Worlde ORCA PAD16 User manual
HANGZHOU BLUE WHALE MUSIC TECHNOLOGY CO.,LTD HANGZHOU WORLDE MUSIC ELECTRONIC CO., LTD
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Worlde ORCA PAD16
MIDI Controller User’s Manual
HANGZHOU BLUE WHALE MUSIC TECHNOLOGY CO.,LTD HANGZHOU WORLDE MUSIC ELECTRONIC CO., LTD
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Contents
1. INTRODUCTION ................................................................................................................................................................ 3
2. FEATURES ......................................................................................................................................................................... 3
3. GETTING STARTED ............................................................................................................................................................ 4
3.1 ORCA PAD 16 Overview ........................................................................................................................................................... 4
3.2 Setup .......................................................................................................................................................................................... 5
3.3 Connecting to a Computer ....................................................................................................................................................... 6
3.4 Connecting to Mobile Devices ................................................................................................................................................. 6
4. PARTS AND THEIR FUNCTIONS .......................................................................................................................................... 7
4.1 Trigger pads ............................................................................................................................................................................... 7
4.2 Knobs ......................................................................................................................................................................................... 7
4.3 Control Bank button/Reset button .......................................................................................................................................... 8
4. 4 Pad Bank button ....................................................................................................................................................................... 8
4.5 Program Select button .............................................................................................................................................................. 8
4.6 Full Level button ....................................................................................................................................................................... 8
4.7 Note Repeat Configuration button .......................................................................................................................................... 8
4.8 Note Repeat button ................................................................................................................................................................... 8
4.9 Full Sized USB connector ........................................................................................................................................................ 9
5. USING THE ORCA PAD16 WITH YOUR DAW ....................................................................................................................... 9
6. APPENDICES ..................................................................................................................................................................... 9
APPENDIX A- ASSIGNABLE CONTROLLER LIST ........................................................................................................................ 9
Appendix B- Toxic or Hazardous Substances and Elements ................................................................................................... 12
Appendix C-Note Value and The Corresponding Numerical Number ...................................................................................... 13
Appendix D- General MIDI Instruments-Program Change Numbers ....................................................................................... 14
Appendix E - General MIDI Drums-Note assignments .............................................................................................................. 15
7. SPECIFICATIONS .............................................................................................................................................................. 15
Packing list:
WORLDE ORCA PAD 16*1
USB cable*1
Quick start*1
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1. Introduction
Thank you for purchasing the WORLDE ORCA PAD 16 USB MIDI controller. ORCA PAD16 is a high quality, feature-packed controller which
includes all the essentials to start making music. To help you get the most out of your new instrument, please read this manual carefully.
Your ORCA PAD 16 midi controller will not make any sound unless it is connected to a computer or other external MIDI gear. This is because
the ORCA PAD 16 sends MIDI data when you play it and does not produce sound on its own. Instead, it is used to control a virtual instrument
on your computer or a MIDI sound module to generate sounds.
In order to use the functions of this product, you’ll need to make settings in the application you’re using. Make settings as described in
the owner’s manual for your application.
ORCA PAD 16 integrates perfectly with DAWs (such as Ableton Live, Bitwig and so on) for both production and performance.
2. Features
Three banks of 16 high quality velocity & pressure sensitive performance pads with RGB backlit, for 48 total, can be assigned easily as
MIDI notes, program change buttons.
Three banks of 6 assignable encoders, for 18 total, can be assigned as MIDI CC, aftertouch and etc.
Function buttons, providing functions like, FULL LEVEL, NOTE REPEAT, PROGRAM SELECT，NOTE REPEAT CONFIGURATION and etc.
USB interface, adaptable to USB 2.0(FULL SPEED). Power supplied by USB.
Compatible with Win11/10/8/7/XP/Vista and Mac OSX or greater.
Drive free and hot-plug supported.
Integrated perfectly with DAWs (such as Ableton Live, Bitwig and so on) for both production and performance.
Edited by the ORCA PAD16 Software Editor which could be downloaded from www.worlde.com.cn.
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3. Getting Started
3.1 ORCA PAD 16 Overview
3.1.1 Top Panel Overview
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3.1.2 Rear Panel Overview
Control Definitions
1. Trigger pads
2. Encoders
3. [Control Bank/Reset] button
4. [Pad Bank] button
5. [Full Level] button
6. [Program Select] button
7. [Note Repeat Configuration] button
8. [Note Repeat] button
9. [Kensington Lock] button
10. Full Sized USB connector
3.2 Setup
If you intend to connect your ORCA PAD16 to a computer or mobile devices , please read sections 3.2 to 3.4 first.
3.2.1 Minimum System Requirements
If you are using your ORCA PAD16 with a computer, the following minimum system requirements apply:
Windows Mac OS
i3 1.2GHz or higher Macintosh i3*1.2GHz/P4*1.2GHz or higher
(CPU requirement may be higher for laptops)
(CPU requirement may be higher for laptops)
1G RAM OS X 10.3.9 with 1G RAM,
Direct X 9.0b or higher OS X 10.4.2 or greater with 1G RAM
Windows XP (SP2) or higher *G3/G4 accelerator cards are not supported.
(Windows 98, Me, NT or 2000 not supported)
WORLDE suggests you also check the minimum system requirements for your software, as they may be greater than the above.
USB hubs are not supported. WORLDE suggests that you connect directly to one of your computer’s built in USB ports.
3.2.2 Using The ORCA PAD16 With Your Software
When installed, the ORCA PAD16 appears as a simple MIDI device with one input port and one output port. You should select the listed
USB MIDI Controller input port as the MIDI input device in your software. Once this is set, your software should be able to receive notes
and controller data from the ORCA PAD16.
The port name is defined as WORLDE when connecting to USB port.
It will appear as WORLDE in the Device Manager.
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3.3 Connecting to a Computer
ORCA PAD16 is bus-powered, so it turns on as soon as you connect it to your computer with a USB cable.
3.4 Connecting to Mobile Devices
3.4.1 iOS
To operate your ORCA PAD16 with an iOS device, use Apple’s Lightning to USB 3 Camera Adapter with a separate 2.4A Lightning charger.
3.4.2 Android
To operate the ORCA PAD16 with an Android device we’d like to recommend a USB OTG to USB adapter.
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4. Parts and Their Functions
4.1 Trigger pads
ORCA PAD16 has three banks of 16 high quality velocity & pressure sensitive performance pads with RGB backlit, for 48 total, which can
be assigned easily as MIDI notes or program change buttons. The pads can be used to trigger drum hits to our software or hardware
module. The pads are pressure and velocity sensitive, which makes them very responsive and intuitive to play. With the software editor
it’s possible to assign the pads and adjust the RGB color of the pads. For example: The pads can be assigned to trigger up to 48 particular
MIDI notes (drums, stabs, bass notes, whatever). When the pads assigned to MIDI notes, they will send notes message which work just as
48 keys at this moment. The default is sending the note message on Channel 1. When a pad is assigned to program change, it will send
program change message, so it won’t produce any sound when pressed in this mode.
When used in conjunction with the Program select button, the pads will recall one of 16 MIDI presets. This is accomplished by holding the
Program select button and pressing one of the pads. For example, if you hold the program select button and press Pad 1 the Preset 1 will
be recalled.
4.2 Knobs
These encoders transmit control change messages. The 3 banks of 6 encoders (18 for total) can be assigned to control any editable
parameter on the selected device. Each encoder can be used to send continuous control data to a desktop audio workstation. There are
135 MIDI controller messages that are used for controlling the MIDI-adjustable parameters in your software(0 to127 is the standard MIDI
control parameter, 128 to 134 is the special MIDI control parameter). Examples of these controllable parameters include volume, pan,
expression, reverb, chorus and portamento.
The 6 assignable knobs on your ORCA PAD16 is able to send any of the 128 standard MIDI controller messages to control such parameters.
Please note that in order for these effects to work, the device you are sending to must be able to receive these messages. A full list of
these control messages is given in Appendix A.
For example, you may want to set the Knob 1 to control the channel volume. This is done by assigning controller 7 to the Knob 1.
Examples of other popular effects are listed in the table below. (Please consult Appendix A for the full list.)
Effect Control
Modulation 1
Volume 7
Pan 10
Expression 11
Reverb depth 91
Chorus depth 93
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4.3 Control Bank button/Reset button
Control Bank button is used to switch knob banks. There are three banks of knobs which makes it possible to edit up to 18 parameters for
the knobs. Click the Control Bank button to select the desired knob bank:Green color for Bank A, Red color for Bank B, Blue color for Bank
C. When editing your mappings, make sure you are on the bank you want.
Press this button for 5 seconds to reset the device and the 16 pads will be lighting for a while after reset made.
4. 4 Pad Bank button
Pad Bank button is used to switch pad banks. There are three banks of pads and each bank can address a unique set of 16 sounds giving you
access of up to 48 different sounds you can trigger with the pads. Click the Pad Bank button to select the desired pads bank:Green color for
Bank A, Red color for Bank B, Blue color for Bank C. When editing your mappings, make sure you are on the bank you want.
4.5 Program Select button
Program select button calls up Preset Mode. You can select and recall different Preset programs in this mode. For example, if you hold the
program select button and press Pad 1 the Preset 1 will be recalled. Press and hold this button and then press a pad to select the Prest
Program with the same number as the pad. A Preset Program is a pre-mapped layout of pads, which can be useful for specific situations
(using a General MIDI drum set or using a specific melodic scale).
Important:
While holding this button, the pads will not send any of their normal MIDI messages.
4.6 Full Level button
When [FULL LEVEL] is activated, the pads always play back at a maximum velocity (127), no matter how hard or soft you hit them.
4.7 Note Repeat Configuration button
Press this button and then press a pad to select its secondary function (printed next to the pad number).
Important: While holding this button, the pads will not send any of their normal MIDI messages.
• Pads 1–8: Press one of these pads to determine Time Division, which determines the rate of the Note Repeat feature: quarter notes (1/4), eighth
notes (1/8), 16th notes (1/16), or 32nd notes (1/32). On Pads 5–8, the T indicates a triplet-based time division.
• Pads 9–14: Press one of these pads to select the amount of Swing: Off, 54%, 56%, 58%, 60%, or 62%.
• Pad 15 (Ext Clock): Press this pad to set ORCA PAD16’s clock source (external or internal), which will determine the rate of its time-related
features. When lit (external), ORCA PAD16 will use your DAW’s tempo. When off (internal), MPD218 will use its own tempo, which you can set
with Pad 16, which will flash at the current tempo.
• Pad 16 (Tap Tempo): Press this pad at the desired rate to enter a new tempo.
ORCA PAD16 will detect the new tempo after 3 taps. The pad will flash at the current tempo if you hold NR Config and if ORCA PAD16 is using its
internal clock.
4.8 Note Repeat button
Press and hold this button while striking a pad to cause the pad to retrigger at a rate based on the current tempo and Time Division settings.
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4.9 Full Sized USB connector
Connect the ORCA PAD 16 to your computer with a USB cable via this port. The computer’s USB port provides power to your ORCA PAD16.
This connection is also used to send and receive MIDI data to and from your computer.
5. Using The ORCA PAD16 With Your DAW
A MIDI sequencer will allow you to record, play back, store and edit MIDI data. Although hardware sequencers exist, we will focus on the
more commonly used software sequencers in this manual. Examples of popular DAW are CubaseTM, LogicTM, Ableton Live TM and so on,
although there are many different sequencing applications available for your computer. In order to use your ORCA PAD16 with your
sequencer, you need to set up the sequencer software so that your ORCA PAD16 can be recognized as your DAW’s MIDI input device. You
need to choose a MIDI output device that is capable of making sound when MIDI data is sent to it. This may be a soundcard on your
computer, a VST instrument or a sound module connected to a MIDI port which is in turn connected to your computer. Please consult your
sequencer’s user manual for more information on how this is done. In this manual, section 3.2.2 “Using The ORCA PAD16 With Your
software” details how your ORCA PAD16 will appear in the device listing of your sequencer.
With your ORCA PAD16 set up to communicate with the sequencer, data will go into the sequencer and will be routed to a virtual
synthesizer within the sequencer software or sent to an external sound module via a MIDI output port. The virtual synthesizer or external
sound module will turn the MIDI data into audible sounds. You can then record the incoming MIDI data and edit your performance using
your sequencer. We will have some more detailed MIDI mapping operations for different DAWs provided separately.
6. Appendices
APPENDIX A- ASSIGNABLE CONTROLLER LIST
CONTROLLER NO. DEFINITION INITIAL VALUE VALUE RANGE
0 Bank Select MSB 0 0-127
1 Modulation MSB 0 0-127
2 Breath MSB 127 0-127
3 Controller 0 0-127
4 Foot Controller MSB 127 0-127
5 Portamento time MSB 0 0-127
6 Data Entry MSB 2 0-127
7 Channel Volume MSB 100 0-127
8 Balance MSB 64 0-127
9 Controller 0 0-127
10 Panpot MSB 64 0-127
11 Expression MSB 127 0-127
12 Effect Control 1 MSB 0 0-127
13 Effect Control 2 MSB 0 0-127
14-31 Controller 0 0-127
32 Bank Select LSB 0 0-127
33 Modulation LSB 0 0-127
34 Breath LSB 127 0-127
35 Controller 0 0-127
36 Foot Controller LSB 127 0-127
37 Portamento time LSB 0 0-127
38 Data Entry LSB 0 0-127
39 Channel Volume LSB 127 0-127
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40 Balance LSB 64 0-127
41 Controller 0 0-127
42 Panpot LSB 64 0-127
43 Expression LSB 127 0-127
44-63 Controller 0 0-127
64 Sustain 0 0-127
65 Portamento 0 0-127
66 Sostenuto 0 0-127
67 Soft Pedal 0 0-127
68 Legato FootSwitch 0 0-127
69 Hold 2 0 0-127
70 Sound Controller 64 0-127
71 Resonance 64 0-127
72 Release Time 64 0-127
73 Attack Time 64 0-127
74 Cutoff 64 0-127
75 Decay Time 0 0-127
76 Vibrato Depth 64 0-127
77 Vibrato Depth 64 0-127
78 Vibrato Depth 64 0-127
79 Sound Controller 64 0-127
80-83 Controller 0 0-127
84 Portamento Control 0 0-127
85-90 Controller 0 0-127
91 Reverb 40 0-127
92 Effects 0 0-127
93 Chorus 0 0-127
94 Effects 0 0-127
95 Effects 0 0-127
96 RPN Increment 0 0-127
97 RPN Decrement 0 0-127
98 NRPN LSB 0 0-127
99 NRPN MSB 0 0-127
100 RPN LSB 0 0-127
101 RPN MSB 0 0-127
102-119 Controller 0 0-127
120 All Sound Off 0 0-127
121 Reset All Controllers 0 0-127
122 Local Control 0 0-127
123 All Notes Off 0 0-127
124 OMNI Off 0 0-127
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125 OMNI On 0 0-127
126 Mono 0 0-127
127 Poly 0 0-127
128 Pitch Bend Sensitivity（RPN） 2 0-127
129 Channel Fine Tuning（RPN） 64 0-127
130 Channel Coarse Tuning（RPN）
64 0-127
131 Modulation Depth Range（RPN）
64 0-127
132 Vibrato Rate（NRPN） 64 0-127
133 Vibrato Depth（NRPN） 64 0-127
134 Vibrato Delay（NRPN） 64 0-127
135 Filter Cutoff Frequency（NRPN）
64 0-127
136 Filter Resonance（NRPN） 64 0-127
137 EQ Low Gain（NRPN） 64 0-127
138 EQ High Gain（NRPN） 64 0-127
139 EQ Low Frequency（NRPN） 64 0-127
140 EQ High Frequency（NRPN） 64 0-127
141 EG Attack Time（NRPN） 64 0-127
142 EG Decay Time（NRPN） 64 0-127
143 EG Release Time（NRPN） 64 0-127
144 Polyphonic key pressure 100 0-127
145 After touch 100 0-127
146 Pitch Bend 64 0-127
147 Master Volume 100 0-127
148 Start（MTC） - -
149 Continue（MTC） - -
150 Stop（MTC） - -
151 Reset（MTC） - -
152 Program 0 0-127
153 Global Channel 0 0-15
154 Octave 0 -3~3
155 Transpose 0 -12~12
156 Tempo 100 20-250
157 Keyboard Curve 0 0-4
158 Pedal A Curve 64 1-127
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Appendix B- Toxic or Hazardous Substances and Elements
Part Number,
Name and Description
Toxic or Hazardous Substances and Elements
Pb Hg Cd Cr(VI)) (PBB) (PBDE)
PCB ○ ○ ○ ○ ○ ○
PCBA Welding Spot ○ ○ ○ ○ ○ ○
Components ○ ○ ○ ○ ○ ○
Metal Parts ○ ○ ○ ○ ○ ○
Plastic and Polymeric parts ○ ○ ○ ○ ○ ○
Paper Accessory ○ ○ ○ ○ ○ ○
Power Cord ○ ○ ○ ○ ○ ○
○：Indicates that this toxic or hazardous substance contained in all the homogeneous materials for this part,
according to EIP-A, EIP-B, EIP-C is below the limit requirement in SJ/T 11364.
×：Indicates that this toxic or hazardous substance contained in all the homogeneous materials for this part,
according to EIP-A, EIP-B, EIP-C is above the limit requirement in SJ/T 11364.
(Enterprises may further provide in this box technical explanation for marking”X”based on their actual
conditions.)
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Appendix C-Note Value and The Corresponding Numerical Number
Note
NO.
Note
NO.
Note
NO.
Note
NO.
Note
NO.
Note
NO.
Note
NO.
Note
NO.
C-1 0 F0 17 Bb 1
34 Eb 3
51 G#4 68 C#6 85 F#7 102
B8 119
C#-1
1 F#0 18 B1 35 E3 52 A4 69 D6 86 G7 103
C9 120
D-1 2 G0 19 C2 36 F3 53 Bb 4
70 Eb 6
87 G#7 104
C#9 121
Eb-1
3 G#0 20 C#2 37 F#3 54 B4 71 E 6 88 A7 105
D9 122
E-1 4 A0 21 D2 38 G3 55 C5 72 F6 89 Bb 7
106
Eb 9
123
F-1 5 Bb 0
22 Eb 2
39 G#3 56 C#5 73 F#6 90 B7 107
E9 124
F#-1
6 B0 23 E2 40 A3 57 D5 74 G6 91 C8 108
F9 125
G-1 7 C1 24 F2 41 Bb 3
58 Eb 5
75 G#6 92 C#8 109
F#9 126
G#-1
8 C#1 25 F#2 42 B3 59 E5 76 A6 93 D8 110
G9 127
A-1 9 D1 26 G2 43 C4 60 F5 77 Bb 6
94 Eb 8
111
Bb-1
10 Eb 1
27 G#2 44 C#4 61 F#5 78 B6 95 E8 112
B-1 11 E1 28 A2 45 D4 62 G5 79 C7 96 F8 113
C0 12 F1 29 Bb 2
46 Eb 4
63 G#5 80 C#7 97 F#8 114
C#0 13 F#1 30 B2 47 E4 64 A5 81 D7 98 G8 115
D0 14 G1 31 C3 48 F4 65 Bb 5
82 Eb 7
99 G#8 116
Eb 0
15 G#1 32 C#3 49 F#4 66 B5 83 E7 100
A8 117
E0 16 A1 33 D3 50 G4 67 C6 84 F7 101
Bb 8
118
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Appendix D- General MIDI Instruments-Program Change Numbers
Piano Bass Reed Synth Effects
0 Acoustic Grand Piano
1 Bright Acoustic Piano
2 Electric grand Piano
3 Honky Tonk Piano
4 Electric Piano 1
5 Electric Piano 2
6 Harpsichord
7 Clavinet
32 Acoustic Bass
33 Fingered Bass
34 Electric Picked Bass
35 Fretless Bass
36 Slap Bass 1
37 Slap Bass 2
38 Syn Bass 1
39 Syn Bass 2
64 Soprano Sax
65 Alto Sax
66 Tenor Sax
67 Baritone Sax
68 Oboe
69 English Horn
70 Bassoon
71 Clarinet
96 SFX Rain
97 SFX Soundtrack
98 SFX Crystal
99 SFX Atmosphere
100 SFX Brightness
101 SFX Goblins
102 SFX Echoes
103 SFX Sci-Fi
Chromatic Percussion Strings/Orchestra Pipe Ethnic
8 Celesta
9 Glockenspiel
10 Music Box
11 Vibraphone
12 Marimba
13 Xylophone
14 Tubular bells
15 Dulcimer
40 Violin
41 Viola
42 Cello
43 Contrabass
44 Tremolo Strings
45 Pizzicato Strings
46 Orchestral Harp
47 Timpani
72 Piccolo
73 Flute
74 Recorder
75 Pan Flute
76 Bottle Blow
77 Shakuhachi
78 Whistle
79 Ocarina
104 Sitar
105 Banjo
106 Shamisen
107 Koto
108 Kalimba
109 Bag Pipe
110 Fiddle
111 Shanai
Organ Ensemble Synth Lead Percussive
16 Drawbar Organ
17 Percussive Organ
18 Rock Organ
19 Church Organ
20 Reed Organ
21 Accordion
22 Harmonica
23 Tango Accordion
48 String Ensemble 1
49 String Ensemble 2
50 Syn Strings 1
51 Syn Strings 2
52 Choir Aahs
53 Voice Oohs
54 Syn Choir
55 Orchestral Hit
80 Syn Square Wave
81 Syn Sawtooth Wave
82 Syn Calliope
83 Syn Chiff
84 Syn Charang
85 Syn Voice
86 Syn Sawtooth Wave
87 Syn Brass & Lead
112 Tinkle Bell
113 Agogo
114 Steel Drums
115 Woodblock
116 Taiko Drum
117 Melodic Tom
118 Syn Drum
119 Reverse Cymbal
Guitar Brass Synth Pad Sound Effects
24 Nylon Acoustic
25 Steel Acoustic
26 Jazz Electric
27 Clean Electric
28 Muted Electric
29 Overdrive
30 Distorted
31 Harmonics
56 Trumpet
57 Trombone
58 Tuba
59 Muted Trumpet
60 French Horn
61 Brass Section
61 Syn Brass 1
62 Syn Brass 2
88 New Age Syn Pad
89 Warm Syn Pad
90 Polysynth Syn Pad
91 Choir Syn Pad
92 Bowed Syn Pad
93 Metal Syn Pad
94 Halo Syn Pad
95 Sweep Syn Pad
120 Guitar Fret Noise
121 Breath Noise
122 Seashore
123 Bird Tweet
124 Telephone Ring
125 Helicopter
126 Applause
127 Gun Shot
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Appendix E - General MIDI Drums-Note assignments
MIDI Note
Drum Sound MIDI Note Drum Sound MIDI Note Drum Sound
35 Acoustic Bass Drum
52 Chinese Cymbal 69 Cabasa
36 Bass Drum 1 53 Ride Bell 70 Maracas
37 Side Stick 54 Tambourine 71 Short Whistle
38 Acoustic Snare 55 Splash Cymbal 72 Long Whistle
39 Hand Clap 56 Cowbell 73 Short Guiro
40 Electric Snare 57 Crash Cymbal 2 74 Long Guiro
41 Low Floor Tom 58 Vibraslap 75 Claves
42 Closed Hi-Hat 59 Ride Cymbal 2 76 Hi Wood Block
43 High Floor Tom 60 Hi Bongo 77 LowWood Block
44 Pedal Hi-Hat 61 Low Bongo 78 Mute Cuica
45 Low Tom 62 Mute Hi Conga 79 Open Cuica
46 Open Hi-Hat 63 Open Hi Conga 80 Mute Triangle
47 Low-Mid Tom 64 Low Conga 81 Open Triangle
48 Hi-Mid Tom 65 High Timbale
49 Crash Cymbal 1 66 Low Timbale
50 High Tom 67 High Agogo
51 Ride Cymbal 1 68 Low Agogo
7. Specifications
Connectors: USB connector
Power supply: USB bus power mode
Current consumption: 100 mA or less
Dimensions (W x D x H): 7.83 x 7.48 x 1.54 inches / 199x190x39mm
Weight: 21.34 oz /605 g
Included items: USB cable, Quick start
*Specifications and appearance are subject to change without notice.
Sales Head Office:
Hangzhou Worlde Music Electronic Co., Ltd
Hangzhou Blue Whale Music Technology Co., Ltd
Add:18Xianxing Rd, Xianlin Industrial Park, Yuhang District, Hangzhou, 311122, P.R.China
Tel:0086 571 88730848 Fax:0086 571 88730748
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