
1. Room Design Considerations
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Painting the wall a muted color, such as beige or blue-gray, looks better on video than bright white
or dark colors. As a general rule of thumb, the brighter the room is, the darker the walls should be.
For example, if your room has no windows, dark carpeting, and the overhead lights are not
extremely bright, you should consider painting your walls a lighter shade, such as pale blue or light
beige. If, on the other hand, your room has some natural light, light-colored carpeting, and bright
overhead lights, you should consider painting your walls a slightly darker shade, such as tan or
medium gray or blue.
If you want to test colors before painting the walls, try hanging fabric of various colors on the back
wall to see which color looks best on video.
Lighting
Your VidyoPanorama room should have evenly dispersed, ambient lighting. For the best lighting,
use LED lights. Although the upfront cost for these is higher, the long-term cost is lower. The direct
fluorescent lighting that is common in offices is not recommended because it causes harsh
shadows on the faces of the participants. In addition, its brightness can vary considerably at
different parts of the room. If you cannot change your fluorescent fixtures, get full spectrum bulbs
designed for video.
The ideal color temperature should be between 3,000and 3,500Kelvin, and about 70 foot
candles of intensity at the subject.
Lighting for video can involve as many as four lighting positions (which are explained below), with
the Key Light being the most important. For most multi-purpose conference rooms, a strong color-
balanced Key Light supported by additional full spectrum lighting in the room will work well. Just
remember: you don't want meeting participants feeling like they're in a television studio.
Here is some additional information about the lighting positions:
Key Light: Light shining on the participant from the front. These lights are generally placed high
and at the center, or to each side of the seating area if two are required. Aim them downward
at a 45angle to light the participants’ faces without causing their eyebrows to cast a shadow
over their eye-sockets.
Fill Light: Lights shining on the participant from the front, but placed at a low angle to soften
shadows under the eyes and chin.
Hair Light: Lights at the rear of the room, above the participants and aimed downward to help
separate the participants from the background.
Backdrop lighting: Lights above and (if space allows) between the participants and the
background. Two lights are usually required, each aimed toward the opposite half of the
background to evenly light it.
In addition, always ensure that no lights are pointing in the camera lens, and avoid pointing any
lights directly at the displays. If possible, you may want to hire a lighting designer and have the
lighting professionally installed.