Worlde PRO P49 User manual

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WORLDE P49/61/88 PRO
MIDI CONTROLLER USER’S MANUAL
HANGZHOU WORLDE MUSIC ELECTRONIC CO.LTD
HANGZHOU BLUE WHALE MUSIC TECHNOLOGY CO.,LTD

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Introduction ........................................................................................................................................................................................................ 3
What’s in the Box?............................................................................................................................................................................................... 3
P49/61/88 PRO keyboard overview ..................................................................................................................................................................... 3
Section1: Getting started ..................................................................................................................................................................................... 4
1.1P49/61/88 PRO Keyboards Overview .................................................................................................................................................... 4
1.1.1 Top Panel Overview ............................................................................................................................................................... 4
1.1.2 Rear Panel Overview ............................................................................................................................................................. 4
1.1.3 Control Definitions.............................................................................................................................................................. 4
1.2 Setup .................................................................................................................................................................................................. 4
1.2.1 Minimum System Requirements ............................................................................................................................................ 4
1.3 Using The P49/61/88 PRO With Your Software .................................................................................................................................... 5
1.4 MIDI Connections ................................................................................................................................................................................ 5
1.5 Power Supply ...................................................................................................................................................................................... 5
Section 2:Basic MIDI Control From Your P49/61/88 PRO ....................................................................................................................................... 5
2. 1 Function Buttons ................................................................................................................................................................................ 5
2.2 The Keyboard ...................................................................................................................................................................................... 5
2.2.1 Velocity Curve ....................................................................................................................................................................... 6
2.2.2 OCTAVE ................................................................................................................................................................................. 6
2.2.3 TRANSPOSE ........................................................................................................................................................................... 7
2.3 CHANNEL ............................................................................................................................................................................................ 7
2.4 CHANGING VOICE AND VOICE BANK .................................................................................................................................................... 8
2.4.1 PROGRAM ............................................................................................................................................................................. 8
2.4.2 BANK L/M ............................................................................................................................................................................. 8
2.5 MIDI Controller Messages ................................................................................................................................................................... 8
2.5.1 Programming the Controls on Your P49/61/88 PRO ................................................................................................................ 9
2.5.2 ASSIGNABLE DIAL .................................................................................................................................................................. 9
2.5.3 ASSIGNABLE SLIDER ............................................................................................................................................................... 9
2.5.4 ASSIGNABLE TOUCH STRIPS ................................................................................................................................................. 10
2.5.5 ASSIGNABLE PEDAL ............................................................................................................................................................. 10
2.5.6 PAD SETTING ....................................................................................................................................................................... 10
Section 3.Advanced Settings .............................................................................................................................................................................. 10
3.1 How to make good use of the keyboard ............................................................................................................................................. 10
3.1.1 DUAL ................................................................................................................................................................................... 10
3.1.2 SPLIT ................................................................................................................................................................................... 10
3.1.3 AFTER TOUCH ...................................................................................................................................................................... 11
3.2 Other controls ................................................................................................................................................................................... 11
3.2.1 MUTE .................................................................................................................................................................................. 11
3.2.2 CTRL ASSIGN ........................................................................................................................................................................ 12
3.2.3 GM ...................................................................................................................................................................................... 12
3.2.4 GS ....................................................................................................................................................................................... 12
3.2.5 XG ....................................................................................................................................................................................... 13
3.2.6 RESET .................................................................................................................................................................................. 13
3.2.7 SNAP ................................................................................................................................................................................... 13
3.3 Memory and data call back ................................................................................................................................................................ 13
3.3.1 MEMORY ............................................................................................................................................................................. 13
3.3.2 RECALL ................................................................................................................................................................................ 13
3.4 Control functions............................................................................................................................................................................... 14
3.4.1 ENTER ................................................................................................................................................................................. 14
3.5 Pad Control ....................................................................................................................................................................................... 14
3.5.1 Pressure Control .................................................................................................................................................................. 14
3.5.2 Pad Curve ............................................................................................................................................................................ 14
3.5.3 Pads Note setting ................................................................................................................................................................ 14
3.5.4 Select the Backlit RGB Color of 8 Pads .................................................................................................................................. 14
3.6MMC(MIDI MACHINE CONTROL) ................................................................................................................................................... 15
Section 4: Usage Examples ...................................................................................................................................................................... 15
4.1 Recording Your Performance On A Sequencer .................................................................................................................................... 15
Section 5: MIDI Information Specification .......................................................................................................................................................... 15
5.1 Program & Bank Changes Explained ................................................................................................................................................... 15
Section 6: Troubleshooting ................................................................................................................................................................................ 16
Section 7: Technical Info .................................................................................................................................................................................... 16
Section 8: Appendices ........................................................................................................................................................................................ 17
Appendix A ——MIDI IMPLEMENTATION CHART ..................................................................................................................................... 17
Appendix B – Useful MIDI Data Tables ..................................................................................................................................................... 18
BI-General MIDI Instruments-Program Change Numbers ............................................................................................................... 18
B2-Roland GS And Yamaha XG NRPN Messages ............................................................................................................................ 19
B3-General MIDI Drums-Note assignments ................................................................................................................................... 19
B4-Gm2 Chorus Types .................................................................................................................................................................. 19
B5-General MIDI Drums-Note assignments ................................................................................................................................... 19
Appendix C - General MIDI Controller Numbers (MIDI CC's) ..................................................................................................................... 20
Appendix D – Assignable Controller Numbers to Linear Controllers .......................................................................................................... 20
Appendix E-Assignable Controller Numbers to Non-Linear Controllers ..................................................................................................... 21
Appendix F – Assignable Controller Numbers to Rotary Encoders ............................................................................................................. 21
Appendix G – Assignable Controller Numbers to Pressure Pads ................................................................................................................ 21
Appendix H - Factory Presets ................................................................................................................................................................... 22
Appendix I - Hexadecimal Conversion Chart ............................................................................................................................................. 22

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Introduction
The 16 fully assignable pads give you the ability to trigger samples. The eight fully assignable endless rotary
encoders and sliders can be assigned as 128 controllers.
The versatile and easy-to-use P49/61/88 PRO keyboard is a great controller in the studio and live on stage.
What’s in the Box?
<P49/61/88 PRO keyboard
<USB cable
P49/61/88 PRO keyboard overview
Here is a rundown of some of the great features the P49/61/88 PRO keyboards have to offer:
●16xhigh quality velocity & pressure sensitive performance trigger pads with RGB backlit.
●1xAssinable Pedal Interface: Pedal B(continuous pedal, default as expression pedal ), which can be assigned
as 128 controllers.
●1xsustain pedal interface: Pedal A.
●8xAssignable Dials. Each dial can establish an independent channel, and can be assigned as 128 controllers.
●8xAssignable Slider, each slider can be assigned as 128 controllers.
●Pitch Bend and Modulation Touch Strips.
●6 Buttons for MMC.
●20 Function buttons, providing functions like PROGRAM, CHANNEL, VEL-CURVE, OCTAVE, TRANSPOSE,
BANK M, BANK L, DUAL, SPLIT, MUTE, AFTER TOUCH, CONTROL ASSIGN and etc.
●Data input buttons:+/-.
●Built-in Memory, which can store/load 6 groups of user's parameter.
●1xMIDI OUT,1X MIDI IN.
●USB interface, adaptable to USB 2.0(FULL SPEED). Power supplied by USB and DC 9 V.
●Have the ability for future upgrading via USB(Please visit www.worlde.com.cn)
●Compatible with Windows XP/Vista/Windows7/8/10 and Mac OSX.
●Drive free and hot-plug supported.

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Section1: Getting started
1.1P49/61/88 PRO
Keyboards Overview
1.1.1 Top Panel Overview
1.1.2 Rear Panel Overview
1.2 Setup
If you intend to connect your P
49/61/88
only intend to use your P49/61/88
keyboard to control a sound module or synthesizer using the external MIDI
OUT you should skip to section 1.4.
1.2.1 Minimum System Requirements
If you are using your P49/61/88
with a computer, the following minimum system requirements apply:
Windows
i3 1.2GHz or higher
(CPU requirement may be higher for laptops)
1G MB RAM
DirectX 9.0b or higher
Windows XP (SP2) or higher
(Windows 98, Me, NT or 2000 not supported)
1.1.3 Control Definitions
The controls are referred by name throughout this manual.
1:LCD DISPLAY
2:Slider
3: Encoders
4: Transport buttons
5: Function buttons
6: Trigger Pads
(with RGB backlit, refer to 3.5.4 for more
info)
7: Modulation wheel
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Keyboards Overview
49/61/88
keyboard to a computer, please read sections 1.2 and 1.3
keyboard to control a sound module or synthesizer using the external MIDI
with a computer, the following minimum system requirements apply:
Mac OS
Macintosh i3*1.2GHz/P4*1.2GHz
or higher
(CPU requirement may be higher for laptops)
(CPU requirement may be higher for laptops)
OS X 10.3.9 with 1G MB RAM,
OS X 10.4.2 or greater with 1G
MB RAM
*G3/G4 accelerator cards are not supported.
(Windows 98, Me, NT or 2000 not supported)
8: Pitch Bend wheel
The controls are referred by name throughout this manual.
9: Keyboard with Aftertouch
10: MIDI IN port
11: MIDI OUT port
12: Pedal A ( sustain pedal,
press ‘
the polarity of Pedal A
when switch on the unit
13: Pedal B(
default as expression pedal
button to select the polarity of Pedal B when switch on the unit
(with RGB backlit, refer to 3.5.4 for more
14: USB 2.0 port
15: DC power socket
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keyboard to a computer, please read sections 1.2 and 1.3
first. If you
keyboard to control a sound module or synthesizer using the external MIDI
with a computer, the following minimum system requirements apply:
or higher
(CPU requirement may be higher for laptops)
MB RAM
*G3/G4 accelerator cards are not supported.
press ‘
Ctrl Assign’ button to select
when switch on the unit
)
default as expression pedal
, press ‘Ctrl Assign’
button to select the polarity of Pedal B when switch on the unit
)

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WORLDE suggests you also check the minimum system requirements for your software, as they may be greater than
the above.
USB hubs are not supported. WORLDE suggests that you connect directly to one of your computer’s built in USB
ports.
1.3 Using The P49/61/88 PRO With Your Software
When installed, the P49/61/88 PRO appears as a simple MIDI device with one input port and one output port.
You should select the listed P49/61/88 PRO input port as the MIDI input device in your software. Once this is
set, your software should be able to receive notes and controller data from the P49/61/88 PRO.
If you have connected external MIDI gear like a drum machine or another keyboard to your P49/61/88 PRO
MIDI IN port, this gear can be interfaced to the computer by selecting the listed P49/61/88 PRO input port.
This way, your P49/61/88 PRO is acting as a MIDI to USB interface.
The port names are defined as your device name when connecting to USB port.
It will appear as a single USB Composite Device in the Device Manager.
1.4 MIDI Connections
The MIDI Out port accepts a standard 5-pin DIN-type MIDI plug(available from most professional audio
retailers).
The MIDI Out port can be used to connect the P49/61/88 PRO to a hardware sequencer, an external
synthesizer or sound module, for example.
1.5 Power Supply
If you are using your P49/61/88 PRO with a computer via its USB port, there is no need for an external power
supply. Your P49/61/88 PRO will draw its power from the computer.
However, if you are intending to use your P49/61/88 PRO without connecting to a computer’s USB port, then
you will need to use an external power supply. No power supply is included in the box, so please select one
that meets the following requirements:
<9V DC <250mA-300mA <Center positive
Section 2:Basic MIDI Control From Your P49/61/88 PRO
Your P49/61/88 PRO controller will not make any sound unless it is connected to a computer or other external
MIDI gear. This is because the P49/61/88 PRO sends MIDI data when you play it and does not produce sound
on its own. Instead, it is used to control a virtual instrument on your computer or a MIDI sound module to
generate sounds.
The appearance and functionality of the P49/61/88PRO are the same, it’s just the size of the keyboard that is
different, so when we give instructions for these models, these models are always grouped together.
2. 1 Function Buttons
2.2 The Keyboard
When you play the keyboard, MIDI note messages are sent. These messages are read by your computer
software or external MIDI gear and used to generate sound accordingly.

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2.2.1 Velocity Curve
Every time you press a key, a MIDI note message is sent with a velocity value between 0 and the maximum; this
value specifies how hard yo
u pressed the key. Since different people have different playing styles, your
P49/61/88 PRO offers 6
different velocity curves
experiment with the different velocity curves to
P49/61/88
To change the velocity curve:
Press Velocity Curve
button to start the
displays the ‘VelCURVE' and the
Number
confirmed by Enter button. The initial value is 1, adjusting scale is 1
the following:
(1) Press the “VEL CURVE”
button for one time
(2) Press “+” or “-”
button to adjust the keyboard velocity curve, the LCD will display the current
selected velocity curve on the bottom
(3) Press the “Enter”
button to confirm and the LCD will display
2.2.2 OCTAVE
Press Octave button to adjust
the octave function
up/down by octave. When this button is valid, the LCD shows the ‘OCTAVE’ and the value of current
transposition. It can be adjusted by +/-
steps and LCD displays the following:(
1
“Octave”.
(2)Press “+” or “-”
button to adjust the keyboard octave, the LCD will display the current octave on the
bottom- left corner.
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Every time you press a key, a MIDI note message is sent with a velocity value between 0 and the maximum; this
u pressed the key. Since different people have different playing styles, your
different velocity curves
as shown below. The default is the first one.
You should
experiment with the different velocity curves to
seek
the curve that best suits your playing style.
P49/61/88
PRO Velocity Curves
button to start the
selection function of velocity curve
. When this button is valid, the LCD
Number
of current velocity curve. It can be adjusted by +/-
button and
confirmed by Enter button. The initial value is 1, adjusting scale is 1
~6. The
operation steps and
button for one time
and the LCD displays “velcurve”.
button to adjust the keyboard velocity curve, the LCD will display the current
selected velocity curve on the bottom
- left corner.
button to confirm and the LCD will display
“Done”.
the octave function
.
This function allows the keyboard to change the Pitch
up/down by octave. When this button is valid, the LCD shows the ‘OCTAVE’ and the value of current
button. The initial value is 1, adjusting scale is -4~5. The
1
) Press the “Octave” button for one time and
the LCD displays
button to adjust the keyboard octave, the LCD will display the current octave on the
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Every time you press a key, a MIDI note message is sent with a velocity value between 0 and the maximum; this
u pressed the key. Since different people have different playing styles, your
You should
the curve that best suits your playing style.
. When this button is valid, the LCD
button and
operation steps and
LCD displays
button to adjust the keyboard velocity curve, the LCD will display the current
This function allows the keyboard to change the Pitch
up/down by octave. When this button is valid, the LCD shows the ‘OCTAVE’ and the value of current
operation
the LCD displays
button to adjust the keyboard octave, the LCD will display the current octave on the

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2.2.3 TRANSPOSE
Transpose adjusting function allows the keyboard to change the Pitch up/down by semi
button is valid, the LCD displays the ‘
X
+/-
button. The initial value is 00, adjusting scale is
following:
(1)Press the “X’pose”
button for one time
(2)Press “+” or “-”
button to adjust the keyboard transpose, the LCD will display the current keyboard
transpose on the bottom- left corner.
2.3 CHANNEL
Press the
Channel selection function button
LCD displays “ Channel”
and the current channel number. The channel can be selected with +/
confirmed by Enter button. The initial setting is 1
the following:
(1)Press the “Channel”
button for one time
(2)Press “+” or “-”
button to adjust the keyboard channel, the LCD will display the current keyboard
channel on the bottom- left corner.
(3)Press the “Enter”
button to confirm and the LCD will display
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Transpose adjusting function allows the keyboard to change the Pitch up/down by semi
-tone.
When this
X’pose’ and the value of current transpose. It can be adjusted by
button. The initial value is 00, adjusting scale is
-12~12. The operation steps and
LCD displays the
button for one time
and the LCD displays “X’pose”.
button to adjust the keyboard transpose, the LCD will display the current keyboard
Channel selection function button
to adjust the
current MIDI channel. When this button is valid, the
and the current channel number. The channel can be selected with +/
confirmed by Enter button. The initial setting is 1
, adjusting scale is 1~16.The operation steps an
d
button for one time
and the LCD displays “Channel”.
button to adjust the keyboard channel, the LCD will display the current keyboard
button to confirm and the LCD will display
“Done”.
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When this
’pose’ and the value of current transpose. It can be adjusted by
LCD displays the
button to adjust the keyboard transpose, the LCD will display the current keyboard
current MIDI channel. When this button is valid, the
and the current channel number. The channel can be selected with +/
- Button and
d
LCD displays
button to adjust the keyboard channel, the LCD will display the current keyboard

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2.4
CHANGING VOICE AND VOICE BANK
2.4.1 PROGRAM
Press Program button to adjust the
voice of current channel. When this button is valid, the LCD
‘Program’ and the current voice
number. The voice can be adjusted or selected with +/
setting is 00,
adjusting scale is 0~127.The
(1)Press the “Program”
button for on time
(2)Press “+” or “-”
button to adjust the keyboard program, the LCD will display the current keyboard
program on the bottom- left corner.
Hold
(3)Press the “Enter”
button to confirm and the LCD will display
2.4.2 BANK L/M
Press Bank L/M button to
adjust the voice bank of current channel. When these buttons are valid, the LCD
displays the ‘BANK L/M’ and the current voice bank number. The voice can be adjusted or selected with +/
Button. The initial setting is 00,
adjusting scale is 0~127. The
(1)Press the “Bank L/M”
button for one
(2)Press “+” or “-”
button to adjust the keyboard Bank L/M, the LCD will display the current keyboard
bank L/M value on the bottom-
left corner.
(3)Press the “Enter”
button to confirm and the LCD will display
2.5 MIDI Controller Messages
There are 135 MIDI
controller messages that are used for controlling the MIDI
software or on your external MIDI gear
(0 to127 is the standard MIDI control parameter,128 to 134 is the special
MIDI control parameter)
. Examples of these controllable
chorus and portamento.
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CHANGING VOICE AND VOICE BANK
voice of current channel. When this button is valid, the LCD
displays the
number. The voice can be adjusted or selected with +/
-
Button. The initial
adjusting scale is 0~127.The
operation steps and LCD displays the following:
button for on time
and the LCD displays “Program”.
button to adjust the keyboard program, the LCD will display the current keyboard
Hold
“+” or “-” button to
change the program speedy.
button to confirm and the LCD will display
“Done”.
adjust the voice bank of current channel. When these buttons are valid, the LCD
displays the ‘BANK L/M’ and the current voice bank number. The voice can be adjusted or selected with +/
adjusting scale is 0~127. The
operation steps and
LCD displays the following:
button for one
time and the LCD displays “Bank L/M”.
button to adjust the keyboard Bank L/M, the LCD will display the current keyboard
left corner.
button to confirm and the LCD will display
“Done”.
controller messages that are used for controlling the MIDI
-
adjustable parameters in your
(0 to127 is the standard MIDI control parameter,128 to 134 is the special
. Examples of these controllable
parameters include volume, pan,
expression, reverb,
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displays the
Button. The initial
button to adjust the keyboard program, the LCD will display the current keyboard
change the program speedy.
adjust the voice bank of current channel. When these buttons are valid, the LCD
displays the ‘BANK L/M’ and the current voice bank number. The voice can be adjusted or selected with +/
-
LCD displays the following:
button to adjust the keyboard Bank L/M, the LCD will display the current keyboard
adjustable parameters in your
(0 to127 is the standard MIDI control parameter,128 to 134 is the special
expression, reverb,

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Each of the controls on your P
49/61/88 Pro
messages to control such parameters. Please note that in order for these
are sending to must be able to receive these messages. A full list of these control messages is given in
Appendix C.
For example, you may want to set the Modulation wheel to control the reverb amount. This is done by
assigning controller 91 to the Modulation wheel.
Examples of other popular effects are listed in the table below. (Please consult Appendix C for the full list.)
Effect
Modulation
Volume
Pan
Expression
Reverb
depth
Chorus
depth
There are many different types of virtual instruments available and most of these respond to MIDI controller
messages, allowing you to control a variety of parameters from your P
the manual that came with your
software or external gear to see what these controller numbers are.
2.5.1
Programming the Controls on Your
When programming a physical controller on your
first one selected for
programming. To select a different physical controller for programming, the method is:
Move the physical controller you wish to program,
button to input the value for the
selected
be displayed when you exit Assign mode)
2.5.2 ASSIGNABLE DIAL
There’re
8 dials that can be assigned channel and controller No. independently. First press the
button.
Then operate the dial to select that
dial, and the LCD shows the controller number and the controller value.
Input the value with +/-
button when the dial is selected. The numbers are the controllers
will be displayed
when you exit Assign mode)
For example: if you want to assign R1 to volume control 7,
(1)Press the “Ctrl Assign”
button and the LCD displays
(2)Operate R1 knob.
(3) Press “+” or “- “ button until
the LCD display
controllers
(The controller value will be displayed when you exit Assign mode)
(4)Press the “Enter”
button to confirm and the LCD will display
2.5.3 ASSIGNABLE SLIDER
There’re 8
sliders that can be assigned controller No
t
hen operate the slider, and the LCD shows the controller number and
with +/-butt
on when the slider is selected
displayed when you exit Assign mode)
. You also need to use
For example: if you want to assign
F1 to Expression control 11,
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49/61/88 Pro
keyboard is able to send any of the 128 standard MIDI controller
messages to control such parameters. Please note that in order for these
effects to work, the MIDI device you
are sending to must be able to receive these messages. A full list of these control messages is given in
For example, you may want to set the Modulation wheel to control the reverb amount. This is done by
assigning controller 91 to the Modulation wheel.
Examples of other popular effects are listed in the table below. (Please consult Appendix C for the full list.)
Control
Modulation
1
7
10
Expression
11
depth
91
depth
93
There are many different types of virtual instruments available and most of these respond to MIDI controller
messages, allowing you to control a variety of parameters from your P
49/61/88 PRO keyboard.
Please review
software or external gear to see what these controller numbers are.
Programming the Controls on Your
P49/61/88 PRO
When programming a physical controller on your
P49/61/88 PRO
, the controller that was last used will be the
programming. To select a different physical controller for programming, the method is:
Move the physical controller you wish to program,
and press the assignable button. User the “
+
selected
controller. The numbers are the controllers (T
he controller value will
be displayed when you exit Assign mode)
.When in assign, the LCD displays the following:
8 dials that can be assigned channel and controller No. independently. First press the
dial, and the LCD shows the controller number and the controller value.
button when the dial is selected. The numbers are the controllers
(T
he controller value
when you exit Assign mode)
. You also need to use the ‘Enter’ button
to confirm the data.
For example: if you want to assign R1 to volume control 7,
the operation
steps is shown as below:
button and the LCD displays
“Assign”.
the LCD display
s “7” on the bottom- left corner
. The numbers are the
(The controller value will be displayed when you exit Assign mode)
.
button to confirm and the LCD will display
“Done”.
sliders that can be assigned controller No
. independently. First press the “ctrl
assign” button
hen operate the slider, and the LCD shows the controller number and the controller value. Input the
on when the slider is selected
. The numbers are the controllers (T
he controller value will be
. You also need to use
the “Enter” button
to confirm the data.
F1 to Expression control 11,
the operation
steps is shown as below:
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keyboard is able to send any of the 128 standard MIDI controller
effects to work, the MIDI device you
are sending to must be able to receive these messages. A full list of these control messages is given in
For example, you may want to set the Modulation wheel to control the reverb amount. This is done by
Examples of other popular effects are listed in the table below. (Please consult Appendix C for the full list.)
There are many different types of virtual instruments available and most of these respond to MIDI controller
Please review
software or external gear to see what these controller numbers are.
, the controller that was last used will be the
programming. To select a different physical controller for programming, the method is:
+
” or “-”
he controller value will
“Assign”
dial, and the LCD shows the controller number and the controller value.
he controller value
to confirm the data.
steps is shown as below:
. The numbers are the
assign” button
,
the controller value. Input the
value
he controller value will be
to confirm the data.
steps is shown as below:

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(1)Press the “Ctrl Assign”
button and the LCD displays
(2)Operate F1 slider.
(3) Press “+” or “- “ button until
the LCD display
controllers
(The controller value will be displayed when you exit Assign mode)
(4)Press the “Enter”
button to confirm and the LCD will display
2.5.4 TOUCH STRIPS
The modulation and pitch bend are
the default function of the 2 wheels.
2.5.5 ASSIGNABLE PEDAL
Pedal B
interface can be assigned controller No. independently. First press
the pedal to select it, and the LCD shows the controller number and the controller value. Input the
+/-
button when the pedal is selected. You need to use enter to confirm the data
2.5.3. Pedal A
interface is only for sustain pedal which is not assignable.
the polarity of Pedals
when switch on the unit
2.5.6 PAD SETTING
Activate a pad and p
ress the Ctrl Assign button
the pad. The controller number 128 is for pad note. Press “
pad number you want the pad to be
assigned with +/
control 34, the operation
steps is shown as below:
(1) Press the “Ctrl Assign”
button and the LCD displays
(2)
Press Pad1 and the LCD will display
(3) Press the “Ctrl Assign” button
and the LCD will display
(4)Press ‘+’or ‘-’button until
the LCD display
(5)Press the “Enter”
button to confirm and the LCD will display
Section 3.Advanced Settings
3.1
How to make good use of the keyboard
3.1.1 DUAL
When Dual is ON, the LCD displays the ‘DUAL_ON', Keyboard sends MIDI info of two channels, with the
voice/channel of both channels adjustable. The 2nd voice and channel of 2 layer can be adjusted currently
(Dual is ON).
Dual and Split can’t be used at the
same time. When Dual is ON, Split is OFF. The operation steps and
the following:
(1)Press the “DUAL”
button for one time
(2)Press the “Dual”
button again to close the dual function
3.1.2 SPLIT
Keyboard Split ON/OFF function button. When Split is ON, the LCD displays the
keyboard is split to right section and left section by the split point, with each section us
voice /channel of both channels are
adjustable. The voice and channel of right section can be
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button and the LCD displays
“Assign”.
the LCD display
s “11” on the bottom- left corner.
The numbers are the
(The controller value will be displayed when you exit Assign mode)
.
button to confirm and the LCD will display
“Done”.
the default function of the 2 wheels.
interface can be assigned controller No. independently. First press
”assign” button.
Then operate
the pedal to select it, and the LCD shows the controller number and the controller value. Input the
button when the pedal is selected. You need to use enter to confirm the data, more info please refer to
interface is only for sustain pedal which is not assignable.
Press ‘Ctrl assign
’ button to select
when switch on the unit
.
ress the Ctrl Assign button
, the LCD will display the currently
assigned controller
the pad. The controller number 128 is for pad note. Press “
Ctrl Assign
” to edit the Pad note. Enter the new
assigned with +/
- button.
For example: if you want to assign PAD1 to
steps is shown as below:
button and the LCD displays
“Assign”.
Press Pad1 and the LCD will display
“128” on the bottom- left corner.
and the LCD will display
“Pad Note”.
the LCD display
s “34” on the bottom- left corner.
button to confirm and the LCD will display
“Done”.
How to make good use of the keyboard
When Dual is ON, the LCD displays the ‘DUAL_ON', Keyboard sends MIDI info of two channels, with the
voice/channel of both channels adjustable. The 2nd voice and channel of 2 layer can be adjusted currently
same time. When Dual is ON, Split is OFF. The operation steps and
button for one time
and the LCD displays “Dual_ON”.
button again to close the dual function
and the LCD will display “D
ual_OFF
Keyboard Split ON/OFF function button. When Split is ON, the LCD displays the
’SPLIT_ON’.
, and
keyboard is split to right section and left section by the split point, with each section us
e it
s own channel. The
adjustable. The voice and channel of right section can be adjusted
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The numbers are the
Then operate
the pedal to select it, and the LCD shows the controller number and the controller value. Input the
value. with
, more info please refer to
’ button to select
assigned controller
No. of
” to edit the Pad note. Enter the new
For example: if you want to assign PAD1 to
When Dual is ON, the LCD displays the ‘DUAL_ON', Keyboard sends MIDI info of two channels, with the
voice/channel of both channels adjustable. The 2nd voice and channel of 2 layer can be adjusted currently
same time. When Dual is ON, Split is OFF. The operation steps and
LCD displays
ual_OFF
”.
, and
the
s own channel. The
adjusted

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currently(Split is ON).
Dual and Split can
operation steps and LCD disp
lays the following:
(1)Press the “SPLIT”
button for one time
(2) Press the “SPLIT”
button again to close the
SPLIT POINT
Default Split Point is the central C (MIDI No. 60). User can choose the Split Point. Hold the Split button,
LCD shows CHO, reminding user to select the SPLIT POINT. Press the key that needs to be
Point, and it will be the new Split Point.
3.1.3 AFTER TOUCH
Channel After Touch ON/OFF function button. When Touch is ON, the LCD shows ‘
sends Channel After Touch info when pressing the keys.
(1)Press the “A.TOUCH”
button for one time
(2) Press the “A.TOUCH”
button again to close the
3.2 Other controls
3.2.1 MUTE
MUTE ON/OFF function button. When MUTE function is ON, The LCD
be sent. The operation steps and
LCD displays the following:
(1)Press the “MUTE” button for one
time
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Dual and Split can
’t be used at the same time. When Split is ON,
Dual is OFF. The
lays the following:
button for one time
and the LCD displays “Split_ON”.
button again to close the
split function and the LCD will display “
SPLIT_OFF
Default Split Point is the central C (MIDI No. 60). User can choose the Split Point. Hold the Split button,
LCD shows CHO, reminding user to select the SPLIT POINT. Press the key that needs to be
set as
Channel After Touch ON/OFF function button. When Touch is ON, the LCD shows ‘
A.T
ON’and the system
sends Channel After Touch info when pressing the keys.
The operation steps and LCD displays the following:
button for one time
and the LCD displays “A.T ON”.
button again to close the
after touch
function and the LCD will display
MUTE ON/OFF function button. When MUTE function is ON, The LCD
shows ‘MUTE ON’,
no MIDI info will
LCD displays the following:
time
until the LCD displays “Mute_ON”.
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Dual is OFF. The
SPLIT_OFF
”.
Default Split Point is the central C (MIDI No. 60). User can choose the Split Point. Hold the Split button,
the new Split
ON’and the system
The operation steps and LCD displays the following:
function and the LCD will display
“A.T_OFF”.
no MIDI info will

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(2) Press the “MUTE”
button again to close the
3.2.2 CTRL ASSIGN
ASSIGN mode ON/OFF function button. When ASSIGN mode is ON, The LCD shows ‘ASSIGN’, default as
assigning the controller number. that is assignable. Operate the controller to be assigned and select the very
controller LCD sh
ows the controller No. of current controller. Input the desired controller
button (e.g. when a dial is selected, LCD shows the default
PAN).The LCD displays the following:
3.2.3 GM
GM:Press CHAN and X’POSE
buttons at the same time
display
s ‘GM ON’ when the message is sent. The LCD displays the following
3.2.4 GS
Press X’POSE and PROG
buttons at the same time
The LCD display
s 'GS ON' when the message is sent. The LCD displays the following:
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button again to close the
mute function and the LCD will display “
Mute_OFF
ASSIGN mode ON/OFF function button. When ASSIGN mode is ON, The LCD shows ‘ASSIGN’, default as
assigning the controller number. that is assignable. Operate the controller to be assigned and select the very
ows the controller No. of current controller. Input the desired controller
value
with +/
button (e.g. when a dial is selected, LCD shows the default
No. 007. If you input 010, the dial is assigned as
buttons at the same time
to send GM ON message (
F0 7E 7F 09 01 F7
s ‘GM ON’ when the message is sent. The LCD displays the following
buttons at the same time
to send GS ON message (
F0 41 10 42 12 40 00 7F 00 41 F7).
s 'GS ON' when the message is sent. The LCD displays the following:
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Mute_OFF
”.
ASSIGN mode ON/OFF function button. When ASSIGN mode is ON, The LCD shows ‘ASSIGN’, default as
assigning the controller number. that is assignable. Operate the controller to be assigned and select the very
with +/
-
No. 007. If you input 010, the dial is assigned as
F0 7E 7F 09 01 F7
). The LCD
F0 41 10 42 12 40 00 7F 00 41 F7).

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3.2.5 XG
Press VEL CURVE and PAD CURVE
buttons at the same time
F7). LCD shows ‘XG ON’
when the message is sent. The LCD displays the following:
3.2.6 RESET
Press RESET button to reset the system restoring to factory setting, sending system initial setting info at the
same time.
3.2.7 SNAP
Press SANP button to send message of all user
displays the following:
3.3 Memory and data call back
3.3.1 MEMORY
Press the MEMORY button and t
he system enters the storing state, it stores 6 groups setup value. Using
buttons
to select the memory area. Press ENTER to store the control setting. The
displays the following:
(1)Press the “Memory”
button for one time
(2)Press the “+”/ “-” buttons
and the LCD displays
(3)Press the “Enter”
button to confirm and the LCD will display
3.3.2 RECALL
Press the RECALL button, t
he system enters the recall state. Using the
Press ENTER to recall the parameters.
The
(1)Press the “Recall”
button for one time
(2)Press the +/- buttons
and the LCD displays
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buttons at the same time
to send X
G ON message(F0 43 10 4C 00 00 7E 00
when the message is sent. The LCD displays the following:
Press RESET button to reset the system restoring to factory setting, sending system initial setting info at the
Press SANP button to send message of all user settings. LCD shows SNAP when the message is sent. The LCD
he system enters the storing state, it stores 6 groups setup value. Using
to select the memory area. Press ENTER to store the control setting. The operation steps and
button for one time
and the LCD displays “Memory”.
and the LCD displays
the current memory area(
adjusting scale is
button to confirm and the LCD will display
“Done”.
he system enters the recall state. Using the
+/- buttons
to select the memory area.
The
operation steps and LCD displays the following:
button for one time
and the LCD displays “Recall”.
and the LCD displays
the current memory area(adjusting scale is from
A to F)
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G ON message(F0 43 10 4C 00 00 7E 00
Press RESET button to reset the system restoring to factory setting, sending system initial setting info at the
settings. LCD shows SNAP when the message is sent. The LCD
he system enters the storing state, it stores 6 groups setup value. Using
+/-
operation steps and
LCD
adjusting scale is
from A to F).
to select the memory area.
A to F)
.

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(3)Press the “Enter”
button to confirm and the LCD will display
3.4 Control functions
3.4.1 ENTER
Use ENTER button to confirm the data
.
3.5 Pad Control
3.5.1 Pressure Control
Using the pressure control,
the pads give you a different type of performance option on your P
You can control parameters on your software in a way that would not be possible on a standard dial or slider.
The pressure pads can
be used to make some very interesting effec
As we’ve seen above, each pad can be assigned an individual MIDI controller number.
As you apply more and more pressure to the pad, the value of the controller you are sending will increase,
until the maximum value is reached.
On release, the pad w
3.5.2 Pad Curve
The Pad Curve setting is used to set the response curve of all eight pads. It is not possible to set the response
curve of the pads independently.
3.5.3 Pads Note setting
Press “ctrl assign” and then press
one pad
the MIDI note by +/- buttons
and press ENTER to confirm.
3.5.4
Select the Backlit RGB Color of 8 Pads
Press “ctrl assign”
button and the LCD displays
setting at this time. F1 is for red color.
F
change the RGB color and then operate the
other button to exit the RGB
color setting mode. The operat
(1) Press the “ctrl assign”
button for one time
(2) Press one of the 8 PADs and the
LCD displays
(3) Operate F1, F2, F
3 to change the RGB color of the pad. During operation, the LCD displays the current
RGB color No. on the bottom-
left corner. Maximum is
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button to confirm and the LCD will display
“Done”.
.
the pads give you a different type of performance option on your P49/61/88 PRO
You can control parameters on your software in a way that would not be possible on a standard dial or slider.
be used to make some very interesting effec
ts.
As we’ve seen above, each pad can be assigned an individual MIDI controller number.
As you apply more and more pressure to the pad, the value of the controller you are sending will increase,
On release, the pad w
ill return to the minimum value
The Pad Curve setting is used to set the response curve of all eight pads. It is not possible to set the response
Pad Curves
one pad
. After that you shall press “ctrl assign” again
, then you can set
and press ENTER to confirm.
More info please refer to 2.5.6.
Select the Backlit RGB Color of 8 Pads
button and the LCD displays
“Assign”, the faders F1, F2 and F
3 are used for RGB color
F
2 is for blue color and F
3 is for green color. Press the pad you want to
change the RGB color and then operate the
fader F1, F2, F
3 to change the RGB color of this pad. Press
color setting mode. The operat
ion steps are following:
button for one time
and the LCD displays “assign”.
LCD displays
“A” on the bottom- left corner.
3 to change the RGB color of the pad. During operation, the LCD displays the current
left corner. Maximum is
127, 0 means LED lights off.
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49/61/88 PRO
.
You can control parameters on your software in a way that would not be possible on a standard dial or slider.
As you apply more and more pressure to the pad, the value of the controller you are sending will increase,
The Pad Curve setting is used to set the response curve of all eight pads. It is not possible to set the response
, then you can set
3 are used for RGB color
3 is for green color. Press the pad you want to
3 to change the RGB color of this pad. Press
any
3 to change the RGB color of the pad. During operation, the LCD displays the current

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(4) Press any other button to exit the RGB color setting mode.
(5) Reference RGB No. for some colors:
COLOR R. G. B
WHITE 127 127 127
BLACK 0 0 0
RED 127 0 0
GREEN 0 127 0
BLUE 0 0 127
CYAN 0 127 127
MAGENTA 127 0 127
YELLOW 127 127 0
ORANGE 127 82 0
3.6MMC(MIDI MACHINE CONTROL)
There are 6 buttons used for MMC-[|<<],[<<],[>>],[O],[stop],[play].It is common to set the 6 buttons as
Sequencer remote control buttons, it needs to be working with sequencer software.
Section 4: Usage Examples
4.1 Recording Your Performance On A Sequencer
A MIDI sequencer will allow you to record, play back, store and edit MIDI data. Although hardware sequencers
exist, we will focus on the more commonly used software sequencers in this manual. Examples of popular
software sequencers are Pro ToolsTM, CubaseTM and LogicTM, although there are many different sequencing
applications available for your computer.
In order to use the P49/61/88 PRO with your sequencer, you need to set up the sequencer software so that the
P49/61/88 PRO is recognized as the sequencer’s MIDI input device. You need to choose a MIDI output device
that is capable of making sound when MIDI data is sent to it. This may be a soundcard on your computer, a VST
instrument or a sound module connected to a MIDI port which is in turn connected to your computer. Please
consult your sequencer’s user manual for more information on how this is done. In this manual, section 1.3.1,
“Using The P49/61/88 PRO With Your software” details how the P49/61/88 PRO will appear in the device listing
of your sequencer.
With the P49/61/88 PRO set up to communicate with the sequencer, data will go into the sequencer and will
be routed to a virtual synthesizer within the sequencer software or sent to an external sound module via a
MIDI output port. The virtual synthesizer or external sound module will turn the MIDI data into audible sounds.
You can then record the incoming MIDI data and edit your performance using your sequencer.
Section 5: MIDI Information Specification
5.1 Program & Bank Changes Explained
The original GM MIDI Specification was designed to access only 128 different sounds using Program Change
messages (0-127). As MIDI devices grew to be more sophisticated and contain more sounds, Bank Change
messages were included in the specification to allow for more than 128 sounds to be accessed. Within each bank
there are a possible 128 different sound patches that can be accessed using the standard Program Change
command. Using the expanded 14-bit Bank Change command, there are now 16,384 banks available—each with
128 sounds patches. Technically speaking, the first 7 bits of the 14-bit Bank Change message are sent in a single

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byte known as the Bank LSB. The last 7 bits define another byte known as the Bank MSB. The Bank LSB is the most
commonly used. This allows for 128 bank changes, and often there is no need to send a Bank MSB. You will find
almost all MIDI devices respond to Program Change commands and many are organized according to the GM
listing. In all General MIDI devices, the different sounds are always organized in the same way from device to
device, so the piano sounds are in their particular place, the string sounds are in their place, the drum sounds and
so on. All GM devices (both hardware and software sound modules) are clearly labeled as such, so you know that
their sounds are organized in the General MIDI structure. So when a GM device receives a MIDI Program Change,
it calls up a type of sound that you expect from the GM sound set. All non-GM devices call up unique sounds from
their memory upon receiving MIDI Program Changes. Since the sounds in a non-GM device are not arranged in a
particular order, you need to take a look at the device itself to see which sound you want and at which location in
the memory it resides. Many VST instruments such as Native Instruments’ FM7 or the synth modules in Reason
are non-GM devices.
Bank Change messages are useful when calling up sounds from a large library that may exist in a particular
sound module or software synth. For example devices that are built with Roland's GS specification or
Yamaha's XG specification require you to specify a Bank Change in order to access the extra voices and effects
that these devices provide. Sending Program, Bank LSB and Bank MSB data is made simple using the Panda.
Please consult section 2.4 to see how this is done.
Section 6: Troubleshooting
The P49/61/88 PRO has been designed to give you high performance MIDI control. It has been tested under a
wide range of system and operating conditions. However, there are virtually limitless numbers of operating
scenarios, any of which could affect your system’s performance. Though this section cannot cover all
possible situations you may encounter, we would like to offer some suggestions for dealing with common
problems.
If you are connecting to a computer, we recommend that you avoid connecting too many devices to your
computer at the same time.
The more devices you have connected to the computer, the greater the load on the computer’s CPU.
Although it is possible in theory to connect multiple USB devices at the same time, doing so may degrade your
system’s performance.
My P49/61/88 PRO suddenly stopped working after having performed well since installation on a computer:
<Switch off the unit and leave it off for 10 seconds. Then restart your computer, power up your P49/61/88
PRO and try again.
I have connected the P49/61/88 PRO to my computer. When I press a key, there is a delay before I hear any
sound.
This delay is known as latency. Latency with MIDI signals is caused at the computer and is not coming from the
Panda. This may be due to the CPU load of the soft-synth you are using. MIDI data is simply control data. MIDI
data is read by the soft synth; the soft synth then completes a large number of complex calculations in order
to produce the sound you hear, and all of this processing activity takes time. If you already have adjusted the
appropriate parameters relating to latency on your sound card, try re-installing the latest drivers for the sound
card, or try reducing the buffer sizes of the sound card. If you are using a host application, check its buffer size
settings as most applications allow for user adjustment to improve timing.
<PC only: If your soundcard supports ASIO or WDM, then please use these drivers. It is suggested that you’d
better not use the MME driver which is older and less efficient in design and will have a much higher latency. In
the audio device settings, please select the ASIO driver if available.
Section 7: Technical Info
Caution:
Electro Static Discharge, Electrical Fast Transient and Conducted RF interference may cause the unit
malfunctioning.
In such case, unplug the unit and plug it in again to restore normal operation.
Note: Your WORLDE product has been tested to comply with FCC Standards FOR HOME OR OFFICE USE.
Modifications not authorized by the manufacturer may void users authority to operate this device.

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Note: This equipment has been tested and found to comply with the limits for a Class B digital device,
pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against
harmful interference in a residential installation. This equipment generates, uses and can radiate radio
frequency energy and, if not installed and used in accordance with the instructions, may cause harmful
interference to radio communications. However, there is no guarantee that interference will not occur in a
particular installation. If this equipment does cause harmful interference to radio or television reception, which
can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
< Re-orient or relocate the receiving antenna.
< Increase the separation between the equipment and receiver.
< Connect the equipment to an outlet on a circuit different from that to which the receiver is connected.
< Consult the dealer or an experienced radio/ TV technician for help.
ASIO is a trademark of Steinberg Soft– und Hardware GmbH.
VST is a trademark of Steinberg Soft– und Hardware GmbH
WARNING:
This product contains chemicals, including lead, known to the State of California to cause cancer, and birth
defects or other reproductive harm. Wash hands after handling.
Section 8: Appendices
Appendix A ——MIDI IMPLEMENTATION CHART
Function Transmitted Recognized Remarks
Basic Default
Channel Changed
1-16
1-16
X
X
Mode Default
Messages
Altered
Mode 3
0
*****
X
Note
Number True Voice
0-127
***** X
Velocity Note ON
Note OFF
0
X
X
X
After Key’s
Touch Channel
X
0
X
X
Pitch Bend 0 X
Control 0-119
Change 120-127
0
0
X
X
Program
Change True#
0-127
**** X
System Exclusive 0* 0* *GM,GM2,MMC,
System Song Position Pointer
SongSe
Tune Request
X
X
X
X
X
X
System Clock
Real Time Commands
X
X
X
X

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Aux All Sounds Off
Messages Reset All Controllers
Local ON/OFF
All Notes OFF
Active Sensing
System Reset
0
0
0
0
X
X
X
X
X
X
X
X
Notes
Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO 0: Yes
Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO X: No
Appendix B – Useful MIDI Data Tables
BI-General MIDI Instruments-Program Change Numbers
Piano Bass Reed Synth Effects
0 Acoustic Grand Piano
1 Bright Acoustic Piano
2 Electric grand Piano
3 Honky Tonk Piano
4 Electric Piano 1
5 Electric Piano 2
6 Harpsichord
7 Clavinet
32 Acoustic Bass
33 Fingered Bass
34 Electric Picked
Bass
35 Fretless Bass
36 Slap Bass 1
37 Slap Bass 2
38 Syn Bass 1
39 Syn Bass 2
64 Soprano Sax
65 Alto Sax
66 Tenor Sax
67 Baritone Sax
68 Oboe
69 English Horn
70 Bassoon
71 Clarinet
96 SFX Rain
97 SFX Soundtrack
98 SFX Crystal
99 SFX Atmosphere
100 SFX Brightness
101 SFX Goblins
102 SFX Echoes
103 SFX Sci-Fi
Chromatic Percussion Strings/Orchestra Pipe Ethnic
8 Celesta
9 Glockenspiel
10 Music Box
11 Vibraphone
12 Marimba
13 Xylophone
14 Tubular bells
15 Dulcimer
40 Violin
41 Viola
42 Cello
43 Contrabass
44 Tremolo Strings
45 Pizzicato Strings
46 Orchestral Harp
47 Timpani
72 Piccolo
73 Flute
74 Recorder
75 Pan Flute
76 Bottle Blow
77 Shakuhachi
78 Whistle
79 Ocarina
104 Sitar
105 Banjo
106 Shamisen
107 Koto
108 Kalimba
109 Bag Pipe
110 Fiddle
111 Shanai
Organ Ensemble Synth Lead Percussive
16 Drawbar Organ
17 Percussive Organ
18 Rock Organ
19 Church Organ
20 Reed Organ
21 Accordion
22 Harmonica
23 Tango Accordion
48 String Ensemble 1
49 String Ensemble 2
50 Syn Strings 1
51 Syn Strings 2
52 Choir Aahs
53 Voice Oohs
54 Syn Choir
55 Orchestral Hit
80 Syn Square Wave
81 Syn Sawtooth Wave
82 Syn Calliope
83 Syn Chiff
84 Syn Charang
85 Syn Voice
86 Syn Sawtooth Wave
87 Syn Brass & Lead
112 Tinkle Bell
113 Agogo
114 Steel Drums
115 Woodblock
116 Taiko Drum
117 Melodic Tom
118 Syn Drum
119 Reverse Cymbal
Guitar Brass Synth Pad Sound Effects
24 Nylon Acoustic
25 Steel Acoustic
26 Jazz Electric
27 Clean Electric
28 Muted Electric
29 Overdrive
30 Distorted
31 Harmonics
56 Trumpet
57 Trombone
58 Tuba
59 Muted Trumpet
60 French Horn
61 Brass Section
61 Syn Brass 1
62 Syn Brass 2
88 New Age Syn Pad
89 Warm Syn Pad
90 Polysynth Syn Pad
91 Choir Syn Pad
92 Bowed Syn Pad
93 Metal Syn Pad
94 Halo Syn Pad
95 Sweep Syn Pad
120 Guitar Fret Noise
121 Breath Noise
122 Seashore
123 Bird Tweet
124 Telephone Ring
125 Helicopter
126 Applause
127 Gun Shot

HANGZHOU BLUE WHALE MUSIC TECHNOLOGY CO.,LTD HANGZHOU WORLDE MUSIC ELECTRONIC CO., LTD
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B2-Roland GS And Yamaha XG NRPN Messages
NRPN NRPN Data Data
MSB LSB MSB LSB
CC99 CC98 CC06 CC38
01 08-00-7F n/a (-64-0-+63) Vibrato Rate (relative change)
01 09 00-7F n/a (-64-0-+63) Vibrato Depth (relative change)
01 0A 00-7F n/a (-64-0-+63) Vibrato Delay (relative change)
01 20 00-7F n/a (-64-0-+63) Filter Cutoff Freq. (relative change)
01 21 00-7F n/a (-64-0-+63) Filter Resonance (relative change)
01 63 00-7F n/a (-64-0-+63) EG (TVF&TVA) Attack Time (relative change)
01 64 00-7F n/a (-64-0-+63) EG (TVF&TVA) Decay Time (relative change)
01 66 00-7F n/a (-64-0-+63) EG (TVF&TVA) Release Time (relative change)
*14 00-7F 00-7F n/a (-64-0-+63) Drum Filter Cutoff Freq. (relative change)
*15 00-7F 00-7F n/a (-64-0-+63Drum Filter Resonance (relative change)
*16 00-7F 00-7F n/a (-64-0-+63) Drum EG Attack Rate (relative change)
*17 00-7F 00-7F n/a (-64-0-+63) Drum EG Decay Rate (relative change)
*18 00-7F 00-7F n/a (-64-0-+63) Drum Instrument Pitch Coarse (relative change)
*19 00-7F 00-7F n/a (-64-0-+63) Drum Instrument Pitch Fine (relative change)
1A 00-7F 00-7F n/a (0 to Max) Drum Instrument Level (absolute change)
1C 00-7F 00-7F n/a (Random, L>C>R) Drum Instrument Panpot (absolute change)
1D 00-7F 00-7F n/a (0 to Max) Drum Instrument Reverb Send Level (absolute change)
1E 00-7F 00-7F n/a (0 to Max) Drum Instrument Chorus Send Level (absolute change)
%1F 00-7F 00-7F n/a (0 to Max) Drum Instrument Variation Send Level (absolute change)
* added by Yamaha XG; % changed from Delay to Variation by Yamaha XG
B3-General MIDI Drums-Note assignments
0. Small Room
1: Medium Room
2: Large Room
3: Medium Hall
4: Large Hall
8: Plate
B4-Gm2 Chorus Types
0:Chorus1
1: Chorus 2
2: Chorus 3
3: Chorus 4
4: FB Chorus
5: Flanger
B5-General MIDI Drums-Note assignments
MIDI Note
Drum Sound MIDI Note Drum Sound MIDI Note Drum Sound
35 Acoustic Bass Drum
52 Chinese
Cymbal
69 Cabasa

HANGZHOU BLUE WHALE MUSIC TECHNOLOGY CO.,LTD HANGZHOU WORLDE MUSIC ELECTRONIC CO., LTD
- 20 -
36 Bass Drum 1 53 Ride Bell 70 Maracas
37 Side Stick 54 Tambourine 71 Short Whistle
38 Acoustic Snare 55 Splash Cymbal
72 Long Whistle
39 Hand Clap 56 Cowbell 73 Short Guiro
40 Electric Snare 57 Crash Cymbal 2
74 Long Guiro
41 Low Floor Tom 58 Vibraslap 75 Claves
42 Closed Hi-Hat 59 Ride Cymbal 2 76 Hi Wood Block
43 High Floor Tom 60 Hi Bongo 77 Low Wood
Block
44 Pedal Hi-Hat 61 Low Bongo 78 Mute Cuica
45 Low Tom 62 Mute Hi Conga
79 Open Cuica
46 Open Hi-Hat 63 Open Hi Conga
80 Mute Triangle
47 Low-Mid Tom 64 Low Conga 81 Open Triangle
48 Hi-Mid Tom 65 High Timbale
49 Crash Cymbal 1 66 Low Timbale
50 High Tom 67 High Agogo
51 Ride Cymbal 1 68 Low Agogo
Appendix C - General MIDI Controller Numbers (MIDI CC's)
0-127 General controller
128 PAD controller
129 Pitch Bend
130 Master Volume
131 Program Change
132 RPN Coarse
133 RPN Fine
134 NRPN Coarse
135 NRPN Fine
Appendix D – Assignable Controller Numbers to Linear Controllers
This table applies to the following controls on your P49/61/88 PRO:
< Sliders
< Aftertouch strip
<Pitch bend wheel
<Modulation wheel
<Expression pedal
0-127 General controller
128 PAD controller
129 Pitch Bend
130 Master Volume
131 Program Change
132 RPN Coarse
133 RPN Fine
134 NRPN Coarse
135 NRPN Fine
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