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  9. Sony DTC-700 User manual

Sony DTC-700 User manual

SON
Y.
3-751-364-21
(1)
®
Digital
Audio
Tape
Deck
Operating
Instructions
===
2
PROPERTY
OF
THE
Digital
Audio
Tape
NATIONAL
TECHNICAL
DEPT.
DTC-700
Fila
cory
Do
kot
remc
ve
©
1990
by
Sony
Corporation
Operating
Instructions
Before
operating
the
unit,
please
read
this
manual
thoroughly
and
retain
it
for
future
reference.
Owner’s
Record
The
model
number
is
located
on
the
rear
exterior
and
serial
number
is
on
the
rear.
Record
the
serial
number
in
the
space
provided
below.
Refer
to
these
numbers
whenever
you
call
upon
your
Sony
dealer
regarding
this
product.
Model
No.
DTC-700
Serial
No.
To
prevent
fire
or
shock
hazard,
do
not
ex-
pose
the
unit
to
rain
or
moisture.
CAUTION
RISK
OF
ELECTRIC
SHOCK
DO
NOT
OPEN
CAUTION
:
TO
REDUCE
THE
RISK
OF
ELECTRIC
SHOCK,
0O
NOT
REMOVE
COVER
(OR
BACK)
NO
USER-SERVICEABLE
PARTS
INSIDE.
REFER
SERVICING
TO
QUALIFIED
SERVICE
PERSONNEL.
This
symbol
is
intended
to
alert
the
user
to
the
presence
of
uninsulated
“dangerous
voltage”
within
the
product’s
enclosure
that
may
be
of
sufficient
magnitude
to
constitute
a
risk
of
electric
shock
to
persons.
This
symbol
is
intended
to
alert
the
user
to
the
presence
of
important operating
and
maintenance
(servicing)
instructions
in
the
literature
accompanying
the
appliance.
*
The
graphical
symbols
are
on
the
rear
enclosure.
INFORMATION
This
equipment
generates
and
uses
radio
frequency
energy
and
if
not
installed
and
used
properly,
that
is,
in
strict
accordance
with
the
manufacturer’s
instructions,
may
cause
interference
to
radio
and
television
reception.
\t
has
been
type
tested
and
found
to
comply
with
the
limits
for
a
Class
B
computing
device
in
accordance
with
the
specifications
in
Subpart
J
of
Part
15
of
FCC
Rules,
which
are
designed
to
provide
reasonable
protection
against
such
interference
ina
residential
installation.
However,
there
is
no
guarantee
that
interference
will
not
occur
in
a
particular
installation.
If
this
equipment
does
cause
interference
to
radio
or
television
reception,
which
can
be
determined
by
turning
the
equipment
off
and
on,
the
user
is
encouraged
to
try
to
correct
the
interference
by
one
or
more
of
the
following
measures:
Reorient
the
receiving
antenna
Relocate
the
equipment
with
respect
to
the
receiver
Move
the
equipment
away
from
the
receiver
Plug
the
equipment
into
a
different
outlet
so
that
equipment
and
receiver
are
on
different
branch
circuits.
If
necessary,
the
user
should
consult
the
dealer
or
an
experienced
radio/television
technician
for
additional
suggestions.
The
user
may
find
the
following
booklet
prepared
by
the
Federal
Communications
Commission
helpful:
“How
to
Identify
and
Resolve
Radio-TV
Interference
Problems”.
This
booklet
is
available
from
the
U.S.
Government
Printing
Office,
Washington,
DC
20402,
Stock
No.
004-000-00345-4.
Table
of
Contents
Before
using
the
DAT
(Digital
Audio
Tape)
deck
Digital
audio
tape
..
Features
of
DTC-70
Precautions
...........+.
Location
and
function
of
controls
....
Front
panel/Remote
Commander
Display
window
...
Connections
..............
Rear
panel
jacks
...........
212
Connection
examples
Cassette
loading
Recording
Before
recording
Blank
section
and
sound-muted
portion
ae
Absolute
time
codes
................
sa
Le
Recording
18
Inserting
a
sound-muted
portion
between
selections
(POCO
INDI)
wi. dsc
scstcsne
crceenssnnerisnedsarsersenn
clemrbearaeds
21
To
leave
no
blank
section
(end
search).......
w
22
Fade-in/tade-out
recording
......
CD
synchronized
recording
....
Writing
sub
codes
Sub
codes
Writing
start
!D
....
Writing
start
ID
automatically
during
recording
Writing
start
ID
manually
during
recording
...
Writing
start
ID
manually
during
playback
x
Adjusting
start
ID
position
..............
we
BO
Erasing
start
ID
........0.......
Writing
program
numbers
Writing
program
numbers
automatically
during
PCONIIG
v
ceiccicanigiasicr
cnccueernqus
Matteson
leptin
mactressdenpsanseves
31
Renumbering
program
numbers
.
Erasing
a
program
number
...
Writing
skip
ID
Writing
skip
ID
during
recording
....
Writing
skip
1D
during
playback
Erasing
skip
ID
Writing
end
ID
Writing
end
ID
during
recording
Writing
end
ID
during
playback
....
Erasing
ORG
D
e055.
cise
Seys
caysesdeide
bbs
eescetzeesasetenends
ta
gevansede
Playback
Playback
Using
the
display
window
ais
Restarting
playback
after
rewinding
(auto
play)
..............
40
Fast-forwarding/rewinding
the
tape
by
designating
the
amount
in
minutes
(time
search)
0.0...
cee
40
Various
playback
operations
Playing
with
fade-in/tade-out
.
Playing
repeatedly
(repeat
play)
Locating
the
beginning
of
the
selection
............0.00
44
Listening
to
the
beginning
of
each
selection
successively
AITIOSIC
SOON
is
csatialswepeiaieds
scicva
onestcewiavand
datedissvantesantnncys
Designating
the
desired
selection
Skipping
an
unwanted
portion
Playing
the
selections
in
a
desired
order
(RMS
play)
Timer
activated
operation
Maintenance
...............
Technical
information
...
Troubleshooting
guide
.
Specifications
.
back
cover
Digital
Audio
Tape
DAT
(Digital
Audio
Tape)
is
a
new
recording
system
which
digitalizes
the
audio
signal
and
records
it
on
a
DAT
cassette
tape.
DAT
records
the
audio
signal
by
converting
the
analog
sound
into
a
digital
signal.
This
converting
system
is
called
the
PCM
(Pulse
Code
Modulation),
and
its
accurate
processing
of
the
audio
signal
allows
recording/playback
with
lower
wow
and
flutter,
wider
dynamic
range,
lower
distortion
rate,
and
superb
signal-to-noise
ratio.
In
addition,
various
control
codes
called
sub
codes
can
be
written
on
the
DAT
cassette
tape
separately
from
the
audio
signal.
They
are
written
for
a
variety
of
convenient
playback/tape
editing
operations,
and,
except
for
the
absolute
time,
can
be
rewritten
after
audio
signal
recording
has
been
completed.
Features
of
DTC-700
Application
of
the
serial
copy
management
system
This
unit
utilizes
the
serial
copy
management
system
that
permits
digital-to-digital
recording
for
one
generation.
You
can
record
CD
sound
or
other
digital
formats
through
a
digital-to-
digital
connection.
Three
sampling
frequencies
Recording/playback
can
be
done
with
three
sampling
frequencies
(48
kHz,
44.1
kHz
and
32
kHz).
48
kHz:
For
analog
input
signals
in
a
standard
mode
44.1
kHz:
For
compact
disc
and
pre-recorded
DAT
tape
32
kHz:
For
analog
input
signals
in
a
long-play
mode
Long-play
mode
This
unit
can
operate
in
a
long-play
mode.
Analog
input
signals
can
be
recorded
or
played
back
for
up
to
four
consecutive
hours
when
the
DT-120
DAT
cassette
tape
is
used.
The
sampling
frequency
will
be
32
kHz
in
the
long-play
mode.
Visible
cassette
loading
You
can
view
the
tape
operation
through
the
lid
of
the
cassette
compartment.
Due
to
a
revolutionary
new
transport
mechanism,
cassette
loading
time
has
been
significantly
reduced.
Excellent
sound
quality
Newly
developped
1-bit
A/D
converter
(High
Density
Linear
A/
D
Converter)
is
provided
for
recording.
Newly
developped
1-bit
pulse
D/A
converter
with
excellent
linearity
is
also
provided
for
playback.
Digital
fade-in/fade-out
Professional
sounding
fade-in/fade-out
of
either
digital
or
analog
signals
can
be
accomplished
by
use
of
the
FADER
button.
Post
edit
recording
of
sub
codes
You
can
record
or
rewrite
the
following
sub
codes
after
the
audio
signal
recording
has
been
completed.
Start
1D:
Signifies
the
beginning
of
a
selection
Program
number:
Gives
a
number
to
the
selection
Skip
ID:
Signifies
the
beginning
of
a
portion
to
be
skipped.
End
ID:
Signifies
the
end
position
of
recording/playback.
Since
sub
codes
are
written
on
the
tape
separately
from
audio
signals,
the
audio
signals
are
not
affected.
let
Precautions
Operate
the
unit
only
on
120
V
AC,
60
Hz.
Should
any
solid
object
or
liquid
fall
into
the
cabinet,
unplug
the
unit
and
have
it
checked
by
qualified
personnel
before
operating
it
any
further.
Unplug
the
unit
from
the
wall
outlet
if
it
is
not
to
be
used
for
an
extended
period
of
time.
To
disconnect
the
cord,
pull
it
out
by
grasping
the
plug.
Never
pull
the
cord
itself.
One
blade
of
the
plug
is
wider
than
the
other
for
the
purpose
of
safety
and
will
fit
into
the
power
outlet
only
one
way.
If
you
are
unable
to
insert
the
plug
fully
into
the
outlet,
contact
your
dealer.
CL
Before
making
program
source
connections,
be
sure
to
unplug
the
unit.
Installation
¢
Do
not
install
the
unit
in
a
location
near
heat
sources
such
as
radiators
or
air
ducts,
or
in
a
place
subject
to
direct
sunlight,
excessive
dust,
mechanical
vibration
or
shock.
¢
Do
not
place
anything
on
the
top
of
the
cabinet.
The
top
ventilation
holes
must
be
unobstructed
for
the
proper
operation
of
the
unit
and
to
prolong
the
life
of
its
components.
Moisture
Condensation
Po
If
the
unit
is
brought
directly
from
a
cold
to
a
warm
jocation,
moisture
may
condense
inside
the
unit.
In
this
condition,
the
tape
may
adhere
to
the
head
drum
and
be
damaged,
or
the
unit
may
not
operate
correctly.
Always
remove
the
cassette
when
the
unit
will
not
be
used.
{f
moisture
is
present...
e
Function
controls
will
not
operate.
«
All
operations
will
stop.
When
the
CAUTION
indicator
lights
and
the
unit
will
not
operate
Leave
the
unit
turned
on
for
about
an
hour.
For
detailed
safety
precautions,
see
the
“IMPORTANT
SAFEGUARDS?”
leaflet.
If
you
have
any
question
or
problem
concerning
your
unit,
please
consult
your
nearest
Sony
dealer.
|Mofor-|i(olaW-lacem
me
laceitcelsmerm@relalige)
i
.
Front
Panel/Remote
Commander
J
a
[2]
POWER
switch
Turns
the
power
on
and
off.
Cassette
compartment
Insert
a
cassette
with
the
window
side
up
and
the
safety
tab
facing
you.
COUNTER
buttons
MODE:
Selects
the
counter
indication
in
the
display
window
among
the
linear
counter
(tape
running
time),
absolute
time,
elapsed
time
of
the
selection,
and
total
remaining
time
of
the
tape.
Each
time
you
press
the
button,
the
indication
changes
sequentially.
RESET:
Resets
the
linear
counter
to
“Om
00s”.
FADER
button
Press
to
fade
in
or
fade
out
during
recording
or
playback.
REPEAT
button
Press
to
play
a
desired
portion
repeatedly.
Each
time
you
press
the
button,
the
indication
changes
as
follows:
REPEAT
1
>
REPEAT
ALL
>
Nothing
Music
select
buttons
Numeric
buttons
(0
-
9):
Designate
the
desired
program
number
to
be
played
back
before
starting
playback.
CLEAR:
Use
to
cancel
the
program
number
which
has
been
mistakenly
entered.
MUSIC
SCAN:
Use
this
feature
to
listen
to
the
beginning
of
each
selection
successively.
SKIP
PLAY
button
Press
to
activate
the
skip
ID
code
function.
The
portion
of
the
tape
previously
marked
will
be
skipped.
REC
LEVEL
(recording
level)
controls
Adjust
the
recording
level
for
the
analog
input
signals.
The
outer
knob
controls
the
L
(left)
channel
leve}
and
the
inner
knob
the
R
(right)
channel
level.
The
knobs
can
be
adjusted
together.
When
recording
digital
signals,
it
is
not
necessary
to
adjust
the
recording
level.
INPUT
selector
Set
according
to
the
signai
to
be
recorded.
ANALOG:
For
recording
from
the
equipment
connected
to
the
LINE
IN
jacks.
OPTICAL:
For
recording
from
the
equipment
connected
to
the
DIGITAL
IN
(OPTICAL)
jack.
COAXIAL:
For
recording
from
the
equipment
connected
to
the
DIGITAL
IN
(COAXIAL)
jack.
PHONES
(Headphones)
jack
and
LEVEL
controls
The
LEVEL
controls
adjust
the
headphones
volume
level.
[#f]
MARGIN
RESET
button
Press
to
reset
the
margin
of
peak
level.
END
ID
buttons
WRITE:
Press
to
write
the
ID
signifying
the
end
of
playback
or
recording.
ERASE:
Press
to
erase
the
end
ID.
SKIP
ID
buttons
WRITE:
Press
at
the
beginning
of
the
portion
you
may
wish
to
skip
later.
A
skip
ID
will
be
written
from
the
point
where
you
pressed
this
button.
ERASE:
Press
to
erase
the
nearest
skip
ID
which
is
before
the
current
position.
START
ID
buttons
AUTO:
Press
to
turn
on
and
off
the
AUTO
indicator.
When
the
AUTO
indicator
is
lit,
the
start
ID
will
automatically
be
written
during
recording.
When
the
AUTO
indicator
is
not
lit,
press
START
ID
WRITE
at
the
point
where
you
want
to
write
a
start
ID.
WRITE:
Press
to
write
the
start
ID
at
the
desired
point
during
recording
or
playback.
ERASE:
Press
to
erase
a
start
ID.
When
a
start
ID
anda
program
number
are
written
on
the
tape,
both
codes
are
simultaneously
erased
by
pressing
this
button.
RENUMBER:
Press
to
renumber
all
programs
on
the
tape.
When
only
the
start
IDs
are
written,
pressing
this
button
will
insert
the
proper
program
numbers
beginning
with
“4
The
tape
will
rewind
and
start
from
the
beginning
to
accomplish
this
function.
[|
Tape
operating
buttons
(stop):
Press
to
stop
recording
or
playback.
>
(play):
Press
to
play
back
the
tape.
ine
(recording):
Press
to
start
recording.
After
pressing
this
button,
press
Hor(>.
palise
(Pause):
Press
to
stop
fora
moment
during
recording
or
playback.
To
restart
recording
or
playback,
press
this
button
again
or
press
[>.
If
the
unit
is
left
in
the
pause
mode
for
about
10
minutes,
it
will
be
automatically
released
and
the
deck
will
enter
the
stop
mode.
To
restart
recording
or
playback
from
the
stop
mode,
press
REC
or[>
respectively.
rec
mure(record
muting):
Inserts
a
sound-muted
portion
(space).
KKK,
>>
(AMS):
Press
to
locate
the
beginning
of
the
selection
during
the
playback.
<4,
PP
(rewind/review,
fast-forward/cue):
in
the
stop
mode,
press
to
rewind/fast-forward
the
tape.
During
playback,
press
to
rewind
or
fast-forward
the
tape
while
listening
to
the
sound.
a\o
o}a/o
=)
==)
[anes
(aac
me
me
fe
ae:
ooo
CS
Capes
ooo
1]
=
ojo
i24)
Ot
OF
Ot Ot
So
(load/eject):
Press
when
inserting
or
removing
the
cassette.
REC
MODE
selector:
Normally
set
to
STANDARD.
When
this
selector
is
set
to
LONG,
you
can
record
analog
input
signals
and
digital
input
signals
with
32
kHz
in
the
long-play
mode.
TIMER
switch
Normally
set
to
OFF.
Use
to
start
recording
or
playback
at
the
desired
time
using
a
commercially
available
audio
timer.
[19]
Remote
sensor
Receives
the
signal
from
the
Remote
Commander.
Remote
Commander
[20]
DISPLAY
MODE
button:
Press
to
turn
on
and
off
the
indicators
in
the
display.
[2]
RMS
play
buttons
ENTER:
To
program
the
selections
in
a
desired
order,
press
this
button
after
pressing
the
numeric
buttons.
CHECK:
Press
to
check
the
programmed
contents.
fz]
REPEAT
A~>B
button:
Press
to
play
back
a
desired
portion
repeatedly.
CD
operation
buttons
Operative
only
for
the
Sony
CD
player
equipped
with
a
Remote
Commander.
It
(pause):
Sets
the
CD
player
in
the
pause
mode
during
playback.
Press
again
to
release
pause.
If
pressed
twice
when
the
player
is
in
the
stop
mode,
playback
starts.
<4
PPI
(AMS):
Press
to
locate
the
desired
selection
on
the
Compact
Disc
during
playback
or
in
the
stop
mode.
CD
SYNCHRO
(CD
synchronized
recording)
buttons
STANDBY:
Press
to
set
the
unit
in
the
record-standby
mode.
START:
Press
to
start
recording
of
the
DAT
deck
and
then
playback
of
the
CD
player.
STOP:
Press
to
stop
the
DAT
deck
recording
and
the
CD
player
playback.
Remote
Commander
Operation
Each
button
on
the
Remote
Commander
functions
in
the
same
way
as
those
having
the
same
name
on
the
front
panel.
However,
the
following
operations
cannot
be
performed
using
the
Remote
Commander.
Use
the
front
panel
controls
instead.
Turning
the
power
on
and
off
Selecting
digital
(optical/coaxial)/analog
input
source
Adjusting
the
recording
level
and
headphones
level
Setting
the
timer
recording/playback
Selecting
the
recording
mode
(standard
or
long)
The
following
operations
can
be
performed
only
with
the
Remote
Commander.
¢
Activating
CD
synchronized
recording
using
a
Sony
CD
player
and
controlling
the
CD
player
¢
Locating
the
desired
selection
on
the
Compact
Disc
or
setting
the
CD
player
in
the
pause
mode
(possible
only
when
a
Sony
CD
player
is
used.)
e
Repeat
play
(A-B)
«
RMS*
play
*RMS:
Random
Music
Sensor
Installing
Batteries
P|
Insert
two
R6
(size
AA)
batteries
with
correct
polarity,
and
close
the
lid.
Notes
on
remote
control
«
Do
not
expose
the
remote
sensor
on
the
deck
to
strong
light
such
as
direct
sunlight,
lighting
apparatus,
etc.
*
Do
not
place
any
obstructions
between
the
Remote
Commander
and
the
remote
sensor,
or
else
operations
will
not
be
performed
correctly.
¢
The
controllable
range
is
limited.
Point
the
Remote
Commander
directly
at
the
remote
sensor
on
the
deck.
e
When
remote
control
operation
distance
becomes
shorter,
the
batteries
are
weak.
Replace
both
batteries
with
new
ones.
To
avoid
battery
leakage
When
the
commander
will
not
be
used
for
a
long
period
of
time,
remove
the
batteries
to
avoid
damage
caused
by
battery
leakage
and
corrosion.
Battery
life
About
half
a
year
of
normal
operation
can
be
expected
when
using
the
Sony
SUM-3
(NS)
batteries.
10
Display
Windowh
To
turn
off
the
display
window
When
the
power
is
turned
on,
the
display
window
also
is
turned
on.
During
recording
or
playback,
the
display
window
can
be
turned
off
as
follows:
When
operating
with
the
front
panel
controls
While
pressing
COUNTER
MODE,
press
0.
When
operating
with
the
Remote
Commander
Press
DISPLAY
MODE.
Each
time
you
press
the
above
buttons,
the
indicators
changes
as
follows:
Normal
indicators
Peak
level
meters
and
margin
indicators
go
off.
(DISPLAY
OFF
indicator
lights.)
All
the
indicators
go
off
during
recording
or
playback.*
(DISPLAY
OFF
AUTO
indicator
lights
momentarily
just
(before
the
indicators
go
off.)
*
When
pressing
COUNTER
MODE
or
DISPLAY
MODE,
except
during
recording
or
playback,
DISPLAY
OFF
AUTO
lights.
In
this
case,
all
the
indicators
go
off
immediately
after
recording
or
playback
starts.
PGM
TIME
OPTICAL
h
Litem
[TOq
{_ABS
TIME
COAXIAL
To
change
the
brightness
of
the
display
window
While
pressing
COUNTER
MODE,
press
one
of
the
numeric
buttons
1,
2
and
3.
The
greater
number
pressed,
the
darker
the
display
window
becomes.
(When
operating
with
the
Remote
Commander,
also
press
COUNTER
MODE.)
TOC
(Table
of
contents)
indicator
When
a
pre-recorded
DAT
cassette
is
played
back,
this
indicator
will
light.
(26]
REMAINING
(remaining
time)
indicator
Lights
when
the
counter
shows
the
remaining
time
of
the
tape.
PGM
TIME
(program
time)
indicator
Lights
when
the
counter
shows
the
elapsed
time
of
the
current
selection.
ABS
TIME
(absolute
time)
indicator
Lights
when
the
counter
shows
the
tape
running
time
from
the
beginning.
During
normal
tape
counter
mode,
the
above
three
indicators
all
go
off.
Fd
Fade-in/out
indicators
~at|
:
Lights
when
recording
or
playback
fades
in.
FADE
ee
:
Lights
when
recording
or
playback
fades
out.
[
CAUTTO
"|
START
TD
AUTO
RENUMBER
WRITE
ERASE
ae
@
a
Fa
Indicators
of
the
INPUT
selector
The
OPTICAL
or
COAXIAL
indicator
lights
according
to
the
position
of
the
INPUT
selector.
No
indicator
lights
when
the
INPUT
selector
is
set
to
ANALOG.
REPEAT
indicators
REPEAT
1:
Lights
when
a
desired
selection
is
played
back
repeatedly.
REPEAT
ALL:
Lights
when
all
the
selections
are
played
back
repeatedly.
REPEAT
A-B:
Lights
when
a
desired
portion
is
played
back
repeatedly.
[30]
DISPLAY
mode
indicators
DISPLAY
OFF
indicator
lights
when
peak
level
meters
and
margin
indicators
are
turned
off.
DISPLAY
OFF
AUTO
lights
momentarily
before
all
the
indicators
are
turned
off.
MUSIC
SCAN
indicator
Lights
after
pressing
the
MUSIC
SCAN
button
to
listen
to
the
beginning
of
each
selection
successively.
SKIP
PLAY
indicator
When
this
indicator
is
lit
during
playback,
the
portion
marked
by
the
skip
ID
is
skipped
and
playback
continues
from
the
next
start
ID.
CAUTION
indicator
Lights
when
moisture
condensation
occurs.
If
this
happens,
the
deck
stops
functioning
automatically.
(See
page
5.)
[34]
START
ID
mode
indicators
AUTO:
Lights
when
the
AUTO
button
is
pressed
to
write
the
start
ID
automatically.
RENUMBER:
Lights
when
the
RENUMBER
button
is
pressed
to
renumber
the
program
numbers.
WRITE:
Lights
when
writing
the
start
ID
manually.
ERASE:
Lights
when
erasing
the
start
ID.
[38]
START
ID
indicator
Blinks
when
writing
(for
9
or
18
seconds)
or
erasing
a
start
ID
code,
and
lights
when
the
start
ID
is
detected
during
playback.
SKIP
ID
indicator
Lights
when
writing
or
erasing
a
skip
ID
code
or
when
the
skip
ID
is
detected
during
playback.
SKIP
ID
mode
indicators
WRITE:
Lights
when
writing
the
skip
ID.
ERASE:
Lights
when
erasing
the
skip
ID.
END
ID
mode
indicators
WRITE:
Lights
when
writing
the
end
ID.
ERASE:
Lights
when
erasing
the
end
ID.
MARGIN
indicators
Shows
how
much
margin
there
is
between
the
peak
level
of
input
audio
signal
and
0
dB.
REHEARSAL
indicator
Lights
while
the
rehearsal
function
is
activated
(page
29).
fai]
Frequencies
map
When
pressing
4
while
keeping
COUNTER
MODE
pressed,
bars
indicating
the
sampling
frequencies
with
which
the
tape
was
recorded
appear
on
the
peak
level
meters.
Z|
AMS
(automatic
music
sensor)
Shows
the
number
of
selections
to
be
skipped
ahead
or
behind
in
the
AMS
operation.
When
designating
a
selection
directly
by
the
numeric
buttons
and
the
[>
button,
the
display
shows
the
program
number
of
the
target
selection
while
the
selection
is
being
searched
for.
When
programming
the
desired
selections
in
the
RMS
operation
(page
47),
the
display
shows
the
program
number
of
the
selection
to
be
programmed.
PGM
NO./STEP
indicators
Shows
the
program
number
of
the
selection
being
played.
When
programming
the
desired
selections
in
the
RMS
operation
(page
47),
the
display
shows
the
step
number
of
the
programmed
selection.
Sampling
trequency
indicators
48
kHz:
For
recording/playback
of
analog
input
signals
(standard
mode)
44.1
kHz:
For
recording/playback
of
CD
and
a
pre-
recorded
DAT
cassette
32
kHz:
For
recording/playback
of
analog
input
signals
(long-play
mode)
Counter
Displays
the
linear
counter,
absolute
time,
elapsed
time
of
the
selection
being
played,
and
the
total
remaining
time
of
the
tape.
Each
time
COUNTER
MODE
is
pressed,
the
display
mode
changes
in
turn.
(See
page
39.)
[a]
Peak
level
meters
Indicate
the
level
of
the
audio
signal
being
recorded
during
recording,
and
the
peak
values
of
the
audio
signal
recorded
on
the
tape
during
playback.
Tape
operation
indicators
REC
}:
Lights
during
recording
or
in
the
record-pause
mode.
b>:
Lights
during
recording
or
playback.
It
also
lights
in
the
record-pause
mode
or
in
the
play-pause
mode.
ll:
Lights
in
the
record-pause
mode
or
in
the
play-pause
mode.
LONG
mode
indicator
Lights
when
recording
or
playback
is
being
performed
in
the
long
play
mode.
11
12
Oey
alar=vou
ale)
ats
Rear
Panel
Jacks
Po
[1]
LINE
IN
(line
input)
jacks
(phono
jack)
Connect
to
the
recording
outputs
of
a
preamplifier/
receiver.
Signals
supplied
by
the
preamplifier/receiver
can
be
recorded
using
the
sampling
frequency
of
48
kHz
or
32
kHz.
[2]
LINE
OUT
(line
output)
jacks
(phono
jack)
Connect
to
the
DAT
or
tape
inputs
of
a
preamplifier/
receiver.
The
playback
signal
of
this
deck
will
be
output.
[34
COAXIAL/OPTICAL
DIGITAL
IN
(digital
input)
jacks
{phono
jack/optical
jack)
Connect
to
the
digital
outputs
of
a
preamplifier/receiver
having
a
built-in
D/A
converter
or
other
digital
source,
such
as
a
CD
player
for
digital-to-digital
recording.
f#]
COAXIAL/OPTICAL
DIGITAL
OUT
(digital
output)
jacks
(phono
jack/optical
jack)
Connect
to
the
digital
inputs
of
a
preamplifier/receiver
having
a
built-in
D/A
converter
or
another
DAT
deck,
for
playback
of
a
DAT
cassette
or
digital-to-digital
recording.
Connecting
Cord
There
are
the
following
three
types
of
connecting
jacks
at
the
rear
of
the
deck.
Each
type
of
jack
requires
a
different
type
of
connecting
cord.
“LINE
IN/QUT
(anal
input/output)
jacks
-
OPTICAL
OUT
[CC
—————
a
Remove
the
cap.
Audio
signal
connecting
cord
(supplied,
or
optional
RK-C77
etc.)
White
LINE
IN
Coaxial
digital
connecting
cord
COAXIAL
Oe
VMC-1ES
etc.)
IN
he
Optical
cable
(optional
POC-15
etc.)
Plug
in
Lon
Before
connection
«
Use
the
connecting
cords
specified
in
the
illustrations.
e
Turn
off
the
power
for
all
equipment
before
making
connections.
e
Be
sure
to
insert
the
plugs
firmly
into
the
jacks.
Loose
connections
may
cause
hum
and
noise.
When
unplugging,
grasp
the
plug
and
not
the
cord.
Notes
on
the
optical
cable
«
Do
not
bend
the
cord.
When
the
cord
is
not
used,
curl
it
with
a
diameter
of
more
than
15
cm
(57/s
inches).
«
Do
not
use
it
under
high
temperatures.
«
When
the
optical
cable
is
not
connected,
cover
the
OPTICAL
IN/OUT
jacks
with
the
supplied
caps.
Note
on
sound
signals
When
connecting
a
digital
connecting
cord
or
an
optical
cable
to
the
DIGITAL
IN/DIGITAL
OUT
jacks,
sound
signals
(L/R)
are
transmitted
together
through
the
cord
or
the
cable.
13
Connection
Examples
Po
Analog
signal
connecting
cords
——
Digital
signal
connecting
cords
(coaxial
cord
or
optical
cable)
CD
player
(such
as
CDP-990)
7
Signal
flow
eine.
melons
If
your
amplifier
is
not
equipped
with
digital
signal
jacks
DAT
deck
BCNe.\
melons
DIGITAL
IN
Amplifier/Receiver
DTC-700
eer
|
{_
a>
to
a
wall
outlet
When
connecting
a
microphone
*If
“PROH”
blinks
in
the
display
window,
recording
via
Connect
a
stereo
microphone
amplifier
(the
analog
output)
digital-to-digital
connection
cannot
be
performed.
In
this
to
LINE
IN
of
the
DTC-700.
case,
connect
the
sound
source
equipment
using
LINE
IN
and
OUT
jacks.
—_—
a
Analog
signal
connecting
cords
———
Digital
signal
connecting
cords
(coaxial
cord
or
optical
cable)
<=>
Signal
flow
If
your
amplifier
is
equipped
with
digital
signal
jacks
CD
player
(such
as
CDP-990)
DIGITAL
OUT
DAT
deck
DIGITAL
IN
i
DIGITAL
REC
OUT
Amplifier
having
a
built-in
D/A
con-
DTC-700
ma
to
a
wall
outlet
If
“PROH”
blinks
in
the
display
window,
recording
via
digital-to-digital
connection
cannot
be
performed.
In
this
case,
connect
the
sound
source
equipment
using
LINE
IN
and
OUT
jacks.
Or:
TXT-11(-
8
Mey-lel
late
To
prevent
accidental
erasure
When
a
recording
is
made,
any
previously
recorded
signal
will
be
erased
automatically.
To
prevent
accidental
erasure,
set
the
safety
tab
to
the
position
shown
in
the
illustration.
Notes
»
When
you
turn
on
the
power,
the
#§
indicator
blinks
for
a
moment
in
the
display
window.
During
this
period,
no
buttons
other
than
OPEN/
CLOSE
and
and
operative.
Wait
until
blinking
stops
and
Il
goes
off.
«
When
inserting
the
cassette,
do
not
push
the
cassette
compartment
closed.
Be
sure
to
use
the
OPEN/CLOSE
button.
16
Recording
is
impossible
(with
the
hole
open).
Recording
is
possible
(with
the
hole
covered).
GB}
Gt
1
Turn
on
the
power.
2
Press
OPEN/CLOSE.
3
Insert
the
cassette.
Insert
the
cassette
until
it
clicks.
Window
side
up
Tab
facing
fowards
you
4
Press
OPEN/CLOSE.
The
lamp
in
the
cassette
compartment
lights.
To
remove
the
cassette
Press
OPEN/CLOSE.
On
the
sampling
frequency
When
a
cassette
is
inserted
and
a
source
program
is
played
back,
the
sampling
frequency
of
the
source
program
appears
in
the
display
window.
18
at-lerelgellale|
numeric
buttons
Make
sure
that
TIMER
is
set
to
OFF,
and
turn
on
the
power.
Insert
a
cassette
and
press
&
to
load
the
cassette(See
page
16).
Then
locate
the
position
at
which
you
want
to
start
recording.
To
start
recording
from
the
beginning
of
the
tape,
press
<#@.
(7
9
P
will
appear
at
the
beginning
of
the
tape.)
To
start
from
the
middle
of
the
tape,
locate
the
point
immediately
before
the
blank
section.
(See
page
22.)
If
recording
has
been
applied
to
the
entire
tape
and
there
is
no
blank
section,
locate
the
desired
point
by
playing
it
back.
Set
INPUT
to
ANALOG,
OPTICAL
or
COAXIAL
depending
upon
your
sound
source.
Press
REC.
REC
|,
®
and
I
indicators
lights,
and
the
deck
enters
the
record-pause
mode.
The
sampling
frequency
to
be
applied
for
recording
appears.
If
the
digital
copy
prohibit
signal
is
written
on
the
codes
of
the
sound
source,
‘“PROH”
appears
in
the
display
window
and
signifies
that
you
cannot
record
that
source
with
the
digital-to-digital
connection.
In
this
case,
use
the
analog-to-analog
connection.
When
recording
the
analog
input
signal,
adjust
the
recording
level.
(See
page
20.)
No
recording
level
adjustment
is
required
when
recording
the
digital
input
signal.
s{-yfo)a-Mat-1e1e)
collate]
Blank
Section
and
Sound-Muted
Portionf
—ssi—i‘isSSCSCiSY
With
conventional
analog
audio
tapes,
the
tape
portion
on
However,
with
DAT
cassette,
you
should
know
that
the
two
which
no
recording
ever
has
been
made
and
the
portion
on
kinds
of
“no
sound”
portions
must
definitely
be
distinguished
which
a
recording
has
been
made
but the
sound
is
muted
are
one
from
the
other.
treated
the
same,
since
no
sound
can
be
heard
from
these
portions.
Blank
section
Means
the
portion
on
which
no
recording
ever
has
been
\
applied.
=
SY
!
®
(®)
=
Recording
Blank
section
@
=
Selection
Sound-muted
portion
Means
the
portion
on
which
a
recording
has
been
applied
but
that
no
audible
sound
is
recorded.
Important
When
recording,
be
certain
that
no
blank
section
is
left
on
the
tape.
If
blank
sections
remain
on
the
tape,
search
operations
using
AMS
buttons,
for
example,
may
take
quite
a
long
time.
@®
=
Recording
Sound-muted
portion
@
-
Selection
Difference
between
the
blank
section
and
sound-muted
portion
When
you
record,
a
track
format
is
constructed
on
the
recorded
area,
even
if
the
sound
is
muted
during
recording.
On
the
blank
section,
since
no
recording
is
applied,
there
is
no
track
format.
See
page
50
for
details
on
the
track
format.
Absolute
Time
Codes
Po
The
absolute
time
codes
correctly
recorded
on
the
tape
can
be
used
in
various
convenient
ways
during
playback.
Recording
absolute
time
codes
Tips
for
recording:
e
To
insert
silence
between
selections,
use
the
record
muting
When
you
record,
the
absolute
time
codes
also
are
recorded
function
(page
21).
Do
not
advance
the
tape
with
PB
or
>.
automatically
from
the
beginning
of
the
tape.
Note,
however,
e
To
start
recording
from
the
middle
of
the
tape,
use
the
end
that
the
absolute
time
codes
are
not
recorded
if
you
start
search
function
(page
22)
to
locate
the
beginning
of
the
recording
from
the
middle
of
a
blank
section.
No
blank
blank
section.
This
will
avoid
leaving
a
blank
section.
sections
should
be
left
on
the
tape
when
recording.
If
a
blank
section
is
left
on
the
tape
If
you
start
recording
from
the
middle
of
a
blank
section,
the
absolute
time
codes
are
not
recorded,
since
the
DAT
deck
can
no
longer
count
the
absolute
time
from
the
beginning
of
the
tape.
17
To
record
in
the
long-play
mode,
set
REC
MODE
to
LONG.
The
long-play
mode
is
available
for
recording
analog
input
signals
only.
(See
next
page.)
7
Press
PAUSE
or
[>
(play).
The
W
indicator
goes
off,
and
recording
starts.
To
write
start
ID
automatically
during
recording
Make
sure
that
the
AUTO
indicator
is
lit.
If
not,
press
START
ID
AUTO.
(See
page
28.)
To
stop
recording
To
stop
recording
Press
@.
To
stop
recording
for
a
moment"
Press
ll.
To
release
pause
and
restart
recording
Press
Hor
>.
To
remave
the
cassette
|
Press
S.
:
*
When
you
press
FADER
or
REC
MUTE,
the
unit
will
also
enter
the
record-pause
mode.
To
designate
the
program
number
Press
the
desired
numeric
button.
(See
page
31.)
When
recording
from
the
beginning
of
the
tape,
the
program
number
will
be
assigned
automatically
from
1.
To
insert
sound-muted
portion
at
the
beginning
Do
not
advance
the
tape
with
B®
or
(>.
This
will
leave
a
blank
section
at
the
beginning.
Be
sure
to
proceed
with
the
record
muting
function.
(See
page
21.)
If
recording
cannot
be
made
Check
the
following:
*
The
safety
tab
of
the
cassette
is
set
to
the
record-inhibit
position.
(See
page
16.)
No
cassette
is
loaded.
The
INPUT
selector
is
set
to
the
incorrect
position.
Tape
is
fully
rewound
to
the
end.
The
output
level
of
the
playback
equipment
is
too
low.
The
digital
copy
prohibit
signal
is
written
in
the
codes
of
the
sound
source
you
want
to
record.
(The
PROH
indicator
appears
in
the
display
window.)
Note
on
the
INPUT
selector
and
the
REC
MODE
selector
Do
not
change
the
position
of
these
selectors
after
recording
starts.
If
the
cassette
is
ejected
after
it
has
been
loaded
Check
to
see
if
the
cassette
is
inserted
correctly.
(See
page
16.)
When
the
tape
is
recorded
to
the
end
(Auto
rewind
function)
The
tape
is
rewound
to
the
beginning
and
stops
automatically.
The
auto
rewind
function
is
not
applied
when
the
TIMER
switch
is
set
to
REC.
Accuracy
of
the
electronic
linear
time
counter
The
linear
time
counter
provided
with
this unit
is
not
a
clock.
The
time
indicated
by
the
counter
may
differ
slightly
form
the
actual
recording/
Playback
time.
19
Recording
level
adjustment
(for
analog
input
signals
only)
The
peak
level
meters
show
the
peak
level
of
the
analog
input
signal
held
momentarily.
The
MARGIN
indicator
shows
how
much
margin
there
is
between
the
peak
level
of
the
input
audio
signal
and
0
dB.
Whenever
a
signal
having
a
higher
level
than
the
displayed
one
is
input,
the
new
level
replaces
the
lower
one
on
the
MARGIN
indicator.
Turn
REC
LEVEL
so
that
the
“OVER”
segments
do
not
light,
even
at
the
highest
level.
To
reset
the
margin
Press
MARGIN
RESET.
The
margin
will
become
“--”.
If
the
level
exceeds
0
dB
The
“OVER”
segments
light
in
red,
and
“0.0
dB”
blinks.
If
“OVER”
lights
steadily,
lower
the
recording
level
to
avoid
sound
distortion.
If
you
keep
adjusting
the
recording
level
with
the
unit
in
the
record-pause
mode
If
the
unit
is
left
in
the
record-pause
mode
for
more
than
10
minutes,
the
record-pause
mode
will
be
released
automatically,
and
the
unit
will
enter
the
stop
mode.
However,
the
peak
levels
of
the
input
audio
signals
appear
even
in
the
stop
mode,
and
you
can
continue
to
adjust
the
recording
level.
(The
“AD-DA”
indicator
appears.)
In
the
above
case,
press
REC
again
to
start
recording.
Long-play
mode
According
to
the
input
signal,
recording/playback
in
the
long-
play
mode
can
be
performed
as
follows.
ae
ee
ee
2
eens
ee
-
dB
COBO
40
30
20
1208
ee
0
OVE
argin
Light
at
the
highest
level.
;
Should
not
light.
REC
LEVEL
L-@R
If
the
unit
is
left
in
the
record-pause
mode
for
more
than
10
minutes
during
digital
recording
The
record-pause
mode
will
be
released
automatically,
and
the
unit
will
enter
the
stop
mode.
(The
"-DA”
indicator
appears.)
In
this
case,
press
REC
again
to
start
recording.
The
longest
recording
period
at
each
mode
The
digital
input
signal
on
44.1
kHz
or
48
kHz
cannot
be
recorded/played
back
in
the
long
play
mode,
even
if
the
REC
MODE
selector
is
set
to
LONG.
*
When
analog
input
signal
with
32
kHz
or
48
kHz
is
recorded
via
digital-to-digital
connection
Recording
mode
(position
STANDARD
|
LONG
Mode
of
the
REC
MODE
-
The
longest
recording
period
selector)
|
:
ne
7
fasuesianal
PS
Cassette
os
standard
long
s
res
=
DT-120
2h
4h
Analog
input
signal
standard
long
ae
:
i
-
oan
(48
kHz)
(32
kHz)
DT-90_
2
80m
Digital
input
signal
standard
long
DT6O
i
The,
ae
32
kH2*
a
7
_
DT-46
|
46m
;
1h32m
Digital
input
signal
standard
standard
(h:
hour,
m:
minute)
44.1
kHz,
48
kKHz*
The
time
counter
in
the
long-play
mode
Tape
running
time,
absolute
time
and
total
remaining
of
the
tape
appears,
based
on
those
in
the
standard
mode.
To
obtain
the
actual
time.
double
each
value.

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