Sony DPS-V55 User manual

1
3-000-000-11(1)
© 1995 by Sony Corporation
Multi-Effect
Processor
Effect Parameter Guide
Guide des Paramètres d’Effet
Effektparameter-Übersicht
EN
DPS-V55
DPS-V55M

2
List of Effects / Liste des Effets / Liste der Effekte
No. Type / Type / Type TAP Name / Name / Name Page / Page / Page
01 4ch [Plat1] Plate Reverb 1 5
02 4ch [Hall1] Hall Reverb 1 6
03 4ch [Room1] Room Reverb 1 7
04 4ch [3Dim1] 3 Dimension 1 8
05 4ch [DeCHO] Decca Chorus 9
06 4ch [ENS] Ensemble 10
07 4ch TAP [Rotry] Rotary Speaker 11
08 4ch [Vocdr] Vocoder 12
09 4ch TAP [Doplr] Doppler 13
10 2ch [Plat2] Plate Reverb 2 14
11 2ch [Hall2] Hall Reverb 2 15
12 2ch [Room2] Room Reverb 2 16
13 2ch [3Dim2] 3 Dimension 2 17
14 2ch [E/R] Early Reflection 18
15 2ch TAP [StDLY] Stereo Delay 19
16 2ch TAP [PpDLY] Ping Pong Delay 20
17 2ch [StPCH] Stereo Pitch Shifter 21
18 2ch [RvSFT] Reverse Shifter 22
19 2ch [StCHO] Stereo Chorus 23
20 2ch [StFLN] Stereo Flanger 24
21 2ch [StPHS] Stereo Phaser 25
22 2ch [StPAN] Stereo Panner 26
23 2ch TAP [HsPAN] Haas Panner 27
24 2ch [Drivr] Driver 28
25 2ch [EQ] 3 Band Equalizer 29
26 2ch [Amp] Amp Simulator 30
27 2ch [Limit] Limiter 31
28 2ch [Comp] Compressor 32
29 2ch [Excit] Exciter 33
30 2ch [Gate] Gate 34
31 2ch TAP [Treml] Tremolo 35
32 2ch TAP [Vibrt] Vibrato 35
33 2ch [Wah] Auto Wah 36
34 2ch TAP [PtROL] Pitch Roller 37
35 2ch [VoCNL] Vocal Canceler 38
36 2ch TAP [Freez] Freeze 39
37 M-P [RV/DL] Reverb + Delay 40
38 M-P [RV/CH] Reverb + Chorus 41
39 M-P TAP [CH/DL] Chorus + Delay 42
40 M-P [CH/CH] Chorus + Chorus 43
41 M-P [CH/PT] Chorus + Pitch 44
42 M-P [PT/PT] Pitch + Pitch 45
43 M-P [PT/DL] Pitch + Delay 46
44 M-P EQ/EQ] EQ + EQ 47
45 M-P [CP/CP] Compressor + Compressor 48
Note / Note / Note
14ch effects: only one can be usead at a time. 22ch and M-P effects: two can be used at a time.
14ch effects: only one can be usead at a time. 22ch and M-P effects: two can be used at a time.
14ch effects: only one can be usead at a time. 22ch and M-P effects: two can be used at a time.

3
Basic Operations / Démarches de base /
Grundlegender Betrieb
AB
Edit:Fx On/Off
FxA On/Off On
Parameter group
Parameter Setting
The following steps are simplified
instructions for choosing effects, editing
effects, and saving the saving the program
containing the effects. For more detailed
descriptions, see page 13, 14, and 16 of the
“Operating Instructions.”
Choosing effects
1Press Fx TYPE (SEARCH).
The “Fx Type: Type” screen appears and
the FxA number starts blinking (Ill. A).
2Turn the rotary encoder to select the
effect (01~45) for Fx A.
3Press EDIT PARAMETER /twice
to move the cursor to FxB.
Note: this is not possible if you select a
4ch effect (01~09) in the previous step.
4Turn the rotary encoder to select an
effect (10~45) for Fx B.
5Press EXIT to return to play mode.
Changing effect parameters
1Press EDIT PARAMETER ?or /
repeatedly to display the parameter
you want to adjust.
(See Ill. B).
2Turn the rotary encoder to change
the parameter.
3Repeat steps 1 and 2 to change all
necessary parameters.
4Press EXIT to return to play mode.
Fx Type:Type
FxA:11/ FxB:12

4
C
Saving a program
1Press SAVE to activate the save
mode.
The save screen appears and the
program number starts blinking (Ill. C).
2Turn the rotary encoder to select the
number (201~400) where you want
to save the program.
3Press EDIT PARAMETER /to
move the cursor to the program
name.
The first character of the current
program name starts blinking.
4Use the rotary encoder and EDIT
PARAMETER ?/ /to enter up to
12 characters.
5Press SAVE again (or ENTER (TAP))
to execute the save operation.
“Writing...” appears momentarily, the
program is saved, and the unit switches
back to the play mode.
Save:
128 Super Delay
Basic Operations / Démarches de base /
Grundlegender Betrieb

5
4 Channel Effects
01 Plate Reverb 1 (Plat1)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 Rev Time 0.3 ~ 50 s Determines how long the reverberation will last.
2 PreDelay 0 ~ 300 ms Sets the length of time between the input of the original sound and the output of the
reverberation. Normally, set the predelay relative to the reverb length (i.e., Set a long
Rev Time, and a long PreDelay to create a greater sense of space).
3 Size 0.6 ~ 1.4 Adjusts the size of the soundstage without changing the character (reverb time and
sound quality) of the effect.
4 Spread 0.6 ~ 1.4 Adjusts the expansiveness of the reverberation. Normally, set to the same value as
Size.
5 Hi Damp 0 ~ 100 Sets the ratio of high frequency reverb time in relation to the overall reverberation.
Smaller values increase the rate of attenuation in the high frequencies.
6 Direct Level 0 ~ 100 Determines the level of the direct sound.
7 Effect Level 0 ~ 100 Determines the level of the effect sound.
This is a reverb for stereo sources. It
has a higher density than the other
reverbs to produce smooth
reverberation.
z
We especially recommend this plate
reverb for percussion an vocals.
It has become the standard for drums
(and drum machines).
CH1
Direct
Direct
Effect
Effect
Effect
Effect
Rear
Front
CH2
Reverb Unit
CH3
CH4
CH1
CH2
CH3
CH4

6
02 Hall Reverb 1 (Hall1)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 Rev Time 0.3 ~ 50 s Determines how long the reverberation will last.
2 PreDelay 0 ~ 400 ms Sets the length of time between the input of the original sound and the output of the
reverberation. Normally, set the predelay relative to the reverb length (i.e., Set a long
Rev Time, and a long PreDelay to create a greater sense of space).
3 Size 0.6 ~ 1.4 Adjusts the size of the soundstage without changing the character (reverb time and
sound quality) of the effect.
4 Spread 0.6 ~ 1.4 Adjusts the expansiveness of the reverberation. Normally, set to the same value as
Size.
5 Hi Damp 0 ~ 100 Sets the ratio of high frequency reverb time in relation to the overall reverberation.
Smaller values increase the rate of attenuation in the high frequencies.
6 Direct Level 0 ~ 100 Determines the level of the direct sound.
7 Effect Level 0 ~ 100 Determines the level of the effect sound.
This is a reverb for stereo sources that
lets you maintain localization of the
original sound. It’s ideal for
reproducing the feel of relatively large
spaces.
4 Channel Effects
CH1
Direct
Direct
Effect
Effect
Effect
Effect
Rear
Front
CH2
Reverb Unit
CH3
CH4
CH1
CH2
CH3
CH4

7
4 Channel Effects
03 Room Reverb 1 (Room1)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 Rev Time 0.3 ~ 50 s Determines how long the reverberation will last.
2 PreDelay 0 ~ 400 ms Sets the length of time between the input of the original sound and the output of the
reverberation. Normally, set the predelay relative to the reverb length (i.e., Set a long
Rev Time, and a long PreDelay to create a greater sense of space).
3 Size 0.6 ~ 1.4 Adjusts the size of the soundstage without changing the character (reverb time and
sound quality) of the effect.
4 Spread 0.6 ~ 1.4 Adjusts the expansiveness of the reverberation. Normally, set to the same value as
Size.
5 Hi Damp 0 ~ 100 Sets the ratio of high frequency reverb time in relation to the overall reverberation.
Smaller values increase the rate of attenuation in the high frequencies.
6 Direct Level 0 ~ 100 Determines the level of the direct sound.
7 Effect Level 0 ~ 100 Determines the level of the effect sound.
This is a reverb for stereo sources that
lets you maintain localization of the
original sound. It’s ideal for
reproducing the feel of relatively small
spaces like a studio or room.
CH1
Direct
Direct
Effect
Effect
Effect
Effect
Rear
Front
CH2
Reverb Unit
CH3
CH4
CH1
CH2
CH3
CH4

8
04 3 Dimension 1 (3Dim1)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 Pan 1 L180 ~ R180 Rotates the sound from Ch 1 up to 180° left or right (“0” is front and center).
2 Pan 2 L180 ~ R180 Rotates the sound from Ch 2 up to 180° left or right (“0” is front and center).
3 Pan 3 L180 ~ R180 Rotates the sound from Ch 3 up to 180° left or right (“0” is front and center).
4 Pan 4 L180 ~ R180 Rotates the sound from Ch 4 up to 180° left or right (“0” is front and center).
This effect lets you adjust the position
of the original sound (of each of the 4
channels) within the sound stage. It
lets you adjust left to right and front to
back positioning simultaneously using
only 2 (front) speakers.
Note
The relationship between your listening
position and the speakers should be as
close as possible to that shown below. The
output from Ch 3 and Ch 4 is the exact
same signal as Ch 1 and Ch 2.
CH1 3-D Panning
CH2 3-D Panning Virtual
Dimension
CH3 3-D Panning
CH4
CH1
CH2
CH3
CH4
3-D Panning
Front
Front
4 Channel Effects
Listening Position
CH1
60¡ 60¡
30¡30¡
CH2

9
4 Channel Effects
05 Deca Chorus (DcCHO)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 Rate 0 ~ 100 Sets the rate (frequency or modulation speed) of the low frequency oscillator (LFO).
The modulation cycles become faster as you increase this value.
2 Depth 0 ~ 100 Sets the depth of the low frequency oscillator (LFO). The sense of modulation
becomes stronger as you increase this value. There is no chorus effect at 0%.
3 PreDelay 0 ~ 1200 ms Determines how long it will to activate the chorus effect.
4 Direct Level 0 ~ 100 Determines the level of the direct sound.
5 Effect Level 0 ~ 100 Determines the level of the effect sound.
This effect incorporates 5 chorus units
for each channel to allow massive
expansion, even from monaural
sources.
CH1 PreDelay
Direct
Effect
Effect
Effect Rear
Front
Effect
Direct
CH2 Deca
Chorus
CH3
CH4
CH1
CH2
CH3
CH4
PreDelay

10
06 Ensemble (ENS)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 Rate 0 ~ 100 Sets the rate (frequency or modulation speed) of the low frequency oscillator (LFO).
The modulation cycles become faster as you increase this value.
2 Depth 0 ~ 100 Sets the depth of the low frequency oscillator (LFO). The sense of modulation
becomes stronger as you increase this value. There is no chorus effect at 0%.
3 PreDelay 0 ~ 1200 ms Determines how long it will to activate the ensemble effect.
4 Mode 1, 2 Sets the type of expansion effect (see above).
5 Direct Level 0 ~ 100 Determines the level of the direct sound.
6 Effect Level 0 ~ 100 Determines the level of the effect sound.
Ensemble lets you produce a more
profound effect than chorus. Think of
it as a massive conglomeration of
chorus units. The Mode parameter
determines the type of effect.
Mode 1: Expands monaural or stereo
sources. (Maintains a sense of
localization when used with
stereo sources.)
Mode 2: Expands monaural or stereo
sources. (Eliminates the sense
of localization when used
with stereo sources.)
z
We especially recommend this effect
with continual sounds like strings or
synthesizer pads. You might want to try
setting Direct Level to “0” and
eliminating the source sound.
CH1 PreDelay
Direct
Effect
Effect
Effect Rear
Front
Effect
Direct
CH2
Ensemble
CH3
CH4
CH1
CH2
CH3
CH4
PreDelay
4 Channel Effects

11
4 Channel Effects
07 Rotary Speaker (Rotry)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 Speed Slow, Fast Selects the rotation speed of the rotary speaker.
2 Depth 0 ~ 100 Determines the depth of the effect. Larger values create a deeper effect.
3 Drive 0 ~ 100 Sets the overdrive distortion. Larger values produce louder and more grungy
distortion.
4 Noise 0 ~ 100 Sets the noise level. Adding some noise is a good way to create a more realistic
effect.
5 Ambience 0 ~ 100 Adds the sound of the rotary speaker cabinet itself.
6 Speed Ratio –20 ~ 20 Determines the ratio of the horn’s (high-band) rotation speed to the rotor’s (low-band)
rotation speed. Larger values create more distinctive rotary speaker undulations.
7 Speaker BAL 0 ~ 100 Determines the balance between the rotor (low-band) and horn (high-band). Larger
values shift the balance toward the horn.
8 Effect BAL 0 ~ 100 Determines the balance between the dry (direct) sound and the effect sound. Larger
values increase the sound of the effect.
This is a simulation of a rotary speaker
(invaluable for organ sound). It
includes faithful simulations of the
delicate differences in coloration
produced by the direction of the
speaker’s horn. By using TAP (or
MIDI) you can change the speed
externally.
z
A real rotary speaker is composed of
two rotating speaker cabinets (one high-
band and one low-band). Since both
cabinets have a different inertia, the
slight difference in time required for
each cabinet to speed up or slow down
creates distinctive sonic undulations
when the speed is changed. This effect
simulates these undulations. Therefore,
making small changes to the Speed
parameter while playing will create a
more organ-like sound. Adjust the Speed
Ratio to obtain the sound you desire.
CH1
Effect Balance
Rear
Front
CH2
Rotary Speaker
CH3
CH4
CH1
CH2
CH3
CH4

12
08 Vocoder (Vocdr)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 Voice Sens 0 ~ 100 Adjusts the sensitivity to the voice (etc.) input to the Lch (ch1).
2 Inst Sens 0 ~ 100 Adjusts the sensitivity to the instrument (etc.) input to the Rch (ch2).
3 Sibilance 0 ~ 100 Sibilance is “ss” or “sh” type sounds. This parameters adjust the sibilance of the voice
input into the Lch (ch1). Increasing this parameter creates more pronounced “ss” or
“sh” sounds.
4 Noise 0 ~ 100 Increasing this value mixes noise into the vocoder, emphasizing vocoder sibilants and
increasing clarity. It's also rather effective when using the vocoder as a sound effect.
5 Voice Mix 0 ~ 100 Determines how much of the voice (etc.) input to the Lch (ch1) will be mixed into the
output.
6 Vocoder Mix 0 ~ 100 Sets the output level of the vocoder
This is an 8 band vocoder. By inputting
a voice through a mic (etc.) to the Lch
(ch1) and inputting an instrument to
the Rch (ch2), you can output the voice
with the instrument‘s coloration. The
pitch is dictated by the pitch of the
instrument.
z
To create the “vocoder sound”
associated with electric and funk music,
we recommend inputting an organ or
hard synth-string type instrument to the
Rch (ch2).
Note for DPS-V55
Since microphones have low output levels,
be sure to connect it through a preamp (or
mixer).
4 Channel Effects
CH1
(Voice)
(Instrument)
Voice Mix
Sibilance
Vocoder Mix
Noise Vocoder
Unit
CH2
CH1
CH2
CH3
CH4
CH3 Non Connection
CH4 Non Connection
Inst. Sens
Sibilance Control
Noise
Voice Sens

13
09 Doppler (Doplr)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 Speed L 0 ~ 100 Determines the speed at which the sound source input to the left (L) channel will
travel.
2 Speed R 0 ~ 100 Determines the speed at which the sound source input to the right (R) channel will
travel.
3 Distance L 0 ~ 100 Determines the distance between the listener and the sound source input to the left
(L) channel.
4 Distance R 0 ~ 100 Determines the distance between the listener and the sound source input to the right
(R) channel.
5 Direction L LnR, RnL Determines the direction in which the sound source input to the left (L) channel will
travel.
6 Direction R LnR, RnL Determines the direction in which the sound source input to the right (R) channel will
travel.
7 Ambience 0 ~ 100 Adds ambience. Larger values create a wider “space”.
8 Trigger Signal, Tap Determines whether the Doppler effect is triggered by the input signal or by the
ENTER (TAP) key.
Imagine an ambulance, sirens ablaze,
headed your direction. The change in
the way you hear the sirens during the
approach and departure of the
ambulance is known as the Doppler
effect. This effect simulates the
Doppler effect (see illustration below).
When Trigger is set to “Signal” the
effect is activated automatically. When
Trigger is set to “Tap” the Doppler
effect is activated in time with the taps
on the ENTER (TAP) key.
Doppler
Doppler
Trigger
Detector
TAP Trigger
Select
Control
Control
CH1
CH2
CH3
CH4
Rear
Front
CH1
CH2
CH3
CH4
Surround
Unit
4 Channel Effects

14
2 Channel Effects
10 Plate Reverb 2 (Plat2)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 Rev Time 0.3 ~ 50 s Determines how long the reverberation will last.
2 PreDelay 0 ~ 150 ms Sets the length of time between the input of the original sound and the output of the
reverberation. Normally, set the predelay relative to the reverb length (i.e., Set a long
Rev Time, and a long PreDelay to create a greater sense of space).
3 Size 0.6 ~ 1.4 Adjusts the size of the soundstage without changing the character (reverb time and
sound quality) of the effect.
4 Spread 0.6 ~ 1.4 Adjusts the expansiveness of the reverberation. Normally, set to the same value as
Size.
5 Hi Damp 0 ~ 100 Sets the ratio of high frequency reverb time in relation to the overall reverberation.
Smaller values increase the rate of attenuation in the high frequencies.
6 Direct Level 0 ~ 100 Determines the level of the direct sound.
7 Effect Level 0 ~ 100 Determines the level of the effect sound.
This is a reverb for stereo sources. It
has a higher density than the other
reverbs to produce smooth
reverberation.
z
We especially recommend this plate
reverb for percussion an vocals.
It has become the standard for drums
(and drum machines).
Direct
Direct
Effect
Effect
Reverb Unit
CH1
(CH3)
CH2
(CH4)
CH1
(CH3)
CH2
(CH4)

15
2 Channel Effects
11 Hall Reverb 2 (Hall2)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 Rev Time 0.3 ~ 50 s Determines how long the reverberation will last.
2 PreDelay 0 ~ 150 ms Sets the length of time between the input of the original sound and the output of the
reverberation. Normally, set the predelay relative to the reverb length (i.e., Set a long
Rev Time, and a long PreDelay to create a greater sense of space).
3 Size 0.6 ~ 1.4 Adjusts the size of the soundstage without changing the character (reverb time and
sound quality) of the effect.
4 Spread 0.6 ~ 1.4 Adjusts the expansiveness of the reverberation. Normally, set to the same value as
Size.
5 Hi Damp 0 ~ 100 Sets the ratio of high frequency reverb time in relation to the overall reverberation.
Smaller values increase the rate of attenuation in the high frequencies.
6 Direct Level 0 ~ 100 Determines the level of the direct sound.
7 Effect Level 0 ~ 100 Determines the level of the effect sound.
This is a reverb for stereo sources that
lets you maintain localization of the
original sound. It’s ideal for
reproducing the feel of relatively large
spaces.
Direct
Direct
Effect
Effect
Reverb Unit
CH1
(CH3)
CH2
(CH4)
CH1
(CH3)
CH2
(CH4)

16
2 Channel Effects
12 Room Reverb 2 (Room2)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 Rev Time 0.12 ~ 20 s Determines how long the reverberation will last.
2 PreDelay 0 ~ 150 ms Sets the length of time between the input of the original sound and the output of the
reverberation. Normally, set the predelay relative to the reverb length (i.e., Set a long
Rev Time, and a long PreDelay to create a greater sense of space).
3 Size 0.6 ~ 1.4 Adjusts the size of the soundstage without changing the character (reverb time and
sound quality) of the effect.
4 Spread 0.6 ~ 1.4 Adjusts the expansiveness of the reverberation. Normally, set to the same value as
Size.
5 Hi Damp 0 ~ 100 Sets the ratio of high frequency reverb time in relation to the overall reverberation.
Smaller values increase the rate of attenuation in the high frequencies.
6 Direct Level 0 ~ 100 Determines the level of the direct sound.
7 Effect Level 0 ~ 100 Determines the level of the effect sound.
This is a reverb for stereo sources that
lets you maintain localization of the
original sound. It’s ideal for
reproducing the feel of relatively small
spaces like a studio or room.
Direct
Direct
Effect
Effect
Reverb Unit
CH1
(CH3)
CH2
(CH4)
CH1
(CH3)
CH2
(CH4)

17
2 Channel Effects
13 3 Dimension 2 (3Dim2)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 Pan 1 L180 ~ R180 Rotates the sound from Ch 1 up to 180° left or right (“0” is front and center).
2 Pan 2 L180 ~ R180 Rotates the sound from Ch 2 up to 180° left or right (“0” is front and center).
This effect lets you adjust the position
of the original sound (of each of the 4
channels) within the sound stage. It
lets you adjust left to right and front to
back positioning simultaneously using
only 2 (front) speakers.
Note
The relationship between your listening
position and the speakers should be as
close as possible to that shown below. The
output from Ch 3 and Ch 4 is the exact
same signal as Ch 1 and Ch 2.
3-D Panning Virtual
Dimension
3-D Panning
CH1
(CH3)
CH2
(CH4)
CH1
(CH3)
CH2
(CH4)
Listening Position
CH1
60¡ 60¡
30¡30¡
CH2

18
14 Early Reflection (E/R)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 Type 1 ~ 4 Determines the type of waves to be reflected:
1= density of the reflected waves increases over time, 2 = density of the reflected
waves does not change, 3 = density of the reflected waves decreases over time,
4 = density of the reflected waves changes randomly.
2 Level Mode Dec, Fix, Inc Determines how the sound level of the reflected waves will change:
Dec = level of the reflected waves decreases over time, Fix = level of the reflected
waves does not change, Inc = level of the reflected waves increases over time.
3 PreDelay 0 ~ 150 ms Determines the length of time between the input of the original sound and the output
of the reflected wave.
4 Diffusion L 0 ~ 100 Determines the density (time interval) of the reflected waves.
5 Diffusion R 0 ~ 100 Determines the density (time interval) of the reflected waves.
6 Direct Level 0 ~ 100 Determines the level of the direct sound.
7 Effect Level 0 ~ 100 Determines the level of the effect sound.
The effect lets you simulate early
reflections (the first sound waves to be
reflected back when using reverb, etc.).
You can also use this effect for a multi-
tapped delay type of sound shaping.
2 Channel Effects
Direct
Direct
Effect
Effect
CH1
(CH3)
CH2
(CH4)
CH1
(CH3)
CH2
(CH4)
Pre Delay E/R Unit
Pre Delay E/R Unit

19
15 Stereo Delay (StDLY)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 DlyTime L 0 ~ 1360 ms, Tap Sets the time that will elapse before the sound of the left (L) channel echo is output.
Set to “Tap” to set the time using the TAP function.
2 DlyTime R 0 ~ 1360 ms, Tap Sets the time that will elapse before the sound of the right (R) channel echo is output.
Set to “Tap” to set the time using the TAP function.
3 Feedback L –99 ~ +99 Feedback is what occurs when you put the sound of the echo back into the delay
input. By increasing this parameter, you can add an echo to the echo to create longer
reverberations. This parameter sets feedback level for the left (L) channel.
4 Feedback R –99 ~ +99 This parameter sets feedback level for the right (R) channel.
5 LPF L 100 Hz ~ Thru LPF (low pass filter) lets you blur the sound of the echo by blocking all frequencies
higher than the one chosen in this parameter. LPF is inactive when set to “Thru”. This
parameter sets LPF for the left (L) channel.
6 LPF R 100 Hz ~ Thru This parameter sets LPF for the right (R) channel.
7 Direct Level 0 ~ 100 Determines the level of the direct sound.
8 Effect Level 0 ~ 100 Determines the level of the effect sound.
This is a standard stereo delay effect.
Delay adds an echo effect to the
original sound.
2 Channel Effects
Direct
Direct
Effect
Effect
CH1
(CH3)
CH2
(CH4)
CH1
(CH3)
CH2
(CH4)
LPF Delay
LPF Delay
Feedback

20
2 Channel Effects
16 Ping Pong Delay (PpDLY)
Parameters
No. Name Range Comments
– FxA(B) On/Off On, Off Turns the effect on or off.
1 DlyTime L 0 ~ 1360 ms, Tap Sets the time that will elapse before the sound of the left (L) channel echo is output.
Set to “Tap” to set the time using the TAP function.
2 DlyTime R 0 ~ 1360 ms, Tap Sets the time that will elapse before the sound of the right (R) channel echo is output.
Set to “Tap” to set the time using the TAP function.
3 Feedback L –99 ~ +99 Feedback is what occurs when you put the sound of the echo back into the delay
input. By increasing this parameter, you can add an echo to the echo to create longer
reverberations. This parameter sets feedback level for the left (L) channel.
4 Feedback R –99 ~ +99 This parameter sets feedback level for the right (R) channel.
5 LPF 100 Hz ~ Thru LPF (low pass filter) lets you blur the sound of the echo by blocking all frequencies
higher than the one chosen in this parameter. LPF is inactive when set to “Thru”.
6 Mode Cross, Normal Determines which channel the echo will be output from. “Cross” outputs the echo for
the left (L) channel from the right (R) channel and vice versa. “Normal” outputs the
echoes from their original channels.
7 Direct Level 0 ~ 100 Determines the level of the direct sound.
8 Effect Level 0 ~ 100 Determines the level of the effect sound.
This effect shifts the sound of the
feedback back and forth from left to
right.
Direct
Direct
Effect
Effect
Normal
Cross
Cross
Normal
CH1
(CH3)
CH2
(CH4)
CH1
(CH3)
CH2
(CH4)
LPF Delay
LPF Delay
Feedback Mode