Sony DTC-60ES User manual

SONY.
Digital Audio
Tape Deck
Operating Instructions
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WARNING
Operating Instructions
Before operating the unit. please read this manual
thoroughly and retain it for future reference.
Owner’s Record
The model and serial numbers are located on the rear of
the unit. Record the serial number in the space provided
below. Refer to them whenever you call upon your Sony
dealer regarding this product.
Model No. DTC-60ES
To prevent fire or shock hazard, do not
expose the unit to rain or moisture.
Serial No.
CAUTION
RISK OF ELECTRIC SHOCK
00 NOT OPEN
CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK.
00 NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL
This symbol is intended to alert the user
to the presence of uninsulated
“dangerous voltage” within the product's
enclosure that may be of sufficient
magnitude to constitute a risk of electric
shock to persons.
This symbol is intended to alert the user
to the presence of important operating
and maintenance (servicing) instructions
in the literature accompanying the
appliance.
The graphical symbol are on the rear enclosure.
INFORMATION
This equipment has been tested and found to comply with
the limits for a Class B digital device, pursuant to Part 15 of
the FCC Rules. These limits are designed to provide
reasonable protection against harmful interference in a
residential installation. This equipment generates. uses.
and can radiate radio frequency energy and. if not installed
and used in accordance with the instructions. may cause
harmful interference to radio communications. However.
there is no quarantee that interference will not occur in a
particular installation. If this equipment does cause harmful
interference to radio or television reception. which can be
determined by turning the equipment off and on. the user 1s
encouraged to try to correct the interference by one or
more of the following measures
—— Reorient or relocate the receiving antenna
— Increase the separation between the equipment and
recerver.
— Connect the equipment into an outlet on a circuit
different from that to which the receiver 1s connected
— Consult the dealer or an experienced radio/TV technicran
for help.
CAUTION
You are cautioned that any changes or modifications not
expressly approved in this manual could void your authority
to operate this equipment
For the customers in Canada
CAUTION
TO PREVENT ELECTRIC SHOCK. DO NOT USE THIS
POLARIZED AC PLUG WITH AN EXTENSION CORD.
RECEPTACLE OR OTHER OUTLET UNLESS THE BLADES
CAN BE FULLY INSERTED TO PREVENT BLADE
EXPOSURE.
INFORMATION
This apparatus complies with the Class B limits for radio
noise emissions set out in Radio Interference Regulations
IN NO EVENT SHALL SELLER BE LIABLE FOR ANY
DIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGES
OF ANY NATURE, OR LOSSES OR EXPENSES
RESULTING FROM ANY DEFECTIVE PRODUCT OR THE
USE OF ANY PRODUCT.

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Before using the DAT deck
WARNING > ideciin tated stniti atti steer cds cio wkcaaints 2
Digital AUdIO tape oo... ee ccseteetectceeeeetseeeseecesteesereees 3
PLOCAURIONS o.5 siassgtece peck casueccidsenedeccovassnvavoesveeseseteUbcdtenstisvedes 4
FOALUPOSS «caccfsi ca sat sxc auecd ichuepece st tecesoatehcene odessvssuieasvescuen sake 5
Location and function of CONHOIS 2.0.0.0... ee eceteeeceteereee reese 6
Front panel/remote COMMANGET ..............ccccceserecececeereees 6
Remote commander operation .............ccccessecsceseeeeneee 9
Installing DatterieS oo. ee eesecceetsereseecaereereen 9
Display WINKOW 00000... cc cececteccteceecnseneaseseeeenaaones 10
COMMECHIONS «sch s.s5: cession tenses corbsekevadietecgonesdeenrseadvavsestatences sven 13
Rear PANE JACKS eecs..ceesese isseosevseceeseeusebuceadsveseentens eves 13
CONNECTING COPS 00... ee cceeteeeeneeeeeseesceecsesesenaenee 14
Connecting the remote control system ............. cee 14
Connection ExAMPleS ...........ccccsccssecesecseeessetssenscereeeees 15
CLOCK SQUING csscicciccssceie ccs eadszenscassecavsatavenssusendebsnsSbbaantonnenes 17
Setting the date And tiMe 0... cceteetccreereeteeteenes 17
SBM (Supper Bit Mapping) function ........ eee eceeeee 18
Cassette loading ........cccccssescssceceescesseseessetecssenscsetecaeers 19
Recording
Before reCOrding ...........ccssccsscsssessseeseseseesseesseereeseesseeseenes 20
Blank section and sound muted portion .................06 20
Absolute time COd@S 0.0... ee cesseecseesceceseesenceseeeensenees 20
RECOLGING sissies cssiiccaa cites iucescxsscwssluvdadeadeovessuipseevoressaeseteses 21
To store the recording date and time ........ ee 22
To check the recording date and time ............ cee 22
RECOFdING MODE 0.0... eee ceeseeeeeeteseretecesecneetcenteneesees 23
Creating a sound muted portion (Record muting) ...... 24
EMC SO ECM faces ots ceccaveces cxpactes db easseeedeethcetatecnestaanete 24
Fade-in/fade-out reCording «0.00... eccecesseeseceteersecnees 25
CD synchronized recording .......... cc ceeeesesceseeeecnees 25
Writing sub codes
SUD COGOS iiss cos tedevieivsdestesdvsssintaseesiasadcaisbevadeesiecnceansataseens 26
Start lD ecsccsask evs secstssaisseensteds vies haba acisteac eed sieee dicdovverueats 28
Writing automatically during recording ..................5 28
Writing manually during recording 0.0... eee eee 28
Writing manually during playback
(Rehearsal fUNCtION) 220... ccc ceteceeeeeeeteceneseneeens 29
Adjusting the POSition 0... cee ceseceeeeeeceeeees 29
ELASING cfeccshiserece wise caciaeerehi det ttiztientinandataieten 29
Digital Audio Tape
DAT (Digital Audio Tape) is a new recording system which
digitalizes the audio signal and records it on a DAT
cassette tape.
DAT records the audio signai by converting the analog
sound into a digital signal. This converting system is
called the PCM (Pulse Code Modulation), and its accurate
processing of the audio signal allows recording/playback
with lower wow and flutter, wider dynamic range, lower
distortion rate, and superb signal-to-noise ratio.
PrOQrAM NUMDBETS ..........-cssscesececssserseeteeeacesscesceescetsseaceessees 30
Writing automatically during recording ............:cccee 30
RENUMDONING::. 05 a cccecaeseevsctes Goetegsektessrtintosiesdscuntesavens 31
Er Sing):.sisces Seca cbeciestds Nickeas daveravbertecevteneteecete ae vabenees 31
SKID ID sigesstestsiteeteveestcsteateraiieitacing ian Aaa eet 32
Writing during reCOrding ......... ee eeeeeetceneeteeteeeeee 32
Writing during playback (Rehearsal function) ............. 32
EASING sick soicadavsceysidenceacsis hviteietcaeveaen iain atien 32
EMO ID os sess disedie eo betadeacs bt dcnenes seacoast eter iiebiaseecrebaee 33
Writing during reCOrding .......... eee escessesreeteceeeeeenees 33
Writing during playback (Rehearsal function) ............. 33
EF ASIN ecesi vecsbecessevseessetedaceauentacesescanereoeabadseqaceniieuscuoats 34
Playback
Playback 2328.03 be a eR ee 34
Display WINGOW ..0........cececccecetecetecesectsecsseraseseenteseens 35
Various playback Operations ........... cc eeeetectsenseesenenens 36
Fade-in/fade-out play 00.0.0... ccecesecseterserseeseeseeseneees 36
Repeat: play csseiscciisds Sisaci dieser iia svi esens helen bettas 36
Automatic music sensor Operation ...........:cceececesreeeeee 37
MUSIC/SCAN 33.scsedeseleissstcnmatnescedboceiiasdad ances 37
Designating the desired Selection ............eeeeenees 38
SKIP) PlAY =... cesasthsscccesicnticdsrcceastecinsvaitriededell eee 38
Auto play: restarting playback after rewinding............. 38
Random Music Sensor (RMS) operation ...............66 39
Timer activated Operation ............cccecscccssecesseeerscesseeesseeeenee 40
Timer activated reCOrding 20.0.0... eeeeeseeceeerseeeeneeseens 40
Timer activated playback ...... ccc cree ceneees 40
Additional information
MainienanCe ... sedis Heciicie etn ionghciinveecevsteveu neers 41
Cleaning the Cabinet oo... eee ccteceseeneeseeneees 4
Cleaning the head ........ cece csecreeeecrseeecsseneseesseeenes 41
Guide to the serial copy management system.................. 42
TrOUDIESNOOTING ......... eee cess cescseeeetssteeeeeteceseesteessenee rere 44
SPeCHICAUNONS ss ssciis.siceceied eden Gaeeaesedarterseasicsandtcaecdatar tens 47
in addition, various control codes called sub codes can be
written on the DAT cassette separately from the audio
signal. They are written for a variety of convenient
playback/tape editing operations, and except for the |
absolute time, can be rewritten after audio signal recording
has been completed.

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Safety
© Operate the unit only on 120 V AC, 60 Hz.
© One blade of the plug is wider than the other for the
purpose of safety and will fit into the power outlet only
one way. If you are unable to insert the plug fully into the
outlet, contact your dealer.
© Should any solid object or liquid fall into the cabinet,
unplug the unit and have it checked by qualified
personnel before operating it any further.
e Unpiug the unit from the wall outlet if it is not to be used
for an extended period of time. To disconnect the cord,
pull it out by grasping the plug. Never pull the cord itself.
Operation
Before making program source connections, be sure to
unplug the unit.
installation
Do not install the unit in a location near heat sources such
as radiators or air ducts, or in a place subject to direct
sunlight, excessive dust, mechanical vibration or shock.
Moisture Condensation
If the unit is brought directly from a cold to a warm location,
moisture may condense inside the unit. In this condition,
the tape may adhere to the head drum and be damaged, or
the unit may not operate correctly. Always remove the
cassette when the unit will not be used.
if moisture is present...
@ Function controls will not operate.
e All operations will stop.
When the CAUTION indicator lights and the unit will not
operate
Leave the unit turned on for about an hour.
Detaching the side panels (on the model sold in Canda)
After removing the screws, secure the cabinet with the
supplied lock screws (M4 x 6). Do not use the longer
screws.
For safety, before doing this, be sure to disconnect the AC
power cord from the AC outlet.
nt, do not push the -
For the customers in the U.S.A.
For detailed safety precautions. see the "IMPORTANT
SAFEGUARDS: leaflet.
If you have any question or problem concerning your unit,
please consult your nearest Sony dealer

Features
Serial copy management system
This unit utilizes the serial copy management system that
permits digital-to-digital recording for one generation. You
can record CD sound or other digital formats through a
digital-to-digital connection. (See page 42.)
Date Function automatically memorizes the recording
date and time
The year, month, day, day of the week, hour, minute and
second are automatically memorized in the subcode area
during recording, so that during playback you can display
this data to check when the tape was recorded. This
function is especially convenient when recording live
performances, etc.
Three sampling frequencies
Recording/playback can be done with three sampling
frequencies (48 kHz, 44.1 kHz and 32 kHz).
48 kHz: For analog and digital input signals in a standard
mode.
44.1 kHz: For compact disc, pre-recorded DAT tape and
analog input signals.
32 kHz: For analog input signals in a long-play mode.
Long play mode
This unit can operate in long-play mode. Analog input
signals can be recorded or played back for up to four
consecutive hours when the DT-120 DAT cassette tape is
used. The sampling frequency will be 32 kHz in the long-
play mode.
Visible cassette loading
You can view the tape operation through the lid of the
cassette compartment. Due to a revolutionary new transport
mechanism, cassette loading time has been significantly
reduced.
Excellent sound quality
1-bit A/D converter
For the A/D converter section which converts analog input
signals to digital signals, the unit employs a 1-bit A/D
converter which theoretically generates no zero-cross
distortion for a clear, elegant sound quality.
Pulse D/A converter
Superior playback performance is achieved with a 1-bit D/A
converter.
SBM (Super Bit Mapping)
Super Bit Mapping reduces noise at the frequency levels
most discernible to the human ear, and re-integrates sound
information subtracted during the A/D conversion process,
greatly improving the dynamic audible range and sound
Quality of the recorded signal during analog recording.
44.1-kHz analog recording capability
By supporting the recording of analog sources at a
sampling frequency of 44.1 kHz, the DTC-60ES allows you
to record from DAT tape to a MiniDisc recorder through a
digital-to-digital connection.
Rich variety of subcode information
This unit can record subcode information such as Start IDs,
program numbers, Skip IDs, and absolute time data,
enabling you to quickly locate tunes and display the
playback time in the same manner as when playing
compact discs.
Digital fade-in/fade-out
Professional sounding fade-in/fade-out of either digital or
analog signals can be accomplished by use of the FADER
button.
Post edit recording of sub codes
You can record or rewrite the following sub codes after the
audio signal recording has been completed.
Start ID: Signifies the beginning of a selection.
Program number: Gives a number to the selection.
Skip ID: Signifies the beginning of a portion to be skipped.
End ID: Signifies the end position of recording/playback.
Since sub codes are written on the tape separately from
audio signals, the audio signals are not affected.

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[2]
Pull this knob to open
the control panel.
(Side panels are provided only on the Canadian model.)
POWER switch
Turns the power on and off.
Cassette compartment
Insert a cassette with the window side up and the
safety tab facing you.
Display window
Remote sensor
Receives the signal from the remote commander.
SBM (Super Bit Mapping) switch and indicator
Set to ON for Super Bit Mapping during analog
recording through the LINE IN jacks in STANDARD
recording mode (REC MODE selector).
SBM indicator lights when the SBM function is on
(applicable during analog recording only).
COUNTER MODE button
Selects the display of the absolute time, elapsed time
of the current selection, remaining time to the end of
whole tape or linear counter (tape running time). Each
time you press the button, the display changes
sequentially.
INPUT selector
Set according to the signal to be recorded.
ANALOG: For recording from the equipment
connected to the LINE IN jacks.
OPTICAL: For recording from the equipment
connected to the DIGITAL IN (OPTICAL) jack.
COAXIAL: For recording from the equipment
connected to the DIGITAL IN (COAXIAL) jack.
i
REC LEVEL (recording !feve!) controls
Adjust the recording levels and balance for the analog
input signals.
The outer knob controls the L (left) channel leve! and
the inner knob the R (right) channel level. The knobs
can be adjusted together. To adjust each channet
independently. turn the knob while holding the other
knob.
When recording digital signals, it is not necessary to
adjust the recording levels.
REC MODE selector
Normally set to the STANDARD position
When this selector is set to the LONG position. you
canrecord analog input signals or digital signals with
32 kHz in the long-play mode.
PHONES-LEVEL jack and control
Insert the headphones plug to this jack and turn the
contro! to adjust the headphones volume level
TIMER switch
Normally set to the OFF position When recording or
playing back at the desired time using a commercially
available audio timer, set to the REC position or the
PLAY position respectively.
Numeric buttons (0 - 9)
Designate the deswed program number to be played
back before starting playback Designate the desired
number in the record-pause mode. the program
number is written consecutively from the designated
number.

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iE MUSIC SCAN button ERASE: Press to erase a start ID. When a start ID and
Press to listen to the beginning of each selection @ program number are written on the tape, both
successively. ar are simultaneously erased by pressing this
utton.
[14] FADER button RENUMBER: Press to renumber all programs on the
Press to fade in or fade out during recording or tape. When only the start IDs are written, pressing
playback this button will insert the proper program numbers
: beginning with “1”. The tape will rewind and start
hE MARGIN RESET button from the beginning to accomplish this function.
Press to reset the margin of peak level. fig CLOCK SET button
P H n - cha es ° . :
6] END ID buttons ress to adjust the time of the clock built in this unit
In this mode, the 0 button and the 9 button function as
WRITE: Press to write the ID signifying the end of the + and - buttons respectively.
playback or recording.
ERASE: Press to erase the end ID. 20 PRESENT button
Press to display the current time.
Each time the RECORDED or PRESENT button is
pressed, day, month and year display, the day of the
week display or hour, minute and second display is
switched sequencially.
SKIP ID buttons
WRITE: Press at the beginning of the portion you may
wish to skip later. A skip ID will be written from the
point where you pressed this button.
ERASE: Press to erase the nearest skip ID which is
before the current position. PA RECORDED button
| Press to display the recording day of the tape bein
[9 START ID buttons es aaa ed pee
AUTO: Press to turn on and off the AUTO indicator.
When the AUTO indicator is lit, the start /D will CLEAR button
automatically be written during recording. When the F
AUTO indicator is not lit, press the START ID WRITE piece t) Conce: Ine Drogiany nummer Wacirnes
button at the point where you want to write a start ID. been mistakenly entered.
WRITE: Press to write the start ID at the desired point
during recording or playback.

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Front Panel‘Remote Commander
23} Tape operating buttons
@ (stop): Press to stop recording or playback.
> (play): Press to play back the tape.
ii PAUSE (pause): Press to stop for a moment during
recording or playback. To restart recording or
playback, press this button again or press the B>
button.
If the unit is left in the pause mode for about 10
minutes, it will automatically be released and the
deck will enter the stop mode. To restart recording
or playback from the stop mode, press the @ REC or
> bulton respectively.
O REC MUTE (record muting): Inserts a sound-
muted portion (space).
@ REC (recording): Press to enter the record-pause
mode. After pressing this button, press the 18 PAUSE
or B® button.
t<I<] / D1 (AMS): Press to locate the beginning of the
selection during the playback.
<< / BP (rewind/review, fast-forward/cue): In the
stop mode, press to rewind/fast-forward the tape.
During playback, press to rewind or fast-forward the
tape while listening to the sound.
& OPEN/CLOSE button
Press to open or close the cassette compartment.
DISPLAY MODE button
Changes the display mode. (Refer to page 10.)
RESET
Resets the linear counter to “Om 00s”.
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RMS play buttons
ENTER: To program the selections in a desired order.
press this button after pressing the numeric
buttons.
CHECK: Press to check the programmed contents
REPEAT 1/ALL button
Press to play a desired portion repeatedly Each time
you press the button, the indicatior changes as follows
REPEAT 1 —» REPEAT ALL — off
SKIP PLAY button
Press to activate the skip ID code function The portion
of the tape previously marked will be skipped
CD operation buttons
Operative only for the Sony CD player equipned with a
Remote Commander.
#8 (pause): Press this button twice to start playback
Press this button once in the playback mode. the
deck enters the pause mode.
iq / BPI (AMS): Press to locate the desired
selection on the Compact Disc during playback or in
the stop mode.
CD SYNCHRO (CD synchronized recording)
buttons
(The playback of the Sony CD player equipped with a
Remote Commander and the recording of the DAT
deck can be performed simultaneously )
STANDBY: Press to set the unit in the record-standby
mode.
START: Press to start recording of the DAT deck and
then playback of the CD player.
STOP: Press to stop the DAT deck recording and the
CD player playback.

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Each button on the remote commander functions in the
same way as those having the same name on the front
panel.
However, the following operations cannot be performed
using the remote commander. Use the front panel controls
instead.
¢ Turning the power on and off
¢ Selecting digital(optical/coaxial)/analog input source
© Setting the clock
© Adjusting the recording level and balance
¢ Adjusting the headphones level
¢ Setting the timer recording/playback
* Selecting the record mode (standard or long)
© Turning the SBM function on and off
The following operations can be performed only with the
remote commander.
© Activating CD synchronized recording using a Sony CD
player and controlling the CD player
¢ Locating a selection on the Compact Disc or changing
the CD player to pause mode (possible only when a Sony
CD player is used)
Repeat play
© Skip play
¢ RMS" play
* RMS: Random Music Sensor
¢ Resetting the linear counter to “Om 00s”
Installing Batteries
Insert two size AA (R6) batteries with correct polarity,
and close the lid.
Notes on remote control
¢ Do not expose the remote sensor on the deck to strong
light such as direct sunlight, lighting apparatus, etc.
© Do not place any obstructions between the Remote
Commander and the remote sensor, or else operations
will not be performed correctly.
¢ The controllable range is limited. Point the Remote
Commander directly at the remote sensor on the deck.
When remote control operation distance becomes
shorter, the batteries are weak. Replace both batteries
with new ones.
To avoid battery leakage
When the commander will not be used for a long period of
time, remove the batteries to avoid damage caused by
battery leakage and corrosion.
Battery life
About haif a year of normal operation can be expected
when using the Sony SUM-3 (NS) batteries.

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To turn off the display window
When the power is turned on, the display window also is
turned on. During recording or playback, all display or
some parts of the display can be turned off as follows:
When operating with the front panel controls
While pressing the COUNTER MODE button, press the 0
button.
When operating with the remote commander
Press the DISPLAY MODE button.
Each time you press the above buttons, the indicators
change as follows:
Normal indicators
¥
Peak level meters and margin indicators go off.
(The DISPLAY OFF indicator lights.)
+
All the indicators go off during recording or playback’.
(The DISPLAY OFF AUTO indicator lights momentarily
just before the indicators go off.)
°
When pressing the COUNTER MODE or DISPLAY MODE button
except during recording or playback. the DISPLAY OFF AUTO
indicator lights In this case, all the indicators go off immediately
after recording or playback starts.
To change the brightness of the display window
While pressing the COUNTER MODE button on the front
panel or the COUNTER MODE button on the remote
commander, press one of the numeric buttons 1, 2 and 3.
The greater number pressed, the darker the display
window becomes.
10
DISPLAY MUSIC SCAN CAUTION
SKIPPLAY -— STAATID —;
ALL OFF AUTO
STEP COPY ;
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44.1kH2 8 8 pan CE ITE ERASE |
BB 48kHz — Lew —
co SKIPID — |;
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TOP a Mio a ENO MARGIN | WRITE ERASE
(1) LONG play mode indicator
Lights when recording or playback 1s being performed
in the long play mode
[2] TOC (Table Of Contents) indicator
When a pre-recorded DAT cassette is played back.
this indicator will light
[3] DATE indicator
Lights when the RECORDED button is pressed to
display the recording day of the tape being played
Flashes when the PRESENT button 1s pressed to
display the current time
[4] REMAINING (remaining time): Lights when the
counter shows the remaining time of the tape
PGM TIME (program time): Lights when the counter
shows the elapsed time of the current selection
ABS TIME (absolute time) indicator: Lights when the
counter shows the elapsed time from the beginning
of the tape.
[5] Time indicator
Indicates the tape running time. absolute time.
elapsed time of the current selection, remaining time
or recording day. Each time the COUNTER MODE
button is pressed. the display is changed
[6] Fade in/out indicator
“a : Flashes when recording or playback fades in
= * :Flashes when recording of playback fades out
AM/PM indicators
Show AM or PM of the time

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TOP a MID a
INPUT selector indicators
The DIGITAL IN OPTICAL or COAXIAL indicator lights
according to the position of the INPUT selector. No
indicator lights when the INPUT selector is set to the
ANALOG position.
SAMPLING FREQ. (Sampling frequency) indicator
48kHz: For recording/playback of analog input
signals (standard mode).
44.1kHz: For recording/playback of CD, a pre-
recorded DAT cassette or analog input signals.
32kHz: For recording/playback of analog input
signals (long-play mode).
REPEAT indicators
REPEAT 1: Lights when a desired selection is played
back repeatedly.
REPEAT ALL: Lights when ail the selections are
played back repeatedly.
AMS (Automatic Music Sensor)/RMS (Random
Music Sensor) indicators
Show the number of selections to be skipped ahead or
behind in the AMS operation. When designating a
selection directly by the numeric button and the B>
button, the display shows the program number of the
target selection while the selection is being searched
for. When programming the desired selections in the
RMS operation (page 39), the display shows the
program number of the selection to be programmed.
DISPLAY OFF/AUTO indicators
The DISPLAY OFF indicator lights when peak level
meters and margin indicators are turned off. The
DISPLAY OFF AUTO indicator lights momentarily
before all the indicators are turned off.
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SHIFT A ZO
RENUMBE
WRITE URASE
[13] SKIP PLAY indicator
When this indicator is lit during playback, the portion
marked by the skip ID is skipped and playback
continues from the next start [D.
MUSIC SCAN indicator
Lights after the MUSIC SCAN button is pressed to
listen to the beginning of each selection successively.
CAUTION indicator
Lights when moisture condensation occurs. If this
happens, the deck stops functioning automatically.
(See page 4.)
START ID mode indicators
AUTO: Lights when the AUTO button is pressed to
write the start ID automatically.
RENUMBER: Lights when the RENUMBER button is
pressed to renumber the program numbers.
WRITE: Lights when writing the start ID manually.
ERASE: Lights when erasing the start ID.
AUTO RENUMBER: Lights when renumbering
program numbers automatically.
SHIFT RENUMBER: Lights when shifting the start ID
and program number position.
SKIP ID mode indicator
WRITE: Lights when writing the skip ID.
ERASE: Lights when erasing the skip ID.
END ID mode indicator
WRITE: Lights when writing the end ID.
ERASE: Lights when erasing the end ID.
11

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Display Window
TE] REMAINING
POM TIME
roc eras [a]
6.08. Ou.
AM = 32kHz
44 tkHz
PM 48kHz
TOP r MID ry
STEP/PGM NO. indicator
Shows the program number of the selection being
played. When programming the desired selection with
the RMS operation (page 39), the display shows the
step number of the programmed selection.
COPY PROHIBIT indicator
Lights when recording the digital signal with the copy
prohibit code. In this case, record with the LINE IN
jacks.
START ID indicator
Flashes when writing (for 9 or 18 seconds) or erasing a
start ID code, and lights when the start ID is detected
during playback.
SKIP ID indicator
Lights when writing (for 1 or 2 seconds) or erasing a
skip ID code or when the skip ID is detected during
playback.
MARGIN indicator
Shows how much margin there is between the peak
level of input audio signal and 0 dB.
REHEARSAL indicator
Lights while the rehearsal function is activated (page
29).
12
OIGITAL IN
Peel |
—
REPEAT 1 | DISPLAY | MUSIC SCAN i
ALL OFF AUTO | SKIPPLAY START — A |
RMS_AMS Renu BER
Waite € |
— SKIPID —
| warre erase |
" END 1D
| WRITE ERASE |
END
(25) Peak level meters/Frequencies map
Indicate the signal levels during playback and
recording. There are separate meters for each left and
right channel. These meters have a peak hoid function
which indicates the peak level momentarily
When pressing the 4 button while keeping the
COUNTER MODE button pressed. the sampling
frequencies with which the tape was recorded 's
displayed (page 35).
Tape operation indicators
[REC]: Lights during recording or in the record-pause
mode.
B ; Lights during recording or playback It also lights
in the record-pause mode or in the play-pause
mode.
Bf : Lights in the record-pause mode or in the piay-
pause mode.

Oxolalatcvendfelats
Rear Panel Jacks
[i] LINE IN (line input) jacks (phono jack)
Connect to the recording outputs of an amplifier.
Signals supplied by the amplifier can be recorded
using the sampling frequency of 48 kHz or 44.1 kHz in
the standard play mode or 32 kHz in the long play
mode.
[2] LINE OUT (line output) jacks (phono jack)
Connect to the DAT or tape inputs of an amplifier. The
playback signal of this deck will be output.
[3] COAXIAL/OPTICAL DIGITAL IN (digital input) jacks
(coaxial phono jack/optical jack)
Connect to the digital outputs of an amplifier with a
digital output jack or another digital source such as a
CD player for digital-to-digital recording.
(4] COAXIAL/OPTICAL DIGITAL OUT (digital output)
jack (coaxial phono jack/optical jack)
Connect to the digital inputs of an amplifier having a
built-in D/A converter or another DAT deck, for
playback of a DAT cassette or digital-to-digital
recording.
[5] CONTROL-S IN jack
Connect to the CONTROL-S output of a Sony amplifier
or receiver for remote control.
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Notes on connection
e Use the connecting cords specified in the illustrations.
¢ Turn off the power for all equipments before making
connections.
e Be sure to insert the plugs firmly into the jacks. Loose
connections may cause hum and noise. When
unplugging, grasp the plug and not the cord.
Notes on the optical cable
e Do not bend the cord. When the cord is not used, cur! it
with a diameter of more than 15 cm (5 7/, inches).
e Do not use it under high temperatures.
e When the optical cable is not connected, cover the
OPTICAL IN/OUT jacks with the supplied caps.
Note on sound signals
When connecting an optical cable to the DIGITAL IN/
DIGITAL OUT jacks, sound signals (L/R) are transmitted
together through the cable.
Note on the CONTROL-S IN jack
To remote control this unit through a receiver or amplifier,
connect the input of this unit to the CONTROL-S output of a
Sony receiver or amplifier, with a CONTROL-S cable. When
this connection is used, only remote control commands
sent through the receiver or amplifier will be executed. The
remote sensor of this unit will not function.
m

Connecting Cords
There
are
following
three
types
of
connecting
jacks
at
the
rear
of
the
deck.
Each
type
of
jack
requires
a
different
type
of
connecting
cord.
Audio signal connecting cord
(supplied, or optional RK-C510HG etc )
LINE IN/OUT (analog input/output) jacks Red White
Se) t+--88
0 O— -»>
LINE
OUT
White
Red
Coaxial digital connecting cord
COAXIAL
IN/OUT
(digital
input/output)
jacks
(optional
VMC-10HG,
etc
)
COAXIAL
COAXIAL
OUT
IN
C= -Lil
Optical cable
OPTICAL OUT (OPtional POC-15SP. eC.) OpTicaL IN
OPTICAL IN/OUT (optical transmission digital
input/output)
jacks
How
to
connect
the
optical
cable
Remove the cap
Plug in in
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' CONTROL-S IN
CONTROL-S connection
=> to an AC outlet
Amplifier or receiver
CONTROL-S
OUT
> to an Ac outlet
14

OFeT alat=reu (olan => <2100) 9) (24>)
lf your amplifier is equipped with digital signal jacks
: Analog signal
—— : Digital signal
(coaxial cord or optical cable)
: Signal flow
CD player
- [LDIGITALIN
j
DTC-60ES
==> to a wail outlet
Note
If “COPY PROHIBIT” appears in the display window,
recording via digital-to-digital connection cannot be
performed.
In this case, connect the sound source equipment using
LINE IN and OUT jacks.

Orelalarseiecelars
(Otel alal=teadcolal => ¢-0aale) (2)
If your amplifier is not equipped with digital signal jacks : Analog signal
: Digital signal
(coaxial cable or optical cable)
CD ol ==. : Signal flow
player
ao
=— [MNEOUT)
TAPE, etc.
Amplifier
When recording via digital- When recording via digital-
to-digital connection, to-digital connection,
connect a DAT deck (the: connect the sound source !
digital
input)
to
DIGITAL
equipment
(the
digital
;
OUT (COAXIAL or | output) to DIGITAL IN
OPTICAL) of the DTC- | (COAXIAL or OPTICAL) of -
60ES. : | the DTC-60ES. :
DTC-60ES
== to a wall outlet
When connecting a microphone
Connecting a stereo microphone amplifier (the analog If “COPY PROHIBIT” appears in the display window.
output) to LINE IN of the DTC-60ES. recording via digital-to-digital connection cannot be
performed.
In
this
case,
connect
the
sound
source
equipment
using
LINE IN and OUT jacks.
16

Clock Setting
This unit uses a built-in clock to keep track of the current
date and time. Once you set the date and time, this
information will be recorded on the tape along with the
audio signal during recording, allowing you to check the
recording date of the tape during playback at a later time.
Setting the Date and Time
1 with the unit stopped, press the CLOCK SET
button.
The year display begins to flash.
2 Press 9 (~) or 0 (+) to decrease or increase the
displayed item, then press the CLOCK SET button.
The next item begins to flash.
a)
Repeat step 2 until all items have been set.
For greater accuracy, set the seconds display to zero,
then press the CLOCK SET button in synchronization
with a timecast (from the telephone or other time
source).
To confirm the date or time
Press the PRESENT button to display the date, the day of
the week or time. When pressing the PRESENT button
once, the date is displayed, when pressing twice, the day
of the week is displayed and when pressing three times,
the time is displayed. To return to the original counter
display, press the COUNTER MODE button.
Time display
The time is displayed in 12-hour format.
Midnight and noon are displayed as follows:
Midnight: 12:00 AM
Noon: 12:00 PM
Built-in clock
This unit's built-in clock operates using a quartz oscillator,
and time variations caused by changes in temperature,
etc., may accumulate. For precise recording of hour,
minute, and second data by the built-in date function, it is
recommended that you set the clock once a week.
Precautions when setting the clock
¢ Set the clock while the tape is stopped.
¢ Although this unit’s clock automatically adjusts for leap
years and long and short months, do not enter a date
which does not exist.
The day of the week is displayed as follows:
Heunds SU
Note
This unit uses a back-up battery to keep the clock running
when the power is turned off. The life of the battery under
normal use is approximately seven years. When the battery
starts to run down, the clock will stop operating normally.
When this occurs, have the battery replaced at your dealer
or nearest Sony Service Center (a battery replacement fee
is required).

SBM (Super Bit Mapping) Function
During analog recording, the SBM function lowers noise
within the frequency band to which to the human ear is
most receptive to noise, thereby, sharply expanding the
auditory dynamic range of the recorded signal.
To activate the function, turn on the SBM switch when
recording an analog source through the analog (LINE IN)
connectors except when long-play mode (32 kHz) is
selected.
High-precision pulse A/D converter
The DAT deck uses a pulse A/D converter and decimation
filter to convert an analog signal into a quantized 24-bit
digital signal. DAT. like CDs, uses 16-bit quantization, and
thus the 8-bit difference results in more precise
quantization, more signal information and less quantizing
noise than16-bit quantization. During conversion of the 24-
bit data to a 16-bit DAT recording signal, the SBM function
boosts sound quality by reintegrating into the 16-bit signal
4 bits of signal information that would normally be lost.
Applying the principle of human hearing
The SBM function applies the principle of human hearing in
the reintegration of signal information. The auditory range of
the human ear is generally considered to be 20 Hz to 20
kHz; hearing sensitivity, however, shows greater sensitivity
to the range between 3 kHz and 4 kHz, and lower sensitivity
to frequencies above and below this range (see Fig. HN ).
This principle applies also to quantizing noise as well. By
reducing quantizing noise in this particular range, signals
can be recorded to produce more expansive sound than is
possible by a uniform reduction of noise over the entire
audible range.
Se ee ee
20 0 100 200 oom a 10
*
Sampling frequency (Hz)
18
Noise-shaping filter
The SBM function uses a noise-shaping filter (see Fig [E])
with a frequency response similar to that of the human ear
to reduce quantizing noise within the most sensitive
frequency range. and to feed back the quantizing error
(that is normally lost) back to the input signal. re-integrating
the low-end bit information with the high-end bit information
(see Fig. Ei ).
Quantzer
16-bit
SBM
output
24-bit information
Norse-shaping filter
a) Coetticrent
Fig. shows the improvement in the quantizing noise level
when the SBM switch is on. Given a noise level of 0 dB
when the SBM switch is off. the improvement in noise level
for sampling frequencies lower than 3 kHz exceeds 10 dB
when the SBM Is activated
Nose {1 TT
level *
KUTT tt he
iam
TE
a es i Ta
rT ttt ttttin | Lit UI
2 2” 100 200 0 h a wm 1m tm
Sampling trequency (Hz)
The SBM function operates only during recording The
improved sound produced by the SBM function. however,
can be enjoyed during playback, regardiess of the SBM
switch position or the DAT deck being used

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Digital audio tape characteristics
This deck uses only digital audio tape made especially for
DAT and which has the following characteristics:
Unlike a conventional analog audio cassette tape, digital
audio tape uses only one side.
¢ The digital audio tape case is designed to keep out
dust. Do not open the case to expose the tape.
¢ The hole at the back of the tape is the detector slot. Do
not cover this slot.
¢ Do not use thin-tape cassettes (with a playing time of
over 120 minutes) since this may cause the unit to
display inaccurate time information, or result in tape
damage caused by abnormal operation.
To prevent accidental erasure
When a recording is made, any previously recorded signal
will be erased automatically. To prevent accidental erasure,
set the safety tab to the position shown in the illustration.
With the hole open, rewriting sub codes cannot be
performed.
1 Turn on the power.
2 Press & OPEN/CLOSE.
The OPEN indicator appears on the display.
3 Insert the cassette.
Window
side up
Insert the
cassette
beyond the
silver line
Tab facing fowards you
4 Press & OPEN/CLOSE.
The CLGSE indicator appears on the display.
To remove the cassette
Press & OPEN/CLOSE.
Recording is impossible (with the hole
open).
Notes
¢ When you turn on the power, the §8 indicator flashes for a
moment in the display window. During this period, no
buttons other than the & OPEN/CLOSE and & buttons
are operative. Wait until blinking stops and the @8
indicator goes off.
¢ When inserting the cassette, do not push the cassette
compartment closed. Be sure to use the 2 OPEN/CLOSE
button.
On the sampling frequency
When a cassette is inserted and a source program is
played back, the sampling frequency (48 kHz, 44.1 kHz or
32 kHz) of the source program appears in the display
window.
19

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Sirclal @ret=ier Clelpmrctavemetelelalemiileiccsrom oxeladcora
With conventional analog audio tapes, the tape portion on
which no recording ever has been made and the portion on
which a recording has been made but the sound is muted
are treated the same, since no sound can be heard from
these portions.
However, with DAT cassette, you should know that the two
kinds of “no sound” portions must definitely be
distinguished one from the other.
Blank section
Means the portion on which no recording ever has been
applied.
Z ZAM
es
® : Recording
Blank
section
®
:
Selection
Sound muted portion
Means the portion on which a recording has been applied
but that no audible sound is recorded.
SUNT.
® : Recording
© : Selection
Sound muted section
Important
When recording, be certain that no blank section is left on
the tape. It blank sections remain on the tape. search
operations using the AMS buttons, for exampie, may take
quite a jong time or the absolute time 1s not written
correctly.
Difference between the blank section and sound-muted
portion
When you record, a track format is constructed on the
recorded area, even if the sound is muted during
recording. On the blank section, since no recording is
applied, there is no track format.
20
yNokcro) 10] (eam Ml aclom Orolo (srs
The absolute time indicates the position of the tape. giving
the time elapsed from the beginning. The absolute tme
codes correctly written on the tape can be used in various
convenient ways during playback.
Recording absolute time codes
When you record, the absolute time codes are also written
automatically from the beginning of the tape
Once the absolute time codes are recorded, it cannot be
re-written. With the absolute time. you can check the
elapsed time from the beginning of the tape or designate
the position of the tape to be played back precisely
Note, however, that the absolute tme codes are not written
if you start recording from the middle of blank section No
blank sections should be left on the tape when recording
Tips for recording:
© To insert silence between selections, use the record
muting function (page 24). Do not advance the tape with
the BP or B button.
¢ To start recording from the middle of the tape. use the
end search function (page 24) to locate the beginning of
the blank section. This will avoid leaving a blank section
If absolute time codes cannot be written
If the continunty of the time codes 1s broken by a blank
section, absolute time codes will not be recorded during
later recording operations.
In this case, start recording from the beginning of the tape.
or from the end of the previously recorded material (located
with the end search function described on page 24)