.
GLOBAL MIDI CH................................................................. [01…16]
Specifies the MIDI channel of the electribe.
If you want to transmit or receive program changes or system
exclusive messages, set the MIDI channel to match the MIDI channel
of the connected MIDI device.
MIDI RECEIVE FILTER ...........................[Off, Short, Short+Program]
Specifies which MIDI messages are not received.
OFF: All messages are received.
Short: Short messages (Note On/Off, Control Change) are not
received.
Short + Program: Short messages and program change messages
are not received.
MIDI SEND FILTER ................................[Off, Short, Short+Program]
Specifies which MIDI messages are not transmitted.
OFF: All messages are transmitted.
Short: Short messages (Note On/Off, Control Change) are not
transmitted.
Short + Program: Short messages and program change messages
are not transmitted.
SYNC POLARITY ......................................................................[Hi, Lo]
Specifies the polarity of the Sync trigger signal when synchronizing
the performance with a device connected to the Sync jack.
SYNC UNIT ...............................................................[1 Step, 2 Steps]
Specifies the cycle of the synchronization signal that is output from
the Sync Out jack to advance the step, relative to the synchronization
signal received at the Sync In jack.
1 step: When a sync signal is input, the electribe advances by one
step. A sync signal is output at each step.
2 steps: When a sync signal is input, the electribe advances by
two steps. A sync signal is output at every two steps.
METRONOME ....................................... [Off, Rec 0, Rec 1, Rec 2, On]
Specifies the setting of the metronome function. The metronome is
convenient when you’re using realtime recording to create a pattern.
The metronome sounds at quarter-note timing. If this setting is On,
the metronome always sounds during recording.
If this is Off, the metronome does not sound. If this is set to Rec 0,
Rec 1, or Rec 2, the metronome sounds only during recording. With
the Rec 0 setting, there is no pre-count.
TEMPO LOCK ........................................................................[Off , On]
If this is On, the current tempo setting is locked. The tempo will not
change even if you switch to a pattern that has a different tempo.
KNOB MODE ...........................................[Jump, Catch, Value Scale]
Specifies what happens when the knob position does not match the
actual value of the parameter.
Jump: When you turn a knob, the parameter value jumps to the
value indicated by the knob. This is a good setting to use when
you’re editing, since it’s easy to detect the result of turning the
knob.
Catch: When you turn a knob, the parameter value does not start
changing until the knob reaches the actual value of the param-
eter This is a good setting to use when you’re performing, since
it prevents the sound from changing suddenly.
Value Scale: When you turn a knob, the parameter value in-
creases or decreases in a relative way, in the direction that you
turned the knob. When the knob reaches its full extent in either
direction, the parameter value also reaches its maximum or
minimum; once the knob and parameter value are matched, the
knob and parameter values change in tandem.

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If the parameter value does not change
Sometimes, the parameter value might not change when you turn
the knob to left or right.
In this case, the KNOB MODE is set to “Catch.” With the “Catch”
setting, the value does not change until the knob position matches
the actual value of the parameter that you’re editing (the value
shown in the main display).
With the “Catch” setting, the knob and value change in tandem
only after the knob position has reached the actual value; this
prevents the sound from changing in an unnaturally sudden way.
With the “Jump” setting, moving the knob causes the actual value
to change immediately to the position of the knob.
Suppose that you switch programs, and the actual value of the
parameter assigned to the knob is now at the position indicated by
the triangle in the illustration.
The parameter value will not change until you turn the knob to that
position.
Suppose that you've turned a knob to edit a certain parameter,
and the knob is in the position shown.
Once the knob has reached the position that corresponding to the
actual value, the parameter value and the knob position will be
linked, and the value will change as you turn the knob.
TOUCH SCALE RANGE..............................[1 Oct, 2 Oct, 3 Oct, 4 Oct]
Specifies the pitch range that is assigned to the touch pad when
using the touch scale function.
TIP: To change the pitch range, press the Keyboard button and then
press a step button.
LCD CONTRAST ...................................................................... [1…25]
Adjusts the contrast of the text in the display.
AUDIO IN THRU .................................................................... [Off, On]
Specifies whether input from the Audio In jack is output from the
Audio Out L/R jacks.
BATTERY TYPE............................................................ [Ni-MH, Alkali]
Specifies the type of batteries that are being used.
Ni-MH: Choose this setting if you’re using nickel-metal hydride
batteries.
Alkali: Choose this setting if you’re using alkaline batteries.
AUTO POWER OFF................................................. [Disable, 4 hours]
Specifies whether the power automatically turns off when no knobs
or buttons have been operated for a certain length of time. With the
factory settings, this is set to “4 hours.”
Disable: The auto power-off function is disabled. The power
does not turn off automatically.
4 hours: If four hours elapses without any of the electribe’s
buttons, knobs, or trigger pad being operated, the power turns
off automatically.
TIP: Even if a pattern is playing continuously, the power turns off
automatically if absolutely no operation has been performed
for the specified time. Choose the “Disable” setting if you don’t
want the power to turn off automatically.
POWER SAVE MODE..................................... [Disable, Auto, Enable]
Enables or disables power save mode. When you use the electribe on
batteries, it operates in power save mode; the display backlight and
LEDs are dimmed.
Disable: Power save mode is disabled.
Auto: Power save mode is enabled when using the electribe on
batteries, and disabled when using it with the AC adapter.
Enable: Power save mode is enabled at all times.
TIP: If the display backlight is dim, the screen might appear to
flicker depending on the surrounding lighting conditions.
6. DATA UTILITY
These functions let you write data to or read data from a memory
card, update the system, or return the instrument to the factory-set
state.
EXPORT PATTERN
This function exports the currently selected pattern to the memory
card.
The file is exported in the format of KORG\electribe\[pattern
number]_[pattern name].e2pat. If an identically-named file already
exists, it is overwritten.
TIP: If an identically-named file already exists, it is overwritten.
TIP: If the pattern is being edited, the edited form of the pattern is
exported even if you have not yet pressed the Write button to
save it.
EXPORT ALL PATTERN
This function exports all patterns and global parameters to the
memory card as a single file. The exported file is KORG\electribe\
electribe_allpattern.e2allpat on the memory card. If an identically-
named file already exists, it is overwritten.
IMPORT PATTERN
This function imports a pattern file (.e2pat file) that was exported by
the EXPORT PATTERN function.
IMPORT ALL PATTERN
From the memory card, this function imports all patterns and global
parameters contained in an .e2allpat file that was exported by the
EXPORT ALL PATTERN function.
SELECT SOURCE.........................................................[Card, Sync In]
Selects the import source. You can select either the memory card
or data input from the Sync In jack. If importing from the
memory card, specify an .e2pat format file.
INITIALIZE PATTERN
This function initializes all data of the currently selected pattern.
Each part’s sound data and sequence data including motion se-
quence data, as well as the tempo, length, and beat are reset to the
initial state.
EXPORT AUDIO
This function exports the currently selected pattern to the memory
card as WAV files.
The files are exported to the KORG\electribe\[pattern number]_
[pattern name] Project\Audio folder of the memory card.
SELECT TYPE ............................. [Ableton Live Set, WAV File Only]
Selects the file format that is exported.
Ableton Live Set: In addition to the WAV files, an Ableton live
project file (.als file) is also exported.
If there are more than nine parts in which the trigger is turned
on for any step, a separate Lite.als file for Ableton Live Lite is
also exported.
TIP: The .als file for Ableton Live Lite is a project file containing
up to eight parts in which a trigger-on has been recorded,
starting with part 1.
WAV File Only: Only WAV files are exported. An Ableton Live
project file is not exported.
EXPORT P.SET AUDIO
Using this function, patterns that are registered as a pattern set can
be exported as WAV files.
Specify the range of set numbers for which patterns registered as a
pattern set are exported as WAV files.
The files are exported to the KORG\electribe\PatternSet Project\
Audio folder of the memory card.

8
SELECT START ....................................................................... [1...64]
Specifies the starting number of the range of pattern sets that
you want to export.
SELECT END .......................................................................... [1...64]
Specifies the ending number of the range of pattern sets that you
want to export.
SELECT TYPE ............................. [Ableton Live Set, WAV File Only]
Selects the file format that is exported. (→see “EXPORT AU-
DIO”)
CARD FORMAT
This function formats (initializes) the memory card and creates the
folders that are needed by the electribe.
FACTORY RESET
Returns all settings of the electribe to their factory-set state.
SOFTWARE UPDATE
Updates the system software of the electribe. Obtain the update file
from the Korg website, use your computer to copy it to the specified
folder of a memory card, insert the memory card into the electribe,
and then execute this function.
7. EVENT REC/PLAY
These functions let you record a performance that uses several
patterns, or a performance that includes knob or trigger pad opera-
tions during the performance.
TIP: The EVENT REC/PLAY functions are available if the CLOCK
MODE is set to Internal.
EVENT RECORDER
When you record using the Event Recorder, the data is written to the
KORG\electribe folder as a file named e_[number].e2ev.
TIP: There can be a maximum of 100 files.
EVENT PLAYER
Open Player
Selects an e2ev file recorded by the Event Recorder.
Enter: Start Play: Press the Enter button to start playback.

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8. Appendix
Shortcut list
The following table lists the functions that you can access by operating a knob or button while holding down the Shift button.
Section Button/knob name Function when operated while holding down the Shift button
5. Transport Play/Pause button Play from beginning of pattern
TAP button Show the BPM setting page
6. Touch pad Master Fx button Show the MFX Type setting page
7. Common Value knob Select the pattern number in steps of 10
Write button Show the pattern rename page
8. Edit Oscillator knob Select by jumping to each category
Pitch/Glide knob Show the Glide page of the edit menu
Modulation knob Change the waveform while keeping the modulation destination
10. Part edit Part Mute button Defeat muting for all parts
11. Pad mode Chord button Show the Chord Set setting page
12. Trigger pads* Trigger pad 1 Show the SWING setting page
Trigger pad 2 Show the LENGTH setting page
Trigger pad 3 Show the CLEAR MFX MOTION page
Trigger pad 4 Show the KEY setting page
Trigger pad 5 Show the SCALE setting page
Trigger pad 6 Show the GATE ARP setting page
Trigger pad 7 Show the LAST STEP setting page
Trigger pad 8 Show the GROOVE TYPE setting page
Trigger pad 9 Show the GROOVE DEPTH setting page
Trigger pad 10 Show the MOTION SEQ setting page
Trigger pad 11 Show the TRG. PAD VELOCITY setting page
Trigger pad 12 Show the STEP EDIT page
Trigger pad 13 Show the COPY PART page
Trigger pad 14 Show the CLEAR SEQUENCE page
Trigger pad 15 Show the CLEAR MOTION page
Trigger pad 16 Show the METRONOME setting page
* Supported in system ver.1.03 and later

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No. Name Category
64 Beach Snare
65 Hefty Snare
66 Goodie Snare
67 Steady Snare
68 Tech Snare
69 Lay Snare
70 LoNine Snare
71 HiNine Snare
72 CompNine Snare
73 PureEight Snare
74 BodyEight Snare
75 TrapEight Snare
76 Shortate Snare
77 LeanSnare Snare
78 Seventy Snare
79 DDD1 Snare
80 Nuxx Snare
81 Oldie Snare
82 Bigger Snare
83 80'sR&B1 Snare
84 80'sR&B2 Snare
85 Jazz1 Snare
86 Jazz2 Snare
87 Snappy Snare
88 Ambee Snare
89 Verdy Snare
90 Tubeverb Snare
91 Open1 Snare
92 Open2 Snare
93 Oldskool Snare
94 Hoppy Snare
95 Ringy Snare
96 OldBreaks Snare
97 Piccolo Snare
98 Jungla Snare
99 EastCoast Snare
100 D'n'B Snare
101 Ambig Snare
102 Juggler Snare
103 DoncaMatic Snare
104 Whip Snare
105 Arcade Snare
106 RimVox Snare
107 Parched Snare
108 Rimmy Snare
109 AmbiRim Snare
110 SnareVox Snare
111 Waffle Snare
112 Blast Snare
113 Reverse1 Snare
114 Reverse2 Snare
115 PureEight Clap
116 AmbEight Clap
117 DirtySouth Clap
118 PureNine Clap
119 Mixed Clap
120 Trap Clap
121 Small Clap
122 Clapper Clap
123 Doubler Clap
124 EastCoast Clap
125 Liteclap Clap
126 DDD1 Clap
127 Crispy Clap
128 B.Boy Clap
129 Crumbles Clap
No. Name Category
130 FingerSnap Clap
131 NineClose1 HiHat
132 NineOpen1 HiHat
133 NineClose2 HiHat
134 NineOpen2 HiHat
135 EightClose1 HiHat
136 EightOpen1 HiHat
137 EightOpen2 HiHat
138 CompClose HiHat
139 CompOpen HiHat
140 EastClose HiHat
141 EastOpen HiHat
142 DDD1Close HiHat
143 DDD1Open HiHat
144 WarmClose HiHat
145 WarmOpen HiHat
146 ZeeClose HiHat
147 ZeeOpen HiHat
148 RoomyClose HiHat
149 RoomyOpen HiHat
150 RockClose HiHat
151 RockOpen HiHat
152 JazzClose HiHat
153 JazzOpen HiHat
154 HoppyClose HiHat
155 HoppyOpen HiHat
156 PhaseClose HiHat
157 PhaseOpen HiHat
158 NuHopClose HiHat
159 NuHopOpen HiHat
160 RightClose HiHat
161 RightOpen HiHat
162 NoizClose HiHat
163 NoizOpen HiHat
164 GranClose HiHat
165 GranOpen HiHat
166 Ambi HiHat
167 Crackle HiHat
168 Hippy HiHat
169 Pump HiHat
170 Voice1 HiHat
171 Voice2 HiHat
172 Reverse HiHat
173 NineCym Cymbal
174 HiCymbal Cymbal
175 DoncaMatic Cymbal
176 EastCoast Cymbal
177 Rock Cymbal
178 Synth Cymbal
179 WhiteNoiz Cymbal
180 RevCrash Cymbal
181 NineRide Cymbal
182 JazzRide1 Cymbal
183 JazzRide2 Cymbal
184 RockRide Cymbal
185 ZeeRide Cymbal
186 RevRide Cymbal
187 Real Hi Tom
188 Real MidHi Tom
189 Real MidLo Tom
190 Real Lo Tom
191 Driven Tom
192 Zee Hi Tom
193 Zee Lo Tom
194 OldSkool Tom
195 Crunchy Tom
OSC Type List
No. Name Category
1SubBeef Kick
2Lazy Kick
3Echoes Kick
4Lay Kick
5Hardstyle Kick
6Hardcore Kick
7Southpaw Kick
88BitGrime Kick
9Noiz Kick
10 HiKnock Kick
11 LoKnock Kick
12 Tronica Kick
13 HiClicky Kick
14 LoClicky Kick
15 Subsonic Kick
16 Threed Kick
17 Lololow Kick
18 Risky Kick
19 ShortBoom Kick
20 AttackEight Kick
21 PureEight Kick
22 UltraEight Kick
23 SnipEight Kick
24 ShortNine Kick
25 PureNine Kick
26 BoostNine Kick
27 Harder Kick
28 BitBreak Kick
29 Finger Kick
30 Filthy Kick
31 Visual Kick
32 Breaker Kick
33 Urban Kick
34 Roomy Kick
35 Studio Kick
36 Twinkling Kick
37 Hippy Kick
38 Ringy Kick
39 Womp Kick
40 Hip Kick
41 Jungle Kick
42 EastCoast Kick
43 Jazz Kick
44 Rock Kick
45 Warm Kick
46 Breaks Kick
47 80'sR&B1 Kick
48 80'sR&B2 Kick
49 80'sR&B3 Kick
50 DDD1 Kick
51 DoncaMatic Kick
52 BeatVox1 Kick
53 BeatVox2 Kick
54 BeatVox3 Kick
55 Reverse1 Kick
56 Reverse2 Kick
57 Aftertaste Snare
58 Sharp Snare
59 Toofer Snare
60 Clpsnr Snare
61 Bosh Snare
62 Wide Snare
63 BreaksLofi Snare

11
No. Name Category
196 E.Tom Tom
197 Synth Hi1 Tom
198 Synth Mid1 Tom
199 Synth Lo1 Tom
200 Synth Hi2 Tom
201 Synth Lo2 Tom
202 TomEight Tom
203 Conga1 Percussion
204 Conga2 Percussion
205 Conga3 Percussion
206 Conga4 Percussion
207 Conga5 Percussion
208 Bongo1 Percussion
209 Bongo2 Percussion
210 Bongo3 Percussion
211 Bongo4 Percussion
212 Bongo5 Percussion
213 Bongo6 Percussion
214 Djembe1 Percussion
215 Djembe2 Percussion
216 Djembe3 Percussion
217 Djembe4 Percussion
218 Darbuka1 Percussion
219 Darbuka2 Percussion
220 Darbuka3 Percussion
221 Darbuka4 Percussion
222 Timbales Hi Percussion
223 Timbales Lo Percussion
224 CowBell1 Percussion
225 CowBell2 Percussion
226 CowBell3 Percussion
227 Tambourine1 Percussion
228 Tambourine2 Percussion
229 Clave Percussion
230 Guiro Percussion
231 Cabasa Percussion
232 Shaker Percussion
233 WaveDrum1 Percussion
234 WaveDrum2 Percussion
235 WaveDrum3 Percussion
236 WaveDrum4 Percussion
237 WaveDrum5 Percussion
238 WaveDrum6 Percussion
239 WaveDrum7 Percussion
240 WaveDrum8 Percussion
241 ShakerHit Percussion
242 RimPerc Percussion
243 Wavestation Percussion
244 RimNine Percussion
245 RimEight Percussion
246 SynthShake Percussion
247 CowbellEight Percussion
248 DoncaCongaS Percussion
249 DoncaCongaL Percussion
250 DoncaMaracas Percussion
251 DoncaClaves Percussion
252 DoncaW.block Percussion
253 Synthclave Percussion
254 ClickRoll Percussion
255 GlitchDmg Percussion
256 MouthPop Percussion
257 Droplet Percussion
258 Rave Voice
259 Whoo Voice
260 Ohooo Voice
261 ComOn Voice
No. Name Category
262 Nahh Voice
263 Ahaa.. Voice
264 Haa Voice
265 Baaa Voice
266 Grun Voice
267 Ahaaw Voice
268 Paa Voice
269 Hey Voice
270 Doh Voice
271 GlitchEey Voice
272 BotVox1 Voice
273 BotVox2 Voice
274 NoizyVox Synth FX
275 Noiser Synth FX
276 Botox Synth FX
277 ShockSonar Synth FX
278 Quark Synth FX
279 ebPerc Synth FX
280 Needle Synth FX
281 SqueakyBum Synth FX
282 SynSiren Synth FX
283 Bubble Synth FX
284 Burp Synth FX
285 Lux Synth FX
286 Squirt Synth FX
287 Degraded Synth FX
288 Flyby Synth FX
289 SonicDrop Synth FX
290 LoZap Synth FX
291 SubBang Synth FX
292 Stabium Synth Hit
293 Futurize Synth Hit
294 LilChord Synth Hit
295 Ploinky Synth Hit
296 Strippa Synth Hit
297 BigChords Synth Hit
298 StarBurst Synth Hit
299 WishWash Synth Hit
300 BangPop Synth Hit
301 RegulatePop Synth Hit
302 TigerPad Synth Hit
303 LofiSynth Synth Hit
304 BlastBass Synth Hit
305 BenderBass Synth Hit
306 RockHit1 Synth Hit
307 RockHit2 Synth Hit
308 FormantBass Synth Hit
309 SynGrowl Synth Hit
310 BrassHit1 Inst.Hit
311 BrassHit2 Inst.Hit
312 StringsHit1 Inst.Hit
313 StringsHit2 Inst.Hit
314 BadOrch Inst.Hit
315 CarmOrch Inst.Hit
316 Sho2DOrch Inst.Hit
317 V2Orch Inst.Hit
318 Suspended Inst.Hit
319 Jazz Inst.Hit
320 Jazzy Inst.Hit
321 Hop Inst.Hit
322 OldBrass Inst.Hit
323 Record Inst.Hit
324 Rave Inst.Hit
325 Oldie Inst.Hit
326 SAW Synth
327 BOOST-SAW Synth
No. Name Category
328 PULSE Synth
329 TRIANGLE Synth
330 SINE Synth
331 DUAL-SAW Synth
332 DUAL-SQU Synth
333 DUAL-TRI Synth
334 DUAL-SINE Synth
335 OCT-SAW Synth
336 OCT-SQU Synth
337 OCT-TRI Synth
338 OCT-SINE Synth
339 UNI-SAW Synth
340 UNI-SQU Synth
341 UNI-TRI Synth
342 UNI-SINE Synth
343 SYNC-SAW Synth
344 SYNC-SQU Synth
345 SYNC-TRI Synth
346 SYNC-SINE Synth
347 CHIP-TRI 1 Synth
348 CHIP-TRI 2 Synth
349 CHIP-PULSE Synth
350 CHIP-NOISE Synth
351 RING-SAW Synth
352 RING-SQU Synth
353 RING-TRI Synth
354 RING-SINE Synth
355 X-SAW 1 Synth
356 X-SAW 2 Synth
357 X-SQUARE 1 Synth
358 X-SQUARE 2 Synth
359 X-TRI 1 Synth
360 X-TRI 2 Synth
361 X-SINE 1 Synth
362 X-SINE 2 Synth
363 VPM-SAW Synth
364 VPM-SQUARE Synth
365 VPM-TRI Synth
366 VPM-SINE 1 Synth
367 VPM-SINE 2 Synth
368 VPM-SINE 3 Synth
369 VPM-SINE 4 Synth
370 SYN-SINE 1 Synth
371 SYN-SINE 2 Synth
372 SYN-SINE 3 Synth
373 SYN-SINE 4 Synth
374 SYN-SINE 5 Synth
375 SYN-SINE 6 Synth
376 SYN-SINE 7 Synth
377 HPF NOISE Synth
378 LPF NOISE Synth
379 LOFI NOISE Synth
380 RES NOISE Synth
381 M1 Piano Instrument
382 E.P.Roads Instrument
383 E.P.Wurly Instrument
384 Clav Instrument
385 M1 Organ Instrument
386 Brass Ens. Instrument
387 Tenor Sax Instrument
388 Alto Sax Instrument
389 Strings Ens. Instrument
390 Strings Pizz Instrument
391 Vox Pop Ah Instrument
392 Vox Pad Instrument

12
http://primeloops.com
http://www.loopmasters.com/
http://www.samplemagic.com/
No. Name Category
393 Vox Helium Instrument
394 A.Bass Instrument
395 E.Bass Finger Instrument
396 E.Bass Pick Instrument
397 E.Bass Slap Instrument
398 E.Bass Dist. Instrument
399 A.Guitar Instrument
400 E.Guitar1 Instrument
401 E.Guitar2 Instrument
402 Kalimba Instrument
403 Metal Bell Instrument
404 GamelanWave Instrument
405 Bell1 Instrument
406 Bell2 Instrument
407 Bell3 Instrument
408 Bell4 Instrument
409 Audio In Audio In

13
Modulation Type List
No. Name Modulation Source Modulation Destination BPM Sync Key Sync
1 EG+ Filter AD Envelope (positive) Filter Cutoff
2 EG+ Pitch AD Envelope (positive) Oscillator Pitch
3 EG+ OSC AD Envelope (positive) Oscillator Edit
4 EG+ Level AD Envelope (positive) Amp Level
5 EG+ Pan AD Envelope (positive) Pan
6 EG+ IFX AD Envelope (positive) IFX Edit
7 EG+ BPM Filter AD Envelope (positive) Filter Cutoff ○
8 EG+ BPM Pitch AD Envelope (positive) Oscillator Pitch ○
9 EG+ BPM OSC AD Envelope (positive) Oscillator Edit ○
10 EG+ BPM Level AD Envelope (positive) Amp Level ○
11 EG+ BPM Pan AD Envelope (positive) Pan ○
12 EG+ BPM IFX AD Envelope (positive) IFX Edit ○
13 EG- Filter AD Envelope (negative) Filter Cutoff
14 EG- Pitch AD Envelope (negative) Oscillator Pitch
15 EG- OSC AD Envelope (negative) Oscillator Edit
16 EG- Level AD Envelope (negative) Amp Level
17 EG- Pan AD Envelope (negative) Pan
18 EG- IFX AD Envelope (negative) IFX Edit
19 EG- BPM Filter AD Envelope (negative) Filter Cutoff ○
20 EG- BPM Pitch AD Envelope (negative) Oscillator Pitch ○
21 EG- BPM OSC AD Envelope (negative) Oscillator Edit ○
22 EG- BPM Level AD Envelope (negative) Amp Level ○
23 EG- BPM Pan AD Envelope (negative) Pan ○
24 EG- BPM IFX AD Envelope (negative) IFX Edit ○
25 LFOTri Filter LFO (triangle) Filter Cutoff
26 LFOTri Pitch LFO (triangle) Oscillator Pitch
27 LFOTri OSC LFO (triangle) Oscillator Edit
28 LFOTri Level LFO (triangle) Amp Level
29 LFOTri Pan LFO (triangle) Pan
30 LFOTri IFX LFO (triangle) IFX Edit
31 LFOTriB Filter LFO (triangle) Filter Cutoff ○ ○
32 LFOTriB Pitch LFO (triangle) Oscillator Pitch ○ ○
33 LFOTriB OSC LFO (triangle) Oscillator Edit ○ ○
34 LFOTriB Level LFO (triangle) Amp Level ○ ○
35 LFOTriB Pan LFO (triangle) Pan ○ ○
36 LFOTriB IFX LFO (triangle) IFX Edit ○ ○
37 SawUpB Filter LFO (up-saw) Filter Cutoff ○ ○
38 SawUpB Pitch LFO (up-saw) Oscillator Pitch ○ ○
39 SawUpB OSC LFO (up-saw) Oscillator Edit ○ ○
40 SawUpB Level LFO (up-saw) Amp Level ○ ○
41 SawUpB Pan LFO (up-saw) Pan ○ ○
42 SawUpB IFX LFO (up-saw) IFX Edit ○ ○
43 SawDwnB Filter LFO (down-saw) Filter Cutoff ○ ○
44 SawDwnB Pitch LFO (down-saw) Oscillator Pitch ○ ○
45 SawDwnB OSC LFO (down-saw) Oscillator Edit ○ ○
46 SawDwnB Level LFO (down-saw) Amp Level ○ ○
47 SawDwnB Pan LFO (down-saw) Pan ○ ○
48 SawDwnB IFX LFO (down-saw) IFX Edit ○ ○
49 SquUpB Filter LFO (up-square) Filter Cutoff ○ ○
50 SquUpB Pitch LFO (up-square) Oscillator Pitch ○ ○
51 SquUpB OSC LFO (up-square) Oscillator Edit ○ ○
52 SquUpB Level LFO (up-square) Amp Level ○ ○
53 SquUpB Pan LFO (up-square) Pan ○ ○
54 SquUpB IFX LFO (up-square) IFX Edit ○ ○
55 SquDwnB Filter LFO (down-square) Filter Cutoff ○ ○
56 SquDwnB Pitch LFO (down-square) Oscillator Pitch ○ ○
57 SquDwnB OSC LFO (down-square) Oscillator Edit ○ ○
58 SquDwnB Level LFO (down-square) Amp Level ○ ○
59 SquDwnB Pan LFO (down-square) Pan ○ ○
60 SquDwnB IFX LFO (down-square) IFX Edit ○ ○
61 S&HBPM Filter LFO (sample & hold) Filter Cutoff ○
62 S&HBPM Pitch LFO (sample & hold) Oscillator Pitch ○
63 S&HBPM OSC LFO (sample & hold) Oscillator Edit ○
64 S&HBPM Level LFO (sample & hold) Amp Level ○

14
No. Name Modulation Source Modulation Destination BPM Sync Key Sync
65 S&HBPM Pan LFO (sample & hold) Pan ○
66 S&HBPM IFX LFO (sample & hold) IFX Edit ○
67 Random Filter LFO (random) Filter Cutoff
68 Random Pitch LFO (random) Oscillator Pitch
69 Random OSC LFO (random) Oscillator Edit
70 Random Level LFO (random) Amp Level
71 Random Pan LFO (random) Pan
72 Random IFX LFO (random) IFX Edit
Filter Type List
LPF HPF BPF
1OFF OFF OFF
2electribe LPF electirbe HPF electribe BPF
3MS20 LPF MS20 HPF MS20 BPF
4MG LPF P5 HPF P5 BPF
5P5 LPF OB HPF OB BPF
6OB LPF Acid HPF Acid BPF
7Acid LPF
Scale List
Scale Name Scale [Key C]
1 Chromatic C, D♭, D, E♭, E, F, G♭, G, A♭, A, B♭, B
2 Ionian C, D, E, F, G, A, B
3 Dorian C, D, E♭, F, G, A, B♭
4 Phrygian C, D♭, E♭, F, G, A♭, B♭
5 Lydian C, D, E, F♯, G, A, B
6 Mixolydian C, D, E, F, G, A, B♭
7 Aeolian C, D, E♭, F, G, A♭, B♭
8 Locrian C, D♭, E♭, F, G♭, A♭, B♭
9 Harm (Harmonic) minor C, D, E♭, F, G, A♭, B
10 Melo (Melodic) minor C, D, E♭, F, G, A, B
11 Major Blues C, D, E♭, E, G, A
12 minor Blues C, E♭, F, G♭, G, B♭
13 Diminished C, D, E♭, F, F♯, G♯, A, B
14 Com.Dim (Combination Diminished) C, D♭, E♭, E, F♯, G, A, B♭
15 Major Penta (Pentatonic) C, D, E, G, A
16 minor Penta (Pentatonic) C, E♭, F, G, B♭
17 Raga 1 (Bhairav) C, D♭, E, F, G, A♭, B
18 Raga 2 (Gamanasrama) C, D♭, E, F♯, G, A, B
19 Raga 3 (Todi) C, D♭, E♭, F♯, G, A♭, B
20 Arabic C, D, E, F, G♭, A♭, B♭
21 Spanish C, D♭, E♭, E, F, G, A♭, B♭
22 Gypsy C, D, E♭, F♯, G, A♭, B
23 Egyptian C, D, F, G, B♭
24 Hawaiian C, D, E♭, G, A
25 Pelog C, D♭, E♭, G, A♭
26 Japanese C, D♭, F, G, A♭
27 Ryuku C, E, F, G, B
28 Chinese C, E, F♯, G, B
29 Bass Line C, G, B♭
30 Whole Tone C, D, E, G♭, A♭, B♭
31 minor 3rd C, E♭, G♭, A
32 Major 3rd C, E, A♭
33 4th Interval C, F, B♭
34 5th Interval C, G
35 Octave C

15
MFX Type List
No. Name
1Mod Delay
2Tape Delay
3High Pass Delay
4Hall Reverb
5Room Reverb
6Wet Reverb
7Looper
8Pitch Looper
9Step Shifter
10 Slicer
11 Jag Filter
12 Grain Shifter
13 Vinyl Break
14 Seq Reverse *
15 Seq Doubler *
16 Odd Stepper *
17 Even Stepper *
18 Low Pass Filter
19 High Pass Filter
20 Band Plus Filter
21 Touch Wah
22 Tube EQ
23 Decimator
24 Distortion
25 Compressor
26 Limiter
27 Chorus
28 XY Flanger
29 LFO Flanger
30 XY Phaser
31 LFO Phaser
32 Auto Pan
* Motion sequence is not available.
IFX Type List
No. Name
1Punch
2Overdrive
3Distortion
4Decimator
5Bit Crusher
6Ring Modulator
7Sustainer
8Limiter
9Low EQ
10 Mid EQ
11 High EQ
12 Radio EQ
13 Exciter
14 Low Pass Filter
15 High Pass Filter
16 Band Plus Filter
17 Talk Filter
18 Delay 1/4
19 Delay 3/16
20 Delay 1/8
21 Delay 1/16
22 Roller 1/32
23 One Delay
24 Short Delay
25 Ring Delay 1
26 Ring Delay 2
27 Chorus
28 Flanger LFO
29 Flanger +
30 Flanger -
31 Phaser LFO 1
32 Phaser LFO 2
33 Phaser Manual
34 Tremolo
35 Off Beater
36 Pumper
37 Repeater
38 Slicer
Groove Type List
No Name
1Conga 1
2Conga 2
3Conga 3
4Bongo 1
5Bongo 2
6Bongo 3
7Cabasa 1
8Cabasa 2
9Claves 1
10 Claves 2
11 Cowbell 1
12 Agogo 1
13 Agogo 2
14 Tambourine
15 Off Beat
16 On Beat
17 Push 5&13
18 Pull 5&13
19 Oval Groove
20 Laidback
21 Rushbeat
22 The One
23 Synchopation
24 Crescendo
25 Decrescendo

16
Pattern List
No. Pattern Name Author BPM
1Magician 1 James Sajeva 134.0
2Magician 2 James Sajeva 134.0
3Magician 3 James Sajeva 134.0
4Magician 4 James Sajeva 134.0
5Chip Boy 1 KORG Inc. 126.0
6Chip Boy 2 KORG Inc. 126.0
7Chip Boy 3 KORG Inc. 126.0
8Chip Boy 4 KORG Inc. 126.0
9Swinger 1 KORG Inc. 126.0
10 Swinger 2 KORG Inc. 126.0
11 Swinger 3 KORG Inc. 126.0
12 Trap Clap 1 James Sajeva 139.2
13 Trap Clap 2 James Sajeva 139.2
14 Trap Clap 3 James Sajeva 139.2
15 Trap Clap 4 James Sajeva 139.2
16 NightRace mryat 170.0
17 LaserGun mryat 111.5
18 TrickySlippy 1 mryat 103.0
19 TrickySlippy 2 mryat 103.0
20 TrickySlippy 3 mryat 103.0
21 Footwerker 1 KORG Inc. 170.0
22 Footwerker 2 KORG Inc. 170.0
23 Footwerker 3 KORG Inc. 170.0
24 Footwerker 4 KORG Inc. 170.0
25 Footwerker 5 KORG Inc. 170.0
26 Jumpup 1 Mistabishi 86.0
27 Jumpup 2 Mistabishi 86.0
28 Jumpup 3 Mistabishi 172.0
29 Jumpup 4 Mistabishi 172.0
30 LemonTop 1 Shrike 124.0
31 LemonTop 2 Shrike 124.0
32 Fluid Sharooz 120.0
33 Acid Reign Sharooz 123.0
34 Hypstar Francis Preve 120.0
35 Volcano 1 KORG Inc. 135.0
36 Volcano 2 KORG Inc. 135.0
37 Volcano 3 KORG Inc. 135.0
38 Volcano 4 KORG Inc. 135.0
39 Traveller 1 Mistabishi 87.0
40 Traveller 2 Mistabishi 87.0
41 Traveller 3 Mistabishi 87.0
42 Traveller 4 Mistabishi 87.0
43 Traveller 5 Mistabishi 87.0
44 8BIT ADVENTURE KORG Inc. 190.0
45 8BIT SHOOT KORG Inc. 135.0
46 8BIT RPG KORG Inc. 77.1
47 Thunder 1 mryat 123.0
48 Thunder 2 mryat 123.0
49 Thunder 3 mryat 123.0
50 Jacqueline 1 KORG Inc. 130.0
51 Jacqueline 2 KORG Inc. 130.0
52 Jacqueline 3 KORG Inc. 127.0
53 Jacqueline 4 KORG Inc. 127.0
54 3Steppin 1 James Sajeva 135.1
55 3Steppin 2 James Sajeva 135.1
56 3Steppin 3 James Sajeva 135.1
57 3Steppin 4 James Sajeva 135.1
58 Remember 1 James Sajeva 127.4
59 Remember 2 James Sajeva 127.4
60 Remember 3 James Sajeva 127.4
61 Remember 4 James Sajeva 127.4
62 Altocumulus 1 KORG Inc. 106.0
63 Altocumulus 2 KORG Inc. 106.0
64 RockMeNow mryat 128.0
No. Pattern Name Author BPM
65 Transform 1 mryat 115.0
66 Transform 2 mryat 115.0
67 Transform 3 mryat 115.0
68 Plutonic KORG Inc. 124.0
69 WarDance 1 Shrike 135.0
70 WarDance 2 Shrike 135.0
71 WarDance 3 Shrike 135.0
72 SwordDancing 1 mryat 128.0
73 SwordDancing 2 mryat 128.0
74 Fragrance 1 KORG Inc. 120.0
75 Fragrance 2 KORG Inc. 120.0
76 Fragrance 3 KORG Inc. 120.0
77 Deviance 1 James Sajeva 132.2
78 Deviance 2 James Sajeva 132.2
79 Deviance 3 James Sajeva 132.2
80 Deviance 4 James Sajeva 132.2
81 DirtyDove 1 Shrike 128.0
82 DirtyDove 2 Shrike 128.0
83 Night Dance 1 KORG Inc. 129.0
84 Night Dance 2 KORG Inc. 129.0
85 Night Dance 3 KORG Inc. 129.0
86 It's Hard Francis Preve 120.0
87 Uranus 1 KORG Inc. 126.0
88 Uranus 2 KORG Inc. 126.0
89 Basement 1 KORG Inc. 124.0
90 Basement 2 KORG Inc. 124.0
91 Basement 3 KORG Inc. 124.0
92 Night Bird 1 KORG Inc. 123.0
93 Night Bird 2 KORG Inc. 123.0
94 Tao Francis Preve 123.0
95 Italo 1 Mistabishi 89.3
96 Italo 2 Mistabishi 89.3
97 Italo 3 Mistabishi 89.3
98 Lantana 1 Sharooz 120.0
99 Lantana 2 Sharooz 120.0
100 Imaginarium 1 Sharooz 120.0
101 Imaginarium 2 Sharooz 120.0
102 Schadenfraud Sharooz 118.0
103 Krome 1 Sharooz 112.0
104 Krome 2 Sharooz 112.0
105 Panorama Sharooz 121.0
106 Phlow Sharooz 122.0
107 Odysseus 1 Sharooz 118.0
108 Odysseus 2 Sharooz 118.0
109 Odysseus 3 Sharooz 118.0
110 Kwerky Francis Preve 110.0
111 Far Away 1 KORG Inc. 134.0
112 Far Away 2 KORG Inc. 134.0
113 Legends 1 KORG Inc. 135.0
114 Legends 2 KORG Inc. 135.0
115 Legends 3 KORG Inc. 135.0
116 Legends 4 KORG Inc. 135.0
117 Body Blow 1 KORG Inc. 132.0
118 Body Blow 2 KORG Inc. 132.0
119 Body Blow 3 KORG Inc. 132.0
120 RetroJammin 1 James Sajeva 138.6
121 RetroJammin 2 James Sajeva 138.6
122 RetroJammin 3 James Sajeva 138.6
123 SpairTheAir 1 KORG Inc. 127.0
124 SpairTheAir 2 KORG Inc. 127.0
125 SpairTheAir 3 KORG Inc. 127.0
126 Be Happy KORG Inc. 114.0
127 JaxMan 1 KORG Inc. 125.0
128 JaxMan 2 KORG Inc. 125.0
129 JaxMan 3 KORG Inc. 125.0
130 JaxMan 4 KORG Inc. 125.0

17
No. Pattern Name Author BPM
131 OpenCar 1 mryat 120.0
132 OpenCar 2 mryat 120.0
133 OpenCar 3 mryat 120.0
134 Toolshed 1 Francis Preve 120.0
135 Toolshed 2 Francis Preve 120.0
136 Mansion 1 Francis Preve 117.0
137 Mansion 2 Francis Preve 117.0
138 Flipflop 1 KORG Inc. 123.0
139 Flipflop 2 KORG Inc. 123.0
140 Techstep 1 Mistabishi 85.0
141 Techstep 2 Mistabishi 170.0
142 Techstep 3 Mistabishi 170.0
143 Techstep 4 Mistabishi 170.0
144 Neuro 1 Mistabishi 170.9
145 Neuro 2 Mistabishi 170.9
146 Neuro 3 Mistabishi 170.9
147 Neurofunk 1 Mistabishi 172.0
148 Neurofunk 2 Mistabishi 172.0
149 Neurofunk 3 Mistabishi 172.0
150 Jungle 1 Mistabishi 42.5
151 Jungle 2 Mistabishi 170.0
152 Jungle 3 Mistabishi 170.0
153 Jungle 4 Mistabishi 170.0
154 Finalist mryat 115.0
155 Scooba 1 Shrike 174.0
156 Scooba 2 Shrike 174.0
157 Scooba 3 Shrike 174.0
158 Surfchord KORG Inc. 120.0
159 AgainstAllOdds1 Shrike 144.0
160 AgainstAllOdds2 Shrike 144.0
161 AgainstAllOdds3 Shrike 144.0
162 AgainstAllOdds4 Shrike 144.0
163 CRIM3S 1 CRIM3S 80.0
164 CRIM3S 2 CRIM3S 80.0
165 CRIM3S 3 CRIM3S 80.0
166 CRIM3S 4 CRIM3S 80.0
167 OctopusAlien mryat 180.0
168 Debris 1 KORG Inc. 110.0
169 Debris 2 KORG Inc. 110.0
170 CoffeeEffect mryat 110.0
171 300Miles 1 Shrike 102.0
172 300Miles 2 Shrike 102.0
173 300Miles 3 Shrike 102.0
174 300Miles 4 Shrike 102.0
175 Abyss 1 Shrike 140.0
176 Abyss 2 Shrike 140.0
177 Abyss 3 Shrike 140.0
178 CiriusSkit 1 Shrike 135.0
179 CiriusSkit 2 Shrike 135.0
180 Skarab 1 Shrike 140.0
181 Skarab 2 Shrike 140.0
182 Skarab 3 Shrike 140.0
183 Chillwave 1 Mistabishi 87.8
184 Chillwave 2 Mistabishi 87.8
185 Chillwave 3 Mistabishi 87.8
186 Chillwave 4 Mistabishi 87.8
187 Chillwave 5 Mistabishi 87.8
188 Viburnum Francis Preve 100.0
189 Taikotune Francis Preve 85.0
190 Recife 1 KORG Inc. 111.1
191 Recife 2 KORG Inc. 111.1
192 YourCradle mryat 81.0
193 SwimDream KORG Inc. 88.0
194 Techno Template KORG Inc. 128.0
195 House Template KORG Inc. 120.0
196 DubstepTemplate KORG Inc. 140.0
No. Pattern Name Author BPM
197 HipHop Template KORG Inc. 140.0
198 ClassicTemplate KORG Inc. 110.0
199 Drum Template KORG Inc. 120.0
200 8BIT TEMPLATE KORG Inc. 100.0
201 Init Pattern - 120.0
202 Init Pattern - 120.0
203 Init Pattern - 120.0
204 Init Pattern - 120.0
205 Init Pattern - 120.0
206 Init Pattern - 120.0
207 Init Pattern - 120.0
208 Init Pattern - 120.0
209 Init Pattern - 120.0
210 Init Pattern - 120.0
211 Init Pattern - 120.0
212 Init Pattern - 120.0
213 Init Pattern - 120.0
214 Init Pattern - 120.0
215 Init Pattern - 120.0
216 Init Pattern - 120.0
217 Init Pattern - 120.0
218 Init Pattern - 120.0
219 Init Pattern - 120.0
220 Init Pattern - 120.0
221 Init Pattern - 120.0
222 Init Pattern - 120.0
223 Init Pattern - 120.0
224 Init Pattern - 120.0
225 Init Pattern - 120.0
226 Init Pattern - 120.0
227 Init Pattern - 120.0
228 Init Pattern - 120.0
229 Init Pattern - 120.0
230 Init Pattern - 120.0
231 Init Pattern - 120.0
232 Init Pattern - 120.0
233 Init Pattern - 120.0
234 Init Pattern - 120.0
235 Init Pattern - 120.0
236 Init Pattern - 120.0
237 Init Pattern - 120.0
238 Init Pattern - 120.0
239 Init Pattern - 120.0
240 Init Pattern - 120.0
241 Init Pattern - 120.0
242 Init Pattern - 120.0
243 Init Pattern - 120.0
244 Init Pattern - 120.0
245 Init Pattern - 120.0
246 Init Pattern - 120.0
247 Init Pattern - 120.0
248 Init Pattern - 120.0
249 Init Pattern - 120.0
250 Init Pattern - 120.0
All Patterns —© 2014 KORG INC. All rights reserved.
Credits (alphabetical)
CRIM3S http://www.crim3s.co.uk
Francis Preve http://www.francispreve.com
Mistabishi http://www.facebook.com/mistabishi
mryat http://www.youtube.com/user/mryat
http://soundcloud.com/mryat
Sharooz http://www.soundcloud.com/sharooz
Shrike http://soundcloud.com/shrike