Oce Arizona 350 GT User manual

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Copyright © 2009 BERTL, Inc. March 8, 2009
All Rights Reserved. The license under which this document is made available and applicable law prohibit any reproduction or further transmission of any portion of this document. This
document may only be viewed electronically through the www.BERTL.com Web site and may not be stored in electronic or hard copy format. Any reproduction of trademarks is strictly
prohibited. BERTL accepts no responsibility for any inaccuracies or omissions contained in this document.
Océ Arizona 350 GT Printer
Wide Format
•
Printer
49.2 x 98.4 x 1.89 inch Flatbed, 239ft2/hr, 5 color

Copyright © 2008 BERTL, Inc. March 8, 2009
All Rights Reserved. The license under which this document is made available and applicable law prohibit any reproduction or further transmission of any portion of this document. This
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prohibited. BERTL accepts no responsibility for any inaccuracies or omissions contained in this document. Page 2
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Table of Contents
Introduction
Introduction 5
Océ History 5
The Océ Arizona 350 GT Printer 6
5Printing With White Ink 8
The Océ Family of Wide-Format
Printer Systems 9
Print
The Océ Arizona 350 GT Printer 10
ONYX ProductionHouse Océ Edition
RIP Application 12
10 Océ Arizona 350 GT Printer Console
Application 15
Image Quality
17
Image Quality 17
Performance
Performance 22
22 File-to-Print Performance 22
Media Handling: Media Input
Media 24
Capacity 24
Size 24
24 Loading and Unloading Media Rolls 25
Media Handling: Output Finish
Output Finish 27
27
Routine Maintenance
Routine Maintenance 28
28

Copyright © 2008 BERTL, Inc. March 8, 2009
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Table of Contents (cont.)
Accessibility
Accessibility 31
User Accessibility to Device Controls 31
User Accessibility for Printed Media 31
31 User Accessibility of Media Refilling 31
User Accessibility of Media Jam
Removal 31
User Accessibility of Routine
Maintenance 31
Summary
32
Summary 32
About BERTL
34
About BERTL 34

Copyright © 2008 BERTL, Inc. March 8, 2009
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ABOUT BERTL’S GALAXY© STAR RATING
BERTL understands how difficult it is to choose one office-imaging device over another and strives to make this an easier choice
for the consumer. That said, how does a consumer decide between two or more devices that carry the same BERTL 3-, 4-, or 5-
star rating?
Category Criteria:
Build Quality: An analysis of the construction quality of the major components that the user must interact with on a regular basis
(e.g., paper tray, access covers, suppliers, etc.).
Network Administration: The quality of administrative and management utilities (both executable and Web based) when compared
to that of a sliding scale benchmark based on the network administrative feature set of other vendors.
Workflow: The quality of the network scanning, job submission, document management, sharpening, and enhancement of the
conversion and job layout tools based on a sliding scale benchmark when compared to the workflow tools employed by other
vendors.
Ease of Use: Ease of maintenance (adding paper, toner, misfeeds, cleaning) and ease of using the documentation, help, control
panel, print drivers, and client utilities analysis when compared to a sliding scale benchmark on the ease of use of other devices.
Media Handling: Throughput specifications and evaluations based on a sliding scale benchmark when compared with the handling
of special media (e.g., oversize, thick, or coated stock) found on other devices.
Printing: Duplex and simplex print productivity based on tests and printing feature set analysis when compared to a sliding scale
benchmark based on the feature set found on other devices.
Image Quality: The quality of business color images (text, dot, line, halftone, and solid quality) based on tests and a subjective
rating on the quality of continuous tones (photos) when compared to a sliding scale benchmark based on the continuous tone
quality of other devices.
Performance: Performance and productivity based on tests and printing feature set analysis when compared to a sliding scale
benchmark based on the feature set found on other devices.
Features: The feature set compared to a sliding scale benchmark based on the feature set found on other devices.
Price: MSRP of a system configured with network printing, copying, scanning, and media trays/rolls (wide format) configuration.
BERTL Galaxy© Star Rating
OceArizona 350 GT Printer
0.01.02.03.04.05.0
Price
Features
P erform ance
Image Quality
Printing
Media Handling
Ease of Use
Workflow
Network Administration
Build Quality

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Copyright © 2008 BERTL, Inc. March 8, 2009
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prohibited. BERTL accepts no responsibility for any inaccuracies or omissions contained in this document. Page 5
Introduction
BERTL Inc. recently tested the new Océ Arizona® 350 GT flatbed printer. It
is based on an Océ-developed platform that combines a true flatbed design
and a separate, dedicated optional roll-to-roll capability. The Océ Arizona 350
GT printer can print on rigid media up to 98 inches wide x 49 inches long x
1.89 inches thick. The large format flatbed printer uses four-color (CMYK) UV
curable inks and Océ VariaDot imaging technology with near-photographic
image resolution to deliver true production print speeds (sellable prints) of 239
ft2/hr.
The Océ Arizona 350 GT printer comes in a variety of configurations. The
optional roll-to-roll module can print onto flexible media as wide as 87 inches.
The Océ Arizona 350 GT printer also offers a new white ink option that can
help expand your revenue-producing opportunities. The entry price for the
Océ Arizona 350 GT printer is $141,900 in the U.S.
OCÉ HISTORY
Océ history goes back to 1857 in Venlo, The Netherlands, when the company
began in the pharmaceutical industry as a family owned and operated
company. In 1919, the company entered the copier market by starting the
production of blueprint material. In 1931, a new technology called the semi-
dry process was marketed under the name of Océ; the Océ name is an
abbreviation of “Ohne Componente,” which means “without components.” In
the 1960s, the demand for office copier systems grew rapidly, and Océ
focused its attention on plain paper copying, for which there was a large
demand in offices. In 1973, the first plain paper copier equipment was
introduced: the Océ 1700. In 1983, Océ introduced its first equipment for
copying large-format originals on plain paper, the Océ 7500.
In 1995, Océintroduced its first digital high-volume printer/copier for office
environments and for technical documentation in wide format. Since the
1990s, Océ has also marketed a line of wide-format monochrome scanners
followed by wide-format color scanners ranging from 36- to 54-inches wide
scanning capability.
Print Device Features Summary
List Price Starting at $141,900
Test version: $156,900
Printing
Method
Piezoelectric inkjet using UV
curable inks and Océ
VariaDot imaging technology
Ink System CMYK (Cyan, Magenta,
Yellow & Black)
White Ink option (CMYK+W)
Maximum
Print Speed
239 ft2per hour (Flatbed)
188 ft2per hour (Roll Media
Option)
Maximum
Print
Resolution
Due to the Variable Dot
technology the resolution is
comparable to a 1440dpi
printer although the
addressable resolution is
lower
Color
Modes Color printing plus optional
white
Print Heads
2 per color (CMYK), 8 Total
With White Ink Option:
2 per color (CMYK+W),
10 Total
Droplets
size 6 to 42 picoliters
Cutter None
Print Driver
Print Workflow
ONYX
®
ProductionHouseTM
software Océ Edition, v7.2
or greater
Interface 100/1000 Mbits/s Ethernet

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prohibited. BERTL accepts no responsibility for any inaccuracies or omissions contained in this document. Page 6
THE OCÉ ARIZONA 350 GT PRINTER
The Océ Arizona 350 GT is a four color (CMYK) printer with an option for
white ink. The UV flatbed inkjet printer is capable of producing large-format
images on various rigid and flexible media. The printer consists of a large
vacuum table and moving gantry. The material is held flat and stationary on
the vacuum table during printing. The gantry contains a carriage that sweeps
across the table as the gantry moves in steps along the length of the table to
print an image on the media. In addition to the benefits of stationary
positioning, the use of UV ink technology on rigid material eliminates finishing
processes such as mounting and lamination.
The Océ Arizona 350 GT printer is a 98.4” x 49.2” flatbed printer.
The Océ Arizona 350 GT printer uses UV curable inks and Océ VariaDot™
imaging technology to deliver near-photographic image quality on a wide
range of rigid and flexible media. The promise of Océ VariaDot technology on
a four color ink printer is that it uses less ink than a comparable six color ink-
based system. The maximum production speed is 239 ft2/hr for rigid media
and 188 ft2/hr for roll feed media. Print speed also varies based on print mode
and the use of white ink as indicated in the table below.
Print Mode Print Speed
Production: 239 ft2/hr
Quality: 164 ft2/hr
Quality-Matte: 117 ft2/hr
Quality-Density: 91 ft2/hr
Fine Art: 133 ft2/hr
White Ink - Quality 3 Layer: 55 ft2/hr
White ink - Quality 2 Layer: 82 ft2/hr
The Océ Arizona 350 GT printer is a flatbed printer with a roll feed option
allowing a more flexible mix of both rigid and flexible media. The print width is
somehow less for the flexible roll feed option — 86.2” compared to 98.4” for
rigid media.
To ensure that the media is staying flat,
the printer has a heavy vacuum pump
preventing any media slipping during
print. Since not all prints need to reach
the maximum width of 98.4”, the printer’s
flatbed is divided into three different
zones to ensure better suction for smaller
media sizes. The vacuum zones are user-
controllable.
The printer and the Controller station are
connected to the local LAN through an
Ethernet connection in the back, which
supports 100 Mbit and 1 Gbit fast
Ethernet.
The Océ Arizona 350 GT printer comes
pre-configured with either a four-color ink
system or a factory-installed five- color ink
system that includes the white ink option.
Printers can be upgraded with the white
ink option in the field. The physical print
resolution depends on the print mode.
The printer comes with the option of
ONYX ProductionHouse RIP v7.2 for
$4,995 to facilitate printing from any
locally connected computer.
The Océ Arizona 350 GT flatbed printer
has a footprint of 8.7 ft x 6.5 ft for the
table. Including the gantry the width grows
to 13.4 ft, requiring a fairly large room for
operation. To make it possible to get this
in your production room, the printer can
be tilted 90º to move it into your facility
with the aid of the Tilt-N-Go rigging
accessory, thereby preventing the need to
break down walls to get it in there.
Lastly the Océ Arizona 350 GT printer
uses a single phase voltage of 208V and
a rated current of 16 amps.

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Océ VariaDot™ Image Technology
The Océ Arizona 350 GT printer offers improved print quality and ink
economy through the use of Océ VariaDot imaging technology, which
according to Océis the next evolution in piezoelectric inkjet technology that
enables a print head to produce droplets of varying volume. This differs from
the current piezoelectric print head technology that is restricted to the use of
fixed droplets. The use of variable sized droplets results in dots on the media
of varying size (area) and density, which in turn allows the use of four-color
(CMYK) printing for all image features.
Océ VariaDot imaging technology allows piezoelectric print heads to produce
droplets of varying volume on demand. The Océ Arizona 350 GT printer can
vary the droplet from 6 picoliters to 42 picoliters. This allows the optional
ONYX ProductionHouseTM software to specify the appropriate droplet size for
each specific image feature. When imaging fine detail such as small type or
fine lines, very small droplets can be used. When imaging areas of tonal
transition or quarter-tone values such as skin tones, drops of medium volume
can be used. When printing areas of high density, such as solid colors, then
the printer can use large droplets.
With a typical investment cost of close to $200,000 with options and typical
billable printing hours of 3.25 hours per day, the payback time for an
investment in the Océ Arizona 350 GT printer is only 1.5 months, making it a
highly attractive investment.

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Copyright © 2008 BERTL, Inc. March 8, 2009
All Rights Reserved. The license under which this document is made available and applicable law prohibit any reproduction or further transmission of any portion of this document. This
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prohibited. BERTL accepts no responsibility for any inaccuracies or omissions contained in this document. Page 8
PRINTING WITH WHITE INK
Of course if you are printing using a white media — either rigid or roll — you
wouldn’t need a printer capable of printing white ink. However if you are
planning to print on media not naturally white like wood, metals, fabrics, or
transparent media, you would need to consider the benefit of printing with
white ink.
The white ink option is new to the Océ Arizona 350 GT printer and can either
be ordered as factory installed or installed as a field upgrade later.
Depending on the application, there are a number of different modes for
applying white ink with the Océ Arizona 350 GT printer.
Under-printing
• Creates a base layer on non-white media onto which a color
image can be printed.
• Used for packaging prototyping on cardboard or foil, industrial
applications, specialty printing, and object printing.
Over-printing
• Applies a layer of white ink overtop colored ink.
• Used for light diffusion on backlit images when printed as a
second surface on transparent media.
Between-layer printing
• Applies a layer of white ink between two layers of color.
• Used for day/night backlit prints, window cling (above), etc.
Spot color
• Prints white on white/non-
white media as a spot
color effect.
All these effects can be used on the table
for rigid media or on the roll media option
for flexible media.
One of the key benefits of the Océ
Arizona 350 GT printer is that white can
be applied at the same time as the other
colors are laid out in one operation,
avoiding the slower two-step procedure
found on some competitive products.

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prohibited. BERTL accepts no responsibility for any inaccuracies or omissions contained in this document. Page 9
THE OCÉ FAMILY OF WIDE-FORMAT PRINTER SYSTEMS
The Océ Arizona 350 GT is the latest installment in the Océ Arizona series of
printers. The Océ Arizona series is a group of four flatbed printers with
increasingly higher productivity that includes Océ Arizona 200 GT, Océ
Arizona 250 GT, Océ Arizona 350 GT and the recently-introduced Océ
Arizona 350 XT which offers a larger flatbed table. They all have the roll
media option upgrade. However, the Océ Arizona 200 GT printer has only
one print head per color while the others have two print heads per color. In
addition, the Océ Arizona 350 GT and the Océ Arizona 350 XT printers can
be upgraded to include white ink, which sets them apart from the others along
with their faster print speeds. Lastly, this series of printers all have different
price points.
Océ offers a series of wide-format flatbed production printers with increasingly
higher productivity. All can print on an area of 98” x 49” and as thick as 1.89”.
The new Océ Arizona 350 XT can print on an area of 98” x 120"
What BERTL Tested
BERTL tested the Océ Arizona 350 GT (White Ink) printer with the ONYX
ProdutionHouse v7.2 RIP software. The list price for the tested system was
around $161,895.
BERTL uses its own standardized test procedures to test all wide-format
printers, ensuring uniform and independent treatment of wide-format printers
across the industry.

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Print
OCÉ ARIZONA 350 GT PRINTER
The 98.4” x 49.2” flatbed printer is faster than its predecessor the Océ Arizona
250 GT printer and offers an additional white ink option. One of the key
benefits of the printer is its use of variable dot droplet size ranging from 6 to
42 picoliters, which produces sharp details, smooth skin tones, solid fills and
offers more economic printing using less ink than comparable competitors’
six-ink color systems.
The Océ Arizona 350 GT printer comes standard with a printer control station
that in turn connects to the printer over a 1 GBit Ethernet link. The ONYX
ProductionHouse RIP is optional. Printing to the Océ Arizona 350 GT is a two-
step procedure. First you submit the print job through the ONYX
ProductionHouse RIP, which RIPs and sends the resulting data to the Océ
Arizona 350 GT Controller for queuing. The print operator can then load the
appropriate rigid media and submit the jobs to the printer.
The Océ Arizona 350 GT printing a BERTL test chart. Notice the vacuum
holes that keep the media in a fixed position throughout the print.
Printing can be initiated through a client computer located on the LAN using
the Windows driver to the ONYX ProductionHouse RIP. We expect that most
professional users will use the ONYX ProductionHouse RIP for its rich
features and control instead of the simplistic Windows print driver.
Even though the flatbed is equipped with
a vacuum system, Océ recommends that
you tape the sides of the media to ensure
that the print heads do not accidentally
damage the media. Even though it
sounds tedious to do this for each print, it
was an easy task, and after a while you
get used to it.
A nice built-in feature is the ability to print
a guide on the flatbed table’s aluminum
surface. After printing it out initially, it
makes it easy to position the media
accurately. If the printed media guide
wears down over time, you simply reprint
the guides on the flatbed table.

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Copyright © 2008 BERTL, Inc. March 8, 2009
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prohibited. BERTL accepts no responsibility for any inaccuracies or omissions contained in this document. Page 11
WHAT WE LIKED
•We liked the Controller application that is intuitive and easy to use.
•It’s easy to mount rigid media.
•We liked the ability to print white ink as over, under, in-between, and spot
color printing in one coherent print operation, thereby reducing production
time.
•We liked the capability to print on roll media while staging the next print
job media for flatbed printing.
•The white color option is field upgradable.
•We liked the approximately 40% faster speed compare to its predecessor.
WHAT WE WOULD LIKE TO SEE
•BERTL has no recommendations at this time.
Print Features Summary
CPU Info Not Available
RAM and Hard Drive Info Not Available
Controller Platform External Controller
Printer Drivers Windows XP
Pro/Vista based
ONYX RIP
Data Format Info Not Available
Network Protocols TCP/IP
Interfaces / Standard 100/1000 Mbits/s
Ethernet
Client Software ONYX
ProductionHouse
RIP
Std PCL Fonts
Supported Function of RIP
Std PS Fonts
Supported Function of RIP

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ONYX ProductionHouse Océ Edition RIP Application
The Océ Arizona 350 GT printer is available with the option of the ONYX
ProductionHouse workflow software as the heart of the workflow procedures
for the printer.
The ONYX RIP is responsible for creating and buffering jobs to be printed on
the Océ Arizona 350 GT printer and needs to be installed on one robust
computer on your local LAN that that will send jobs to the printer. The ONYX
ProductionHouse RIP prints directly to the Océ Arizona 350 GT Controller
station, where jobs are queued up until released by the printer operator. This
seems odd at first, but the intermediate step is needed because we are not
printing on roll feed media (although it’s an option), but instead are using
sheet-fed media that can vary with size and thickness. Therefore it’s required
prior to each print that the operator mounts the media for printing and starts it
from the Controller station.
The PC or MAC stations submit jobs to the ONYX RIP where it is processed
and then sent to the Print Station Controller, and then finally sent to the Océ
Arizona 350 GT printer for printing.
The ONYX ProductionHouse RIP application running on the print station
computer is logically divided into five logical areas.
Printer Area
Jobs Ready to Print Area
Buffered Job Area
Information Area
Console
The ONYX ProductionHouse RIP is
logically divided into five main areas.
The Print area (1) lists the printers
available for printing. So with the ONYX
ProductionHouse RIP application you can
control all your printers in your network
from a common application.
Next to each printer is a color-coded
button that indicates whether the printer is
online, offline, or waiting for media.
Clicking the button can toggle the printer
between online and offline mode. When
ONYX ProductionHouse is installed, it
automatically creates a virtual printer to
be used as a regular Windows printer plus
creates a shared hotfolder so common file
formats like pdf, eps, tiff, jpg, etc can be
simply dropped in remotely. This allows
virtually all applications to print directly to
the ONYX ProductionHouse RIP,
expanding the versatility of the solution.
For example, you can use your favorite
graphics applications and other office
applications to print directly to the ONYX
ProductionHouse RIP-Queue. However
realistically you most likely would prefer to
use the ONYX ProductionHouse RIP
directly since it gives you full control of
how to print your jobs.
The Print area also gives you the current
status of the progress of the print jobs,
including estimating the remaining time to
complete the jobs.
The Jobs Ready area (2) lists all jobs
queued for printing. Each print job can be
individually controlled and modified prior
to printing. The ONYX ProductionHouse

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RIP has a preflight mode that brings up a dialog box for the print jobs,
allowing for quick modification. The ONYX ProductionHouse RIP has
countless print and job setting parameters that can be set and fine tuned to
the print media. To make life easy, you can create quick sets beforehand for
certain standard types of printing. A quick set is a collection of print
parameters that you apply to a job. A quick set is inferred by its name and
makes it quick to apply all relevant print settings in a single operation. The
quick sets records media and page size, print mode, color management
profiles to be used, sizing rules, control of output options, rotation, number of
copies, tiling, print marks, default crop area, and various PostScript options.
When you submit a print job to the print queue, you can either automatically
or manually launch the Preflight dialog box as needed. The Preflight dialog
box allows you to make any last minutes changes or fine tuning of parameters
from the chosen quick sets.
The Preflight dialog box is an efficient way to make last-minute changes in the
print settings for a print job.
The Preflight dialog box has five different tabs controlling how the image will
be printed. The first tab Printer and Media controls the media configuration
and print mode. The second tab Preview & Size controls what part of your
media is printing with an easy way to crop the image, so you only print the
part that you need, plus image rotation and enlargement or reduction of the
image.
The Preview and Size tab allows you to
crop, reduce or enlarge an image.
The third tab Tiling Setup can enable
tiling. Tiling separates a job into two or
more pieces and lets you print an image
larger than your page size or break an
image into specific sizes for display and
mounting purpose.
The fourth tab Color Correction allows
you to adjust the color in your image
using several tools like Primary Color
levels, Color/Gray level, White/Black
limits, Color replacement, Spot layer, and
lastly for the real professional, you can
apply color filters.
The last tab is the Print tab, and it is used
for submitting the job and controlling the
workflow by adding after-processing
options like deleting the source image and
after-printing options like archiving the job
or deleting the job after printing. If a job is
archived, it is moved to the buffered job
area on the main screen and can easily
be accessed and reprinted.

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The Print tab sends the job to the printer.
The Buffered Print Jobs area (3) on the main screen holds all the history of
printed jobs and gives fast access to repeat a archived print job.
The Information area (4) in the main screen lists current information about
current print jobs. From this area you can also launch the Preflight dialog box
and make changes to the current job.
Lastly the Console area (5) lists the status of various image processing and
RIPping jobs.
WHAT WE LIKED
•We liked the logical way all controls
and dialog boxes are organized.
•We liked the concept of an easy-to-
use application for ordinary users
with ample options and features for
the professional as well.
•We liked the quick set features to
create predefined print settings for
various types of jobs.
•We liked the extensive color
management and ICC profiling
features available in the ONYX
ProductionHouse RIP application.
WHAT WE WOULD LIKE TO SEE
•BERTL does not have any
recommendations at this time.

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prohibited. BERTL accepts no responsibility for any inaccuracies or omissions contained in this document. Page 15
OcéArizona 350 GT Console Application
The ONYX ProductionHouse RIP does not print directly to the OcéArizona
350 GT printer. Instead it sends the job to a printer console and the print
operator then manually starts the print job. The reason is quite simply that the
print operator first has to stage the media for printing on the printer’s 98.4” x
49.2” print board unless the Roll Media Option is installed, in which case the
print can start automatically.
However, we expect that most end users will use the printer for its flatbed
sheet-fed capability. The main screen looks similar to the RIP. It has 11
areas:
1) Job and Printer Status
2) Printer Messages
3) Ink System Status
4) Left Command Tool Bar
5) Right Command Tool Bar
6) Active Job List
7) Job Placement Preview
8) Inactive Jobs
9) Job Information & Parameters
10) Interface Tabs
11) Image Upload
The Console application is structured logical in blocks.
The Active Job list awaits the submission by the print operator. He can select
a job for printing and reposition it using the Layout Preview window (7) and
set final print parameter like bi-directional, uni-directional, and job parameters
like number of copies, etc. The list of parameters to set and control is limited
to avoid unnecessary duplication of identical parameters set on the ONYX
ProductionHouse RIP application. The Print Submission area controls the
submission and is done in five sequential steps. Before a print can
commence, the correct ink temperature
must be obtained and the UV lamps and
vacuum must be started and ready to go.
Furthermore you would have the option to
disable white ink printing if you were
printing on a white media. The system
automatically goes to a standby mode
after a period of inactivity and would need
warm-up time to resume printing. When
all prerequisite conditions are reached,
the Start button lights up and the operator
can activate the print. The system is
failsafe in preventing incorrect use with
one exception and that is the manual
setting of the media thickness. It has to be
correct or the print heads will hit the
media and force an abortion of the current
print. To avoid damaging the print heads,
there is a protective box around the print
heads. If the print heads are incorrectly
lowered to less than the media thickness,
the guard rail will hit the media and force
the protective box to move in upward
direction. The movement is detected, and
the print will abort immediately to protect
the print head from damage.

WideFormat March 8, 2009
Océ Arizona 350 GT Printer
www.bertl.com
Copyright © 2008 BERTL, Inc. March 8, 2009
All Rights Reserved. The license under which this document is made available and applicable law prohibit any reproduction or further transmission of any portion of this document. This
document may only be viewed electronically through the www.BERTL.com Web site and may not be stored in electronic or hard copy format. Any reproduction of trademarks is strictly
prohibited. BERTL accepts no responsibility for any inaccuracies or omissions contained in this document. Page 16
When printing, the guard rail will detect any obstacles
and prevent the print head from damage.
The Interface Tab (10) has various counters available for keeping track of the
ink used and number of hours the UV lamp has been operating.
What we particularly liked was the feature for utilizing the available media
space using the layout screen. The operator can print several jobs onto the
same media if size permits for better media utilization.
Printer maintenance is also conducted from the Controller monitor, including
nozzle check, standby options, and several other printer maintenance
functions.
WHAT WE LIKED
•We like the straightforward
operations of the Controller console.
•We like the failsafe features for
preventing incorrect operation.
•The layout was logical and easy to
operate.
WHAT WE WOULD LIKE TO SEE
•BERTL does not have any
recommendations at this time.

WideFormat March 8, 2009
Océ Arizona 350 GT Printer
www.bertl.com
Copyright © 2008 BERTL, Inc. March 8, 2009
All Rights Reserved. The license under which this document is made available and applicable law prohibit any reproduction or further transmission of any portion of this document. This
document may only be viewed electronically through the www.BERTL.com Web site and may not be stored in electronic or hard copy format. Any reproduction of trademarks is strictly
prohibited. BERTL accepts no responsibility for any inaccuracies or omissions contained in this document. Page 17
Image Quality
BERTL has custom designed a selection of test documents in
order to investigate the ability of wide-format devices to
reproduce fonts, fine lines, and graphics in both a
monochrome and color environment.
BERTL printed the 36” x 48” test pattern (shown on the right) with various
lines, text, image gradations, and borders in all the available print modes.
Text Océ Arizona 350 GT– Fine Art mode
Times New Roman Font Negative Black Blue Red
Readable font size (visual) 4 pt. 4 pt. 4 pt. 4 pt.
Readable font size (magnified) 4 pt. 4 pt. 4 pt. 4 pt.
Arial Font Negative Black Blue Red
Readable font size (visual) 4 pt. 4 pt. 4 pt. 4 pt.
Readable font size (magnified) 4 pt. 4 pt. 4 pt. 4 pt.
Courier Font Negative Black Blue Red
Readable font size (visual) 4 pt. 4 pt. 4 pt. 4 pt.
Readable font size (magnified) 4 pt. 4 pt. 4 pt. 4 pt.
Text Océ Arizona 350 GT – Quality mode
Times New Roman Font Negative Black Blue Red
Readable font size (visual) 4 pt. 4 pt. 4 pt. 4 pt.
Readable font size (magnified) 4 pt. 4 pt. 4 pt. 4 pt.
Arial Font Negative Black Blue Red
Readable font size (visual) 4 pt. 4 pt. 4 pt. 4 pt.
Readable font size (magnified) 4 pt. 4 pt. 4 pt. 4 pt.
Courier Font Negative Black Blue Red
Readable font size (visual) 4 pt. 4 pt. 4 pt. 4 pt.
Readable font size (magnified) 4 pt. 4 pt. 4 pt. 4 pt.
Text Océ Arizona 350 GT – Production mode
Times New Roman Font Negative Black Blue Red
Readable font size (visual) 4 pt. 4 pt. 4 pt. 4 pt.
Readable font size (magnified) 4 pt. 4 pt. 4 pt. 4 pt.
Arial Font Negative Black Blue Red
Readable font size (visual) 4 pt. 4 pt. 4 pt. 4 pt.
Readable font size (magnified) 4 pt. 4 pt. 4 pt. 4 pt.
Courier Font Negative Black Blue Red
Readable font size (visual) 4 pt. 4 pt. 4 pt. 4 pt.
Readable font size (magnified) 4 pt. 4 pt. 4 pt. 4 pt.
Lines Océ Arizona 350 GT All
modes Black Blue Red
Satisfactory 0.25 pt. lines Yes Yes Yes
A BERTL test original was printed by the
Océ Arizona 350 GT printer in all imaging
quality modes.
This image shows a cropped version of
the BERTL test pattern that examines the
reproduction capabilities of text in multiple
sizes and colors. The example above
shows red Times New Roman type in
2 pt, 4 pt, 6 pt, 8 pt, and 10 pt sizes.

WideFormat March 8, 2009
Océ Arizona 350 GT Printer
www.bertl.com
Copyright © 2008 BERTL, Inc. March 8, 2009
All Rights Reserved. The license under which this document is made available and applicable law prohibit any reproduction or further transmission of any portion of this document. This
document may only be viewed electronically through the www.BERTL.com Web site and may not be stored in electronic or hard copy format. Any reproduction of trademarks is strictly
prohibited. BERTL accepts no responsibility for any inaccuracies or omissions contained in this document. Page 18
Grayscale Océ Arizona 350 GT Fine Art
Quality Production
Smooth grayscale strip Yes Yes Yes
Accurate graduated grayscales Yes Yes Yes
The Océ Arizona 350 GT printer prints with a different dpi resolution for the
three different modes: Fine Art, Quality, and Production mode. Given this
variation, we expected to see a difference in the readable font size for the
different quality modes. However we observed no such difference, and the 4
pt font was readable in all three modes.
We looked at the color reproduction of our test poster in the three different
quality modes: Fine Art, Quality, and Production. The result is displayed on
the next page. We found that the grayscale test was smooth and accurate
with very good color matching of the graphic elements.
This cropped image of a BERTL test
pattern examines the reproduction
capability of fine lines in multiple colors.
Océ Arizona 350 GT printer has no
problem in reproducing fine lines.

WideFormat March 8, 2009
Océ Arizona 350 GT Printer
www.bertl.com
Copyright © 2008 BERTL, Inc. March 8, 2009
All Rights Reserved. The license under which this document is made available and applicable law prohibit any reproduction or further transmission of any portion of this document. This
document may only be viewed electronically through the www.BERTL.com Web site and may not be stored in electronic or hard copy format. Any reproduction of trademarks is strictly
prohibited. BERTL accepts no responsibility for any inaccuracies or omissions contained in this document. Page 19
BERTL original poster
BERTL poster printed in Production mode.
BERTL poster printed in Quality mode.
BERTL poster printed in Fine Art mode.

WideFormat March 8, 2009
Océ Arizona 350 GT Printer
www.bertl.com
Copyright © 2008 BERTL, Inc. March 8, 2009
All Rights Reserved. The license under which this document is made available and applicable law prohibit any reproduction or further transmission of any portion of this document. This
document may only be viewed electronically through the www.BERTL.com Web site and may not be stored in electronic or hard copy format. Any reproduction of trademarks is strictly
prohibited. BERTL accepts no responsibility for any inaccuracies or omissions contained in this document. Page 20
BERTL’s test pattern for printing
resolution consists of a series of
horizontal and vertical lines positioned
with less and less spacing in between,
demanding higher optical printing
resolution to be able to distinguish them.
The line pairs per inch are printed in
CMYcolors. Most printers support a
certain optical resolution; however when
the bleeding or half toning between lines
gets increasingly smaller, the effective
resolution becomes something less than
the optical resolution.
We ran the test in Ocè’s three standard
quality print modes: Fine Art, Quality, and
Production.
Our test with the Océ Arizona 350 GT
printer revealed that 112 line pairs were
detectable in both Quality and Fine Art
mode and 74 line pairs in Production
mode.
We therefore conclude that for quality
prints, the Quality mode is sufficient and
can be used instead of Fine Art mode to
speed up production.
Overall the result is good and meets our
expectations.
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